UNIVERSITY  OF  CALIFORNIA 
AT  LOS  ANGELES 


THE 


2MILIE    GRIOSBY 


COLIJ2C1  ION 


PART  I 

OBJECTS  OF  ART 


THE  ANDERSON  GALLERIES 

NEW  YORK 


THE   COLLECTION 

OF 

MISS  EMILIE  GRIGSBY 

OF  NEW  YORK  CITY 


ILLUSTRATED  CATALOGUE 

—  OF   THE  — 

Art   and   Literary   Collections 


—  OF 


Miss  Emilie  Grigsby 


OF  NEW  YORK  CITY 


Part  I -OBJECTS  OF  ART 


Paintings,  Sculptures,  Jades,  Snuff  Bottles,  Chinese 

Porcelains,  Silver,  Miniatures,  Fans,  Jewelry, 

Rugs,   Tapestries,   Embroideries,    Artistic 

Carved  Furniture,   and  China 

ON  EXHIBITION  IN  THE  ANDERSON  GALLERIES  AND  TO  BE 

SOLD  BY  UNRESTRICTED  PUBLIC  AUCTION 

DURING  THE  WEEK 

BEGINNING  JANUARY  22,  1912 


BY 


The  Anderson  Auction  Company 


Conditions  of  Sale 


1.  All  bids  to  be  PER  LOT  as  numbered  in  the  Catalogue. 

2.  The  highest  bidder  to  be  the  buyer;  in  all  cases  of  disputed  bids  the  lot  shall  be 
resold,  but  the  Auctioneer  will  use  his  judgment  as  to  the  good  faith  of  all  claims  and  his 
decision  shall  be  final.    He  also  reserves  the  right  to  reject  any  fractional  or  nominal  bid  which 
in  his  judgment  may  delay  or  injuriously  affect  the  sale. 

3.  Buyers  to  give  their  names  and  addresses  and  to  make  such  cash  payments  on 
account  as  may  be  required,  in  default  of  which  the  lots  purchased  to  be  immediately  resold. 

4.  The  lots  to  be  taken  away  at  the  buyer's  expense  and  risk  within  twenty-four  hours 
from  the  conclusion  of  the  sale,  and  the  remainder  of  the  purchase  money  to  be  absolutely 
paid  on  or  before  delivery,  in  default  of  which  The  Anderson  Auction  Company  will  not  be 
responsible  if  the  lot  or  lots  be  lost,  stolen,  damaged  or  destroyed,  but  they  will  be  left  at  the 
sole  risk  of  the  purchaser,  and  subject  to  storage  charges. 

5.  To  prevent  inaccuracy  in  delivery  and  inconvenience  in  the  settlement  of  purchases, 
no  lot  will  be  delivered  during  the  sale. 

6.  All  lots  will  be  exposed  for  public  exhibition  two  or  more  days  before  the  date  of  sale, 
for  examination  by  intending  purchasers,  and  The  Anderson  Auction  Company  will  not  be 
responsible  for  the  correctness  of  the  description,  authenticity,  genuineness,  or  for  any  defect 
or  fault  in  or  concerning  any  lot,  and  make  no  warranty  whatever,  but  will  sell  each  lot 
exactly  as  it  is,  WITHOUT  RECOURSE.    But  upon  receiving  before  the  date  of  sale  expert  opinion 
in  writing  that  any  lot  is  not  as  represented,  The  Anderson  Auction  Company  will  use  every 
effort  to  furnish  proof  to  the  contrary,  and  in  default  of  such  proof  the  lot  will  be  sold  subject 
to  the  declaration  of  the  aforesaid  expert,  he  being  liable  to  the  owner  or  owners  thereof  for 
damage  or  injury  occasioned  by  such  declaration. 

7.  TERMS  CASH.    Upon  failure  to  comply  with  the  above  conditions  any  sum  deposited 
as  part  payment  shall  be  forfeited,  and  all  such  lots  as  remain  uncleared  after  twenty-four 
hours  from  the  conclusion  of  the  sale,  will  be  resold  by  either  private  or  public  sale  at  such 
time  as  The  Anderson  Auction  Company  shall  determine,  without  further  notice,  and  if  any 
deficiency  arises  from  such  resale  it  shall  be  made  good  by  the  defaulter  at  this  sale  together 
with  all  the  expenses  incurred  thereby.     This  condition  shall  be  without  prejudice  to  the 
right  of  The  Anderson  Auction  Company  to  enforce  the  contract  with  the  buyer,  without 
such  resale. 

The  Anderson  Auction  Company  will  afford  every  facility  for  the  employment  of  carriers 
and  packers  by  the  purchasers,  but  will  not  be  responsible  for  any  damage  arising  from  the 
acts  of  such  carriers  and  packers. 

THE  ANDERSON  AUCTION  COMPANY 

MADISON  AVENUE  AT  FORTIETH  STREET,  NEW  YORK 
TELEPHONE  7990  BRYANT 


Order  of  Sales 

PART  I— OBJECTS  OF  ART 

AFTERNOONS  AND  EVENINGS,  JANUARY  22o,   TO  SATURDAY  AFTERNOON, 
JANUARY  27TH,  1912,  BEGINNING  AT  2:30  AND  8:15  O'CLOCK 

Monday  Afternoon,  January  22d Lots,  1-161. 

Arms  and  Armor,  Indian  Weapons,  Deer  Head,  Draperies   and  Portieres,  Rosaries, 
Woodcarvings,  Marbles,  and  Bronzes. 

Monday  Evening,  January  22d Lots,  162-295. 

Chinese  and  Japanese  Porcelains,  Embroideries,  Ivories,  Jades,   Snuff  Bottles,  Rock 
Crystal,  and  Cabinet  Pieces. 

Tuesday  Afternoon,  January  23d Lots,  296-442. 

Coins,  Dining  Room  Furniture  Upholstered  in  Antique   Flemish  Tapestry,   Flemish 
Wall  Tapestries,  Ecclesiastical  Embroideries,  Draperies,  and  Hangings. 

Tuesday  Evening,  January  23d Lots,  443- 604A. 

Cabinet  Objects,  Fans,  Miniatures,  Assyrian  Glass,  Tanagras,  Gold  Boxes,  Jewelry, 
Cathedral  Hanging  Lamps,  and  Sculptures. 

Wednesday  Afternoon,  January  24th Lots,  605-763. 

Decorated  Porcelain  Groups  and  Figures;  Meissen,  Sevres  and  Solon  Vases;  Old  Eng- 
lish, Dutch,  and  German  Silver  Tankards,  Cups,  Chalices,  etc. 

Wednesday  Evening,  January  24th Lots,  764-927. 

Musical  Instruments,  Antique  Watches,  Bronzes,  Ecclesiastical  Silver,  European  Ivories 
Cathedral  Lamps,  Limoges  Enamel,  and  Objects  of  Art. 

Thursday  Afternoon,  January  25th Lots,  928-1079. 

Table  Silver  and  Glass;  Exhibition   Plates   by   Solon,    Boullemier,   and   Labas;    Tea 
Sets  of  Sevres,  Dresden,  and  Royal  Vienna;  Spode,  Coalport,  etc. 

Thursday  Evening,  January  25th Lots,  1080-1175. 

Paintings  by  Modern  French  Artists,  examples  of  Italian,  French,  and  Dutch  Schools, 
Engravings  and  Carbon  Prints. 

Friday  Afternoon,  January  26th Lots,  1176-1283. 

Carved  and  Gilded  French  Walnut  Furniture,  Louis  XVth  Suites,  Furniture  of  the 
Empire  Period,  upholstered  in  Aubusson  Tapestry,  a  Carved  and  Gilded  Piano,  etc. 

Friday  Evening,  January  26th Lots,  1284-1390. 

Oriental   Rugs,   the   Furniture  and  Decoration  of  Miss  Grigsby's  Room,  Lace,  and 
Objects  of  Art. 

Saturday  Afternoon,  January  27th Lots,  1391-1510. 

Florentine  and  Venetian-carved  Furniture  Upholstered,  in  Old  Church  Embroideries, 
an  /Eolian  Orchestrelle,  a  Weber  Grand  Piano,  etc. 


198486 


INDEX  OF  PAINTINGS 

ARTISTS  REPRESENTED 


Achenbach  (Oswald)  1  126 

Van  de  Velde  (Adrian)  

1160 

Albertinelli  (Francia  Luigio)   ....             1168 

Wissing  (William)  

1175 

Beers  (Jan  van)  1133,  1139 

Wouverman  (Philips)  

1158 

Belloni  (Giorgio)  1116,  1120 
Benlliure  (Jose)  1141 

Zorn  (Anders)  

1149,  1153 

Berchem  (Nicholas)  1156 
Boudin  (Eugene)  1148 

Photographs 

Constant-Benjamin  (Jean  J.)  ....  1117,  1136 

Albani  (Francesco)  

1080 

Corot  (J.  B.  C.)  [attributed]       .             1145 

Botticelli  

1088 

Dei  Rossa  (Francesco)  1174 

Brescia  (Morette  da)  

1089 

Dupre  (Jules)  1143 

Hais  (Franz)  

1093 

Deventer  (W.  A.  van)  1124 

Diaz  (N.)  1146 

Le  Brim  (Viglee  Madame)  

1084 

Filosa  (G.)  1123,  1125 

Murillo  

1091 

Funk  (Wilhelm)  1115,  1127,  1131,  1157 

Raphael  

1092 

Goyen  (Jan  van)  1164,  1166 

Rembrandt  van  Rhyn  

1081,  1086 

Greuze  (Jean  Baptiste)  1165 

Rubens  

1082 

Ruysdael  

1087,  1090 

Herter  (Albert)  1114,  1147 

Hoppner  (John)  [attributed]  ...             1170 

Titian  

1083 

Jacque  (Ch.Emile)  [attributed].             1144 

Van  Dyck  

1085 

Jettel  (Eugene)  1135,  1138,  1140 

Engravings  and  Etchings 

Klinkenberg  (Johannes  C.  K.)  .  .  .  1122,  1132 
Kunz  (L.  Adam)  1129 

Audran  (Jean)  

1105 

Bonheur  (Rosa)  

1097 

Lamb  (A.  C.)  1119 

Le  Ducq  (Jan)  1163 

Chapman  (F.  A.)  

1103 

Color  Prints  

1095 

Mignard  (Pierre)  '.  1137 

Monet  (Claude)  1154 

De  Longhi  

1102 

Morrice  (J.  W.)  1152 

Etchings  

1108,  1109 

Nattier  (Jean  Marc)  T          1171 

Eyck  (Jan  van)  

1107 

Newman  (R.  L.)  1128 

Flameng  (Leopold  and  Francois) 

1111 

Pissarro  (Camille)  1150 

Giudetti  (N.)  

1098 

Potter  (Paul)  [attributed]  1162 

Pourbous   (Franz,  the  Younger) 

Haig  (Axel)  

1113 

1167,  1169,  1173 

Harding  (S.)  

1106 

Herter  (Albert)  

1101 

Quast  (Peter)  1159 

Hogarth  (William)  

1104 

Schmidt  (Edward  Allan)  1118 

Koepping  (Charles)  

1112 

Serra-y-Porson  (Jose)  1121,  1130 
Sisley  (Alfred)  1151 

Lefort  (Henri)  

1110 

Sogliani  (Giovanni  Antonio)  1172 

Morghen  (Raphael)  

1099 

Stevens  (Alfred)  1142 

Muller  (W.)  

1100 

Teniers  (David)  [attributed]  ....             1155 

Perez  (D.  A.)  

1096 

Unknown  Artist  1134,  1161 

Scientists'  Portraits  

1094 

The  Collection  of  Miss  Emilie  Grigsby 


PART  I.— OBJECTS  OF  ART 

FIRST  SESSION 

1.  Blue  Porcelain  Vase. 

Floral  relief  decoration  with  figure  of  a  Gallant  in  relief  standing 
on  the  bowl.  Height,  21  inches. 

2.  Aztec  Pottery  Jug.     (Grotesque.) 

Toby  Jug.     Stoneware,  signed.      Height  of  each,  8  inches.     (2  pieces.) 

3.  Wide-Mouthed  Glass  Flower  Holder. 
Two  Cameo  Glass  Toilet  Bottles. 
Glass  Tray  in  Nickel  Holder. 

Pair  of  Soap  Trays  of  Nickel.  (6  pieces.) 

4.  Antique  Mexican  Cut  Leather  Money  Box. 

Iron  mounts  6x4x4  inches. 
Pair  Spanish  Castanets. 

Washington  Souvenir,  wood  from  Mt.  Vernon. 
Wagner  Bronze  Medal,  by  Wiener. 
Maltese  Cross  of  Filigree  Silver. 
Pair  of  Buttons  Enameled  with  Egyptian  {Figures. 
Two  Pairs  Dumb-bells.  (11  pieces.) 

5.  Choisy  Umbrella  Stand. 

Green  Pottery.  Height,  23  inches. 

6.  Ormolu  Jewel  Box. 

Octagonal  in  form,  set  with  rose  decorated  porcelain  panels. 
Two  Cut  Glass  Toilet  Bottles  with  Original  Stoppers. 

7.  French  Bronze  and  Enamel  Statuette. 

Bust  of  Cleopatra  rising  from  a  cluster  of  lotus  leaves  of  blue,  green 
and  brown  enamel  which  form  a  stem  resting  on  a  marble  base. 
She  wears  an  Egyptian  head  dress  of  blue,  green  and  brown 
enamel.  Signed  Henri  Godet.  Height,  6  inches. 


8.  Pair  Flower  Vases. 

Clear  glass  with  applied  gold  decoration.  Height,  22  inches. 

9.  Pair  Flower  Vases. 

Green  fluted  glass.  Height,  16  inches. 

10.  Pair  Flower  Vases. 

Clear  glass  beaker  shape.  Height,  21  inches. 

1 1 .  Pair  Flower  Vases. 

Clear  glass,  flaring  mouth.  Height,  20  inches. 

12.  Two  Glass  Flower  Vases. 

Clear  glass  and  green  glass,  each  with  gold  decoration. 

Height,  16  inches. 

13.  Flower  Vases  and  Bowl. 

Clear  glass,  fluted  bowl,  tall  vase  and  three  single  flower  vases. 

(5  pieces.) 

14.  Wide-Mouthed  Glass  Flower  Vases. 

Clear  glass.     (3  pieces.)  Height,  11  inches. 

15.  Pair  Low  Brass  Candlesticks. 

16.  Pair  Low  Brass  Candlesticks. 

17.  Ivory  Paper  Cutter  with  Sterling  Silver  Handle. 

Monogrammed  twice. 

Silver  Paper  Weight  set  with  semi-precious  stones. 
Magnifying  Glass  mounted  in  sterling  silver.  (3  pieces.) 

18.  Three  Edward  Vllth  Doulton  Coronation  Cups. 

One  with  inscribed  silver  rim. 

19.  Silver  Bonbon  or  Sugar  Bowl. 

Two  handles,  monogram. 
Silver  Gilt  Wheelbarrow. 
Gilt  Bracelet  set  with  five  painted  porcelain  medallions.  (3  pieces.) 

20.  Carved  Repousse  Silver  Ash  Tray. 

Venetian  Jewel  Casket,  covered  with  illuminated  and  carved  leather. 

Empire  Jewel  Casket  of  blue  velvet  and  silver  in  the  form  of  a 

small  chest.  (3  pieces.) 


21.  Rosary. 

Mother  of  Pearl  and  Crucifix,  silver  mounted. 

22.  Two  Rosaries  of  Wood  and  Silver  with  Emblems. 

One  with  silver  and  one  with  ivory  Crucifix. 

23.  Rosary  of  Crystal  Beads,  Silver  Crucifix  and  Rosary  of  Blue 

Beads  with  silver  and  pearl  Crucifix.  (2  pieces.) 

24.  Small  Silver  Crucifix  set  with  Four  Garnets. 

Miniature  Silver  Traveling  Shrine  with  tiny  figure  of  the  Virgin. 
Ivory  Cross  with  head  of  cherubim.  (3  pieces.) 

25.  Tall  Green  Glass  Flower  Holder. 

Opalescent  glass,  flaring  rim.  Height,  48  inches. 

26.  Glass  Flower  Holder. 

Long  necked,  gourd  shape.  Height,  28  inches. 

27.  Austrian  Glass  Flower  Holder. 

Favrile  Glass  Flower  Basket  with  Handle. 

Small  Green  Pottery  Jar.  (3  pieces.) 

28.  Pair  Green  and  Gold  Glass  Vases.  Height,  15  inches. 

29.  Pair  Single  Flower  Gold-Tipped  Etched  Glass  Vases. 

30.  Solid  Silver  Gilt  Pen  Tray. 

Two  angels'  heads  in  repousse.    Marked  with  monogram. 
Silver  Letter  Opener. 

3  Pens  of  silver,  crystal  and  tortoise  shell  and  a 
Bookmark  with  silver  and  enamel  shield  (from  the  Royal  School  of 

Art  Needlework  at  South  Kensington).  (6  pieces.) 

31.  Small  Blue  Oval  Onyx  Tray. 

Made  from  stone  found  in  the  Black  Forest. 
Two  Silver,  Cloisonne  and  Carnelian,  Bonbon  Boxes.  (5  pieces.) 

fin 


32.  Sevres  Dish  Ormolu  Mounts  with  Handles. 

Painted  group  of  Amorini  and  garlands,  signed  "Luce."    On  four 

low  legs. 

Ivory  Back  Toilet  Set. 

Cut  Glass  Sachet  Jar  and  Pair  Cut  Glass  Toilet  Bottles  with 
Silver  Tops.  (3  pieces.) 

33.  Small  Enamel  Pin  Tray,  Nickel  Watch. 
Small  Square  Embroidered  Tray  Glass  Bottom. 

Desk  silver  (two  pens,  box,  seal,  pencil,  scales),  Stereoscope  and 
slides  made  by  Richard.  (11  Pieces.) 

34.  Pair  of  Blue  Silk  Plush  Short  Portieres.  Length,  65  inches. 

35.  Two  Pairs  of  Blue  Silk  Brocade  Curtains. 

Lined.     Finished  with  silk  fringe  and  silk  loops. 

36.  Three  Pairs  of  Blue  Silk  Brocade  Portieres. 

To  match  the  above. 

37.  Three  Pairs  of  Yellow  Velvet  Portieres. 

Finished  with  green  figured  silk  band. 

38.  Three  Pairs  of  Yellow  Velvet  Curtains. 

To  match  the  above.     With  silk  loops. 

39.  Pair  of  Crimson  Velour  Curtains. 

Finished  with  cord  braid,  cord  loops. 

40.  Six  Pairs  of  Crimson  Velour  Portieres. 

To  match  the  above. 

41.  Pair  of  Renaissance  Lace  Curtains. 

Wide  borders  on  net  ground. 

42.  Three  Pairs  of  Grey  Blue  Silk  Velour  Curtains. 

Lined  and  finished  with  silk  braid  and  silk  loops. 

43.  Two  Pairs  of  Grey  Blue  Silk  Velour  Portieres. 

To  match  the  above. 

[12] 


44.  Three  Pairs  of  Silk  and  Lace  Curtains. 

Ivory  silk  curtains  with  wide  borders  of  Torchon  Lace  in  a  special 
design. 

45.  Three  Pairs  of  Silk  and  Lace  Curtains. 

To  match  the  above. 

46.  Pair  of  Embroidered  Muslin  and  Lace  Curtains. 

Eyelet  and  dot  embroidery  muslin  curtains.  In  the  lower  part  are 
let  four  rows  of  wide  Torchon  lace  on  either  side  of  three  lace 
squares  of  figure  design.  The  lower  edges  bordered  with  wide 
Torchon  lace  ending  in  tassels  at  intervals.  Never  used. 

Width,  58  inches;  length,  95  inches. 

47.  Pair  of  Embroidered  Muslin  and  Lace  Curtains. 

To  match  the  above. 

48.  Two  Pairs  of  Embroidered  Muslin  and  Lace  Curtains. 

To  match  the  above. 

49.  Three  Pairs  of  Embroidered  Muslin  and  Lace  Curtains. 

To  match  the  above. 

50.  Letter  Box  or  Photograph  Case. 

Covered  with  flowered  silk  brocade.    14  x  18  inches. 
Thermometer   Mounted    on    Old    Brocade    with    Silk    and 
Ribbon  Roses.  (2  pieces.) 

The  box  encloses  162  photographs  of  distinguished  rulers  of  Euro- 
pean Courts,  Royalty,  Artists,  Litterateurs,  etc. 

Arms  and  Armor 

51.  Turkish  Gun. 

With  ornamented  brass  mountings. 

52.  Norman  Helmet. 

Ornamented  in  low  relief,  with  chain  guard  and  narrow  nose  guard. 

53.  Sword  with  Ivory  Scabbard. 

Carved  in  relief  with  heads  and  architectural  designs. 

[13] 


54.  Incised  Turkish  Blade. 

Studded  handle,  leather  sheath. 

55.  Poniard. 

Ivory  handle,  wood  scabbard,  ivory  tip. 

56.  Short  Sword  Leather  Scabbard. 

Bronze  handle  formed  as  head  of  a  grotesque  animal. 

57.  Old  Norman  Sword  and  Scabbard. 

58.  Short  Sword. 

Spiral  ebony  handle,  incised  blade. 

59.  Old  Pistol. 

Long  barrel  with  bronze  mounts  elaborately  carved.     "G.  Rossi" 
cut  on  hammer. 

60.  Curved  Short  Sword. 

With  handle  set  with  four  ivory  panels. 

61.  Turkish  Gun. 

Mounted  in  brass  elaborately  wrought. 

62.  East  India  Dagger. 

Bronze  handle  and  scabbard  intricately  wrought. 

63.  Short  Sword. 

Wood  handle,  leather  scabbard,  brass  mounts. 

64.  Long  Pistol. 

Elaborately  ornamented,  brass  mountings. 

65.  Dress  Sword. 

Wood  hilt,  brass  mounts. 

66.  Japanese  Short  Sword  (Kanto)  with  Kodzuka. 

The  scabbard  mounted  with  lacquer  and  ornamented  with  a  silver 
lobster. 

67.  Persian  Powder  Flask. 

Studded  with  gems  on  a  filigree  ground. 

[14] 


68.    Pair  Mexican  Spurs. 

Another  pair,  smaller.  (4  pieces.) 


69.  Deer  Head. 

Spreading  horns,  twelve  prongs.     Mounted. 

70.  Skeleton  Buckhorn's  Head. 

Spread  of  horns,  55  inches.     Mounted. 

71.  Deer  Head. 

Five-pronged  horns.     Killed  in  Montana  by  Mr.  Andrew  L.  Green 
with  coin  carved  at  the  time  attached  to  mount. 

72.  Moose  Head. 

Spread  of  antlers,   67   inches.     A  superb   specimen,   one   of  the 
largest  known. 

73.  Ute  Indian  Squaw  Dress. 

Mountain-sheep's  skin,  decorated  with  various  painted  designs  and 
trimmed  with  strings  of  blue  beads,  sides  and  bottom  fringed. 

74.  Indian  Buckskin  Jacket. 

Embroidered  with  colored  quills. 

75.  Ute  Indian  Buckskin  Vest. 

Entirely  covered  with  white  beads  on  which  is  worked  a  pattern  in 
red  and  blue  beads. 

76.  Ute  Indian  Pappoose  Pouch. 

Buckskin  entirely  covered  with  white  beads  on  which  is  worked  a 
pattern  in  red  and  blue  beads. 
Bannock  Indian  Child's  Jacket. 

Buckskin   covered   with    pink   and    blue    beads    and   with   bead 
ornament.  (2  pieces.) 

77.  Two  Bead  Bands  of  an  Indian  Chief. 

Embroidered  on  buckskin.    Length  about  69  inches. 
Indian  Bead  Scarf. 

Beaded  on  both  sides,   fringed  zephyr  ends   (beaded  section  32 
inches  long).  (3  pieces.) 

[15] 


78.  Pair  Beaded  Moccasins,  Bow  and  3  Arrows,  Quill  Collar,  Two 

Necklaces  of  Beads,  2  Ornaments  of  horse-hair,  beads  and 
feathers. 
Knife  Sheath  of  bead  and  buckskin.  (10  pieces.) 

79.  Three  Indian  Pouches. 

Arapahoe  circular  pouch  of  buckskin  and  two  of  bead  and  buck- 
skin. (3  pieces.) 

80.  Indian  Weapons. 

Stone-headed  War-Club  inlaid  with  lead. 
Tomahawk. 

Pair  of  Stone  Head  Clubs. 
Pipe.     With  red  stone  bowl  and  spindle  carved  stem. 

Length,  22  inches.     (5  pieces.) 

81.  Navajo  Indian  Blanket. 

Small  diamond  pattern  in  white  on  a  blue  and  black  striped  ground, 
medallion-  centre.  In  perfect  condition.  Very  fine  and  old,  used 
by  Chief  Manuelito. 

82.  Navajo  Indian  Blanket. 

Red,  white  and  green  diamond  pattern  with  medallion  centre. 
Fine  specimen. 

83.  Navajo  Indian  Blanket. 

White  and  black  mottled  pattern,  blue  and  red  centre  medallion, 
red  and  blue  striped  ends. 

84.  Navajo  Indian  Blanket. 

Wide  black  and  ivory  stripes,  red  crosses  at  intervals. 

85.  Antique  Mexican  Sombrero. 

White  felt,  eight-inch  brim,  embroidered  under  the  brim  in  flowers 
and  birds  in  gold  and  colors  (crown   moth-eaten).     A  very  old 
specimen. 
Two  Sombreros. 

Of  brown  and  grey  beaver  trimmed  with  gold  and  silver  braid. 

(3  pieces.) 

86.  Military  Scarf  of  Crimson  Knitted  Silk. 

With  gold  tassels.  Length,  72  1-2  inches. 

[16] 


87.  American  Flag.  Length,  38  feet. 

88.  American  Flag.  Length,  23  feet,  4  inches. 

89.  American  Naval  Flag.  Length,  9  feet,  2  inches. 

90.  American  Naval  Flag.  Length,  14  feet,  7  inches. 

91.  White  Satin  Panel  Embroidered  in  Silver. 

Conventional  Lotos  Blossoms  and  stems  in  heavy  silver  thread  on 
a  white  satin  ground.    Trimmed  with  silver  lace.    52  x  20  inches. 

92.  Shield  with  Coat  of  Arms  in  Applique. 

Rampant  lion  on  a  blue  velvet  field,  the  shield  surmounted  with 
a  crown,  the  whole  ornamented  in  gilt  thread  embroidery. 

93.  Pair  of  Shields  with  Coats  of  Arms  in  Applique. 

Similar  to  above  but  on  cloth  of  gold  ground. 

94.  Two  Pairs  of  Green  Silk  Velour  Portieres. 

Finished  with  green  figured  silk  braid,  lined. 

95.  Pair  of  Green  Silk  Velour  Curtains. 

To  match  the  above.     With  silk  cord  loops. 

96.  Two  Pairs  of  Torchon  Lace  and  Net  Curtains. 

97.  Two  Pairs  of  Torchon  Lace  and  Net  Curtains. 

98.  Two  Pairs  of  Green  Silk  Brocade  Portieres. 

Trimmed  with  gold  fringe,  the  border  finished  with  a  French  head- 
ing, interlined  and  lined  with  silk. 

99.  Two  Pairs  of  Green  Silk  Brocade  Portieres. 

To  match  the  above. 

100.  Three  Pairs  of  Green  Silk  Brocade  Curtains. 

To  match  the  above. 

101.  Two  Pairs  of  Torchon  Lace  Curtains. 

Silk  foundation,  for  the  above. 

102.  Two  Renaissance  Lace  Table  Scarfs.  40x18  inches. 

[17] 


103.  Three  Pairs  of  Plum-Colored  Silk  Velour  Portieres. 

Finished  with  fringed  braid  tassels  and  loops.     Lined. 

104.  Three  Pairs  of  Curtains  to  Match. 

Silk  loops  to  match. 

105.  Three  Pairs  of  Net  and  Lace  Curtains. 

106.  Two  Pairs  of  Hall  Portieres. 

Moss  green  velvet,  ornamented  with  bands  of  applique. 

107.  Two  Pairs  of  Hall  Door  Portieres. 

Moss  green  velvet  with  bands  of  applique  to  match  the  above, 
and  lined  with  rose-colored  velvet. 

Carved  Wood 

108.  Venetian  Carved  Wood  Fire  Bellows  with  Cupid. 

Perfect  condition. 

109.  Pair  of  Italian  Carved  and  Gilt  Wood  Lanterns. 

Favrile  glass  panels,  fitted  for  electric  lights. 

Height,  33  1-2  inches. 

110.  Carved  Rosewood  Crucifix. 

Upheld  by  kneeling  bronze  angels  on  metal  base.   Height,  29  inches. 

111.  Italian  Carved  Wood  Standard. 

Heads  of  three  cherubim.    Fitted  for  electric  lights. 

112.  Spanish  Wall  Shrine,  Carved  Wood. 

The  Triumph  of  the  Virgin.  Height,  35  inches. 

113.  Italian  Carved  Wood  Madonna  Shrine. 

With  photograph  of  Virgin  and  Child  with  apple  attended  by 
two  Saints.  Height,  30  inches. 

114.  Pair  of  Antique  Cathedral   Candleholders   of   Carved    and 

Gilded  Wood. 

Italian,  Sixteenth  Century.     Height,  5  feet,  10  inches. 
[18] 


115.  Ebony  Crucifix. 

With  ivory  figure  of  the  Saviour.  Height,  14  inches. 

116.  Carved  Wood  Column. 

Supported  by  two  standing  lions  holding  an  Italian  Ducal  Coat 
of  Arms.  Height,  Ifl  inches. 


1 17.  Figure  of  the  Virgin. 

Plaster,  delicately  colored  (30  inches),  and 
An  Angel. 

In  white  porcelain.  Height,  10  inches.     (2  pieces.) 

118.  Roman  Mosaic. 

A  Coronation  Scene  outside  St.  Peter's,  Rome,  with  thousands 
of  figures  kneeling  in  the  square,  fountains  playing,  soldiers, 
citizens  on  horseback  and  in  carriages.  By  F.  Barzotti  &  R.  S. 
Petri.  Signed.  19  x  11  inches. 

119.  Two  Roman  Mosaics. 

The  Fencer.     By  R.  F.  S.  Petri.     Signed. 

Poultry  Vendor. 

Countryman  bringing  a  fowl  to  old  woman  seated  in  the  kitchen. 

In  inlaid  frame.    Sizes,  8  x  12  inches  and  9  x  12  inches. 

Marbles,  Bronzes,  Etc. 

120.  Pair  of  Rococo  Urn-Shaped  Finials. 

Italian  Terra  Cotta.  Height,  13  inches. 

121.  Bronze  Table  Electrolier. 

Empire  shape,  two  lights,  yellow  silk  shade.  Height,  30  inches. 

122.  Bronze  Table  Electrolier. 

Two  candelabra  lights,  ecru  silk  shade  and  silk  ball  fringe. 

123.  Louis  XVth  Electric  Toilet  Fixture. 

Bracket  from  which  is  suspended  a  standard  holding  a  large  ball 
of  cut  crystal  beads,  globe  finished  in  gold. 

[19] 


124.  Brass  Empire  Table  Electrolier. 

Four  candle  lights,  ivory  silk  shade,  tray  base. 

125.  Red  Velvet  Covered  Column  Pedestal. 

Square  base  and  top.  Height,  40  1-2  inches, 

126.  Low  Italian  Marble  Pedestal. 

Shell  and  Cupid  decoration.  Height,  14  inches. 

127.  Pair  of  Red  Marble  Jewel  Vases. 

On  veined  marble  blocks,  and  a 
Pair  of  Small  Urns.  (6  pieces.) 

128.  Pair  of  Alabaster  Urns,  Original  Covers. 

With  ram's  head  handles  and  floral  garlands.    Height,  11 1-2  inches. 

129.  Pair  of  Empire  Brass  Candlesticks. 

Ivory  silk  shades  with  fringe.     Adapted  for  electricity. 

130.  Early  Italian  Jardiniere  of  Pink  Marble. 

Two  grotesque  lion  handles  on  decorated  stone  pedestal,  with 
four  lambs  resting  on  the  base.  Height,  47  inches. 

131.  Verd  Antique  Marble  Pedestal. 

Revolving  top,  fluted  column  on  hexagonal  base. 

Height,  42  1-2  inches. 

132.  Pair  of  Twisted  Stone  Columns.  .  Height,  50  inches. 

133.  Verd  Antique  Revolving  Marble  Column. 

Ornamented  with  garlands  in  relief  (repaired).    Height,  49  inches. 

134.  Young  Peasant  Girl. 

Small  bronze  head  mounted  on  a  yellow  marble  base. 

By  Ruth  Miller.     Height,  6  1-2  inches. 

135.  Bronze  Bust  of  Madame  Recamier. 

After  David.      Height,  23  1-2  inches. 

136.  Louis  XVth  Bronze  Table  Electrolier. 

Three  lights,  gold  silk  shade. 

[20] 


137.  Hanging  Crystal  Bead  Electrolier  Brass  Mounts. 

Urn  shaped  with  three  lights,  suspended  by  chains  springing 
from  the  heads  of  cherubim.  Height,  14  inches. 

138.  Hanging  Crystal  Bead  Electrolier. 

Similar  to  above  but  smaller.  Height,  11  inches. 

139.  Pair  Louis  XVIth  Brass  Candlesticks. 

Two  lights  each,  silk  shades,  gilt  edges  bqbeches.  Fitted  for 
electricity. 

140.  Bronze  Bust. 

Life  size,  enriched  with  gems  "a  cire  perdue."  Head  of  a  woman, 
turban  head-dress  in  which  a  gem  is  set,  and  the  drapery  around 
the  shoulders  held  together  by  a  jeweled  clasp. 

141.  Pair  of  Tall  Italian  Twisted  Marble  Columns. 

Resting  on  crouching  lions,  surmounted  by  brass  oil  cups,  hol- 
lowed for  torches. 

142.  Antique  Greek  Marble  Urn. 

With  shell  handles  enclosing  human  head.     Lower  part  restored. 

Height,  29  inches. 

143.  Marble  Column. 

For  the  same.  Height,  43  inches. 

144.  Pair  of  Large  Porphyry  Urns. 

Fluted  bowl,  shell  handles,  fluted  porphyry  covers. 

Height,  25  inches. 

145.  Pair  Onyx  Vases  on  Marble  Bases.  Height,  7  inches. 

146.  Pair  of  Wide  Shallow  Bloodstone  Vases  on  Onyx  Stands. 

Height,  11  1-2  inches;  diameter,  12  inches. 

147.  Pair  of  Italian  Twisted  Marble  Columns. 

Surmounted  by  marble  urns.  The  columns  of  green  veined 
marble,  the  capitals  of  white  marble  and  the  urns  of  malachite. 

Height,  94  inches. 

148.  Marble  Bust  of  The  Comtesse  Du  Barri. 

By  F.  Pajou.     Height,  22  inches. 

121] 


149.  Fruehlings  Steurme. 

Bronze  statuette.  Partly  draped  female  figure  mounted  on  a 
sphere  resting  on  a  marble  base.  Prize  piece  of  the  Berlin  Ex- 
position of  1903.  By  H.  Dammann.  Height,  32  inches. 

150.  Barbedienne  Bronze  Andirons. 

Elaborately  wrought,  scroll  and  acanthus  leaf  design. 

Height,  4%  inches. 

151.  Pair  of  Louis  XVth  Gold  Bronze  Mantel  Candelabra. 

Five  lights,  ivory  silk  shades.  The  lights  rise  from  scroll  brass 
work  of  the  best  description,  made  by  special  order  to  match  the 
Barbedienne  brass  andirons. 

Adapted  for  electricity.     Height,  48  inches. 

152.  Large  Green-Toned  Favrile  Glass  Shade. 

For  three  lights,  irregular  leaded  ovals,  with  fringe  of  small 
wooden  balls.  Diameter,  23  1-2  inches. 

From  the  Tiffany  Studios. 

153.  Pair  of  Louis  XVth  Candelabra. 

Figures  holding  branches  of  roses  from  which  spring  five-stemmed 
lights,  resting  on  a  rough  antique  marble  base  ornamented  with 
garlands  of  brass.  Fitted  for  electricity.  Height,  48  inches. 

154.  Pair  of  Bronze  Candelabra. 

Empire  Period,  bronze  figure  on  a  pedestal  upholding  a  seven- 
branched  light;   the  branches  formed  of  hunting  horns  with  relief 
decoration  of  grapes,  ormolu  mountings.     Crystal  bead  shades. 
Adapted  for  electricity.     Height,  48  inches. 

155.  Triumph  of  Brunhilde.     By  P.  A.  Birot,  Contemporary  French 

Sculptor. 

Marble  group  in  high  relief  with  applied  color,  having  the  motifs 
of  Siegfried,  Brunhilde,  the  Dragon,  and  the  Rhine  Maidens.  A 
special  design  made  for  Miss  Grigsby  symbolic  of  Wagner's  love 
for  his  great  Trilogy  and  the  central  figure  of  Brunhilde,  by  the 
sculptor  recommended  by  Rodin. 

Height,  32  inches;  length,  33  inches. 

156.  Stone  Panel. 

Madonna  and  Child  in  low  relief,  Italian,  XVth  Century. 

Height,  29  inches;  width,  23  inches. 

[23] 


157.  Marble  and  Bronze  Bust,  St.  Michael. 

Life  size,  wearing  a  helmet.  The  drapery  around  his  shoulders 
carved  from  lapis  lazuli  and  alabaster. 

158.  Small  Marble  Pedestal. 

For  the  above. 

159.  Large  Marble  Statue. 

By  A.  Rossetti,  Rome.  The  Temptation  of  a  Vestal  Virgin.  The 
Virgin  stands  by  the  Altar  guarding  the  Sacred  Fire.  Cupid 
alighting  at  her  shoulder  leans  over  and  whispers  in  her  ear. 

Signed.      Height,  63  inches. 

160.  Marble  Pedestal. 

For  the  same. 

161.  Madonna,  in  Marble,  after  Murillo.     By  E.  Gazzeri,  Contem- 

porary Sculptor,  Rome. 

"The  Immaculate  Conception"  after  Murillo  on  an  Italian  marble 
base,  executed  by  the  artist  especially  for  Miss  Grigsby. 

Signed.     Nearly  life  size. 


[24] 


SECOND   SESSION 


Japanese  Ivories 


162.  Japanese  Carving.    Group  of  Mice. 
Old  Ivory  Netsuke. 

Grotesque   head   with   articulated   jaw.      Date,    about    1800. 

(2  pieces.) 

163.  Japanese  Ivory  Carving. 

Umbrella  maker  giving  finishing  touches  to  his  work. 

164.  Old  Japanese  Ivory  Carving. 

Grotesque  figures  of  long-armed  and  {long-legged  men  comparing 
lengths.     Illustrating  an  old  Japanese  legend. 

165.  Old  Ivory  Carving. 

Representing  long-legged  man  carrying  a  long-armed  man.    Illus- 
trating old  Japanese  legend.  Height,  8  inches. 

166.  Japanese  Ivory  Carving  and  Silver  Stand. 

Monkey  holding  a  frog,  standing  on  a  base  of  peaches  with  solid 
silver  stand  in  form  of  fan  used  by  a  wrestler,  on  four  low  legs. 

167.  Old  Japanese  Ivory  Carving. 

Group  of  figures.     Seiwobo  in  the  centre  and  two  attendants. 
Very  rare  carving  of  the  XVIIIth  Century.       Height,  8  inches. 

168.  Japanese  Ivory  Carving  and  Teakwood  Stand. 

Fisherman  with  whistle  in  his  hand  and  trained  birds,  giving 
signal  ready  to  catch  fish.     By  Tosei.  Height,  9  1-2  inches. 

169.  Japanese  Ivory  Carving  and  Teakwood  Stand. 

Eagle  killing  a  fox.    By  Kodo.  Height,  7  1-2  inches. 

170.  Japanese  Ivory  Carving  and  Teakwood  Stand. 

Figure  of  Kwannon,  standing  erect  on  a  dragon's  back  carved  in 
exquisite  detail.    By  Riumin.  Height,  9  1-2  inches. 

[25] 


171.    Japanese  Ivory  Carving  and  Teak  wood  Stand. 

Flower  Vendor  trying  to  carry  his  boy  in  the  other  side  of  the 
basket  and  scared  by  the  unbalanced  weight.  By  Kio  Kumei. 

Height,  8  inches. 
111.    Japanese  Ivory  Carving. 

By  Seimin.  One  of  the  Disciples  of  Buddha,  surrounded  by  the 
evils  he  is  trying  to  dissipate.  The  details  finely  executed. 

173.  Japanese  Ivory  Carving  and  Teakwood  Stand. 

By  Shunmei.  An  old  man  sitting,  holding  his  brush  ready  for 
work,  with  his  old  spectacles  hanging  from  his  ear.  The  expres- 
sion of  his  face,  the  strength  of  his  arm  holding  half  his  weight  are 
beautifully  executed  to  show  the  strength  of  muscle. 

Height,  61-2  inches. 

This  carving  was  executed  by  Shunmei,  one  of  the  foremost 
artists  in  Japan  who  is  now  the  Imperial  Artist  and  carves  only 
for  the  Royal  Family  and  whose  work  no  longer  comes  upon  the 
market.  The  above  carving  was  exhibited  at  the  Government 
Sculpture  Society  in  Tokio  in  the  28th  Year  Meiji  (about  1890) 
by  Toyama  in  whose  name  the  accompanying  copper  prize  medal 
was  given. 

(See  Illustration.) 

174.  Japanese  Ivory  Carving  and  Teakwood  Stand. 

By  Shunmei.  Figure  of  Gama  Seinin,  spirit  of  a  frog  scared  by  a 
snake.  Height,  71-2  inches. 

175.  Japanese  Ivory  Carving  on  Teakwood  Stand. 

By  Shunmei.  A  woman  diver  with  a  few  shell  fish  she  has  gath- 
ered in  her  net.  Beautifully  carved. 

Height,  71-2  inches. 
(See  Illustration.) 

176.  Japanese  Ivory  Carving  and  Teakwood  Stand. 

By  Shunmei.     Court  Lady  seated,  writing  poetry. 

Height,  5  inches. 
(See  Illustration.) 

177.  Old  Chinese  Ivory  Perfume  Box. 

Cylindrical  shape,  with  birds  and  flowers  carved  on  a  reticulated 
ground.  Height,  41-4  inches. 

[27] 


178.  Chinese  Ivory  Carving. 

Old  Mandarin  Boat,  with  the  Mandarin  and  family  on  a  pleasure 
trip.  Beautiful  specimen  of  XVIIIth  Century  carving. 

Height,  81-2  inches;  length,  91-2  inches. 

Japanese  and  Chinese  Embroideries 

179.  Pair  Small  Down  Head  Cushions. 

Each  ornamented  with  a  panel  of  dark  blue  Chinese  embroidery 
cut  from  an  old  Mandarin  Coat. 

180.  Square  Sofa  Cushion  of  Japanese  Cut  Velvet. 

Decoration  of  a  peacock  standing  on  the  branch  of  a  blossoming 
cherry  tree,  on  a  grey  ground.  The  reverse  side  of  grey-green 
silk  velour. 

181.  Square  Sofa  Cushion  of  Japanese  Cut  Velvet. 

Decoration  of  a  crow  in  a  rice-field  on  a  grey  ground  typifying 
early  morning.  The  reverse  side  of  grey-green  silk  velour. 

182.  Japanese  Embroidered  Temple  Hanging. 

Black  satin  ground  with  a  decoration  of  drooping  wistaria 
embroidered  in  shaded  lilac,  white  and  green,  showing  remarkable 
workmanship.  The  wistaria  blossoms  almost  touch  a  winding 
stream  with  wild  flowers  growing  in  the  grassy  banks.  Lined 
with  dark  purple  satin,  edged  with  silk  braid,  and  tassels  at  the 
corners. 

183.  Japanese  Embroidered  Temple  Hanging. 

Decoration,  of  two  peacocks  beautifully  embroidered  in  white 
and  gold  resting  in  a  large  tree  over  which  grows  a  wistaria  vine 
in  blossom.  The  entire  ground  is  covered  with  circle  embroidery 
in  grey  representing  atmosphere.  Bordered  with  old  Japanese 
brocade.  Length,  98  inches;  ividth  74  inches. 

184.  Japanese  Embroidered  Temple  Hanging. 

Decoration  of  drooping  wistaria  beautifully  embroidered  in 
shaded  lilac,  white  and  green  on  a  ground  of  gold  circle  embroidery 
representing  morning,  over  a  garden  of  red  and  yellow  thistles 
growing  in  the  grass  by  a  winding  stream,  all  exquisitely  carried 
out  in  the  embroidery.  One  of  the  finest  pieces  of  needle  work 
of  leda  of  Kioto.  Length,  105  inches;  width,  76  inches. 

[28] 


185.  Japanese  Embroidered  Temple  Hanging. 

Decorated  with  groups  of  storks  embroidered  in  white  and 
black  on  a  background  of  old  rose  circle  embroidery  representing 
the  rising  sun  shining  through  a  pine  tree,  embroidered  in  gold 
thread,  emblem  of  longevity.  The  color  scheme  is  beautifully 
carried  out.  Bordered  with  old  Japanese  brocade. 

Length,  91  inches;  width,  66  inches. 

186.  Old  Embroidered  Japanese  Banner. 

Used  on  the  occasion  of  Temple  Festivals.  Black  ground  with 
decoration  of  cloud  and  water  dragons  meeting  in  mid-air, 
beautifully  embroidered  in  gold  thread  within  a  gold  bamboo 
border.  The  edges  outside  the  border  are  decorated  with  embroid- 
ery of  detached  birds  and  flowers  placed  alternately. 

Length,  135  inches;  width,  4?  inches. 

187.  Pair  of  Japanese  Embroidered  Hangings. 

Typifying  spring  and  summer.  Clouds  of  single  and  double 
cherry  blossoms,  with  birds  embroidered  on  tan  linen  in  exquisite 
colors,  drooping  over  masses  of  peonies  and  butterflies  which  are 
embroidered  on  the  lower  part  of  the  hanging.  Lined  with  pale 
green  figured  silk.  Length  of  each,  130  inches;  width  of  each,  46  inches. 

188.  Pair  of  Japanese  Embroidered  Hangings. 

Representing  summer  and  autumn.  Black  satin  ground  embroid- 
ered in  drooping  cherry  blossoms  and  autumn  leaves  with  birds 
exquisitely  embroidered  in  shaded  reds,  greens  and  pink.  The 
lower  part  of  the  hanging  decorated  with  pale  yellow  peonies,  the 
petals  embroidered  in  raised  work  repeating  nature  and  butter- 
flies in  various  colors.  Lined  with  pale  green  figured  silk. 

Length  of  each,  130  inches;  width  of  each,  46  inches. 

189.  Embroidered  Satin  Obi. 

Obi  of  plum-colored  satin  embroidered  on  both  sides  in  a  decora- 
tion of  clusters  of  wistaria  blossoms  and  golden  wheels  artisti- 
cally arranged.  Length,  124  inches;  width,  12  inches. 


[29] 


Chinese  and  Japanese  Cabinet  Pieces 

Silver,  Rose  Quartz,  and  Sat  sum  a 

190.  Sat  sum  a  Cabinet  Vase. 

By  Meizan.  Decoration  of  landscapes  executed  under  a  magni- 
fying glass.  Signed. 

191.  Satsuma  Incense  Box  with  Cover. 

By  Kin  Kozan.    Decoration  of  a  Musical  Party  on  a  circular  panel. 

192.  Small  Satsuma  Jar  with  Original  Cover. 

By  Meizan.  Decoration  of  a  Daimio's  Procession  executed  under 
a  magnifying  glass.  Signed. 

193.  Old  Japanese  Satsuma  Incense  Burner,  Silver  Cover. 

Decoration  of  Birds  of  Paradise  in  panels.  The  entire  jar  is 
covered  with  a  key  pattern  in  gold.  The  silver  cover  carved  and 
pierced  to  match  the  jar. 

194.  Old  Japanese  Satsuma  Incense  Burner,  Silver  Cover. 

Decoration  of  peonies  in  -panels  and  the  entire  surface  covered 
with  key  pattern  in  gold.  The  silver  cover  carved  and  pierced  to 
match  the  jar. 

195.  Chinese  Porcelain  Bottle  Vase  and  Wood  Stand. 

Coiled  dragon  on  the  neck,  and  on  the  body  of  gold  are  dragon 
and  cloud  articulated.  Height,  8  inches. 

196.  Solid  Silver  Figure  and  Crystal  Stand. 

The  figure  representing  Kwannon  Goddess  of  Mercy.  The  robes 
wonderfully  executed  in  artistic  workmanship.  Cube  stand  carved 
out  of  a  solid  piece  of  rock  crystal. 

197.  Silver  Vase  with  Two  Dragon  Handles. 

Decoration  of  Oni  in  panel  and  profusely  inlaid  with  Mother  of 
Pearl,  coral  and  tortoise  shell,  on  either  side  a  panel  representing 
a  garden  party,  cherry  blossoms,  etc.,  inlaid  with  same  material, 
the  neck  and  base  decorated  in  medallion  and  cloisonne  enamel. 

Height,  8  inches. 

[30] 


198.  Solid  Silver  Urn,  with  Original  Cover. 

Medallion  decoration  of  chrysanthemums  and  crests  inlaid  with 
cloisonne  enamel.  On  the  top  of  cover  Birds  of  Paradise  resting. 
Side  handles  of  lizards  to  match  in  mythological  subjects. 

199.  Gold  Lacquer  Bottle  Shaped  Vase  and  Wood  Stand. 

Decoration  of  dragon  in  cloud  on  gold  Togidashi  lacquer. 

200.  Small  Carved  Teakwood  Stand. 

Supported  on  four  legs,  with  delicate  carving  of  rings,  etc.,  in 
pierced  work  over  ivory. 

201.  Small  Chinese  Rose  Quartz  Dishes. 

Joined  by  a  handle  representing  two  wrestlers.  With  ivory  stand 
representing  a  bamboo  bench. 

202.  Chinese  Rose  Quartz  Miniature  Jar  and  Cover. 

203.  Chinese  Rose  Quartz  Vase  and  Original  Cover. 

Representing  a  rock  covered  with  fungas  carved  out  on  the 
surface,  with  ivory  stand.  The  fungas  is  mostly  used  as  a  Bud- 
dhistic symbol.  Height,  81-2  inches. 

204.  Chinese  Agate  and  Carnelian  Writer's  Water  Dish. 

With  wood  stand.  Carved  out  from  the  natural  form  of  white 
and  rose  agate.  The  figures,  etc.,  ingeniously  carved,  using  every 
color  in  its  proper  place. 

205.  Chinese  Tortoise-shell  Cardcase. 

Garden  parties  elaborately  carved  on  the  surface.  Date,  about 
1800. 

Chinese  Snuff  Bottles 

206.  Chinese  Blue  and  White  Snuff  Bottle. 

With  ivory  top.     Decoration  of  farm  scene. 

207.  Chinese  Blue  and  White  Snuff  Bottle,  Jade  Top. 

Square  shape  decorated  with  figures  in  circular  panels. 

[31] 


208.  Chinese  Porcelain  Snuff  Bottle  with  Original  Stopper. 

Representing  Fu  Chow  Lacquer.  Decoration  of  Dogfoos  in 
pierced  work  carved  on  the  surface.  Seal  mark  of  the  Chia  Ching 
Period,  1522-1566. 

209.  Chinese  Porcelain  Snuff  Bottle. 

With  green  jade  stopper.  Summer  scene  of  boating  on  a  lotus 
pond,  carved  on  the  surface  in  enamel  colors.  Chia  Ching 
Period,  1522-1566. 

210.  Chinese  Crystal  Snuff  Bottle,  Green  Jade  Top. 

Hexagonal  shape. 

211.  Chinese  Camphor  Crystal  Snuff  Bottle. 

With  original  stopper.  Decoration  of  pine  trees  carved  on  the 
surface. 

212.  Chinese  Rock  Crystal  Snuff  Bottle,  Amethyst  Stopper. 

Decoration  of  vines  carved  out  on  the  surface  showing  different 
minerals  found  in  the  crystal. 

213.  Chinese  Rock  Crystal  Snuff  Bottle. 

With  green  jade  stopper.     Pine  trees  carved  on  the  surface. 

214.  Chinese  Moss  Crystal  Snuff  Bottle. 

Green  top. 

215.  Chinese  Glass  Snuff  Bottle. 

With  green  stopper.     Decorations  of  dragons  carved  out  in  red. 

216.  Chinese  Glass  Snuff  Bottle. 

With  rose  quartz  stopper.    Square  shape. 

217.  Chinese  Glass  Snuff  Bottle. 

With  red  ivory  stopper.  Decoration  of  lotus  carved  in  amber 
color. 

218.  Chinese  Glass  Snuff  Bottle. 

With  jade  stopper.    Mottled  pink  surface. 

[32] 


219.  Chinese  Glass  Snuff  Bottle. 

With  red  glass  stopper.  Decoration  of  bronze  incense  burners 
carved  in  red. 

220.  Chinese  Glaze  Snuff  Bottle. 

With  red  ivory  top.  The  entire  surface  finished  like  smooth  red 
velvet. 

221.  Chinese  Glass  Snuff  Bottle. 

Pink  stopper.  Decoration  of  lotus  and  fishes  carved  on  the 
surface  in  several  colors. 

222.  Chinese  Amethyst  Snuff  Bottle. 

With  green  jade  stopper.  Decoration  of  Seiwobo  and  tame 
animals  carved  on  the  surface. 

223.  Old  Chinese  Amber  Snuff  Bottle. 

With  green  glass  top.  Decoration  of  peaches  and  tame  animals 
carved  on  the  surface.  The  bottle  is  very  fine  with  the  color 
produced  by  age. 

224.  Chinese  Lapis  Lazuli  Snuff  Bottle. 

Original  stopper,  mounted  in  old  gilt. 

225.  Chinese  Agate  Snuff  Bottle. 

With  green  jade  stopper.  Pair  of  horses  carved  out  on  the  sur- 
face. Very  fine  piece. 


Chinese  Blue  and  White  Porcelains 

226.  Blue  and  White  Temple  Jar,  Original  Cover. 

With  Hawthorn  decoration  in  ascending  and  descending  branches 
of  flowers  on  opaque  blue  ground.    Teakwood  stand. 

Rang  hsi  Period,  1662-1722.     Height,  15  1-2  inches. 

227.  Hawthorn  Ginger  Jar,  Original  Cover. 

Decoration  of  buds  and  blossoms  on  fine  blue  ground  representing 
cracking  ice. 

Rang  hsi  Period,  1662-1722.     Height,  9  1-2  inches. 

[33] 


No.  232 
KIEN  LUNG  PERIOD,  1736-1795 


228.  Tall  Cylindrical  Vase. 

Decoration  of  Shoki  and  his  trained  animals  in  a  garden.  Teak- 
wood  stand. 

Ming  Wang  Lih  Period,  1573-1620.     Height,  17  inches. 

229.  Pair  Powder  Blue  Ginger  Jars  with  Original  Covers. 

Decoration  of  boating  scene  in  panels  on  a  powder  blue  ground, 
ornamental  teakwood  stands.  Height,  9  inches. 

230.  Pair  of  Blue  and  White  Temple  Jars,  Original  Covers. 

Decoration  of  pine  trees  and  mythological  animals  in  blue  and 
white.  Carved  teakwood  stands. 

Rang  hsi  Period,  1662-1722.     Height,  16  inches. 

231.  Beaker  Vase. 

Decoration  of  pine  tree  and  mythological  animals  to  match  the 
pair  preceding.  Carved  teakwood  stand. 

Rang  hsi  Period,  1662-1722.     Height,  17  inches. 

Chinese  and  Japanese  Porcelains 

232.  Double  Chinese  Porcelain  Vase  and  Teakwood  Stand. 

Decoration  of  peaches  and  pomegranates,  emblems  of  longevity 
carved  out  on  the  surface  of  grey  crackle.     Very  rare  specimen. 
Kien  Lung  Period,  1736-1795.     Height,  10  inches. 
(See  Illustration) 

233.  Chinese  Enamel  Stand  on  Three  Legs  and  Low  Teakwood 

Stand. 

Regular  trefoil-shaped  top,  enamel  decoration  representing  fungas, 
etc.,  of  famille  vert  on  Imperial  yellow.  VERY  FINE  AND  BARE. 
Green  Hawthorn  Family.  Rang  hsi  Period,  1662-1722. 

234.  Small  Chinese  Enamel  Stand. 

Hexagonal  shape,  decoration  of  Chinese  sage  carrying  peaches, 
emblems  of  longevity  and  entirely  finished  in  famille  vert  enamel 
belonging  to  the  Green  Hawthorn  Family.  VERY  FINE  AND  RARE. 

Rang  hsi  Period,  1662-1722. 

235.  Bottle  Shape  Temple  Vase. 

Black  Hawthorn  Family  with  decoration  of  Dog-foo  carved  on 
the  surface  on  black  enamel  ground,  and  various  flowers  in 
five-color  enamel. 

Kien  Lung  Period,  1736-1795.     Height,  23  inches. 

[35] 


236.  Japanese  Vase  Royal  Kaga  Ware. 

Decoration  of  "A  Thousand  Poets"  in  gold  and  colors.      From 
the  Charles  F.  Phillips  collection.  Height,  13  inches. 

237.  Pair  of  Rose  Du  Barri  Jars,  Original  Covers. 

Enamel  decoration  of  figures  in  panels  on  rose  ground  after  old 
Chinese  porcelain.  Made  by  Samson  of  Paris. 

238.  Celadon  Vase  with  Original  Cover. 

Large  crackle  on  surface  and  carved  with  exceptionally  thick 
Celadon  glaze.  Ming  Period,  1368-1647.  Height,  15  inches. 

239.  Cochin  China  Jar  and  Teakwood  Cover. 

With  teakwood  stand.     Soft  green  glaze. 

Chieng  Lung  Period,  1736-1795.     Height  with  stand,  9  inches. 

240.  Chinese  Dish. 

Monochrome  finish  of  Lung  Yuo  green  glaze,  incised  decoration 
with  eight  Buddhistic  symbols. 

Six  marks  of  the  Yung  Chieng  Period,  1723-1735. 

241.  Rice  Grain  Dish. 

Decoration  of  dragon  in  translucent  glaze. 
Hall  mark  Chieng  Lung  Period,  1736-1795.     Diameter,  61-2  inches. 

242.  Rice  Grain  Bowl  with  Original  Cover. 

Decoration  of  conventional  asters  filled  in  translucent  glaze. 
Very  rare  porcelain. 

Six  marks  of  the  Chieng  Lung  Period,  1736-1795. 

243.  Chinese  Porcelain  Dish. 

Decoration  of  dragons  in  green  and  purple  on  Imperial  yellow 
ground.  Six  marks  of  Chieng  Lung  Period,  1736-1795. 

244.  Ginger  Jar  Teakwood  Cover  and  Stand. 

Decoration  of  peaches  representing  longevity  and  happiness  on 
a  celadon  ground.  A  medallion  of  jade  in  centre  of  teakwood 
cover.  Rang  hsi  Period,  1662-1722.  Height,  9  inches. 

245.  Pair  of  Temple  Vases,  Teakwood  Covers. 

Gold  decoration  of  dragon  on  a  monochrome  mirror  black  ground. 
Rang  hsi  Period,  1662-1722.     Height,  9  inches. 

[36] 


246.  Pair  of  Bottle-shaped  Vases. 

Monochrome  glaze  of  mottled  nile  green. 

Six  marks  of  the  Too  Kwang  Period,  1797-1821. 

Height,  11  1-2  inches. 

247.  Cabinet  Vase. 

Verdigris  invested  with  sang  de  boeuf  after  old  Chinese  porcelain. 
Made  by  Takemoto,  Japan.     Height,  9  inches. 

248.  Pair  of  Low  Teakwood  Stands. 

Inlaid  with  silver  wire.  Diameter,  5  inches. 

249.  Tall  Cylindrical  Vase. 

Monochrome  glaze  of  starch  blue  on  giant  crackle  ground,  with 
decoration  in  relief  of  hawthorn  branches  and  flowers  at  the  neck. 
(Lip  repaired.)  Suen-teh  Period,  1426-1436.  Height,  17 1-2  inches. 

250.  Pair  of  Chinese  Tall  Vases. 

Dragon  and  fish  carved  in  high  relief  on  a  giant  crackle  ground. 
Too  Kwang  Period,  1797-1821.     Height,  24  inches. 

251.  Tall  Powder  Blue  Beaker-shaped  Vase. 

Monochrome  shade  with  traces  of  the  original  gilt  decoration  still 
remaining  on  the  surface.  Teakwood  stand.  (Chipped  place  on 
edge  of  cover  and  neck  repaired.) 

Rang  hsi  Period,  1662-1722.     Height,  17  1-2  inches. 

252.  Large  Bronze  Temple  Vase. 

Decoration  of  weeping  willow  and  storks  carved  and  inlaid  with 
silver  and  gold.  The  quality  of  the  bronze  is  Sentoki.  Made  by 
the  famous  artist  Kanamori  Sohechi.  World's  Fair  Exhibition 
Piece  representing  the  Deluge.  From  the  Charles  F.  Phillips 
collection.  Height,  30  inches. 

253.  Brass  Incense  Burner  with  Cover. 

Pierced  brass  exterior  set  with  a  panel  decorated  with  a  dragon 
in  cloisonne. 
Bronze  Sword  Ornament. 

Inlaid  with  gold  and  silver,  utilized  as  a  medal.          (2  pieces.) 

254.  Carved  Circular  Teakwood  Pedestal. 

Four  legs  and  shelf.  Height,  33  inches;  diameter,  15  inches. 

[38] 


255.  Large  Bronze  Temple  Vase. 

Made  in  Ocaka,  Japan,  for  the  Universal  Exposition.  Decora- 
tion of  Griffins,  Dog-foo  and  grotesques.  Height,  48  inches. 

256.  Small  Carved  Teakwood  Pedestal. 

One  shelf,  four  legs  ending  in  claw  and  ball  feet. 

Height,  32  inches;  width,  12  inches;  length,  16  1-2  inches. 

257.  Large  Japanese  Temple  Hanging  Lantern. 

Bronze,  hexagonal  shape,  mythological  subjects  carved  on  the 
surface  of  gold  bronze,  six  dragons  perched  on  the  edges.  With 
Shogun's  crest.  The  Shogun's  crest  mark  shows  that  the  lantern 
was  given  to  the  Temple  by  that  family. 

Fitted  for  electricity,  red  silk  shades. 

258.  Chinese  Fu  Chow  Lacquer  Box. 

In  the  shape  of  fungas  representing  Buddha's  hand.  The  entire 
surface  carved  in  a  geometrical  pattern.  From  the  Charles  F. 
Phillips  collection.  Length,  5  1-2  inches. 

259.  Japanese  Brush  Holder,  Old  Wood  Carving. 

Three  masques  carved  out  of  a  solid  piece  of  wood. 

260.  Two  Square  Teakwood  Stands.  Height,  12  inches. 
Low  Teakwood  Stand.  (3  pieces.) 

261.  Teakwood  Stands. 

Medium  sizes,  round  and  square.  (5  pieces.) 

262.  Circular  Chinese  Teakwood  Pedestal. 

Height,  23  inches;  diameter,  20  inches. 

263.  Pair  of  Chinese  Teakwood  High  Pedestals. 

Carved  columns.  Height,  36  inches. 


Jade  and  Crystal 

264.    Rock  Crystal  Figure  of  Chinese  Sage. 

Standing  on  a  sacred  deer.  Height,  8  inches. 

[39] 


265.  Rock  Crystal  Vase. 

Mounted  in  silver.  Height,  12  inches. 

266.  Pair  of  Amber  Crystal  Vases. 

First  Empire  style,  with  ormolu  mountings.    Height,  12  1-2  inches. 

267.  Japanese  Rock  Crystal  Beads. 

Ending  in  a  pair  of  crystal  balls  and  silk  tassels.  Used  by  the 
Priest  during  ceremonies. 

268.  Jade  Image  and  Teakwood  Stand. 

Representing  the  Chinese  Sage,  Mo  mo  Sennin  carrying  peaches, 
emblems  of  longevity,  on  his  shoulder.  Teakwood  stand  carved 
in  form  of  lotus. 

269.  Jade  Snuff  Bottle  with  Fei  Tsui  Cover. 

Carved  Japanese  boxwood  stand  in  form  of  wine  jar  surrounded 
by  Shojio. 

270.  Jade  Snuff  Bottle  and  Teakwood  Stand. 

With  coral  top,  representing  fruit. 

271.  Jade  Bowl  and  Stand. 

Eight  Buddhists'  Symbols  carved  and  pierced  through  Eggshell 
Jade  (Imperfect,  small  hole).  Ming  Period. 

272.  Jade  Vase  with  Original  Cover  and  Teakwood  Stand. 

Pilgrim  bottle  form  with  side  handles  of  rings  carved  put  from  a 
solid  piece  of  jade. 

Six  marks  of  Kien  Lung  Period.     Height,  16  1-4  inches. 

273.  Pair  of  Jade  Vases  with  Original  Covers  and  Stands  and  Extra 

Ivory  Base. 

Fei  Tsui  Jade  showing  different  marks  of  green  on  white. 

Kien  Lung  Period.     Height,  6  3-4  inches. 

274.  Pair  of  Incense  Boxes. 

In  the  form  of  a  dove,  called  the  agent  of  the  Temple,  carrying 
a  garland  of  fungas  in  its  beak  representing  the  Sceptre.     Each 
on   double  stands  of  teakwood,   one   inlaid   with   ivory. 
(See  Illustration.) 

[40] 


275.  Large  Jade  Vase  and  Teakwood  Stand. 

Coiled  dragon  ascending  on  the  edge  of  the  vase  with  waves. 
Stand  inlaid  with  ivory.  Height  of  vase,  9  1-2  inches. 

276.  European  Jade  Urn  with  Original  Cover  and  Side  Handles. 

The  vase  is  entirely  studded  with  precious  stones  in  gold  flowers 
and  vines.  One  of  the  finest  modern  pieces. 

277.  Jade  Sceptre. 

In  form  of  fungas,  the  same  design  carried  out  in  the  carving  on 
the  surface.  An  unusually  large  and  important  piece. 

Kien  Lung  Period.    Length,  16  1-2  inches. 

278.  Jade  Beads  and  Pendant. 

Fei  Tsui  quality,  107  beads  and  pendant  of  Porkfat  Jade,  carved 
and  pierced,  with  buds  and  symbols  of  longevity. 

279.  Jade  Incense  Burner  with  Original  Cover  and  Ivory  Stand. 

Fei  Tsui  green  jade,  decoration  of  peonies  incised  on  the  surface. 
Vase  with  side  handles  and  knob  of  cover  carved  from  one  solid 
piece.  Stand  of  old  ivory  representing  a  bamboo  bench. 

280.  Cabinet  Piece,  Green  European  Jade,  Egg-shape  Urn  with 

Hinged  Cover. 

Mounted  in  French  gold  enclosing  a 
Miniature  Tea  Set  Carved  from  Jade. 

In  the  same  quality  of  translucent  green  jade  supposed  to  have 
been  made  as  a  toy  for  a  Royal  child.  The  clasp  is  studded  with 
minute  diamonds. 

Made  by  Forbagere  of  St.  Petersburg.     (20  pieces.) 

281.  Old  Tombstone  Bowl  with  Teakwood  Stand. 

Fine  smooth  texture  "Camphor"  quality. 

282.  Jade  Snuff  Bottle  and  Stand  with  Fei  Tsui  Jade  Top. 

Flowers  of  the  four  seasons  carved  on  the  surface. 

283.  Pair  of  Jade  Ornaments. 

Fei  Tsui  finish.  Peaches,  emblems  of  longevity,  carved  and 
pierced  on  surface. 

284.  Small  Chinese  Teakwood  Stand  Inlaid  with  Silver  Wire. 

[42] 


285.  White  Jade  Bowl. 

Eggshell  texture  with  silver  rim  to  protect  the  bowl. 

Ming  Period. 

286.  Bronze  Stand. 

Group  of  three  storks  suitable  for  bowl. 

287.  Jade  Teapot  and  Bronze  Stand  with  Original  Cover. 

Form  of  lotus  flowers  and  buds.  The  stand  represents  three 
children  holding  incense  burners  made  of  fine  Sentoki  bronze. 

Ming  Period. 

288.  Five  Jade  Wine  Cups  and  Tray. 

Suitable  to  go  with  teapot  described.  The  centre  of  the  tray  is 
made  of  panels  of  jade,  beautifully  carved  with  landscapes  and 
the  border  carved  with  lacquer.  Ming  Period. 

289.  Pair  Jade  Bowls  and  Teakwood  Stands. 

Of  the  Pork  Fat  family.  Ming  Period. 

290.  Pair  of  Jade  Vases  with  Original  Covers  and  Teakwood  Stands. 

Fei  Tsui  jade  delicate  shade  of  green  mixed  on  pork  fat  white. 

291.  Chinese  Jade  Writer's  Water  Dish. 

Teakwood  stand.  The  dish  made  of  old  tombstone  jade  carved 
in  the  form  of  a  lotus. 

292.  Eggshell  Jade  Bowl  Set  with  Cabochon  Rubies. 

Decoration  of  chrysanthemums  carved  inside  and  out,  six  side 
handles  in  form  of  peonies,  carved  out  in  relief,  and  the  handles 
studded  with  Cabochon  Rubies. 

293.  Gold  Lacquer  Shrine  Stand. 

Chrysanthemums  carved  on  the  edge  of  the  stand.     4  x  8  inches. 

294.  Tall  Jade  Incense  Burner  with  Original  Cover  and  Ivory 

Stand. 

In  the  form  of  old  Han  bronze,  decoration  of  grotesque  face  carved 
on  the  surface.  Stand  of  old  Chinese  ivory  carved  out  of  one 
solid  piece.  Height  of  vase,  8  inches. 

295.  Pair  of  Jade  Vases  and  Teakwood  Stands. 

Dark  green  of  Nihilit  type,  old  Han  bronze  shape,  generally  used 
in  Temples.  Ming  Period.  Height,  10  inches. 

(See  Illustration.) 

[43] 


No.  295.     JADE  VASES 


296.  Pair  Old  Rose  Buddhistic  Priest  Temple  Cords. 

With  tassels. 

297.  Five  Pairs  of  Silk  Cords  and  Tassels. 

For  curtain  loops,  with  an  extra  cord  and  four  red  silk  tassels 
with  green  tops. 

298.  Turkish  Cotton  Embroidery. 

Various  sizes  and  designs,  for  couch  or  cushion  covers.  (11  pieces.) 

299.  Persian  Embroidery. 

On  magenta  silk,  set  with  spangles. 

Length,  140  inches;  width,  28  inches. 

300.  Pair  of  Persian  Brocaded  Hangings. 

Yellow  figured  stripes  of  Eastern  design  on  a  green   ground. 
Length,  110  inches;  width  of  one,  48  inches,  one  24  inches. 

301.  Pair  of  Cut  Leather  Cushions. 

Ornamented  with  a  panel  of  gold  applique.     Fashioned  from 
the  boot  tops  of  a  Spanish  Toreador. 

302.  Pair  of  Crimson  Velvet  Portieres. 

Wide  borders  of  Turkish  embroidery,  set  with  spangles.     Lined 
and  padded. 

303.  Pair  of  Crimson  Velvet  Portieres. 

To  match  the  above. 

304.  Pair  of  Crimson  Velvet  Portieres. 

To  match  the  above. 

305.  Down  Sofa  Pillow,  Spanish  Bead  Embroidery. 

Heavy  bead  embroidery  in  a  pattern  of  white  roses  on  a  rose- 
colored  satin  ground,  with  the  letters  "M.  E."  in  gold  embroidery. 

306.  Pair  of  Dining  Room  Portieres. 

Old  purple  velvet  ornamented  with  heavy  bands  of  tapestry. 

[45] 


307.  Three  Pairs  of  Dining  Room  Velvet  Curtains. 

Old  purple  velvet  with  tapestry  to  match  the  above. 

308.  Three  Pairs  of  Dining  Room  Lace  Curtains. 

A  special  order  executed  in  France;  silk  foundation  with  deep 
border  of  Renaissance  lace  in  grapes  and  leaves. 

309.  Pair  of  Yellow  Velvet  Brocade  Drawing  Room  Portieres. 

Lattice  pattern  of  roses  and  leaves  of  white  velour  on  a  yellow 
silk  ground,  lined.  Finished  with  silk  gimp  and  ball  fringe.  Silk 
cord  pulls.  Never  used. 

310.  Six  Pairs  of  Drawing  Room  Curtains. 

Yellow  velvet  brocade  to  match  the  above.  With  double  silk 
loops.  Never  used. 

311.  Pair  of  Heavy  Green  Velvet  Portieres. 

Striped  green  velvet  and  satin,  lined  with  green  damask,  padded 
and  fitted  with  rings.  Silk  cords  for  the  same.  Never  used. 

312.  Pair  of  Bronze  Curtain  Rod  Supporters. 

For  the  same.     Never  used. 

313.  Pair  of  Heavy  Velvet  Green  Portieres. 

Companion  to  the  above.    Silk  cords  for  the  same.    Never  used. 

314.  Pair  of  Bronze  Curtain  Rod  Supporters. 

For  the  same.     Never  used. 

315.  Pair  of  Heavy  Rose-colored  Moire  Silk  Portieres. 

Trimmed  with  silk  fringe,  lined  with  rose-colored  damask,  padded 
and  fitted  with  rings.  Silk  cords  for  the  same.  Never  used. 

316.  Pair  of  Bronze  Curtain  Rod  Supporters. 

For  the  same.    Never  used. 
Six  Pineapple  Finials  of  Bronze. 

Screw  ends. 

317.  Seven  Pairs  of  Louis  XVth  Bronze  Curtain  Hooks. 

318.  Two  Large  Square  Cushions. 

Red  velvet  and  pale  green  brocade,  set  with  panels  of  old  embroid- 
ery, and  Coat  of  Arms. 

[46] 


319.  Heart-shaped  Silk  Cushion. 

Old  brocade,  trimmed  with  gold  lace. 

320.  Cushion  of  Dark  Green  Velvet. 

With  Coat  of  Arms  in  applique  of  gold  embroidery. 

321.  Small  Embroidered  Satin  Cushion. 

322.  Two  Pairs  of  Library  Curtains. 

Crimson  silk  brocade,  edged  with  silk  fringe;  silk  tasseled  loops. 
Lined. 

323.  Four  Pairs  of  Library  Curtains. 

To  match  the  above. 

• 

324.  Pair  of  Library  Portieres. 

To  match  the  above. 

325.  Two  Pairs  Renaissance  Lace  Curtains. 

On  ivory  silk  foundation,  deep  lace  border  of  special  design  and 
execution.    Made  in  Paris. 

326.  Four  Pairs  of  Renaissance  Lace  Curtains. 

To  match  the  above. 

327.  Three  Long  Cushions. 

Red  cut  Genoese  velvet. 

328.  Two  Dark  Red  Striped  Velvet  Cushions. 

Ecclesiastical  Silver  and  Bronze 

329.  Old  Moorish  Silver  Temple  Bowl. 

Hammered  silver  with  designs  of  groups  of  figures  on  the  sides 
and  in  the  bottom  the  Church  with  open  door.     Diameter,  7  inches. 

330.  Pair  Silver  Gilt  Church  Candleholders. 

Twisted  columns.  Height,  19  inches. 

[47] 


331.     Silver  Inkstand. 


In  form  of  a  pile  of  seven  books,  Bible,  and  Others,  surmounted  by 
a  small  silver  cross.  Small  ebony  stand  on  four  ball  feet,  at  each 
corner,  the  four  symbols  of  the  Apocalypse. 

On  a  silver  plate  set  in  the  stand  runs:  "Testimonial  from  friends 
in  the  American  Church  to  Thomas  Ramsey,  Esq.,  late  Editor 
of  the  N.  Y.  Churchman,  Easter,  1858.  In  acknowledgment  of 
his  services  in  the  cause  of  Catholic  truth." 


332.     Cardinal's  Brass  Traveling  Set. 

A  leather  traveling  case  containing  the  vessels  necessary  for  the 
celebration  of  Mass,  censer,  crozier,  missal  rest,  incense  boxes, 
helmet  jug,  basin,  ewer,  mortar,  pestle,  bell,  candlestick  and 
several  trays,  all  in  heavy  brass  marked  with  coat  of  arms. 
From  the  collection  of  Cardinal  Mertel,  Rome.  The  candle  has 
been  fitted  for  electricity  with  candelabra  and  ivory  silk  shade,  and 
the  incense  cup  fitted  as  an  inkstand.  (Together  18  pieces.) 


333.     Pair  of  Spanish  Silver  Altar  Candlesticks. 

With  crystal  bead  covers  and  old  rose  tasseled  shades. 

Wired  for  electricity.     Height,  42  inches. 


334.    Small  Silver  Triptych. 

Central  panel  and  two]  hinged  wings.  The  former  contains 
modeled  in  very  high  relief  the  figure  of  a  Saint  adoring  a  Crucifix 
and  receiving  the  blessing  of  the  Almighty  who  appears  in  the 
clouds  above.  In  the  wings  are  the  figures  of  the  Four  Evangelists. 
The  exterior  of  the  triptych  is  decorated  with  a  deposition  from  the 
Cross  surrounded  by  a  scroll  border,  the  figures  of  Saints  in 
niches,  a  Saint  and  a  shield-shaped  cartouche  with  the  Emblems 
of  the  Passion. 

North  German,  Early  XVIIth  Century.     31-2x5  inches. 


335.     Wafer  Holder. 

Decorated  with  "The  Descent  from  the  Cross"  in  Limoges  enamel. 
Stem  and  circular  base. 

[49] 


336.  Limoges  Enamel  Triptych. 

Triptych  of  ebony  with  elaborate  strapwork  clasps  of  hand- 
wrought  brass.  Inside  framework  in  niello  in  a  Florentine  pat- 
tern enclosing  six  panels  in  Limoges  enamel  in  rich  colors.  The 
larger  of  the  panels  representing  scenes  in  the  life  of  St.  Anne, 
bordered  with  smaller  panels  showing  heads  and  arabesques  in 
enamel.  School  of  Pierre  Penicaud. 

Extreme  height,  21  1-2  inches;  width  (open),  22  inches. 

337.  French  Walnut  Carved  and  Gilded  Vitrine. 

Exhibition  table  with  sloping  top  for  the  above  described  Triptych, 
of  Gothic  design,  carved  in  relief,  the  ornament  gilded;  designed 
by  Miss  Grigsby  for  the  exhibition  of  the  foregoing  Limoges 
enamel. 

338.  Triptych  of  Carved  Ivory  and  Bone. 

Showing  eight  scenes  hi  the  Passion  of  Christ  set  in  intricate 
Tabernacle  Work,  surrounded  by  Gothic  Carvings.  At  the  top 
are  eight  portraits  enclosed  in  quatrefoils,  surmounted  by  Angels 
supporting  a  crest.  Spanish  workmanship.  XlVth  Century. 

Height,  21  1-2  inches;   width,  22  inches. 

339.  French  Walnut  Carved  and  Gilded  Vitrine. 

For  the  foregoing.     Similar  to  companion,  No.  337. 


Coins 

340.  Coins. 

Roman  consular  or  silver  family  coins,  of  the  Julia,  Furia,  Plautia 
and  many  other  families,  all  of  about  B.  C.  100  to  A.  D.  50. 
Good  and  very  good.  A  few  holed.  No  duplicates.  (72  pieces.) 

341.  Coins. 

A  good  collection  of  Oriental  coins  including  China,  Japan,  India, 
Ceylon,  British  East  Africa,  etc.  25  in  silver.  Very  good  to  fine 
condition.  (84  pieces.) 

342.  Coins. 

Modern  copper  and  nickel  coins  of  Europe  and  South  America. 
Many  in  fine  and  uncirculated  condition.  (384  pieces.) 

[50] 


343.    Medals.      • 

A  collection  of  United  States  and  foreign  medals  and  tokens, 
bronze  and  silver,  including  some  of  Washington  and  Bonaparte. 
Also  some  current  foreign  silver  coins.  Very  good  and  fine  con- 
dition. (102  pieces.) 


Ecclesiastical  and  Other  Embroideries 

344.  Bishop's  Traveling  Writing  Case. 

Portfolio  with  the  arms  of  J.  F.  P.  Le  Fevre  de  Caumartin,  Bishop 
of  Blois,  covered  with  old  red  velvet.  The  Bishop's  crest  embroid- 
ered in  colors  and  gold  on  a  white  satin  panel.  At  each  corner 
is  a  hammered  silver  ornament  of  God  the  Father  with  Angels 
in  Glory.  Two  inner  pockets  lined  with  rose  silk. 

345.  Archbishop's  Morse. 

Cope  clasp  of  brocade  embroidered  in  gold  and  silver. 
Eight  Strips  of  Crimson  Velvet  and  Applique  Embroidery. 

Taken  from  Church  vestments.     Floral  patterns  outlined  with 

gold  leaf  on  Genoese  velvet. 
Collar  Piece  of  Crimson  Velvet. 

Decorated  with  a  medallion  en  applique.  (10  pieces.) 

22  inches  long;   2  pieces,  14  inches;   3  pieces,  8  inches. 

346.  Two  Halves  of  Chasuble. 

Green  brocaded  satin,  with  pillar  of  crimson  Genoese  velvet, 
embroidered  with  a  Venetian  design  in  applique  of  yellow  satin 
(worn).  Italian,  XVIth  Century. 

347.  Crimson  Satin  Chasuble. 

Embroidered  in  a  pattern  of  roses,  carnations,  leaves  and  arabesques 
on  a  ground  of  cerise  satin.  Bordered  with  a  dog-tooth  pattern  of 
embroidery  (restored  at  the  neck).  Italian. 

348.  Half  of  a  Chasuble. 

Old  rose  brocade.  Pattern  of  roses,  leaves,  flowers,  fruit  and 
arabesques  on  a  ground  of  silver  and  old  rose.  Trimmed  with 
gold  braid.  Converted  into  a  stand  cover. 

[51] 


349.  White  Satin  Chasuble. 

Embroidered  with  a  pattern  of  vine,  leaves  and  flowers  on  a 
ground  of  ivory  satin.  Front  soiled  and  worn. 

Spanish,  XVIth  Century. 

350.  Half  of  a  Chasuble. 

Embroidered  in  a  floral  pattern  on  a  brocaded  silver  and  rose- 
colored  ground.  The  pillar  of  crimson  Genoese  velvet  orna- 
mented with  three  figure  medallions  of  the  Madonna  and  Saints, 
surrounded  and  connected  by  embroidery  of  gold  and  silver 
bullion.  Bordered  with  gold  gimp.  Italian,  XVIth  Century. 

351.  Canopy  Cover. 

Embroidered  in    gold,  silver  and  colors  in  intricate  pattern  of 

leaves,  flowers,  fruits  and  animals  on  a  red  cloth  ground.     Oval 

medallion  of  gray-green  velour,  bordered  with  gold  braid.     The 

canopy  fringed  with  gold  bullion.     From  the  Charles  F.  Phillips 

collection. 

Portuguese,  XVIth  Century.     Length,  80  inches;  width,  56  inches. 

352.  Silk  Canopy  Covering. 

Brilliant  brocade  of  shaded  pink  and  yellow  clusters  of  chrysan- 
themums and  leaves  on  an  ivory  silk  ground.  The  ground 
figured  with  a  gold  floral  pattern.  The  flowers  and  leaves  also 
veined  and  shaded  with  gold.  Bordered  with  a  fringe  of  gold 
bullion. 

Spanish,  XVIth  Century.    Length,  112  inches;  width,  75  inches. 

353.  Chasuble. 

Brocade  in  a  pattern  of  bouquets  of  flowers  and  leaves,  tied  with 
ribbon  on  a  ground  of  white  silk.  Trimmed  with  gold  brocade. 

Italian. 

354.  Orphrey. 

Embroidered  with  three  figure  panels  in  applique  on  cloth  of  gold 
ground.  A  round  medallion  at  the  top  showing  a  Madonna  and 
Child.  (Worn.)  Spanish,  XVIth  Century. 

355.  Bannerette. 

Old  rose  velvet,  with  device  of  a  chalice  of  gold  brocade  en 
applique.  Bordered  on  both  sides  with  an  arabesque  pattern  in 
gold  embroidery.  Italian. 

[52] 


356.  Vide  Poche. 

Covered  with  flowered  brocade  and  trimmed  with  gold  lace. 
Double  covers  ornamented  with  medallion  enclosing  a  print. 
Bordered  with  gold  spangles. 

357.  Three  Chalice  Covers. 

Flowered  silk  brocade,  bordered  with  silk  and  gold  braid. 

358.  Hanging  of  Striped  Brocade. 

Salmon  and  white  silk  stripes  ornamented  with  floral  pattern, 
trimmed  with  silk  braid.  Length,  78  inches;  width,  39  inches. 

359.  Chasuble. 

Silk  brocade.  Flower  and  ribbon  pattern  on  a  white  ground, 
striped  with  green;  trimmed  with  gold  braid.  French. 

360.  Dalmatic. 

Salmon  and  white  striped  and  flowered  brocade.  French. 

361.  Stole  and  Maniple. 

Crimson  Genoese  velvet,  ornamented  with  floral  design  in  applique 
and  trimmed  with  gold  bullion  fringe.  Italian. 

362.  Stole  and  Maniple. 

Similar  set.  Italian. 

363.  Antependium  of  Silk  Brocade. 

Intricate  floral  pattern  of  green  and  pink  on  a  mauve  ground. 
Bordered  with  gold  braid. 

Italian,  XVIth  Century.    Length,  104  inches;  width,  36  inches. 

364.  Orphrey. 

Containing  three  panels  of  figures  of  Saints  in  applique  on  figured 
gold  background  with  architectural  settings,  bordered  by  con- 
ventional scroll  pattern  in  gold. 

Italian,  XVIth  Century.    Length,  55  inches;  width,  10  inches. 

365.  Orphrey. 

Containing  three  panels  of  Saints  in  applique  on  figured  gold 
background  with  architectural  settings,  bordered  by  conventional 
scroll  pattern  in  gold. 

Italian,  XVIth  Century.    Length,  55  inches;  width,  10  inches. 
[53] 


366.  Embroidered  Band. 

Containing  16  panels  (joined),  each  showing  figure  of  a  Saint  in 
applique  embroidered  on  cloth  of  gold,  and  cloth  of  silver,  bordered 
with  gold  gimp. 

Italian,  XVIth  Century.    Length,  128  inches;  width,  18  inches. 

367.  Two  Halves  of  a  Chasuble. 

Richly  embroidered  pattern  of  leaves  and  arabesques  in  color 
and  gold  on  cloth  of  silver  ground.  Bordered  with  conventional 
floral  pattern,  lined  with  crimson  silk.  Spanish,  XVIth  Century. 

' 

368.  Four  Mural  Panels. 

Crimson  Genoese  velvet  the  greater  part  of  each  formed  of 
medallions  exquisitely  embroidered  of  Biblical  figures  in  applique 
and  surrounded  by  ornamental  setting  in  conventional  pattern 
in  gold. 

The  upper  part  finished  in  decorative  panel  in  gold  surrounding  a 
medallion  enclosing  a  monogram. 

Italian,  XVIth  Century.     Height,  56  inches;  width,  21  inches. 

369.  Two  Orphreys.     (Joined  End  to  End.) 

Crimson  Genoese  velvet,   embroidered  with    gold    hi  Venetian 
pattern,  each  showing  three  medallions,  one  of  Saints  and  two  of 
conventional  floral  decoration. 
Italian,  XVIth  Century.    Length,  110  inches;  width,  10  1-2  inches. 

370.  Archbishop's  Mitre. 

Embroidered  in  gold  in  flowers  and  arabesques  on  ivory  silk 
ground. 

371.  Chasuble  (Half). 

Richly  embroidered  with  a  pattern  of  poppies,  passion  flowers  and 
leaves  in  color  on  cloth  of  gold.  Bordered  with  conventional 
floral  pattern,  lined  with  crimson  silk.  Spanish,  XVIth  Century. 

372.  Chasuble. 

Crimson  Genoa  Velvet  with  pillar  of  green  velour  embroidered  in 
a  Venetian  pattern  in  yellow  satin  applique.  Finished  with  gold 
braid.  Italian,  XVIth  Century. 

[54] 


373.  Chasuble. 

Richly  embroidered  in  a  pattern  of  pomegranates,  birds  and  gold 
applique  on  cloth  of  gold.  Bordered  with  gold  braid  and  lined 
with  crimson  silk.  Italian,  XVIth  Century. 

374.  Embroidered  Strip. 

Composed  of  four  squares,  alternating  with  four  bands,  each  con- 
taining figure  of  a  Saint  in  applique  on  a  ground  of  crimson  velvet, 
figured  with  gold  surrounded  by  applique  borders  in  color  out- 
lined with  gold. 

Italian,  XVIth  Century.     Length,  112  inches;  width,  19  inches. 

375.  Two  Orphreys  (Joined  End  to  End). 

Bordered  with  conventional  designs  in  gold  embroidery.     Three 

panels  of  Biblical  scenes,  embroidered  in  gold  (with  very  little 

color). 

Italian,  XVIth  Century.  Extreme  length,  96  inches;  width,  Winches. 

376.  Embroidered  Band. 

One  long  and  two  square  panels,  joined  end  to  end.  Embroidered 
in  a  pattern  of  poppies  in  rich  colors  on  cloth  of  gold  ground. 
Joined  and  bordered  with  gold  band,  finished  with  gold  fringe, 
lined  with  crimson  silk. 

Italian.    Length,  110  inches;  width,  20  inches. 

377.  Embroidered  Band. 

Another  to  match. 

378.  Antique  Wall  Panel. 

Embroidered  with  a  floral  pattern  in  applique  on  an  ivory  ground 
with  three  conventional  floral  borders.  The  centre  showing  a 
large  urn  of  flowers  under  a  floral  archway  about  a  plain  central 
panel.  Edged  with  green  fringe  and  lined. 

Spanish.    Length,  72  inches;  width,  47  inches. 

379.  Antique  Wall  Panel. 

Embroidered  in  applique  in  a  conventional  floral  pattern  in  old 
reds  and  blues  on  an  ivory  ground.  The  centre  shows  conven- 
tional floral  pattern  surrounding  crimson  velvet  central  panel. 
Edged  with  green  fringe  and  lined. 

Spanish.    Length,  72  inches;  width,  Jf.8  inches. 

[55] 


HALL,  SECOND  FLOOR 


380.  Chasuble. 

Old  rose  brocade  with  pillar  of  white  silk  embroidered  in  applique 
with  two  medallions  enclosing  the  Heads  of  Saints  wrought  in 
gold. 

381 .  Square  of  Embroidery. 

Framed  in  cloth  of  gold.       Picture  representing  kneeling  figures. 
Italian,  XVIth  Century.    Length,  18  inches;  width,  22  inches. 

382.  Archbishop's  Mitre. 

Embroidered  in  gold  showing  a  Heron  on  her  nest,  backed  by  a 
glory  and  surrounded  by  conventional  rococo  border  on  ivory 
silk  ground. 

383.  Pair  of  Orphreys  (Joined  End  to  End). 

Of  crimson  velvet  embroidered  with  gold,  each  containing  three 
medallions,  showing  figures  of  Saints  in  applique,  bordered  with 
gold  braid.  Italian,  XVIth  Century. 

Length,  112  inches;  width,  8  inches. 

384.  Chasuble. 

Embroidered  with  flowers  and  scrolls  in  color  and  gold  on  a  white 
satin  ground.  (Worn.)  Italian. 

385.  Chasuble  (Cut  in  Halves). 

Embroidered  in  a  pattern  of  pomegranates  and  gold  on  cloth  of 
gold  ground.  Lined  with  crimson  silk.  Spanish,  XVIth  Century. 

386.  Chasuble. 

Embroidered  in  a  pattern  of  pomegranates,  leaves  and  arabesques 
in  colors  and  gold  on  cloth  of  silver  ground.  Bordered  with 
conventional  floral  pattern.  Lined  with  crimson  silk. 

Spanish,  XVIth  Century. 

387.  Cope.    Italian  Brocade. 

Gold  and  pink  on  a  blue  ground.    Gold  bullion  fringe. 

388.  Altar  Cloth,  Italian  Brocade. 

Floral  and  scroll  pattern  in  gold  and  pink  on  a  blue  ground  edged 
with  gold  gimp.  Length,  85  inches;  width,  28  inches. 

[57] 


389.  Altar  Cloth,  Italian  Brocade. 

Another  to  match. 

390.  Orphrey. 

Showing  three  panels  of  embroidery  framed  in  gold  in  architectural 
designs,  bordered  with  gold  gimp.  With  Coat  of  Arms. 

Length,  55  inches;   width,  91-2  inches. 

391.  Orphrey  in  the  Form  of  a  Cross. 

With  four  upright  and  two  side  panels  of   Biblical  subjects  in 

applique  embroidery.    Framed  in  architectural  settings,  bordered 

with  gold  gimp.  Italian,  XVIth  Century. 

Length,  55  inches;  width  of  arms,  22  inches. 

392.  Orphrey. 

Conventional  pattern  in  applique  embroidered  on  crimson  velvet 
ground. 
Italian,  XVIth  Century.    Length,  54  inches;  width,  8  1-2  inches. 

393.  Chasuble. 

With  white  brocade  pillar  showing  five  panels  of  figures  of  Saints 
in  applique  embroidered  on  a  crimson  velvet  ground  threaded 
with  gold.  Bordered  with  gold  gimp.  Italian,  XVIth  Century. 

394.  Four  Embroidered  Squares. 

Conventional  floral  pattern  in  colors  on  cloth  of  gold  ground. 

Height,  18  inches;  width,  22  inches. 

395.  Embroidered  Square. 

Square    of    applique    embroidery    edged    with  fringe.      Italian. 

21  x  24  inches. 

396.  Embroidered  Square. 

Framed  in  cloth  of  gold.  Figure  panel  of  Virgin  and  Child. 
Bordered  with  cloth  of  gold.  Italian. 

397.  Turkish  Bannerette. 

Antique  embroidery  showing  sun,  crescent,  surrounded  by  floral 
devices  on  a  (worn)  silk  ground  edged  with  gold  braid  and  fringed. 

[58] 


398.  Embroidery  on  Leather. 

Embroidered  leather  Corselet  for  a  small  boy.  Intricately  embroid- 
ered with  figures,  grotesques  and  arabesques  on  a  gold  ground. 
Said  to  have  been  brought  from  Spain  by  Cortez  to  the  son  of 
Montezuma.  Bought  from  an  old  Monastery  near  Mexico  City 
where  the  nuns  used  it  at  Christmas  on  an  ivory  figure  of 
Christ.  The  prevailing  colors  are  browns  and  Gobelin  blue,  the 
figure  of  child  being  repeated  seven  times.  Spanish  work. 

399.  Six  Italian  Wall  Tapestry  Embroideries  in  Silk. 

Of  classical  and  Biblical  subjects,  in  what  is  known  as  "point 
d'aiguille."  This  work  differs  from  the  work  of  the  Beauvais  or 
Flemish  Tapestries,  which  were  woven.  From  the  Pallavicini 
Palace,  Rome.  Brought  from  Italy  by  the  Princess  Christian 
and  sold  through  her  Royal  School  of  Art  Needlework,  South 
Kensington,  London. 

Height,  81  inches;   width  of  four,  1$  inches;   one,  48  inches;   and 

one,  49   inches. 

400.  Six  Lambrequins  to  Match. 

Height,  20  inches;  length,  60  inches. 

401.  Silver  Incense  Boat. 

Oval  shape  with  pointed  ends  and  double  hinged  cover.  The 
body  is  fluted  and  the  lids  are  repousse  in  a  design  of  Acanthus 
scrolls.  The  stem  is  vase  shaped,  the  base  circular. 

Italian,  XVIIIth  Century.     Height,  5  inches. 

402.  Silver  Gilt  Ostensorium. 

The  oval  base  is  repousse  in  an  Acanthus  leaf  and  scroll  design, 
the  vase-shaped  stem  supporting  a  hinged  Monstrance  sur- 
rounded by  gilt  rays.  On  either  side  are  twisted  columns  of  rock 
crystal  supporting  an  oval  canopy  of  repousse  silver  surmounted 
by  an  Orb  and  Cross. 

Italian,  XV Ith  Century.     Height,  18  inches. 

403.  Brass  Reliquary. 

Cast  and  wrought  work.  Hexagonal  lantern  shaped  with  pierced 
sides,  filled  with  crystal  panels  and  surmounted  by  a  crocketed 
fleche.  The  angles  have  flying  buttresses  as  supports.  The  stem 
is  hexagonal  in  plan  with  a  turned  knop  and  the  lower  portion 
surrounded  by  flying  buttresses.  The  base  is  hexalobed  and 
engraved  with  a  pattern  of  floral  scrolls  and  architectural  sub- 
jects. The  holder  for  the  relics  is  supported  on  carved  brackets. 
French,  XVIIth  Century.  Height,  18  inches. 

[59] 


404.  Bronze  Processional  Benitier. 

Of  cast  and  chased  brass.  Hexagonal  shape  with  swinging  handle, 
and  decorated  with  emblematic  designs  in  low  relief.  Two  of 
the  sides  are  inlaid  with  circular  disks  of  silver  ornamented  in 
colored  enamels  with  the  inscription  "Ave  Maria,  Gratia  plena" 
and  the  Arms  of  two  Cardinals. 

French,  XVIIth  Century.     Height,  61-2  inches. 

405.  Gilt  and  Silver  Chef. 

Reliquary  in  the  form  of  the  bust  of  a  Bishop  in  mitre  and  cape. 
The  movable  head  is  of  silver,  bearded  and  surmounted  by  a 
Bishop's  mitre.  The  cape  is  of  base-metal,  gilded,  and  repousse 
with  a  pattern  simulating  embroidery.  The  reliquary  is  in  the 
form  of  a  Pastoral  Jewel  with  a  silver  rim  and  a  glass  covering. 
On  red  velvet  pedestal. 

German,  XVIth  Century.     Height,  11  inches. 

406.  Gilt  and  Silver  Chef. 

Similar  to  the  foregoing. 

407.  Silver  Reliquary. 

Of  cast  and  gilded  metal  formed  in  the  shape  of  a  Gothic  Chapel 
with  flying  buttresses  and  arched  pendentives  at  the  angles, 
pointed  arched  windows  at  the  ends,  an  arched  clerestory  and  a 
high-pitched  roof  surmounted  by  a  fleche.  The  stem  is  hexagonal 
in  section  and  has  a  knop  in  which  are  set  four  circular  rock 
crystals  engraved  in  intaglio.  The  sides  of  the  reliquary  are  of 
six  panels  of  rock  crystal  with  Biblical  subjects  engraved  in 
intaglio  and  gilt.  Flemish,  XVIIth  Century.  Height,  24  inches. 

408.  Parcel  Silver  Gilt  Ostensorium. 

The  oval  base  is  repousse  with  a  design  of  cartouche-shaped 
panels  containing  subjects  in  relief  of  the  Nativity,  the  Magdalene 
at  the  feet  of  Jesus,  the  Miraculous  feeding  of  the  Multitude  and 
the  Crucifixion.  The  stem  is  formed  as  the  three  Marys  who 
support  the  Monstrance,  the  upper  part  of  which  is  surmounted 
by  Cherubim,  the  lower  portion  being  repousse  with  a  design 
of  the  Twelve  Apostles  seated  at  the  Last  Supper  Table.  The 
Monstrance  is  crowned  with  a  Canopy,  supported  by  two  Angels, 
from  which  the  Paschal  Dove  descends.  On  either  side  are 
Cornucopias  containing  the  Eucharistic  emblems  of  Grapes  and 
Wheat-ears.  The  sub-base  is  decorated  with  a  pattern  of  flat- 
chased  work.  Spanish,  XVIIIth  Century.  Height,  33  inches. 

[60] 


409.  Painted  and  Silver  Chef. 

In  the  form  of  the  bust  of  a  female  Saint.  The  head  is  surmounted 
by  a  coronet  of  plaited  hair  and  the  face  is  painted  in  natural 
colors  and  is  removable  giving  access  to  a  circular  receptacle  for 
the  sanctified  Wafer  or  for  relics.  The  lower  portion  is  of  silver 
quatrefoil  shaped  and  repousse  in  a  bold  design  of  Gothic  foliage. 
The  base  is  of  a  pierced  design  with  an  openwork  cresting. 

Italian,  XVIth  Century.     Height,  12  1-2  inches. 

410.  Gilt  Reliquary. 

Formed  in  the  shape  of  a  Gothic  Lantern  of  hexagonal  shape  and 
surmounted  with  gable  and  a  pointed  pinnacle.  The  sides  are 
decorated  in  colored  enamels  with  figures  of  Saints,  and  the 
reliquary  is  set  with  semi-precious  stones  cut  cabochon  fashion. 
The  stem  is  interrupted  by  a  knop  of  Gothic  tracery.  The  hexa- 
lobed  base  is  engraved  in  Gothic  characters  "Domingo  de  Montaya 
ma  fata"  (Domingo  of  Montaya  made  me). 

Spanish.     Height,  16  inches. 

411.  Parcel  Silver  Gilt  Ostensorium. 

Decorated  with  a  repousse  design  and  with  an  applique  ornamen- 
tation of  kneeling  figures  of  Faith  and  Hope.  The  Monstrance  is 
surrounded  by  gilt  rays  ornamented  with  amethysts,  malachite, 
carbuncles,  aquamarines  and  chrysoprases,  in  raised  settings. 
Above  the  Monstrance  is  applied  a  repousse  representation  of 
God  the  Father,  and  below  it  one  of  the  Pelican  feeding  her  young 
with  her  own  blood,  while  the  base  is  ornamented  with  repousse 
panels  containing  the  figures  of  Saints  Matthew,  Mark,  Luke, 
and  John,  surrounded  by  a  repousse  decoration  of  the  symbolic 
Grapes  and  ears  of  Wheat. 

Spanish,  XVIIIth  Century.     Height,  28  inches. 

Silver  Gilt  Reliquary. 

Of  cast  and  wrought  work.  Formed  as  a  Gothic  Chapel  enclosing 
a  cylindrical  relic-holder.  The  sides  are  finished  with  a  pierced 
Gothic  cresting,  and  the  ends  are  closed  with  crocketed  arches 
filled  with  a  tinfoiled  tracery.  The  roof  has  an  engraved  pattern 
of  imbrications  and  is  surmounted  by  a  Gothic  fleche  and  a  figure 
of  the  Virgin.  The  base  is  quatrefoil  in  shape. 

Flemish,  XVIth  Century.     Height,  13  inches. 

[61] 


413.  Silver  Gilt  Ciborium. 

Plain  bowl  set  in  a  Calyx  repousse  with  Cherubim  and  with  oval- 
scrolled  panels  containing  the  Eucharistic  emblems  of  Grapes  and 
Corn.  The  large  knop  is  decorated  with  figures  in  relief  of  three 
Angels  carrying  the  emblems  of  the  Passion.  The  hexalobed 
base  is  decorated  with  figures  repousse  in  high  relief  of  three 
Cherubim  whose  upstretched  wings  form  triangular  panels  filled 
with  subjects  in  relief  of  the  Crucifixion,  St.  John  and  the  Blessed 
Virgin.  The  domed  cover  is  decorated  with  a  band  of  conven- 
tional Cloud  forms  around  the  lower  rim  and  with  repousse  bands 
of  decoration  of  Cherubim  and  of  Angels  playing  musical  instru- 
ments. It  is  surmounted  by  a  ball  and  cross. 
Maker's  Mark  P.  V.  in  monogram.  (Paul  van  Vianen  1610.} 
Utrecht,  XVIIth  Century.  Height,  20  inches. 

414.  Louis  XVth  French  Clock. 

Chiseled  brass  and  inlaid  tortoise-shell  case,  brass  dial.       From 
the  Charles  F.  Phillips  collection. 

Bathazar,  Paris,  Maker.     Height,  37  inches. 


Wall  and  Furniture  Tapestries 

415.  Antique  Flemish  Tapestry  Wall  Panel. 

Showing  Coat  of  Arms  on  a  blue  ground. 

Height,  55  inches;   width,  70  inches. 

416.  Pair  of  Antique  Flemish  Tapestry  Wall  Panels. 

Showing  landscape  and  figure  panels,  with  borders  of  figures, 
fruits  and  foliage  (cut  from  larger  piece). 

Height,  55  inches;  width,  81  inches. 

417.  Antique  Flemish  Tapestry  Wall  Panel. 

Of  similar  design  and  cut  from  larger  piece. 

Height,  55  inches;   undth,  84  inches. 

418.  Pair  of  Antique  Flemish  Tapestry  Wall  Panels. 

Another  pair  similar  with  fruits,  flowers  and  arabesques. 

Height,  55  inches;  width,  38  inches. 

[62] 


419.  Pair  of  Antique  Flemish  Tapestry  Wall  Panels. 

Showing  mythological  figures,  fruits,  flowers  and  arabesques; 
cut  from  larger  piece.  Height,  55  inches;  width,  54  inches. 

420.  Pair  of  Antique  Flemish  Tapestry  Wall  Panels. 

Similar  to  above  and  similar  design  but  smaller. 

Height,  55  inches;    width,  21  inches. 

421.  Four  Antique  Flemish  Tapestry  Panels. 

With  designs  of  foliage,  fruits  and  arabesques;  cut  from  larger 
piece.  Height,  27  inches;  width,  12  inches. 

422.  Four  Antique  Flemish  Tapestry  Panels. 

Similar  to  above  and  similar  design. 

Height,  22  inches;    width,  12  inches. 

423.  Four  Antique  Flemish  Tapestry  Wall  Panels. 

Similar  to  above  and  similar  design. 

Height,   22  inches;    width,   9  inches. 

424.  Four  Antique  Flemish  Tapestry  Wall  Panels. 

Similar  to  above  and  similar  design. 

Height,  22  inches;    width,  9  inches. 

425.  Four  High  Back  Oak  Arm  Dining  Chairs  Upholstered  in  Old 

Flemish  Tapestry. 

Elaborately  carved  tops  ending  in  escutcheon  showing  stag  in 
relief.  Upholstered  in  antique  Flemish  tapestry  panels  with 
mythological  figures  of  Juno,  Mercury,  and  a  Macedonian  King, 
designs  of  baskets  of  fruits,  flowers  and  arabesques. 

Height  of  back,  64  inches. 

426.  Twelve  Side  Chairs  Upholstered  in  Old  Flemish  Tapestry. 

To  match  the  foregoing. 

427.  Four  Large  Carved  Antique  Oak  Arm  Chairs. 

High  backs,  seat  and  back  panel  upholstered  in  dull  blue  tapestry. 

Height  of  back,  60  inches. 

428.  Three-Fold  Carved  Oak  Screen. 

To  match  dining  room  chairs  (sold  without  the  tapestry). 

Height,  73  inches;  width  of  each  panel,  32  inches. 

[63] 


429.    Three  Antique  Flemish  Tapestry  Screen  Panels. 

From  the  foregoing.  With  decoration  of  mythological  figures. 
The  lower  panels  of  fruits  and  flowers.  (The  upper  part  of  each 
panel  above  the  figures  shows  skilful  restoration.) 

Height  of  each,  71  inches; '  width  of  each,  27  inches. 


430.  Wrought  Iron  and  Smoked  Brass  Andirons  with  Log  Rest. 

Crown  surmounted  by  silvered  stag's  head  supported  by  rampant 
crowned  bronze  lions.  Height,  86  inches. 

431.  Carved  Oak  Square  Extension  Dining  Table. 

The  pedestal  and  legs  ornamented  with  relief  carving  picked  out 
in  red.  60  x  60  inches.  Four  extension  leaves,  60  x  15  inches. 

432.  Large  Carved  Oak  Cabinet,  Dated  1679. 

On  low  ball  feet,  four  doors  of  leaded  glass  between  carved  pilas- 
ters, ends  of  lower  part  carved. 

The  date  1679  carved  across  the  top.  Measurements  of  lower  part: 
Height,  49  inches;  depth,  27  1-2  inches;  length,  63  inches.  Upper 
part:  Height,  44  inches;  depth,  16  inches;  length,  49  inches. 

Cathedral  Hanging  Lamps 

433.  Hanging  Cathedral  Lamp. 

Acorn  form  decorated  with  three  escutcheons  alternating  with 
three  cherubim  from  which  rise  the  supporting  chains.  Large 
crystal  bead  globe.  Fitted  for  electricity. 

434.  Pair  of  Antique  Silver  Bronze  Shrine  Hanging  Lamps. 

With  three  mermaid  figure  handles,  chains  and  ruby  globes. 

435.  Brass  Hanging  Sanctuary  Lamp. 

Decorated  with  escutcheons  in  relief.    Three  handles.    Ruby  cup. 

Fitted  for  oil. 

436.  Persian  Incised  Brass  Mosque  Hanging  Lamp. 

437.  Small  Hanging  Cathedral  Lamp. 

Pierced  circular  bowl.  Three  brackets  as  cupids  holding  torches. 
Crystal  bead  globe.  Fitted  for  electricity. 

[64] 


438.  Pair  of  Antique  Cathedral  Hanging  Lamps. 

Urn  shaped  with  three  handles.     Large  crystal  bead  globe. 

Fitted  for  electricity.    Four  lights. 

439.  Pair  of  Antique  Hanging  Cathedral  Lamps. 

Acorn  form  with  three  oak  leaf  handles.     Single  crystal  bead 
globe.  Fitted  for  electricity. 

440.  Antique  Cathedral  Hanging  Lamp. 

Spherical  bowl.    Three  bracket  arms,  ornamental  chains.    Single 
crystal  globe.  Fitted  for  electricity. 

441.  Bronze  Hanging  Cathedral  Lamp. 

Circular  in  form,  pierced  and  chased  pattern  showing  coats  of 
arms  supported  by  Cherubim.     Single  crystal  bead  globe. 

Fitted  for  electricity. 

442.  Pair  of  Pierced  Bronze  Hanging  Sanctuary  Lamps. 

Pierced  in   acanthus   leaf  design.     Each  having  three  handles 
formed  as  female  figures  holding  chains.     Rupy  cup. 


[65] 


Xo.  48S 
No.  481 


No.  471 
No.  475 


No.  457 
No.  45* 


FOURTH   SESSION 


Miniatures 

443.  Napoleon  I. 

Medallion  mezzotint  portrait  in  gilt  frame. 

444.  Madame  Le  Brun. 

Circular  miniature  on  fine  canvas.  White  tulle  head-dress  with 
roses,  white  dress,  yellow  scarf  across  arms. 

Signed  Charles  Demoret. 

445.  Two  Children. 

Miniature  on  ivory  of  two  little  girls,  half  length,  dressed  in 
white,  in  a  landscape.  Gold  and  enamel  frame. 

446.  Roi  De  Rome. 

Son  of  Napoleon  I.  Oval  miniature  on  ivory,  ormolu  and  brocade 
frame.  Signed  "Parent." 

447.  Double  Miniature  on  Ivory. 

Two  young  girls  with  their  hair  dressed  with  pearls.     Signed  Dun. 

448.  Round  Miniature  on  Ivory. 

A  lady  writing,  cupid  leaning  over  her  shoulder. 

Signed  A.  P.     (Cracked.) 

449.  Empress  Alexandra. 

Square  portrait  miniature  on  ivory  of  Empress  Alexandra  of 
Russia  [in  Court  Costume  with  crown  and  veil.  In  ormolu 
frame  surmounted  by  the  Russian  Eagle,  on  small  gilt  wood  easel. 

Signed  Pierre  Livachoy. 

450.  Queen  Elizabeth. 

Square  miniature  portrait  on  ivory  of  Queen  Elizabeth  in  Royal 
Robes.  Signed  Soli.  Height,  5  inches;  on  ebony  easel. 

451.  Empress  Eugenie. 

Oval  miniature  portrait  on  porcelain.  In  old-fashioned  gutta 
percha  frame. 

[67] 


452.  The  Duchess  of  Grammont. 

Oval  miniature  on  ivory  gold  frame.  Brown  hair  and  eyes,  hair 
trimmed  with  pearls,  low  white  dress  caught  on  shoulder  with 

blue  ribbon.  By  Dumont. 

(See  Illustration.) 

453.  Henry  VIII  and  His  Wives.    After  Holbein. 

A  set  of  seven  miniatures  on  ivory  of  Henry  VIII,  Ann  of  Cleves, 
Anne  Boleyn,  Catherine  of  Aragon,  Catherine  Parr,  Catherine 
Howard  and  Jane  Seymour,  two  of  which  are  signed  V.  O.  YVerff. 
Each  in  ormolu  frame  with  easel  mount. 

454.  Miniature  Portrait  on  Ivory. 

A  lady  in  white  with  low  corsage,  hair  dressed  in  side  curls. 
Ebony  frame  with  ormolu  mounts.  Attributed  to  Isabey. 

455.  King  Ludwig  II.  (1740-1786). 

Portrait  miniature  on  ivory;  in  Court  Costume  with  cocked  hat. 
In  antique  leather  case  ornamented  with  a  crown. 

456.  Marie  Louise  and  the  King  of  Rome. 

Square  miniature  on  ivory  of  Marie  Louise  and  the  young  King 
of  Rome  after  the  full  length  portrait  by  Guerin.  (Cracked.) 

Height,  6  inches;  on  wood  easel. 

457.  Miniature  on  Ivory. 

Bust  portrait  of  a  man,  18th  Century  dress,  white  stock,  dark 
blue  coat,   powdered  short    hair.     In    red    leather  frame. 
(See  Illustration.) 

458.  Miniature  on  Ivory. 

Portrait  of  a  lady,  snood  on  her  hair,  blue  gown  held  on  shoulders 
by  jeweled  straps,  an  ermine-trimmed  robe  slips  off  one  arm. 

459.  Portrait  of  a  Lady. 

Oval  on  ivory.  Small  hat  with  feather,  dress  with  high  lace 
collar  at  the  back,  cut  low  in  front. 

Signed  "Naglebourg"  on  the  reverse. 

460.  Portrait  Medallion  in  Profile. 

.  Gilt  frame  set  in  red  velvet.  Tableted  J.  B.  C.  Rameau. 

[68] 


461.  Madame  De  Pompadour. 

Oval  miniature  portrait  on  ivory  of  Mme.  De  Pompadour  dressed 
in  blue,  wearing  a  white  hat,  seated  on  a  sofa  holding  a  book 
lettered  "Louis  XV,  King  of  France  and  Navarre."  In  ormolu 
frame,  on  gilt  wood  easel. 

462.  Madame  Roland. 

Square  miniature  on  ivory  of  Madame  Roland  (1754-1795),  in 
ormolu  frame  with  gilt  wood  easel.  Signed  Mdme.  Guyard  1789. 

463.  Mrs.  Siddons. 

Oval  portrait  miniature  on  ivory,  profile,  dressed  in  blue  with 
white  ruff.  In  ormolu  frame  mounted  on  an  ebony  plaque. 

Signed  Wares. 

464.  Double  Miniature  on  Ivory  Set  in  Silver. 

Shah  Jahan,  the  Great  Mogul  Emperor  of  India  and  his  wife, 
Mumtas  Mahal,  mounted  in  an  elaborately  wrought  silver  frame 
of  Eastern  workmanship.  On  a  small  gilt  wood  easel.  The 
Taj  Mahal,  the  most  beautiful  building  in  the  world  was  built 
by  Shah  Jahan  at  Agra  as  a  mausoleum  for  his  wife  Mumtas 
Mahal. 

465.  Oval  Miniature  on  Ivory  Backed  with  Silver. 

Taj  Mahal,  the  mausoleum  built  by  Shah  Jahan  as  a  mausoleum 
for  his  wife. 

466.  Oval  Miniature  on  Ivory  Backed  with  Silver. 

Palace  gate  at  Delhi. 

467.  Pair  of  Oval  Miniatures  Silver  Backs. 

Two  Temples  at  Delhi. 

468.  Small  Ivory  Miniature  Silver  Back. 

Oval  view  of  an  Eastern  Temple. 

469.  French  Portrait  Miniature. 

Oval  portrait  miniature  on  ivory  of  a  young  woman  in  a  blue 
gown,  and  blue  lace-trimmed  cap.  In  ormolu  frame,  gilt  wood 
easel.  Signed  Eullard. 

[69] 


470.  Oval  Miniature  on  Ivory. 

Portrait  of  a  woman  in  a  low-cut  violet  gown,  a  veil  from  the 
back  of  her  head  across  her  shoulders.  In  black  wood  frame  inlaid 
with  pearl. 

471.  Small  Miniature  on  Ivory. 

Woman  in  blue  dress,  dark  eyes  and  black  hair  parted  in  the 
middle.  Signed  R.  Aubry. 

(See  Illustration.) 

472.  Solid  Gold  Miniature  Frame. 

Elaborately  hand  wrought  with  clusters  of  roses,  daisies,  morning- 
glories  and  asters  in  an  individual  design  of  exquisite  workman- 
ship. Mounted  on  a  grey  velvet  plaque. 

473.  Oval  Miniature  on  Ivory. 

Young  girl  in  a  poke  bonnet  and  red  mantle. 

474.  The  Madonna. 

At  the  Descent  from  the  Cross.  Oval  picture  on  porcelain.  Italian 
carved  frame  with  birds,  animals  and  flowers  in  high  relief. 

475.  Miniature  of  Three  Women. 

Miniature  on  ivory  of  three  ladies  in  white  gowns,  without  hats, 
half  length.  Inscribed  on  the  reverse  "The  Fair  Stepmother. 
Ladies  of  the  Loft  Family." 

Signed  R.  C.  Cosway.    4x51-2  inches. 
(See  Illustration.) 

476.  Miniature  on  Copper. 

Square  miniature  portrait  of  Mdme ,  Prima  Donna. 

477.  Miniature  on  Copper. 

Square  miniature  portrait  of  Mdme ,  Prima  Donna. 

478.  Set  of  Four  Miniatures  on  Parchment. 

French  Court  Beauties  of  the  Eighteenth  Century,  representing 
the  seasons,  finely  executed.  In  square  ormolu  frames. 

479.  Miniature  Set  in  Tortoise-shell  Box  Cover. 

On  ivory.    Miniature  of  a  lady,  blonde  hair,  lilac  ribbons,  white 
•dress  slips  off  one  shoulder,  lilac  sash. 

[70] 


480.  Lady  Brooks. 

Small  oval  miniature  on  ivory.  Low  white  dress,  string  of  pearls, 
high  rose-trimmed  powdered  white  coiffure.  Signed  Cosway. 

481.  Miniature  of  Young  Woman. 

Oval  miniature  portrait  by  Cosway,  on  ivory,  of  a  young  woman 
with  blonde  curls  and  a  low-cut  white  bodice.  In  ormolu  mount 
on  a  grey  velvet  plaque.  By  Cosway. 

(See  Illustration.) 

482.  Miniature  by  Sauvage. 

Goat  and  Amorini  at  play  done  by  the  unusual  process  of  coloring 
the  background  only  leaving  the  animal  and  the  children  in  the 
color  of  the  ivory.  Signed. 

483.  Miniature  on  Wood. 

Circular.  Lady  with  hair  dressed  high,  lace  cap,  in  a  blue  lace- 
trimmed  gown  sits  holding  a  book,  one  arm  resting  on  the  table. 

Signed  H.  Bol. 

This  Flemish  painter  in  the  latter  part  of  his  life  devoted  himself 
to  miniature  painting  in  which  he  was  very  successful. 
(See  Illustration.) 


484.  Tanagra  Seated  Figure. 

Draped  figure  of  a  woman  holding  a  dish  (damaged). 

Height,  8  inches. 

485.  Tanagra  Standing  Figure. 

Semi-draped  woman  braiding  her  hair.  Height,  11  inches. 

486.  Tanagra  Seated  Figure. 

A  fully  draped  woman  holding  an  apple.  Height,  9  inches. 

487.  Tanagra  Figurine. 

Young   woman  partially   draped,   seated,   holding   a   bough   of 
weeping  willow.  Height,  61-2  inches. 

[71] 


Fans 

The  wing  of  a  bird  is  said  to  have  suggested  a  fan  to  the  ancients 
and  their  use  has  been  known  from  the  earliest  times.  Terence 
refers  to  the  fan  two  hundred  years  before  Christ  and  the  manu- 
scripts of  the  mediaeval  times  are  embellished  with  drawings  of 
the  fans  then  in  use.  Catherine  de  Medici  introduced  them  into 
France  and  Queen  Elizabeth  into  England  and  since  then  "Mar- 
riage Fans,"  "Church  Fans,"  "Flirtation  Fans,"  and  "Fans  a 
Lorgnette"  have  served  their  purpose  for  the  use  and  adornment 
of  women.  The  following  collection  will  be  found  to  contain 
several  important  examples  of  the  various  styles  of  fans  of 
exquisite  workmanship. 

488.  French  Marriage  Fan. 

Boucher  panels  of  the  "Chariot  of  Venus,"  painted  on  silk;  the 
reverse  side  of  ivory  silk  being  painted  with  garlands  of  roses  in 
gold,  by  G.  Neite.  Exquisitely  carved  pearl  and  gold  sticks,  the 
fan  separated  into  "lorgnette  windows,"  by  scrolls  of  pearl  and 
gold  carving.  The  handle  set  with  brilliants.  Signed  G.  Neite. 

489.  Ivory  Fan  with  Silver  Inlays. 

Exquisitely  carved,  inlaid  with  two  rows  of  floral  paillettes. 

490.  Ivory  Jeweled  Fan. 

Ivory  fan,  one  guard  thickly  inlaid  with  turquoises. 

491.  Ivory  Fan. 

Finely  carved  pierced  sticks  set  with  four  irregular  oval  panels 
of  rose  du  barri  satin. 

492.  Lilliputian  Carved  and  Pierced  Ivory  Fan. 

Sticks  carved  in  relief  with  classical  landscape,  and  gilt;  the  outer 
sticks  gilt  filigree  over  gold. 

493.  Silk  and  Carved  and  Gilded  Wood  Fan. 

Painted  with  garlands  of  roses  and  violets,  gilded  wood  sticks 
elaborately  carved  and  pierced  in  scroll  and  floral  decoration. 

[72] 


494.  Old  Spanish  "Flirtation"  Fan. 

Painted  on  paper  with  nymphs  dancing,  a  landscape  and  flowers 
on  the  reverse;  carved  and  pierced  pearl  sticks  with  gold  decora- 
tion set  with  "flirtation  windows;"  gilt  and  enameled  ring,  the 
guards  ornamented  with  a  mirror  set  in  enamel  on  one  and  a 
topaz  on  the  other. 

495.  Spanish  Wedding  Fan. 

A  copy  of  Fortuny's  "Signing  the  Marriage  Contract,"  painted  on 
black  silk.  Smoke  pearl  sticks  set  with  translucent  iridescent 
panels  and  chased  ornamentation  gilded.  From  the  collection  of 
Madame  de  Rothschild  and  painted  on  the  occasion  of  her 
wedding. 

496.  French  Fan. 

Groups  of  figures  on  both  sides  painted  on  parchment.  One  of  the 
finest  of  these  groups  representing  the  Court  at  Versailles  is 
signed  Andre.  Pierced  pearl  sticks  inlaid  in  gold  and  silver  set 
with  groups  in  gold  relief  on  a  background  of  translucent  Mother- 
of-Pearl.  With  gold,  silver  and  green  tassel. 

497.  Old  Chinese  Fan. 

Decoration  on  both  sides  of  a  Court  Gathering  with  figures  in 
applique,  the  faces  of  applied  ivory  carving.  The  sticks  are  made 
of  lacquer  and  painted  with  a  separate  subject  on  each. 

Kien  Lung  Period,  1736-1795. 

498.  Carved  Wood  Fan. 

Vernis  Martin  decoration  of  classical  subjects.  The  handle 
studded  with  gems.  Bought  from  Tiffany. 

499.  Carved  and  Pierced  Fan  of  Sandal  wood. 

500.  Louis  XVIth  Fan. 

The  sticks  of  pierced  ivory  inlaid  with  gold  and  silver.  The  fan 
of  net  with  applique  of  vegetable  lace  of  delicate  ivory  color  and 
the  exquisite  texture  of  "  Point  de  Venise."  A  museum  piece, 
almost  unknown  to  collectors. 

501.  Gauze  and  Rosewood  Fan. 

Rosewood  sticks,  inlaid  with  gold  metal,  semi -precious  green 
stones  in  the  ring.  The  fan  of  green  silk  gauze  very  finely  pailletted 
with  gold. 

[73] 


502.  Louis  XVIth  Gold  Theatre  Fan.     . 

With  a  magnifying  glass  set  in  the  handle  for  the  purpose  of  reading 
the  program;  shell  sticks  ending  in  silk  and  net  thickly  spangled 
with  gold  and  silver  paillettes. 

503.  Amber  Shell  and  Net  Fan. 

Carved  and  pierced  shell  sticks  inlaid  with  gold  and  silver.  The 
fan  in  silk  and  gold  net  embroidered  in  different  shades  of  gold 
paillettes  and  applied  gold  leaves. 

504.  Large  Tortoise-shell  and  Chantilly  Lace  Fan. 

Very  fine  black  chantilly  lace  fan  with  tortoise-shell  sticks. 

505.  Amber  Shell  and  Lace  Fan. 

Pierced  and  carved  shell  sticks,  inlaid  in  gold.  Tambour  lace 
fan  in  a  design  of  water  lilies  ornamented  with  paillettes  of  pearl. 

506.  Amber  Shell  and  Gauze  Fan. 

Amber  shell  sticks  inlaid  with  gold  and  silver  metal  rosettes,  the 
fan  of  green  gauze  pailletted  in  silver  and  gold  in  a  design  of 
daisies  and  scrolls,  green  stones  in  the  ring. 

507.  Flirtation  Fan  or  "  Fan  a  Lorgnette." 

Carved  ivory  sticks  inlaid  in  gold  and  silver  ending  in  silk  and 
net  embroidered  in  paillettes  in  gold  and  colors.  Each  panel 
inlaid  with  "flirtation  windows"  of  net. 

508.  Lilliputian  Horn  Fan. 

Painted  with  a  panel  of  hunting  scenes,  decorated  with  gold 
stars  and  strung  on  a  white  silk  ribbon. 

509.  Pocket  Horn  Fan. 

Pierced  in  a  delicate  lace  pattern. 

510.  Pocket  Horn  Fan. 

Pierced^  in  a  similar  pattern,  but  even  more  delicate. 

511.  Tortoise-shell  Fan. 

Set  with  silver  gilt,  the  guards  studded  with  gems. 

[741 


512.  Fan  of  Empire  Style. 

Amber  shell  sticks  inlaid  with  gold;  the  fan  of  green  gauze  and 
silk  on  which  is  painted  a  cartouche  of  Madame  Recamier  after 
David's  portrait,  by  Vanoni.  On  either  side  the  fan  is  ornamented 
with  paillettes  in  the  form  of  garlands  and  flowers. 

Signed  by  Vanoni.     Made  by  E.  Fleed. 

513.  Antique  "  Church  "  Fan. 

Carved  ivory  sticks,  the  fan  entirely  covered  with  a  painting  of 
Biblical  scenes.  Signed  F.  Waler. 

514.  Old  French  Fan. 

Pierced  and  carved  ivory  sticks,  silver  ring.  The  fan  painted  on 
paper  in  three  classic  medallions.  (One  of  the  sticks  broken.) 

515.  French  Marriage  Fan. 

Elaborately  carved  pearl  sticks  set  with  translucent  iridescent 
panels  on  which  are  groups  of  Amorini  carrying  garlands  carved 
in  relief.  Fan  of  swanskin  painted  by  Charles  Labarre  with  an 
Al  Fresco  entertainment  showing  groups  of  lovers  in  the  manner 
of  Boucher.  Signed  Labarre. 

516.  French  Pearl  and  Silk  Fan. 

Three  cartouches  of  pastoral  scenes  painted  on  silk,  bordered  with 
paillettes  and  with  bird  and  floral  decoration.  Pierced  pearl  sticks 
inlaid  with  gold. 

517.  French  Point  de  Venise  and  Swanskin  Fan. 

Exquisitely  painted  with  Watteau  scenes  in  rococo  panels  on 
swanskin.  Pearl  sticks  ornamented  writh  gold  and  silver. 

Signed  J.  Dousel,  fits. 

518.  French  Pearl  and  Swanskin  Fan. 

Swanskin  fan  painted  with  Watteau  groups  and  flowers;  on  the 
reverse  a  landscape  exquisitely  painted  toning  into  turquoise. 
Pierced  pearl  sticks  inlaid  with  silver  in  medallions  and  floral 
garlands.  Blue  silk  and  silver  tassel. 

519.  Conder  Fan. 

Painted  on  silk.  A  bather  standing  in  a  pool  beckons  to  her 
companion  on  the  shore;  two  floral  cartouches  at  either  side. 

Signed  "Conder1'  unmounted,  framed. 

175] 


520.  Conder  Fan. 

Painted  on  pale  yellow  silk.  Centre  figure  cartouche,  with  groups 
of  beauties  on  either  side. 

Signed  "Conder,  1904,"  unmounted,  framed. 

521.  Fan  Case  of  Old  Brocade  and  Gold  Applique. 

Fan  shape,  with  French  plate  beveled-glass  top.  Divided  into 
compartments  to  hold  a  dozen  or  more  fans.  Lined  with  rose 
silk,  and  flat  top  panel  covered  with  rose  silk  on  which  can  be 
placed  the  fan  selected  for  exhibition. 

Length,  23  inches;  width,  13  1-2  inches;  height,  4  1-2  inches. 

Cabinet  Objets  d'Art 

522.  Pearl  Monster. 

Grotesque  figure  of  silver  enamel  with  baroque  pearl  body  and 
head-dress  and  jeweled  girdle,  standing  on  one  foot  on  an  enameled 
pedestal  studded  with  turquoise. 

523.  Enameled  Macaw. 

Holding  a  pearl,  perched  on  a  branch  which  rises  from  a  red  base 
set  in  silver  gilt. 

524.  Silver  Camel. 

On  an  agate  oval  base,  the  harness  richly  studded  with  emeralds 
and  rubies. 

525.  Carved  Pink  Coral  and  Ivory  Jeweled  Seal. 

Bust  of  an  oriental  woman,  studded  with  gems,  set  in  gold,  with 
a  small  pearl  at  her  throat. 

526.  Coral  Figure. 

Hunchback  holding  a  skull. 

527.  Coral  Figure. 

Bust  of  a  faun. 

528.  Pair  of  Small  Bronze  Animal  Figures. 

A  stag  and  a  greyhound,  signed  F.  J.  Mene.  Plush-covered 
pedestals. 

[76] 


529.  Pair  of  Buttons  Belonging  to  George  IV. 

Painted  porcelain  buttons  with  landscapes  from  the  coat  of  George 
IVth  of  England.  Given  by  him  when  Prince  of  Wales  to  Jack 
Johnston,  to  whose  daughter  the  Prince  stood  Godfather.  This 
child,  Georgina  Johnston  became  the  wife  of  James  Wallack,  and 
mother  of  Lester  Wallack.  From  Lester  Wallack,  who  gave  their 
history  as  above.  (2  pieces.) 

530.  Greek  Amulet  with  Porcelain  Smelling  Bottle. 

Acorn  shape  with  Venus  and  Cupid  on  a  black  ground. 

531.  Jewel  Cup. 

Silver  gilt,  enameled  inside  and  out  with  classical  subjects. 

532.  Pair  of  Small  Bronze  Statuettes. 

Representing  knights  in  armor,  on  plush  pedestals. 

533.  Seal  Covered  with  Flowers  in  Enamel. 

Turquoise  seal  mounted  in  silver  gilt,  the  handle  set  with  Lapis 
Lazuli. 

534.  Seal  with  Lapis  Lazuli  Handle  Mounted  in  Silver  Gilt. 

A  fine  scarab  as  seal. 

535.  Gold  Fob  with  Jade  Seal. 

Form  of  serpents  twisted  in  a  ring,  another  above,  elaborately 
engraved,  with  emeralds  and  rubies  as  eyes. 

536.  Carnelian  Perfume  Bottle. 

Set  in  silver  filigree  studded  with  turquoise  and  gems. 

537.  Jewel  Cup  of  Porphyry. 

Stem  and  base  having  surfaces  engraved  with  arabesques  and 
landscapes;  cup  and  base  rimmed  with  silver,  a  lion  rampant 
forming  the  handle.  Bought  from  Bourgeois.  Height,  7  inches. 

538.  Pendant  or  Brooch  Jeweled  Filigree  Silver. 

Filigree  silver  set  with  seed  pearls  and  gems  containing  miniature 
on  ivory  of  a  Court  Beauty.  Mounted  on  a  crimson  velvet  plaque. 

[77] 


539.  Cupid  Statuette  of  Silver  Holding  a  Miniature. 

Cupid  holds  a  standard  containing  a  miniature  on  ivory  of  a 
French  queen.  Height,  8  inches. 

540.  Silver  Statuette. 

"Cire  Perdue"  casting  in  silver  very  carefully  cisele  of  a  recum- 
bent classic  figure.  She  reclines  at  full  length  supporting  herself 
on  her  right  hand  and  has  by  her  side  a  sphere.  The  left  hand  is 
uplifted  and  formerly  held  a  mirror  which  is  missing.  Attached 
to  a  modern  plush-covered  box.  Italian  of  the  XVIth  Century. 

Length,  31-4  inches. 

Gold  and  Jeweled  Boxes 

541.  Four  Bonbon  Boxes. 

One  of  carved  Irish  bog-oak  from  Killarney;  one  of  blue  and 
white  enamel;  two  of  silver  decorated  en  repousse  (one  snail-shell 
shaped,  and  one  containing  9  unset  gems). 

542.  Battersea  Enamel  Box. 

With  hinged  cover  and  decorative  inside  lid. 

543.  Two  Small  Battersea  Enamel  Boxes. 

Floral  and  figure  panels  on  blue  ground,  hinged  covers. 

544.  Two  Small  Sevres  Boxes  and  Covers. 

Marie  Antoinette  pattern,  bronze  mounts.  Turquoise  blue 
lattice  work  with  roses,  bronze  mounts. 

545.  Frankenthal  Porcelain  Bonbon  Box. 

Turquoise  blue  with  figure  panel  and  gold  decoration. 

Date,  1761-98,  mark  of  Carl  Theodore. 

546.  Small  Ivory  Card  Case. 

Inlaid  with  gold  pierced  in  the  letters  "Souvenir  d'Amitie,"  on 
one  side  a  medallion  of  the  Vestal  Virgins  guarding  the  Sacred  Fire. 
Initials  "R.  F."  Formerly  in  the  possession  of  Lester  Wallack. 

547.  Three  Dresden  Bonbon  Boxes. 

Panel  decoration  on  gold  ground,  brass  lined,  one  with  raised 
decoration  of  forget-me-nots.  Another  horse-shoe  shape  with 
landscape. 

[79] 


548.  Silver  Card  Case. 

Chased  and  enameled  with  figure  composition  on  the  face,  and 
arabesques  on  the  obverse  side. 

549.  Silver  Snuff  Box. 

Set  with  a  mosaic  medallion  showing  Seraph's  head  encircled 
with  stars. 

550.  Box  with  Miniature. 

A  marvelously  wrought  box  of  straw  held  together  by  a  band  of 
gold,  a  miniature  of  a  court  beauty  set  in  the  cover. 

551.  Amber  Shell  Box  Inlaid  with  Gold  and  Mother-of -Pearl. 

In  lattice  and  scroll  design. 

552.  Ivory  and  Tortoise-shell  Box  with  Miniature  in  Cover. 

Tortoise-shell  box  covered  with  ivory  held  by  bands  of  gold, 
miniature  by  A.  Kuntz  set  in  the  cover. 

553.  Ivory  and  Tortoise-shell  Box  with  Miniatures  in  Cover. 

Ivory  box  lined  with  tortoise  shell,  two  miniature  portraits  of 
women  and  two  gold  medallions  set  in  the  cover. 

554.  Japanese  Incense  Box. 

Coral  mounts. 

555.  Gold  Box  Set  with  Pearls. 

Gold  box,  enameled  with  Bleu-de-Roi,  a  miniature  set  in  the 
cover  surrounded  by  58  Oriental  pearls. 

556.  Gold  and  Jeweled  Box. 

Small  gold  box,  a  large  moonstone  set  in  the  top  surrounded  by 
4  turquoises  and  12  rubies. 

557.  Gold  Box  Set  with  Pearls. 

Enameled  with  landscape  on  the  cover  surrounded  by  98  pearls. 

558.  Jeweled  Box. 

With  emeralds  and  aquamarines  mounted  in  gold,  but  showing 
the  least  possible  amount  of  metal  to  hold  the  jewels  together. 
A  large  topaz  forms  the  bottom  of  the  box.  Made  by  Lalique  of 
Paris,  one  of  the  most  distinguished  craftsman  of  modern  times. 

[80] 


559.  Gold  Box  Set  with  Diamonds. 

Gold  box  covered  with  Royal  Blue  enamel  etched  in  gold;  an 
inscription  in  Persian  on  the  cover  set  with  diamonds  and  four 
large  diamonds  in  the  corners. 

560.  Solid  Gold  Box  with  Singing  Bird. 

Small  gold  box,  the  bottom  and  sides  carved  and  chased  in  elabo- 
rate strapwork.  The  top  carved,  chased  and  repousse,  set  with 
an  oval  painted  medallion  of  a  Watteau  scene  surrounded  by 
a  delicately  carved  wreath;  two  smaller  floral  medallions  on 
either  side. 

On  winding  up  and  touching  a  spring  the  medallion  on  the  cover 
opens,  a  miniature  bird  appears,  sings,  flutters  his  wings,  and 
turns  his  head  from  side  to  side,  disappearing  when  the  song  is 
finished  and  the  medallion  closes.  This  tiny  bird  is  made  of 
feathers  in  the  most  ingenious  fashion. 

Early  XVIIIth  Century  workmanship,  with  key. 

561.  Solid  Gold  Box  with  Singing  Bird. 

The  surface  carved  in  lattice  and  dot  design,  with  bands  of  tiny 
laurel  leaves.  A  medallion  in  the  centre  of  the  top  surrounded 
by  a  similar  wreath  opens,  when  the  box  is  wound  up,  and  a  tiny 
bird  appears  and  sings,  with  fluttering  wings,  as  above. 

Late  XVIIth  Century  workmanship,  with  key. 


Assyrian  Glass 

562.  Oil  Jug  with  One  Handle  (Mouthpiece  Damaged). 

Height,  8  inches. 

563.  Drinking  Cup  with  Thread  Glass  Decoration. 

Height,  ^  1-2  inches. 

564.  Drinking  Cup.  Height,  $  1-4  inches. 

565.  Shallow  Bowl.  Height,  2  inches. 

566.  Square  Cup  with  Indented  Sides.  Height,  41-2  inches. 

567.  Wide-mouthed  Oil  Jug  with  One  Handle.  Height,  4  inches. 

[81] 


568.  Urn-shaped  Perfume  Bottle  with  Thread  Glass  Applied  Orna- 

mentation. Height,  5  inches. 

569.  Flat  Bowl.  Diameter,  2  inches. 

570.  Small  Bowl.  Diameter,  2  3-4  inches. 

571.  Flat  Dish.  Diameter,  8  inches. 

572.  Small  Vase. 

Filigree  glass-blown  decoration  around  the  neck.  Height,  3  inches. 

573.  Pair  of  Perfume  Bottles. 

Candlestick  shape.  Height,  6  1-2  inches. 

574.  Pair  of  Perfume  Bottles. 

Similar  to  the  above.  Height,  8  inches. 


Jewelry 

575.  Gold  Bracelet  of  Indian  Workmanship. 

Heavy    relief   carving,    tubular   shape.      Set   with    twenty-nine 
turquoise,  emeralds  and  rubies.    22  carat  gold. 

576.  Necklace  of  Gold  Beads. 

Indian  workmanship,  composed  of  27  gold  beads  of  graduated 
sizes.     22  carats  fine. 

577.  Thibetan  Gold  Amulet. 

In  eight  hinged  sections,  each  decorated  en  repousse,  with  figures 
of  Deities.  Width,  11-4  inches. 

578.  Old  Persian  Filigree  Girdle. 

Ten  rosettes  set  on  chains  ending  with  larger  ones  as  buckles. 
Encrusted  with  fine  filigree  work  and  set  writh  gems. 

579.  Carved  Ivory  Smelling  Bottle  and  Gold  Chain. 

One  side  and  cover  encrusted  with  enamel  and  gold.     Venus  and 
head  of  Medusa  carved  in  the  ivory. 

[82J 


580.  Carnelian  and  Old  Paste  Bracelet. 

Eighteen  stones  set  in  gold,  nine  carnelians  and  nine  stones  of  old 
paste. 

581.  Gold  and  Silver  Charm. 

Heart-shaped,  pierced  silver  frame  enclosing  a  lion. 

582.  Man's  Topaz  Ring. 

Large  topaz  set  with  two  pearls  and  four  diamonds,  alternating 
with  eighteen  small  diamonds. 

583.  Gold  Fob  and  Chain. 

Onyx  seal,  six-link  chains. 

584.  Old  Norman  Necklace  Wrought  of  Gold. 

Five  Lover's  knots  of  graduated  sizes,  set  between  pierced  medal- 
lions, some  with  pendants,  ending  in  three  strands  of  fine  gold 
chains,  gold  clasp.  All  wrought  and  set  with  points  of 
aquamarines  inserted  with  great  artistic  effect  to  produce 
scintillation. 

585.  Old  Norman  Wrought  Gold  Brooch. 

To  match  the  above. 

586.  Necklace  of  Medallions,  Pearls  and  Gold  Chains. 

A  circular  medallion  miniature  of  a  Beauty,  set  with  gold  and  sur- 
rounded with  pearls,  supports  a  pendant  oblong  medallion  with 
similar  setting  of  pearls  and  gold.  On  each  side  spring  four  chains 
holding  another  oval  medallion  set  in  pearls  and  gold;  then  three 
longer  chains  ending  in  two  small  medallions,  in  the  side  of  one 
of  which  fits  the  clasp  supported  by  three  chains.  The  medallions 
are  of  the  most  exquisite  workmanship  in  brown  or  ivory  tints 
on  oval  background  of  delicate  rose  color,  these  in  turn  being  on 
a  black  background  ornamented  with  tiny  rose  and  ribbon 
garlands. 

Each  medallion  set  with  pearls  so  skilfully  that  the  pearls  are 
visible  both  front  and  back.  The  reverse  setting  of  the  medallions 
is  plain  gold. 

[83] 


587.  Painted  Crystal  Brooch  or  Button. 

Jockey  on  horseback  painted  on  a  gold  ground  under  crystal. 
Mounted  as  a  brooch.  From  the  sale  of  Lord  Anglesey  and  a 
portrait  of  his  favorite  horse  and  jockey. 

588.  Necklace  of  Pendant  Cabochon  Emeralds 

Thirty-three  stones  cut  in  pear-shape,  of  graduated  sizes  on  a 
cord  formed  of  gold  wires  to  which  they  are  attached  by  rings 
set  with  tiny  diamonds.  A  remarkable  piece  of  Eastern  workman- 
ship, formerly  in  the  possession  of  Ismail  Pasha,  Khedive  of  Egypt. 

589.  Turban  Pin  of  Cabochon  Emeralds. 

To  match  the  above,  a  heart-shaped  emerald  set  in  tiny  diamonds 
supports  one  of  pear-shape  as  a  pendant.  Formerly  the  property 
of  Ismail  Pasha. 

590.  Mother-of-Pearl  and  Gold  Parasol  Handle. 

Monogrammed. 

591.  Necklace  of  Baroque  Pearls  and  Pale  Green  Enamel. 

Necklace  fashioned  by  the  expert  jeweler  Colonna,  for  which  he 
was  recompensed  at  the  Paris  Exposition  of  1900;  made  of  pale 
green  enamel  set  with  24  baroque  pearls,  graded  sizes.  Colonna 
was  one  of  the  founders  of  UArt  Nonveau,  preceding  Lalique. 

592.  Corsage  Ornament. 

Shoulder  straps  of  leaves  in  enamel  colors  and  gold  with  a  cluster 
of  jasmine  blossoms  on  each  end  carved  from  moonstones.  Made 
by  Lalique,  Paris. 

593.  Pendeloque. 

A  pendant  with  ten  diamond  leaves,  cluster  of  jasmine  blossoms 
carved  from  moonstones  with  pale  green  enamel  stems.  Made 
by  Lalique,  Paris. 

594.  Ring  for  a  Young  Girl. 

Tiny  butterflies  in  enamel  of  exquisite  workmanship  form  the 
setting  of  the  ring.  Made  by  Lalique,  Paris. 

[84] 


595.  Collar  Clasp. 

A  buckle  of  white  enamel  feathers  with  diamond  quills.  Made  by 
Lalique  and  one  of  his  earliest  pieces  of  jewelry. 

596.  Jeweled  Watch. 

The  back  of  dark  grey  enamel  showing  bats,  set  with  11  moon- 
stones typifying  night;  the  front  inlaid  with  opalescent  butterflies 
typifying  day;  the  ring  a  gold  serpent,  emblem  of  Eternity.  Made 
by  Lalique,  Paris. 

597.  Watch. 

Of  pale  green  gold.  The  front  and  back  covered  with  finely 
chiseled  faces,  all  different,  typifying  every  stage  of  man  from 
the  crying  infant  to  the  grey -bearded  Father  Time.  Made  by 
Lalique,  Paris. 

598.  Two  Hat  Pins. 

Cluster  of  jasmine  blossoms  carved  from  moonstone,  set  in  gold, 
drooping  from  the  top  of  a  gold  pin.  Made  by  Lalique,  Paris. 

599.  Marie  Antoinette's  Parasol  Handle. 

A  parasol  handle  of  coral  and  ivory  said  to  have  belonged  to  Queen 
Marie  Antoinette.  The  lower  part  of  ivory  inlaid  with  coral,  a 
rare  form  of  inlay  and  the  upper  part  a  very  large  and  elaborately 
carved  piece  of  coral  as  a  Cupid  and  Griffin's  head  in  garlands 
of  flowers.  A  museum  piece. 

600.  Old  Paste  and  Silver  Cross  Set  in  Silver. 

Eleven  large  and  sixteen  small  stones  of  old  paste  very  finely  cut, 
with  ring  at  the  top  containing  three  small  stones. 

601.  Pair  of  Old  Paste  Earrings  Set  in  Silver. 

Pair  of  old-fashioned  pendant  earrings  formed  of  four  large  and 
finely  cut  stones  with  a  rosette  of  smaller  stones  above,  of  the 
best  workmanship. 

Statuary 

602.  Silver  Bust  of  Mars. 

With  helmet,  one  shoulder  draped  in  skin,  from  which  the  claws 
hang  in  front  held  by  a  clasp  in  the  form  of  a  head.  On  low 
marble  pedestal.  Artist,  Ascagno.  Italian,  XVIIIth  Century. 

Height,  26  inches. 

[85] 


603.    Parian  Marble  Figure. 

"Sacred  Music."  Motif  of  organ  pipes,  book  and  incense  burner 
from  which  rises  a  figure  partly  draped  holding  a  scroll  with  music. 
Half  life  size.  By  Oscar  Spalmach,  Rome,  1897. 

(See  Illustration.) 

603a.  Fluted  Marble  Column. 

For  the  above. 


No.  603  No.  604 

604.    Parian  Marble  Figure. 

"Profane  Music."  Motif  of  birds  and  flowers  from  which  rises 
the  nude  figure  of  a  nymph  with  flute.  Companion  to  the  above. 
Half  life  size.  By  Oscar  Spalmach,  Rome,  1897. 

(See  Illustration.) 

604a.  Fluted  Marble  Column. 
For  the  above. 

[86] 


FIFTH   SESSION 


Decorated  Porcelain  Groups,  Figures 
and  Vases 

In  Dresden,  Sevres,  Davenport  and  Capo  di  Monte 

605.  Crown  Derby  Powder  Box  and  Bottle. 

Gold  relief  decoration  on  matt  gold  ground. 

606.  Royal  Worcester  Jewel  Cup. 

Silver  gilt  mounting. 
Small  Vase  of  the  Same. 

White  soft  paste  floral  decoration. 

607.  Three  Wedgwood  Urns. 

Raised  gold  decoration. 

608.  Ivory  Dresser  Set  with  Miniatures. 

Hand  glass,  puff  and  two  powder  boxes  with  miniatures  by  Petit 
and  Jenny  Savy  inserted  in  covers  (one  being  a  portrait  of 
Marie  Antoinette).  (4  pieces.) 

609.  Royal  Copenhagen  Vase,  Four  Handles. 

Lily  decoration.  Height,  13  inches. 

Copenhagen  Bell. 

Shaped  as  a  girl.  (2  pieces.) 

610.  Royal  Copenhagen  Cabinet  Objects. 

Deer  reclining,  pair  of  puppy  lovers,  cow  reclining,  dove  and  pair 
of  monkeys.  (5  pieces.) 

611.  Delft  Ware  Garniture. 

Two  houses,  table,  sofa,  and  man  milking  cow  (garlanded  with 
flowers),  the  three  last  marked.  (5  pieces.) 

612.  Decorated  Old  Chelsea  Figure. 

Girl  with  a  bird  cage  attended  by  a  dog.  Height,  9  inches. 

[87] 


613.  Large  Kronenburg  Porcelain  Jewel  Box. 

Irregular  oval  hinged  cover,  brass  mounts,  satin  lined,  with 
Watteau  figures  and  gold  decoration.  With  Ludwigsburg  (Ger- 
man) mark  (1758-1824),  but  "France"  painted  on  as  well.  Gen- 
erally called  Kronenburg  porcelain  from  the  crown  that  sur- 
mounts the  cipher. 

614.  Royal  Vienna  Porcelain  Box  in  Blue  and  Gold. 

Irregular  shape,  with  painted  panels  of  musical  children  at  play. 

615.  Worcester  Square  Jar,  Shaped  Bottle  and  Stopper. 

Decorated  with  panels  of  birds  on  blue  ground,  showing  Chinese 
influence.  Height,  11  inches. 

616.  Pair  of  Small  Davenport  Porcelain  Urns  and  Covers. 

Each  with  four  grotesque  handles,  square  base  decorated  with 
floral  pattern  in  red  and  gold. 

617.  Pair  of  Sevres  Vases  with  Covers. 

Bleu-de-Roi,  with  ormolu  applied  ornament. 

Date,  1765.     (One  cover  chipped  and  repaired.)     Height,  10  inches. 

618.  Pair  of  Tall  Urn-Shaped  Revolving  Bleu-de-Roi  Sevres  Vases. 

Ormolu  base  and  handles.  \Vith  panels  of  directoire  figures  and 
landscapes  on  Bleu-de-Roi  ground.  Signed  "Ch.  Fnchs." 

Height,  24  inches. 

619.  Sevres  Jewel  Tray. 

Set  on  a  stem,  silver  base  and  rim,  decorated  with  strap  work  of 
turquoise  blue  interspersed  with  roses,  festoons  of  roses  on  the 
outside.  Decorator's  mark  "3  feathers."  Date  mark,  1754- 

Diameter,  8  inches. 

620.  Sevres  Undecorated  Ware. 

Table  flower  garniture  of  seven  pieces.  A  tall  urn  surrounded  by 
children  with  garlands,  two  single  urns  held  by  Amorini,  and 
four  smaller  urns.  Date  letter,  1754.  (7  pieces.) 

621.  Pair  of  Sevres  Urns  with  Covers. 

Figure  panels  on  a  turquoise  blue  ground,  ormolu  base  and  mounts. 

Height,  14  inches. 
[88] 


622.  Pair  of  Large  Revolving  Sevres  Urns,  Original  Covers. 

Ormolu  base,  lion  head  handles  with  rings.  Oval  panel  decorations 
on  a  turquoise  blue  ground  of  "Les  Enfants  de  France,"  and 
"Les  Princesses  de  France,"  landscapes  on  the  reverse.  The 
paintings  signed  E.  Melpane. 

Decorator's  mark  "X."    Date  before  1753.     Height,  20  inches. 

623.  Minton  Mantel  Garniture  Painted  by  L.  Solon. 

Composed  of  three  vases  with  handles,  Greek  shape,  a  pair  of 
large  vases  and  a  smaller  one,  each  on  carved  wood  and  gilded 
circular  stand.  On  the  larger  pair  the  pate-sur-pate  decorations 
are  a  Nymph  as  a  beggar  imploring  Love's  favors,  Cupid  dis- 
pensing his  treasures  on  the  reverse;  on  the  other  vase  is  shown 
the  Nymph  as  the  conqueror  of  all  hearts  with  obverse  decoration 
of  Cupid  forging  chains  to  bind  more  victims  for  her. 
The  smaller  vase  which  has  three  flat  handles  and  the  original 
cover  has  a  decoration  of  three  Nymphs  each  bearing  a  standing 
Cupid  in  her  outstretched  hands. 

Height  of  pair,  23  1-2  inches;    height  of  centre  vase,  17  inches 

(including  stands). 

VERY  FINE  SIGNED  PIECES  BY  SOLON.     The  body  color  of  peacock 
blue,  the  handles,  neck  and  base  richly  ornamented  with  gilding. 
The  set  was  made  for  the  World's  Fair,  Chicago. 
(See  Illustration.) 

624.  Capo  Di  Monte  Covered  Tankard. 

The  Festival  of  Bacchus. 

625.  Capo  Di  Monte  Group. 

Faun  drinking  by  an  old  tree. 

626.  Modern  French  Pottery. 

Tall  four-handled  jar  of  purple  pottery. 

Signed  Auguste  Delaherche.     Height,  29  1-2  inches. 


[90] 


1 


Dresden  Figure  Pieces 

627.  Small  Urn-shape  Vase. 

Figure  handles.     Gold  and  white  decoration  on  pink  ground. 
Small  Rose  Jar. 

Ormolu  mounts,  panels  on  a  Rose-du-Barri  ground. 
Small  Austrian  Urn. 

Panels  on  pink  ground.  (3  pieces.) 

628.  Three  Cabinet  Pieces. 

Candlestick  and  flower  holder,  ormolu  mounts,  and  white  and 
gold  urn  with  ram's  head  handles.  (3  pieces.) 

629.  Figure  of  Juno  Seated  with  Peacock. 

630.  Decorated  Figure. 

Huntsman  on  horseback.  Height,  31-4  inches. 

631.  Three  Cabinet  Pieces. 

Trumpet,  violin  and  harp,  each  twined  with  raised  decoration  of 
forget-me-nots.  (3  pieces.) 

632.  Decorated  Figure. 

Cricket  player  with  bat.          Period,  1721-31.     Height,  7  inches. 

633.  Pair  of  Decorated  Figures. 

Huntsman  with  dog  and  Cupid  on  skates. 

Period,  1721-31  and  one  1774-1814-     Height,  5  inches. 

634.  Pair  of  Decorated  Figures. 

Shepherdess  and  gallant. 

Period,  1721-31;  one  1806-18.     Height,  6  inches. 

635.  Decorated  Figure. 

Man  seated  playing  a  lute.      Period,  1721-31.     Height,  5  inches. 

636.  Pair  of  Decorated  Figures. 

Girl  playing  triangle  and  Cavalier  offering  a  rose.  Period,  1721-31. 

[91] 


637.  Pair  of  Decorated  Figures. 

Children  and  a  flower  girl  and  a  milkmaid. 

Period,  1774-1814.     Height,  6  inches. 

638.  Decorated  Figure. 

A  piper  with  dog  and  sheep.          No  marks.     Height,  5  1-2  inches. 

639.  Pair  of  Decorated  Figures. 

A  girl  playing  a  violincello  and  a  girl  with  a  basket  of  fruit. 

No  marks.     Height,  5  inches. 
'640.    Decorated  Figure. 

Youth  in  Chinese  costume  with  a  tea  tray. 

No  marks.      Height,  6  inches. 

641.  Decorated  Figure. 

A  shepherdess  with  sheep.        Period,  1731.      Height,  51-2  inches. 

642.  Decorated  Group. 

Two  children,  a  boy  crowning  a  girl  with  flowers. 

No  marks.     Height,  6  inches. 

643.  Decorated  Figure. 

Of  a  traveling  tinker  at  work.         No  marks.     Height,  7  inches. 

644.  Decorated  Figure. 

Moses  attended  by  a  winged  figure. 

Period  about  1750.     Height,  9  inches. 

645.  Pair  of  Decorated  Figures. 

Two  branched  candelabra.  Shepherd  and  dog,  shepherdess  and 
lamb  seated  in  a  bank  of  flowers,  flanked  by  candleholders  on 
each  side.  No  marks.  Height,  10  1-2  inches. 

646.  Decorated  Figure. 

Masked  woman  with  doll  and  basket  of  fruit.      Height,  7  inches. 

647.  Decorated  Figure. 

Court  Beauty,  Watteau  gown.      No  marks.    Height,  7  1-4  inches. 

648.  Decorated  China  Clock. 

Figures  grouped  around  the  base,  the  clock  surrounded  by  a 
cluster  of  flowers.  Period,  1721-  31.  Height,  15  inches. 

[92] 


649.  Bleu-dc-Roi  Porcelain  Urn  with  Cover. 

Mottled  blue  powdered  with  gold.  Ormolu  handles  ending  in 
Chinese  heads,  pineapple  finials.  No  marks.  Height,  18  inches. 

650.  Large  Group. 

Chariot  of  Apollo.  Length,  11  inches. 

651.  Large  Jewel  Case. 

Hinged  cover  and  brass  rims,  decorated  with  classical  scenes  in 
relief.  Date  prior  to  1733.  11  1-2  x  6  1-2  inches. 

652.  Decorated  Group. 

Dairy  maid,  boy  and  dog.  The  boy  lifting  a  dish  of  food  for  the 
dog  from  the  table.  Height,  8  1-2  inches;  length,  9  1-2  inches. 

653.  Pair  of  Decorated  Figures,  Buffalo  and  Dogs  in  Combat. 

Ormolu  mounts.  Height,  71-2  inches;  length,  11  1-2  inches. 

654.  Large  Urn  Vase  and  Cover. 

Wreathed  with  forget-me-nots  in  relief  surrounding  painted 
figured  panels,  loop  handles  wreathed  in  forget-me-nots.  The 
cover  surmounted  by  a  bouquet  of  flowers  (5  inches  in  height),  in 
perfect  condition.  Period,  1731-'37.  Height,  14  inches. 

655.  Large  Decorated  Figure. 

• 

Wine  cask  surmounted  by  hussar  in  yellow  uniform  with  lilac 

cape.     Triangular  base  on  three  low  legs  on  each  of  which  is 

seated   a   cherub,    panels   of   figures   between   showing   Chinese 

influence. 

The  body  of  the  cask  is  mauve  color  with  gilt  bands  decorated 

with  panels  of   landscape  and  figures  on  white  ground,   brass 

faucet  set  in  cask  with  spigot.  Height,  16  inches. 

656.  Augustus  Rex  Decorated  Figure,  Gallant  and  His  Dog. 

Date  mark  1731-1763  under  Kandler,  a  sculptor,  whose  figure  pieces 
are  particularly  admired.  Height,  10  1-2  inches. 

[93] 


657.  Pair  of  Augustus  Rex  Vases. 

Ovoid  shape,  with  groups  of  Chinese  figures  in  quatrefoil  medal- 
lions, surrounded  by  elaborate  gilt  scroll  work  on  white  ground, 
on  a  lilac-colored  body.  (Neck  repaired  on  one  and  slight  chip 
in  rim  of  the  other.) 

Monogram  A.  R.     Date  circa  1720-1731.     Height,  12  inches. 

A  MAGNIFICENT  PAIR  OF  VASES  made  under  the  direction  of 
Georg  Haroldt  whose  models  were  often  prepared  by  Augustus 
II.  himself  during  the  period  when  the  Dresden  factory  was 
under  Chinese  influence.  Procured  from  Bourgeois  of  Cologne. 
(See  Illustration.) 

Old  English,  Dutch  and  German  Silver 
Tankards,  Cups,  Chalices,  Etc. 

658.  Silver  Tea  Set  Made  by  Elkington  &  Co.,  London. 

Tray  of  oval  shape  with  border  of  acanthus  leaf  design,  with 
monogram.  The  two  handles  formed  as  running  stags.  Teapot, 
bell,  sugar  bowl,  sugar  tongs,  cream  pitcher,  milk  jug  and  hot 
water  jug,  all  with  scroll  and  floral  repousse  decorations;  the 
covers  terminating  in  modeled  figures  of  stags. 
London  and  Birmingham  Hall  marks.  Length  of  tray,  22  inches. 

659.  Silver  Hot  Water  Kettle  and  Coffee  Pot. 

To  match  the  above.     Alcohol  lamp  with  kettle. 

660.  Silver-mounted  Nancy  Glass  Salad  Bowl.  • 

The  bowl  is  formed  of  green  and  white  cameo  glass  cut  in  a  floral 

design.     Mounted  with  silver  rim  and  foot.     Signed  "Daum." 

Diameter,  91-4  inches;    height,  4  1-2  inches. 

661.  Six  Sterling  Silver  Teaspoons. 

German,  XVIIIth  Century. 

662.  Bourbon  Whiskey  Demijohn. 

Silver  mounts  and  padlock.     Monogram. 

663.  Three  Oval  Silver  Salt  Cellars  and  Spoons. 

Repousse  decoration,  glass  lining. 

[94] 


Silver  Card  Tray. 

The  wide  border  is  pierced  and  repousse.  The  center  is  entirely 
occupied  with  a  gilt  monogram  E.  B.  G.  Diameter,  9  inches. 

Silver  Bonbon  Spoon. 

Cast,  pierced  and  chased  work.  The  bowl  has  an  Amorino  holding 
a  garland  surrounded  by  scroll  work;  the  handle  is  of  scroll  pattern 
ending  in  a  female  term  holding  a  scrolled  ring-piece  in  uplifted 
arms.  German,  XlXth  Century.  Length,  8  inches. 

666.  Genoese  Filigree  Silver  Oval  Basket  and  Handle. 

Decoration  of  rosettes  and  a  dove  on  the  handle. 

Length,  81-4  inches. 

667.  Two  Silver  Mustard  Spoons. 

One  with  finial  as  bust  of  Shakespeare,  the  other  with  bowl  made 
of  a  10-soldi  piece,  1867. 

668.  Silver  Gilt  Cigar  Lighter. 

Shaped  in  form  of  a  stag  standing  on  an  earl's  coronet  and  fitted 
with  a  wick  and  detachable  lighter. 

London  Hall  mark.     Height,  10  inches. 

669.  Solid  Silver  and  Gold  Pint  Flask. 

Repousse  work.     Marked  with  monogram. 

670.  Silver  Bonbon  Spoon. 

Bowl  cast  and  chased  in  a  pierced  design  of  a  Dutch  peasant  girl 

with  a  basket  of  fish  surrounded  by  a  rococo  pattern  of  scrolls 

and  hunting  trophies.    The  handle  of  floral  and  scrolled  design. 

Dutch,  XlXth  Century.    Length,  7  3-4  inches. 

671.  Dozen  Silver  Oyster  Forks. 

Delicately  carved  handles  ending  in  a  relief  of  Diana  and  her 
hounds.  From  Tiffany  &  Co. 

672.  Six  Silver  Teaspoons  and  Sugar  Tongs. 

Pierced  floral  handles,  name  engraved  under  the  bowl  of  each. 

(7  pieces.) 

673.  Cocoanut  Cup  Mounted  in  Silver  Gilt. 

The  bowl  is  formed  of  a  cocoanut.  The  mountings  are  of  silver 
gilt,  repousse,  chased  and  engraved.  No  marks. 

Height,  91-2  inches. 

[95] 


674.  Ostrich  Egg-cup  and  Cover,  Silver  Mounted. 

The  silver  mounting  is  wrought  and  engraved  in  an  acanthus  leaf 
design.  The  finial  of  the  cover  is  formed  as  a  pineapple.  The 
interior  is  gilt.  London  Hall  mark,  1847.  Height,  11  inches. 

675.  Pair  of  Silver  Gilt  Bowls. 

Acanthus  scroll  borders,  fluted  bodies. 

Whiting  Company's  mark.     Diameter,  10  inches. 

676.  Pair  of  Silver  Vases. 

Urn-shaped  fluted  body.     Engraved  monogram  E.  B.  G. 

Black,  Starr  &  Frost,  N.  Y.     Height,  8  1-4  inches. 

677.  Silver  Bowl. 

Decorated  with  elaborate  repousse  design  on  matted,  scaled  and 
checkered  ground.  Raised  and  gilt  monogram. 

Elkington   &  Co.     English  Hall  mark.     Diameter,  7  inches. 

678.  Silver  Bowl  and  Ladle. 

A  similar  bowl  and  gravy  ladle.  (2  pieces.) 

Diameter,  6  inches. 

679.  Pair  of  Silver-Plated  Cake  Trays. 

Oval  shape,  with  pierced  border  and  handles  formed  as  acanthus 
scrolls  ending  in  rams'  heads.  Length,  13  inches. 

680.  Silver  Gilt  Two-Handled  Cup  and  Cover. 

The  body  is  repousse  in  an  acanthus  leaf  and  floral  design  enclos- 
ing a  panel  having  an  engraved  coat  of  arms.  The  cover  ter- 
minates in  a  pineapple  finial.  Plain  loop  handles. 

London  Hall  mark,  1894-     Height,  11   3-4   inches. 

681.  Cut  Glass  Potpourri  Jar. 

Pear-shaped  body  with  a  wide  neck  cut  in  a  hobnail  pattern. 
Mushroom-shaped  silver  stopper  with  monogram  E.  B.  G. 

Height,  12  inches. 

682.  Pair  of  Silver  Candelabra  with  Branches. 

Repousse,  chased  and  engraved  ornamentation  with  raised 
monogram  E.  B.  G.  English  Hall  mark.  Height,  15  inches. 


683.  Pair  of  Silver  Table  Ornaments. 

Shaped  as  very  finely-modeled  figures  of  stags,  cast  and  elabo- 
rately cisele.  The  bodies  are  hollow  and  the  heads  removable. 

No  mark,     English.     Height,  20  inches;  length,  15  inches. 

684.  Silver  Bonbon  or  Almond  Dish  with  Handle. 

Bowl  pierced  with  design  of  lyre,  lattice  and  floral  scrolls,  handle 
garlanded  with  roses,  set  with  a  medallion  head  in  relief.  Mono- 
gram. The  Gorham  Co.  Length,  12  inches. 

685.  Pair  of  Silver  Fruit  Baskets  with  Handles. 

Ornamented  with  an  elaborately  repousse  design  of  a  pierced  and 
chased  pattern  enclosing  figures  of  Amorini  singing  and  playing 
musical  instruments.  The  handles  are  repousse  and  chased  with 
similar  designs.  Glass  linings. 

French,  XlXth  Century.     Height,   15   1-2  inches. 

686.  Four  Parcel  Silver  Gilt  Fruit  Dishes. 

Octofoil  shape,  very  elaborately  chased  and  repousse  with  rococo 
designs  of  acanthus  scrolls,  kneeling  cupids,  cherubim  and  floral 
panels  on  matted  ground. 

Elkington  &  Co.     English  Hall  mark. 
Length,  6  3-4  inches;   width,  5  1-2  inches. 

687.  Silver  Tray. 

Oval  shape,  having  a  bold  scrolled  border,  and  with  the  surface 
almost  entirely  covered  with  a  flat  chased  pattern  of  scroll  work 
on  an  imbricated  ground.  Handles  formed  as  antlered  stags' 
heads.  Monogram  E.  B.  G. 

Birmingham  Hall  mark.    Length,  17  inches. 

688.  Silver  Spoon. 

Plain  bowl,  handle  of  cast  and  chased  work  surmounted  by  the 
figure  of  a  fish.  Monogram  on  bottom. 

Maker's  mark,  I.  K.     Amsterdam,  XVIIIth  Century. 

Length,  7  inches. 

689.  Small  Silver  Punch  Ladle  with  Whalebone  Handle. 

Bowl  repousse  in  a  design  of  grapes  and  vine  leaves,  with  a  coin, 
1711,  bearing  the  effigy  of  Queen  Anne  inserted  in  the  bottom 
of  the  bowl.  Handle  of  twisted  whalebone  tipped  with  a  silver 
finial  in  acanthus  leaf  pattern.  Length,  14  inches. 

[97] 


690.  Leather  or  "Black-jack"  Tankard,  Silver  Mounted. 

Cylindrical  body  of  leather  with  riveted  leather  handles.  Mounted 
with  silver  rim,  lining  and  base.  The  rim  is  engraved  "The 
Protector,  Oliver  Cromwell  1656"  and  on  a  silver  shield  attached 
to  the  body  is  engraved  a  device  of  two  crossed  bottles. 

Height,  71-2  inches. 

691.  Large  Silver  Salad  Fork  and  Spoon. 

The  bowl  of  the  spoon  is  repousse  with  a  pattern  of  scroll  work 
enclosing  a  shield  having  Armorial  bearings.  The  handles  are 
formed  as  a  figure  of  David  carrying  the  head  of  Goliath  sur- 
mounted with  the  modeled  and  chased  figures  of  storks.  The  fork 
has  an  ornamentation  of  two  Amorini  holding  garlands.  Engraved 
monogram  on  back.  Dutch  mark,  late  XVIIIih  Century. 

Length,  14  1-2  inches. 

692.  Ostrich  Egg-cup  and  Cover  Parcel  Silver  Gilt  Mounted. 

The  silver  mounting  to  bowl  is  wrought  and  engraved.  The 
stem  is  formed  as  a  draped  classic  female  figure  supporting  the 
bowl  with  uplifted  arms.  The  base  is  of  a  repousse  floral  design 
and  the  cover  is  surmounted  with  a  finial  in  the  form  of  an  ostrich . 
Maker's  mark,  W.  C.  Breslau,  XVIIIih  Century. 

Height,  16  inches. 

693.  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  decorated  with  a  flat  chased  pattern 
of  scrolls,  on  a  matted  ground,  forming  panels  occupied  with 
masks  and  floral  subjects.  The  lid  terminates  in  a  turned 
finial.  The  thumb  piece  originally  formed  as  the  bust  of  a  female 
figure  (now  partly  missing),  and  the  handle  as  a  grotesque  Term 
terminating  in  a  Satyr's  foot  and  mask. 
Marks  indistinct.  German,  XVIIth  Century.  Height,  5  inches. 

694.  Silver  Tea  Service  and  Tray. 

Consists  of  teapot,  cream  pitcher,  sugar  and  waste  bowls,  and 
tray,  all  elaborately  repousse  and  chased  with  a  Renaissance  design 
of  scrolls,  dolphins  and  foliage  enclosing  medallion  portraits  of 
Emperors'  heads.  The  handles  are  formed  as  winged  dragons, 
the  spout  of  teapot  as  a  dolphin's  head,  and  the  lid  is  surmounted 
by  a  figure  of  an  Amorino  playing  on  a  pipe.  The  two-handled 
tray  is  elaborately  chased  and  engraved  with  an  arabesque  pat- 
tern of  scroll,  flowers  and  masks  on  a  matted  ground  and  with 
circular  medallions  consisting  of  repousse  and  engraved  land- 
scapes. Maker's  mark,  C.  0.  T.  Augsburg,  XlXth  Century. 

Length  of  tray,  19  inches. 

[981 


695.  Parcel  Silver  Gilt  Fruit  Dish. 

Of  an  elongated  quatre-foiled  shape  standing  on  four  ball  feet. 
The  rim  is  of  a  twisted  ribbon  design  interrupted  by  wrought 
and  chased  acanthus  scrolls.  The  interior  is  repousse  and  chased 
in  a  design  of  fruits  and  foliage. 

Nuremberg,  XVIIth  Century.    Length,  17  inches. 

696.  Silver  Fruit  Dish. 

Of  quatre-foil  shape,  repousse  in  high  relief  with  a  pattern  of 
fruits  and  foliage  on  an  imbricated  and  matted  ground.  The 
two  handles  are  formed  as  grotesque  figures. 

Christoph  Lindenberger.     Nuremberg,  XVIth  Century. 

Diameter,  11  inches. 

697.  Porcelain  Bottle  with  Silver  Gilt  Mounts. 

A  bottle-shaped  vase  with  two  loop  handles  and  fluted  body  of 
old  Chinese  celadon  porcelain.  The  stopper,  shaped  as  a  frog, 
and  the  foot  are  of  silver  gilt. 

Mounts  Konigsberg;  XVIIIth  Century.      Height,  6  1-2  inches. 

698.  Nautilus  Shell,  Silver  Gilt  Mounting. 

The  silver  mounting  is  in  the  style  of  the  XVIth  Century,  and  is 
decorated  with  a  chased  and  engraved  design  surmounted 
by  a  finial  in  the  form  of  a  Court  Jester. 

German,  XVIIth  Century.      Height,  10  1-2  inches. 

699.  Nautilus  Shell,  Silver  Gilt  Mounting. 

The  silver  mounting  is  in  the  style  of  the  XVIth  Century,  with 
scrolled  handles,  and  is  surmounted  by  the  figure  of  an  Amorino 
hurling  his  spear  at  a  frog. 

German,  XVIIth  Century.     Height,  8  inches. 

700.  Silver  Beaker. 

Cone-shaped  body,  having  an  engraved  decoration  of  scroll  sur- 
rounded panels  containing  figures  of  Faith,  Hope  and  Charity.  The 
body  is  surrounded  by  a  projecting  band  of  bead  and  rope  design, 
and  the  foot  is  decorated  with  a  diamond  pattern  chased  in  low 
relief.  No  marks.  Dutch,  XVIIth  Century.  Height,  7  inches. 

701.  Silver  Tea  Caddy. 

Repousse  in  high  relief  with  "Ale  House"  scenes  in  the  manner  of 
Teniers  and  supported  on  four  claw  feet.  The  cover  has  a  turned 
finial.  Engraved  monogram  E.  B.  G. 

Holland  mark,  XVIIIth  Century.      Height,   7   inches. 

[100] 


702.  Pair  of  Silver  Wager  Cups. 

The  bases  are  formed  as  stags'  heads  with  antlers,  and  the  bodies 
are  chased  with  a  repousse  pattern  on  matted  ground.  The 
interiors  are  gilt.  Maker's  mark,  H.  German,  XVIIIth  Century. 

Height,   71-4  inches. 

703.  Silver  Gilt  Mounted  Cup  and  Cover. 

The  bowl  of  the  cup  is  formed  of  a  cocoanut  shell  carved  with  a 
representation  of  the  Nativity  and  other  religious  subjects.  The 
stem  is  of  silver,  repousse  with  a  design  of  panels  containing 
symbolic  figures  of  Faith,  Hope  and  Charity.  The  base  is  bell 
shaped  and  elaborately  repousse.  The  cover  is  of  silver  gilt 
surmounted  by  a  small  crucifix.  Height,  12  3-4  inches. 

704.  Silver  Gilt  Biscuit  Box  with  Hinged  Cover. 

Of  oval  form,  standing  on  four  bracket  feet.  The  body  is  decorated 
with  two  horizontal  bands  of  acanthus  ornamentation  repousse 
and  chased  on  a  matted  ground.  The  lid  has  a  band  of  similar 
ornamentation  with  a  centre  repousse  and  engraved  medallion  of 
acanthus  leaf  pattern. 

London  Hall  mark,  1809  (decoration  of  later  date) . 
Height,  51-2  inches;   length,  71-4  inches;   width,  6  3-4  inches. 

705.  Silver  Trophy  Cup. 

Helmet  shape  with  handle  of  draped  female  figure.  The  body  is 
elaborately  repousse  with  a  design  of  classical  subjects.  Foot 
formed  as  a  coronet  with  the  figure  of  a  stag. 

English  Hall  mark.     Height,  17  inches. 

706.  Florentine  Silver  Trophy  Cup. 

The  hexaf oil-shaped  bowl  has  a  decoration  of  six  panels  of  classical 
figure  subjects  in  low  relief.  The  stem  is  decorated  with  three 
rams'  heads  in  relief,  and  has  three  dolphins  at  its  junction  with 
the  trefoil-shaped  base.  The  base  is  ornamented  with  three 
cherubim  in  relief  and  with  an  engraved  border  of  a  scrolled 
design.  Florentine.  Height,  8  inches. 

707.  Silver  Beaker. 

The  body  is  decorated  with  an  elaborately  repousse  pattern  of 
strapwork,  with  fruits  and  flowers,  all  on  a  matted  ground. 

Maker's  mark,  C.  0.   T.     Augsburg,  XlXth  Century. 

Height,- 9  1-2  inches. 

[ion 


708.  Parcel  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  decorated  with  applique  design  of 
acanthus  leaves,  surrounding  three  oval  portrait  medallions.  The 
lid  is  decorated  with  repousse  acanthus  leaves  and  a  pierced  design 
of  a  similar  character.  It  has  a  spherical  finial  scrolled  thumb 
piece,  and  a  plain  loop  handle  with  shield  ornament. 
Maker's  mark,  J.  P.  S.  in  monogram.  (John  Paul  Schmidt, 
Master,  1683.)  Leipzig,  XVlIth  Century.  Height,  6  1-2  inches. 

709.  Silver  Gilt  Goblet. 

The  bowl,  elaborately  repousse  with  Renaissance  design  of  scrolls, 
festoons  and  fruit  on  a  matted  ground,  is  connected  with  the  stem 
by  three  detached  bracketed  scrolls.  The  stem  is  repousse  and 
engraved  on  a  matted  ground. 

Augsburg,  XVIIth  Century.     Height,  7  1-2  inches. 

710.  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  decorated  with  a  repousse  design  of 
strap  work  and  festoons.  The  lid  is  surmounted  by  the  figure 
of  a  lion  rampant  holding  a  shield  with  engraved  coat  of  arms. 
The  thumb  piece  and  loop  handle  are  scrolled. 

Maker  (Rosenberg  No.  269).     Augsburg,  XVIIth  Century. 

Height,  71-2  inches. 

711.  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  decorated  with  a  repousse  rococo 
design  of  scrolls  and  cherubim.  The  finial  of  the  lid  is  in  the 
form  of  a  dancing  bacchante.  The  thumb  piece  is  scrolled,  and 
the  handle  is  plain. 

Maker's  mark,  E.  R.  in  monogram.    Augsburg,  XVIIth  Century. 

Height,  71-2  inches. 
(See  Illustration.) 

712.  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  elaborately  repousse  with  a  rococo 
pattern  of  cherubim.  The  lid  has  a  turned  finial,  the  thumb 
piece  is  scrolled  and  the  carved  handle  is  beaded  and  scrolled. 
The  initials  1. 1.  L.  and  a  coat  of  arms  are  engraved  on  the  bottom. 
Maker's  mark,  I.  D.  Augsburg,  XVIIth  Centura. 

Height,  7  -5-<s'  inches. 

[  10*  ] 


713.    Silver  Gilt  Chocolate  Pot. 

Formed  out  of  an  old  tankard  with  hinged  lid.  Body  of 
hexagonal  shape  with  elaborately  repousse  and  engraved  orna- 
mentation. Fleur-de-lis  shaped  thumb  piece  with  grotesque 
animal.  The  finial  is  shaped  as  a  couchant  stag.  The  engraved 
and  curved  spout  is  a  later  addition.  Inside  the  lid  is  an  engraved 
inscription  "Anna  to  Weidnerin  1648." 

,  Maker's  mark,  G.  A,    German,  XVIIth  Century. 

Height,  8  inches. 


714.    Silver  Gilt  Chalice. 

The  bowl  is  plain  with  an  engraved  inscription  dated  1740.  The 
hexagonal  knop  is  ornamented  with  applique  cherubim.  The  base 
is  decorated  with  applique  cherubim  and  has  an  engraved  inscrip- 
tion dated  1740. 

Maker's  mark,  A.  V.  E.     Dutch,  XVIIIth  Century. 

Height,  12  inches. 


715.  Parcel  Silver  Gilt  Hanap  and  Cover. 

The  bowl  is  cast  and  chased  in  a  design  of  pears  with  detached 
leaves  in  wrought  and  chased  work.  The  knop  is  of  cast  and 
chased  work;  the  foot  of  hexafoil  shape  is  decorated  with  pears 
and  leaves  to  correspond  with  the  bowl,  and  the  cover  is  deco- 
rated in  the  same  fashion  with  cast,  chased  and  pierced  work. 
The  finial  is  formed  as  a  branch  of  fruit  and  leaves. 

London  (foreign)  Hall  mark.     German,  XlXth  Century. 

Height,  18  inches. 

716.  Pair  of  Silver  Gilt  Sauce  Bowls. 

Shell  shaped  with  borders  of  a  repousse  and  chased  design  of 
flowers  and  scrolls.  Panels  on  the  sides,  enclosed  by  scrolls, 
contain  repousse  and  chased  landscape  subjects.  Oval  bases  of 
a  cast  and  chased  open-work  shell  pattern.  Scrolled  handles 
supporting  modeled  figures  of  Dutch  peasant  boys  playing  flutes. 

Dutch  (Rotterdam},  XVIIIth  Century. 
Height,  91-4  inches. 

[104] 


717.  Six  Silver  Spoons  Wrought  by  Prince  Bojedar  Karageorge- 

vitch. 

Exhibition  pieces,  with  plant  and  floral  motifs,  wrought  in  original 
designs.  The  bowls  of  the  spoons  in  various  leaf  forms,  the 
handles  ending  in  a  single  blossom.  In  a  case,  laid  in  is  a  pierced 
medal  with  the  initials  K  and  E  interwoven,  also  the  work  of 
Prince  Karageorgevitch. 

The  work  of  the  Prince  of  Servia,  one  of  the  reigning  family  of 
the  previous  dynasty. 

718.  Silver  Dessert  Set. 

Large  central  dish  standing  on  four  shell  feet;  and  two  circular 
dishes,  with  pierced,  wrought  and  chased  ornamentation.  Mono- 
gram E.  B.  G.  English  Hall  mark. 
Height  of  fruit  stand,  7  1-2  inches;  diameter  of  dishes,  11  1-2  inches. 

719.  Silver  Gilt  Standing  Cup  and  Cover. 

The  body  is  repousse  in  a  pattern  of  bold  gadroons.  The  hex- 
agonal knop  of  cast  and  chased  silver  is  in  the  form  of  dolphins 
and  arabesque  ornaments.  The  base  is  repousse  in  a  gadrooned 
pattern,  and  the  gadrooned  cover  is  surmounted  by  a  finial  in 
the  form  of  a  bouquet  of  flowers  in  an  urn-shaped  vase. 

Basle,  XVIIth  Century.     Height,  18  inches. 

720.  Silver  Gilt  Standing  Cup  and  Cover. 

The  bowl  is  elaborately  repousse  in  a  gadrooned  and  scrolled 
pattern  -on  a  matted  ground,  and  has  three  projecting  busts 
applique  on  the  lower  portion  which  is  connected  to  the  urn- 
shaped  stem  by  three  scrolled  brackets.  The  double  curved 
base  is  repousse  in  a  scroll  pattern  on  a  matted  ground.  The 
cover  is  surmounted  by  a  finial  shaped  as  a  Roman  warrior  holding 
a  spear.  Nuremberg,  XVIIth  Century.  Height,  11 1-2  inches. 

721.  Parcel  Silver  Gilt  Tankard. 

Hinged  lid.  Body  decorated  with  an  engraved  ornamentation 
of  scroll  and  strapwork.  Mounted  in  the  lid  is  a  gilt  medallion 
with  the  date  1563.  An  engraved  shield-shaped  thumb  piece, 
and  engraved  inscriptions  with  names  of  the  Von  Munchausen 
Family  dated  respectively  1563,  1663,  1763  and  1863. 

German,  XVIth  Century.     Height,  51-2  inches. 
(See  Illustration.) 

[105] 


722.  Silver  Vfsiger  Cup. 

In  the  form  of  a  woman  dressed  in  XVIth  Century  costume,  and 
wearing  a  coronet,  who  holds  in  outstretched  arms  a  Nautilus  - 
shaped  swinging  cup.  Her  skirts,  which  form  the  larger  cup,  are 
decorated  with  an  elaborate  repousse  pattern  of  scrolls,  birds, 
fruits  and  flowers  on  matted  ground  and  with  a  panel  of  engraved 
decoration.  German,  XVI Ith  Century.  Height,  13  1-2  inches. 

723.  Silver  Gilt  Chalice. 

Wrought,  chased  and  engraved.  The  calyx  of  bowl  is  modeled 
and  chased  with  a  symbolic  design  of  wheat,  grapes  and  cherubim. 
The  stem  is  decorated  with  applique  modeled  figure  of  Faith, 
Hope  and  Charity  and  the  trifoliated  base  with  figures  of  three 
seated  angels. 

Maker's  mark,  C.     Prussian  mark,  XVIIIth  Century. 

Height,  11  1-4  inches. 

724.  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  elaborately  repousse  in  a  design  of 
scrolls  and  oval  panels  which  contain  figures  of  Amorini  holding 
musical  instruments.  The  lid  is  surmounted  by  a  rampant  lion 
holding  a  shield  engraved  with  the  initials  "G.  A."  The  thumb 
piece  is  in  the  form  of  a  winged  sphinx,  and  the  handle  in  the  form 
of  a  female  caryatid.  Inside  of  the  lid  is  an  engraved  "  In  Memo- 
riam"  medallion,  dated  1685. 
Marks  indistinct.  German,  XVIIth  Century.  Height,  9  inches. 

725.  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  repousse  with  a  scroll  and  floral  design 
enclosing  three  female  heads.  The  lid  is  surmounted  by  a  finial 
formed  as  a  figure  of  Cupid  with  a  drawn  bow.  The  thumb  piece 
is  formed  as  a  female  Term.  The  scrolled  handle  has  a  modeled 
head  of  a  youth. 

Maker's  mark,  S.  I.  in  monogram.  (Jacob  Schenauer,  Master 
1608.)  Augsburg  mark,  XVIIth  Century.  Height,  7  1-4  inches. 

726.  Parcel  Silver  Gilt  Beaker. 

Body  is  decorated  with  an  engraved  pattern  of  scroll  work  enclosing 
panels  containing  symbolic  figures,  Justice,  Hope  and  Faith. 
The  beaker  divided  into  two  sections  by  a  raised  rim  of  engraved 
and  pierced  work,  and  stands  on  a  base  ornamented  with  repousse 
decoration  of  cherubim  and  fruit. 

German,  XVIth  Century.     Height,  10  inches. 
[106] 


727.  Silver  Cake  Basket  with  Handle. 

Ornamented  with  a  scalloped  and  fluted  border,  a  reeded  rim,  and 

a  band  of  engraved  decoration.    The  swinging  handle  is  reeded, 

and  at  the  bottom  is  an  armorial  shield  bearing  an  engraved  crest. 

Maker's  mark,  H.  C.     London  Hall  mark,  1790. 

Length,  16  1-2  inches. 

728.  Nautilus  Shell,  Parcel  Silver  Gilt  Mounting. 

The  silver  mounting  is  of  plain  strapwork  with  a  domed  cover 
surmounted  by  a  figure  of  Neptune  holding  his  trident.  The 
octagonal  stem  is  of  baluster  shape  and  the  spreading  base  is 
octagonal  shaped.  Both  vase  and  cover  are  mounted  with  corals, 
peridots,  carbuncles  and  aquamarines. 

Frankfurt-am- Main,  XVIllth  Century.     Height,  13  3-4  inches. 


729.    Silver  Gilt  Fruit  Tray. 

Of  elongated  oval  shape  with  a  repousse  border  of  acanthus  leaves 

and  flowers.     The  centre  is  occupied  with  a  repousse  classical  figure 

subject. 

Maker's  mark,  D.  B.     (Rosenberg  No.  327.}  Augsburg,  XVIIth 

Century.  Length,  17  3-4  inches. 


730.  Parcel  Silver  Gilt  Beaker. 

Decorated  with  a  flat-chased  and  engraved  ornamentation  on  a 
matted  ground,  enclosing  engraved  inscription  in  honor  of  Prince 
Ferdinand.  Engraved.  "April,  1759"  011  bottom. 

Rosenberg,  No.  1995.     Leipzig,  XVIIth  Century. 

Height,  4  3-4  inches. 

731.  Parcel  Silver  Gilt  Cup  and  Cover. 

Decorated  with  a  repousse  ornamentation  in  designs  of  a  sporting 
character.  The  cover  is  surmounted  by  the  wrought  and  chased' 
figure  of  a  couchant  stag.  An  engraved  inscription  dated  August 
21,  1771,  shows  that  the  cup  was  formerly  in  the  possession  of 
Christian  Alexander,  Margrave  of  Bradenburg.  Lacquered  gilt 
and  velvet  lined  wooden  case  decorated  with  hunting  subjects. 
Maker's  mark,  A.  D.  (Abraham  Drentwet  1785.}  Augsburg, 
XVIllth  Century.  Height,  10  inches. 

[107] 


732.  Silver  Mounted  Hunting  Horn. 

The  deep  silver  rim  is  engraved  with  sporting  subjects  and  with 
Grand-ducal  armorial  bearings.  Below  this  is  a  border  of  rope 
ornamentation  and  a  reversed  cresting  of  pierced  and  engraved 
work.  The  tip  is  ornamented  with  an  engraved  silver  sheathing 
having  a  band  of  similar  rope  ornamentation  and  a  similar  crest- 
ing at  the  rim.  The  silver  mouthpiece  is  supported  by  four 
detached  ornamental  brackets  of  wrought  silver  and  four  leaf -like 
ornaments  of  repousse  and  engraved  work. 

Ghent,  XVIth  Century.     Length,  22  inches. 

733.  Pair  of  Silver  Gilt  Cake  Baskets. 

The  bodies  are  of  oval  shape,  and  the  sides  are  pierced  and  have  an 
incised  pattern  of  scrolled  form.  The  borders  are  of  shell  and 
acanthus  pattern,  and  the  baskets  stand  on  oval  pierced  bases. 
Maker's  mark,  S.  H.  (Sarah  Holaday)  in  diamond  panel. 
London  Hall  Mark.  Date  letter  1728. 

Height,  6  inches;  length,  13  1-2  inches. 

734.  Pair  of  Parcel  Silver  Gilt  Hanging  Baskets. 

Inverted  cone  shaped  with  straight  sides  and  scalloped  rims 
curving  outwards.  The  baskets  are  formed  of  longitudinal  panels 
of  fine  filigree  work  in  scrolled  design,  ornamented  with  a  double 
row  of  detached  eight-foiled  rosettes,  secured  to  the  sides  by  clasps 
ending  in  plain  silver  beads.  Genoese,  XVIIIth  Century. 

Height,  5  inches;  diameter,  81-4  inches. 

735.  Silver  Tea  Set  and  Tray. 

The  set  consists  of  teapot,  cream  ewer,  sugar-bowl  and  cover, 
tongs,  and  tray.  It  is  very  elaborately  repousse  and  chased  in  a 
Renaissance  design  of  arabesque  scrolls  on  a  matted  ground.  The 
handles  are  formed  as  grotesque  figures.  The  spout  of  the  teapot 
is  formed  as  a  twisted  serpent  and  a  grotesque  mask.  The  covers 
of  the  teapot  and  sugar-bowl  are  surmounted  by  finials  formed  as 
dolphins  and  griffins.  The  cartouche-shaped  tray  has  handles  of 
pierced,  wrought  and  chased  work  in  a  design  of  figures  and 
sphinxes.  A  raised  monogram  E.  B.  G.  is  applied  in  the  centre  of 
the  tray,  and  the  same  monogram  appears  on  each  of  the  other 
three  pieces.  This  service  was  specially  made  to  order  for 
Miss  Grigsby  by  Signer  Accarisi  of  Florence. 

Length  of  tray,  21  1-2  inches. 
[108] 


736.  Silver  Paper  Knife. 

The  handle  formed  as  a  miniature  copy  of  Benvenuto  Cellini's 
statue  of  Perseus  holding  the  head  of  Medusa.  Made  by  Signer 
Accarisi  of  Florence.  Length,  12  3-4  inches. 

737.  Silver  Candlestick. 

Of  elaborately  cast,  wrought  and  chased  work.  The  base  is  formed 
as  three  winged  female  sphinxes.  The  stem  is  wrought  and  chased 
in  low  relief  with  an  arabesque  pattern  and  terminates  in  a  vase- 
shaped  candleholder,  decorated  with  a  procession  of  Amorini 
modeled  in  low  relief.  Made  by  Signor  Accarisi  of  Florence. 

Height,  11  inches. 

738.  Silver  Gilt  and  Shell  Tankard. 

Hinged  lid.  The  body  is  formed  of  a  cocoanut  shell  with  repousse 
and  engraved  mounts  of  gilt,  and  the  handle  is  loop  shaped  and 
ends  in  a  cherub.  The  thumb  piece  is  formed  as  a  cherub  and  the 
lid  is  surmounted  by  the  figure  of  a  man  in  XVIth  Century 
costume  carrying  a  spear  and  shield. 

Mainz,  XVIth  Century.     Height,  8  inches. 
(See  Illustration.)  , 

739.  Parcel  Silver  Gilt  Tankard. 

Hinged  lid.  Cylindrical  body,  flat-domed  lid  and  moulded  base. 
Side  of  body  repousse  in  very  high  relief  with  subject  of  Diana 
and  her  attendants  surprised,  while  bathing,  by  Acteon  who  is 
undergoing  metamorphosis  into  a  stag  preparatory  to  being 
devoured  by  his  own  dogs.  In  the  lid  is  inserted  a  circular 
medallion  of  a  boldly  repousse  design  of  a  Roman  warrior  on 
horseback  in  the  midst  of  a  battle.  The  looped  handle  has  an 
ornamentation  of  a  beaded  pattern  and  the  thumb  piece  is  of  a 
scrolled  design. 

Maker's  mark,  P.  S.  M.  (Dated  1685.}  Peter  Schonermarck, 
Master.  Konigsberg,  XVIIth  Century  in  1665. 

Height,  61-2  inches. 

740.  Silver  Gilt  Chalice. 

The  calyx  which  holds  the  plain  bowl  and  the  hexagonal  base  are 
decorated  with  an  elaborate  repousse  and  applique  Renaissance 
ornamentation  of  scrolls  and  cherubim.  The  knop  is  decorated 
with  three  applique  cherubim  having  outstretched  wings. 

Frankfurt,  XVIIth  Century.      Height,  13  1-2  inches. 

[109] 


741.  Hanap  and  Cover  of  Horn  Mounted  in  Silver. 

The  cylindrical  body  and  the  turned  knop  are  of  horn  mounted 
with  horizontal  bands  of  silver,  repousse,  chased  and  engraved 
in  a  strapwork  pattern  with  festoons  of  fruits  and  masks.  There 
are  two  silver  shields  on  the  sides  (probably  later  additions)  with 
engraved  crests.  The  cover  is  mounted  with  a  silver  rim,  and  the 
silver  fmial  is  formed  as  a  draped  female  figure. 

Maker's  mark,  M.  A.    German,  XVIth  Century. 

Height,  15  1-2  inches. 
(See  Illustration.) 

742.  Parcel  Silver  Gilt  Wine  Ewer  with  Handle  and  Cover. 

The  body  is  repousse  in  a  coquaille  design,  the  stem  is  decorated 
with  applied  acanthus  leaf -forms,  and  the  base  is  repousse  in  co- 
quailles  with  a  gauffered  rim.  There  is  a  scrolled  handle,  the  spout 
is  formed  as  a  dragon's  head,  and  the  cover  is  surmounted 
with  an  heraldic  lion  holding  a  shield  engraved  with  a  coat  of  arms. 
Maker's  mark,  A.  B.  (Albrecht  Bitter  1720.}  Augsburg,  XVIIIth 
Century.  Height,  14  inches. 

743.  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  richly  ornamented  with  a  repousse  and 
chased  floral  design.  The  thumb  piece  is  of  scrolled  pattern,  and 
the  lid  is  surmounted  by  a  couchant  stag.  The  curved  handle 
is  formed  as  a  female  caryatid.  Engraved  with  initials  "D.  H." 
Maker's  mark,  H.  K.  in  monogram  (Hans  Kienle  1572-1635.) 
Ulm,  XVIIth  Century.  Height,  8  1-4  inches. 

(See  Illustration.) 

744.  Parcel  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  surrounded  by  a  figure  subject  modeled 
in  high  relief  and  chased,  representing  the  meeting  of  Isaac  and 
Rebekah.  A  medallion  dated  1636  is  inserted  in  lid.  There  is  a 
scrolled  thumb  piece,  and  the  looped  and  beaded  handle  has  a 
monogram  engraved  on  shield. 

Maker's  mark,  F.  W.     Prussian,  XVIIIth  Century. 

Height,  8  incites. 

[110] 


745.  Parcel  Silver  Gilt  Tankard. 

Hinged  lid.  The  body  is  decorated  with  reeded  bands,  and  the 
domed  lid  with  a  finial  formed  as  a  couchant  stag  holding  a  shield 
engraved  with  the  initials  M.  M.  A  scrolled  thumb  piece  and  a 
plain  loop  handle.  A  Prussian  coin  is  inserted  in  the  bottom. 
Maker's  mark,  M.  H.  (Michel  Haussner  1601.)  Nuremberg, 
XVIIth  Century.  Height,  8  inches. 

FROM  THE  COLLECTION  of  Freiherm  von  Goldfaes  of  Illesheim. 

746.  Silver  Gilt  Standing  Cup  and  Cover. 

The  rim  is  engraved  with  a  hunting  scene,  and  the  oval  bowl  with 
an  elaborately  repousse  design  of  strapwork  enclosing  masks  and 
vases  of  flowers.  The  bowl  is  supported  on  the  stem  by  three 
wrought  open  work  brackets  in  the  form  of  caryatids.  The  cir- 
cular base  has  a  repousse  design  of  strapwork  and  fruits.  The 
cover  is  surmounted  by  a  finial  in  the  form  of  a  Bishop  with  mitre 
and  pastoral  staff.  Maker's  mark,  M.  R.  (Martin  Rehlein,  Master 
1566.)  Nuremberg,  XVIth  Century.  Height,  10  inches. 

747.  Standing  Cup  and  Cover. 

The  bowl  and  base  elaborately  repousse  with  an  intricate  Renais- 
sance arabesque  design.  The  stem  is  formed  as  a  figure  of  Diana, 
and  the  cover  is  surmounted  by  a  male  figure  in  XVIth  Century 
costume.  Maker's  mark,  an  Anchor.  (J.  A.  Thelot  1685.)  Augsburg, 
XVIIth  Century.  Height,  16  inches. 

748.  Parcel  Silver  Gilt  Chalice. 

The  lower  portions  of  the  bowl,  stem  and  octagon  base  are  deco- 
rated with  applique  scroll  panels  containing  heads  of  the  Apostles, 
Saints  and  Cherubim.  The  knop  is  formed  of  scrolled  brackets 
enclosing  a  modeled  figure  of  the  Paschal  Lamb  lying  on  the  Holy 
Scriptures.  German,  XVIth  Century.  Height,  10  inches. 

749.  Pair  of  Silver- mounted  Venetian  Glass  Pilgrim  Bottles. 

Flask  shaped,  with  fluted  bodies  of  ruby  glass.  The  silver  mounts 
consist  of  pierced  and  beaded  straps  and  bands  of  repousse,  pierced 
and  chased  work  representing  swans  feeding  from  a  dish.  The  feet 
are  of  repousse  and  chased  work  in  a  design  of  Amorini  and 
goats  in  a  landscape.  The  silver  rims  are  repousse  and  chased, 
and  the  silver  screwtops  are  formed  as  seated  Chinese  figures. 
Silver  chains  ending  in  rings  are  attached  by  rings  to  the  sides. 
Austrian,  XVIIIth  Century.  Height,  10  inches. 

[in] 


750.  Bohemian  Glass  Wine  Flagon  and  Stopper. 

Melon-shaped  body  of  ruby  glass,  mounted  with  a  pewter  handle, 
foot  and  lip  cast  and  chased  in  a  Renaissance  design. 

Height,  14  inches. 

751.  Pair  of  Silver  Cups  with  Handles. 

The  pear-shaped  bodies  have  wide  lips,  are  repousse  and  chased 
in  designs  of  modern  sporting  subjects  and  are  supported  on 
baluster  stems  having  at  the  bases  finely-modeled  figures  of  stags. 
The  feet  are  formed  as  Earls '  coronets.  The  handles  are  formed 
as  twisted  serpents.  Interiors  gilt. 

Birmingham  Hall  Mark.     Height,  13  3-4  inches. 


752.    Old  English  Silver  Cruet  Stand. 

The  boat-shaped  frame  has  a  beaded  edge  and  loop  handle  and 
stands  on  four  acorn-shaped  feet.  Fitted  with  four  cut  glass 
bottles,  having  silver  loop  handles  and  hinged  lids.  Intended  for 
oil,  vinegar  and  condiments. 

Maker's  Mark  I.  S.    London  Hall  Mark  1784. 
Length,  11  inches;  height,  9  inches. 


753.    Silver  Gilt  Cup  and  Cover. 

The  bowl  is  decorated  in  very  elaborately  pierced,  repousse  and 
chased  work  with  a  design  of  Hindu  figures,  mythical  animals  and 
an  elaborate  scrolled  pattern,  and  has  a  plain  shield  engraved  with 
the  initials  "A.  P.  P."  The  cover  is  of  pierced,  repousse  and 
chased  work  in  a  design  of  wild  animals  and  mythical  monsters, 
and  the  rim  has  an  engraved  pattern  of  scrolls  on  an  imbricated 
ground.  The  finial  is  formed  as  the  grotesque  figure  of  a  dancing 
girl.  The  stem  is  of  baluster  form  and  the  dome-shaped  base 
has  a  pattern  of  pierced,  repousse  and  chased  ornamentation 
surmounted  by  three  modeled  figures  of  grotesque  dancing  girls. 
This  base  is  supported  on  five  ball  feet.  On  its  under  part  is  a 
pierced  inscription  and  the  date  1813,  in  dotted  engraving. 

Benares,  XVlIIth  Century.     Height,  16  1-2  inches. 

[112] 


754.  Silver  Chalice. 

Wrought,  chased  and  engraved.  The  calyx  is  ornamented  with 
pierced  and  applique  work  in  a  design  of  scroll,  and  cherubim, 
and  the  elongated  knop  has  a  wrought  and  chased  design  of  Christ 
carrying  the  Cross  attended  by  the  Virgin  and  weeping  women. 
The  circular  foot  is  ornamented  with  wrought  and  chased 
cherubim  in  high  relief  and  with  festoons  of  fruits  and  flowers. 
Under  the  base  is  an  engraved  inscription  stating  that  this  was 
presented  as  a  token  of  gratitude  by  the  Monastery  of  St.  Martha 
to  Cardinal  Caterini. 

Maker's  mark,  I.  B.    Italian,  XVIIIth  Century. 

Height,  10  1-2  inches. 

755.  Pewter- mounted  Stoneware  Tankard. 

The  cylindrical  body  is  mounted  with  a  pewter  band,  and  engraved 
rim.  The  lid  is  ornamented  with  a  border  of  acanthus  leaf  design 
and  with  a  broad  band  of  ornamentation  consisting  of  groups  of 
Amorini  interrupted  by  medallions. 

German  style  of  the  XVIIth  Century.     Height,  6  1-4  inches. 

756.  Leather  Tankard,  Silver  Mounted. 

Cylindrical  body,  mounted  with  a  silver  strap  handle,  rim,  lining 
and  spout.  The  rim  is  engraved  "  Beefsteak  Club."  "  Beef  and 
Liberty  "  and  has  an  engraved  crest  of  a  negro's  head.  The  handle 
is  engraved  "Sir  R.  Steele,  from  George  Prince  of  Wales"  and  the 
date  1787.  Maker's  mark  P.  R.,  other  marks  indecipherable. 

Height,  6  1-2  inches. 

757.  Silver- mounted  Cocoanut  Tankard. 

Hinged  lid.  The  body  is  formed  of  a  polished  cocoanut  shell 
mounted  with  wide  straps  of  silver  which  have  repousse  and  chased 
decorations  of  masks,  scrolls,  cherubim,  birds,  flowers,  etc.  The 
straps  terminate  in  a  chased  engraved  silver  rim  decorated  with 
cherubim  in  relief.  The  rim  of  lid  is  gauffered,  serrated  and  has  a 
band  of  rope  pattern.  The  finial  of  the  lid  is  in  the  form  of  an 
Amorino  bearing  a  branch  of  ivy.  Scrolled  thumb  piece.  Handle 
formed  as  a  female  Term.  Domed  foot  with  an  engraved  pattern. 
German,  XVIth  Century.  Height,  10  inches. 
[113] 


758.  Silver- mounted  Masonic  Tankard. 

Hinged  lid.  The  cylindrical  body  of  Lignum-vitae  is  mounted 
with  raised  bands  of  silver.  The  lid  is  mounted  with  a  central 
medallion  formed  of  a  coin  one  side  of  which  has  been  engraved 
"  1718."  The  engraved  silver  rim  is  decorated  by  the  insertion  of 
a  large  coin.  Two  smaller  coins  dated  1689  are  also  inserted  and 
surrounded  with  engraved  borders.  The  thumb  piece  is  formed 
as  a  shell,  the  straight,  slight  curved  handle  is  plain,  the  foot  is 
mounted  in  silver  with  a  reeded  edge  and  a  band  of  diamond- 
shaped  ornamentation. 

Maker's  mark,  R.  T.     Prussian,  XVIIth  Century. 

Height,  7  1-4  inches. 

759.  Silver  Tea  Caddy  Case. 

Oblong  coffer  shape  repousse  and  chased  with  an  elaborate  design, 
on  a  matted  ground,  of  scrolls,  shells,  fruits  and  flowers.  The  case 
stands  on  four  ball  feet,  and  has  a  hinged  cover  with  a  terminal 
in  the  form  of  an  open  rose;  the  handles  are  of  Lion  Masks 
holding  rings.  The  interior  is  lined  with  crimson  velvet  and  fitted 
with  two  rectangular  tea-caddies  with  covers  and  with  a  circular 
sugar-bowl  and  cover.  The  caddies  are  decorated  with  an  elabo- 
rately flat-chased  ornamentation  of  scrolls  and  floral  pattern  on 
a  matted  ground  with  figures  of  seated  Chinamen  on  the  lids. 
The  cover  of  the  sugar-bowl,  which  matches  the  tea-caddies  in 
ornamentation,  is  terminated  by  a  flower  and  bud  as  knop. 

Maker's  mark,  W.  B.    London  Hall  Mark.     Date  letter  of  1826. 
Height,  10  inches;  width,  7  1-4  inches;  length,  14  inches 

THIS  CADDY  WAS  FORMERLY  in  the  possession  of  the  English 
Statesman,  William  Ewart  Gladstone. 

760.  Silver  Racing  Trophy. 

In  the  form  of  a  cup  with  cover  and  handles.  The  bowl  is  deco- 
rated with  a  repousse  and  chased  pattern  and  has  a  border  of 
pierced  and  applique  work.  The  hexagonal  stem  is  also  elaborately 
repousse  and  chased  with  a  design  of  Renaissance  character. 
The  handles  are  formed  as  Amorini  holding  wreaths  of  victory 
and  the  cover  is  surmounted  by  a  winged  figure  of  victory 
holding  a  palm  branch.  Name  engraved  on  cover.  Said  to 
have  been  made  to  the  order  of  the  English  Jockey  Club. 

English  Hall  Mark,  1868.     Height,  28  inches. 
(See  Illustration.) 

[114] 


No.  760.    SILVER  RACING  TROPHY 


761.  Silver  Gilt  Rose  Water  Ewer  and  Dish. 

The  vase-shaped  ewer  has  a  spreading  lip  and  a  handle  formed  as 
the  bust  of  a  Roman  warrior  ending  in  a  beaded  scroll.  The  very 
elaborate  repousse  decoration  of  cartouche-shaped  panels  is  sur- 
rounded by  strap  work  and  floral  scrolls.  The  oval  medallion  in 
front  of  the  lip  contains  a  portrait  in  relief;  of  the  two  panels  on 
the  body  one  is  occupied  with  an  emblematic  figure  of  Abundantia 
carrying  an  unsheathed  sword,  the  other  with  a  domestic  scene 
of  a  young  Prince  in  XVIIIth  Century  costume  surrounded  by 
his  Tutors.  The  circular  dish,  which  is  supported  on  four  ball 
feet,  has  a  border  of  repousse  and  chased  work  in  a  pattern 
of  strapwork,  festoons  and  floral  scrolls  surrounding  four  medal- 
lions, two  of  which  contain  portraits,  the  others  scenes  from 
Dutch  history.  In  the  centre  is  a  grotesque  mask  surrounded  by 
a  WTeath  of  acanthus  leaves  and  an  outer  border  of  scroll  work 
interrupted  by  grotesque  masks.  Dutch,  XVIIth  Century. 

Height  of  Ewer,  13  1-2  inches;  Diameter  of  Tray,  15  3-8  inches. 

762.  Silver  Epergne  and  Cake  Basket. 

The  open  oval  stand  is  supported  by  four  legs,  ornamented  with 
female  Terms,  and  ending  in  claw  feet.  The  centre  basket  is  of 
oval  form  with  two  curved  flat  handles  and  a  border  of  pierced 
and  chased  work,  and  its  lower  portion  is  of  fluted  design.  Four 
circular  dishes,  fluted  and  with  pierced  and  engraved  borders  are 
supported  on  double  curved  brackets,  while  four  small  oval  bas- 
kets, fluted  and  with  pierced  and  engraved  borders,  are  sus- 
pended by  silver  chains  from  the  upper  portion  of  the  stand. 
English  Hall  Mark.  Date  Mark,  1782.  Maker,  Thomas  Powell. 
Height,  17  1-2  inches;  width,  23  1-2  inches. 

THIS  EPERGNE  was  presented  to  his  godson,  John  Jervis  Mai- 
lock,  by  Admiral  Lord  St.  Vincent  when  in  command  of  the  fleet 
in  Torbay  in  1798,  just  after  the  victory  off  Cape  St.  Vincent 
which  caused  his  elevation  to  the  peerage.  There  is  an  engraved 
inscription  on  the  cake  basket:  "Presented  by  Earl  St.  Vincent 
to  his  Godson,  John  Jervis  Mallock." 

[116] 


763.    Ruby  Glass  and  French  Bronze  Enamel  Table  Set,  Urn- 
shaped  Vase. 

Table  garniture  of  French  bronze,  supporting  large  ruby  glass 
fluted  bowl  for  fruit  and  confections  set  with  porcelain  floral 
medallion,  two  side  pieces  to  match  of  the  same  design  with  tier  of 
three  ruby  glass  fluted  bowls,  all  fitted  for  electric  light.  This 
table  garniture  was  from  the  collection  of  Charles  F.  Phillips. 
Height  of  bowl,  14  inches;  Height  of  side  pieces,  18  inches. 


[117] 


SIXTH  SESSION 


764.  Bambino. 

Embroidered  and  lace  trimmed  satin  robe,  gilt  crown  set  with 
semi-precious  stones  Height,  21  inches. 

765.  Two  Renaissance  Lace  Covers. 

For  dressing  table  or  bureau. 

766.  Three  Renaissance  Lace  Covers. 

One  large  and  two  small  pieces. 

767.  Pair  of  Antique  German  Wood  Snuff  Boxes. 

Black  lacquer,  painted  head  and  Teniers  scene  on  covers. 

768.  Miniature  of  Petrarch's  Laura. 

Water  color  drawing.     In  oval  gilt  frame.  Height,  7  inches. 

769.  Two  Ivory  Boxes  lined  with  Tortoise  shell  with  Miniatures. 

The  miniature  painted  on  the  cover  are  of  "Cupid's  Dart"  and 
portrait  of  a  lady  (on  ivory). 

770.  Cabinet  Pieces. 

Viennese  enamels.    Suite  of  miniature  furniture,  Watteau  pastorals 
in  brass  mountings.  (7  pieces.) 

771.  Candlesticks. 

Pair  Sheffield  plate  candlesticks. 

772.  Silver  Toilet  Set. 

Repousse  silver,  with  monogram.  (18  pieces.) 

773.  Crucifix  Inlaid  with  Carved  Pearl.  Height,  10  inches. 
Small  Silver  Crucifix  as  Pendant. 

Two  Short  Rosaries.  (3  pieces.) 

774.  Jewel  Cabinet. 

Miniature  Sedan  chair,   inlaid  woods,    glass   panel,  two  drawers, 
brass  mounts. 

[119] 


775.  Magnifying  Glass. 

Set  in  brass  with  ivory  handle.  Diameter,  7  inches. 

776.  Two  Rock  Crystal  Watches. 

Silver  gilt  and  enamel  locket,  star-shaped,  enclosing  a  watch  with 
crystal  face.  Oval  locket  set  in  enameled  silver  containing  a  watch. 

(2  pieces.) 

777.  Pair  of  Silver  Gilt  Finials  for  Processional  Staffs. 

One  of  the  Crucifixion,  and  the  other  of  Madonna  in  adoration 
against  a  rayed  background. 

778.  Two  Meerschaum  Cigar  Holders. 

Nemean  lion  and  the  Barque  of  Venus. 

779.  Silver  Night  Candlestick. 

Oblong  base.  Height,  31-2  inches. 

780.  English  Silver  and  Gold  Flower  Vase. 

Pierced  border,  repousse  and  carved  base.  Marked  with 
monogram. 

781.  Pair  of  Turkish  Silver  Gilt  Boxes,  Original  Covers. 

Pear  shaped,  band  of  low  relief,  carving,  finial  as  a  rose  with 
leaves.  Height,  4  1-2  inches. 

782.  Tortoise  Shell  and  Silver  Desk  Set. 

Heart-shaped  taper-stand  of  tortoise  shell  with  gadrooned  silver 
rim,  silver  taper  holder,  fluted  and  supported  on  three  open- 
work scroll  brackets,  ring  handles  and  pierced  silver  thumb  piece. 
Inkstand  to  match;  tortoise-shell  pen,  pen-box  and  cover;  leather 
blotter  holder  with  sterling  silver  mount  and  a  small  desk  pad,  the 
corner  pieces  set  with  semi-precious  stones.  (6  pieces.) 

Height  of  taper  stand,  3  inches. 

783.  Two  Spanish  Tortoise-shell  High  Back  Combs. 

One  amber  shade,  plain,  with  fluted  surface;  the  other  carved  and 
chased. 

784.  Amber  Back  Comb. 

Intricately  cut  decoration  of  three  classic  medallions  of  the  heads 
of  Bacchantes.  On  small  wood  easel. 

[120] 


785.  Spanish  Tortoise-shell  High  Back  Comb. 

Carved  and  pierced  border,  the  surface  inlaid  in  a  filigree  pattern 
of  gold  and  enamel. 

786.  Tortoise-shell  Toilet  Stand. 

Reticulated  border,  on  reticulated  pedestal  ending  in  four  pierced 
supports.  From  the  Joseph  W.  Sprague  collection. 

Height,  61-2  inches. 

787.  Tortoise-shell  Toilet  Set. 

For  the  dresser,  boxes,  trays,  comb,  brushes,  etc. 

(Stem  of  one  tray  repaired.}     (13  pieces.) 

788.  Tortoise-shell  Jinriksha  in  Miniature,  Silver  Mounts. 

With  extra  shaft  rest.    From  the  Joseph  W.  Sprague  collection. 

Height,  61-2  inches;  length,  9  1-2  inches. 

789.  Small  Bronze  and  Silver  Statuette  "La  Nuit." 

Modeled  by  H.  S.  Ringi,  Paris,  1898.    Cast  by  Louchet. 

Height,  51-2  inches. 

790.  Lady's  Amethyst  and  Silver  Desk  Set. 

Pair  of  small  square  Amethyst  glass  vases  with  floral  silver  mounts. 
Amethyst  glass  ink-bottle  with  ormolu  mounts;  square  brass  tray 
and  small  desk  pad  with  carved  and  pierced  silver  corner  orna- 
ments, each  set  with  an  Amethyst. 

791.  Opera  Glasses. 

Made  by  Lemaire,  Paris.  Pearl  and  gold  with  handle.  Leather 
case. 

792.  Coral  Bead  Collar. 

Twelve  strands  of  small  beads  in  gold  setting  with  clasp. 

• 

793.  Coral  Necklace. 

Fifty-five  beads  of  graduated  sizes  with  gold  clasp. 

794.  Long  Coral  Necklace. 

Composed  of  544  small  beads. 

795.  Long  Coral  Necklace. 

Of  smaller  beads. 

[121] 


796.  Coral  Cameo  Necklace. 

Composed  of  18  finely  carved  cameos  set  in  filigree  gold. 

797.  Coral  Cameo  Bracelet. 

To  match,  with  8  cameos  set  in  filigree  gold. 

798.  Coral  Brooch. 

Coral  cameos,  one  large  and  two  small. 

799.  Mahogany  Jewel  Case,  Glass  Top. 

Hinged  cover,  lined  with  old  silk  brocade,  on  four  low  feet. 

Length,  12  inches;  width,  8  inches. 

800.  Ebony  and  Silver  Crucifix. 

Cross  of  ebony,  figure  of  the  Saviour  of  silver.    Length,  9  inches. 

801.  Amethyst  Goblet. 

Cut  from  the  matrix.  (Stem  repaired.)  Height,  7  inches. 

802.  Gold  and  Silver  Tripod. 

Supporting  a  blue-glass  vase,  set  in  silver,  for  flowers  or  bon  bons. 
The  work  of  one  of  the  best  modern  silversmiths  in  Berlin. 

Height,  61-2  inches. 

803.  Mother-of-Pearl  Writing  Set,  Leather  Case. 

Pen,  seal  and  clip  in  mauve  Mother-of-Pearl.  Carved  in  relief 
with  iris  blossoms. 

804.  Lorgon. 

Very  fine  amber  shell,  with  pierced  case. 

805.  Amber-shell  Card  or  Cigarette  Case,  Gold  Mounts. 

Very  fine  shell,  fitted  with  note  pad  and  pencil;  the  latter  set 
with  a  Cabochon  Sapphire. 

806.  Louis  XVIth  Hat  Box. 

Oval,  covered  with  flowered  brocade  trimmed  with  gold  lace  and 
set  round  with  print  medallion  portraits  of  Court  Beauties  and 
Boucher  scenes  on  the  cover.  Handles  of  silk  cord  with  acorn 
tassels.  Lined  with  rose-colored  silk. 

807.  Cut  Glass  Jar  Shaped  Flower  Vase. 

Green  iridescence,  hand-carved.  Height,  91-2  inches. 

[1221 


808.  Small  Framed  Photographs. 

Madame  Recamier,  Guide's  Aurora;    Lady  Isabel  Gordon  and 
others.     Carmine  tints.    In  ormolu  easel  frames.  (8  pieces.) 

809.  Small  Framed  Photographs. 

Countess  Spencer,  Duchess  of  Devonshire;    Romney's  Parson's 
Daughter  and  others.    Carmine  tints.    In  ormolu  easel  frames. 

(9  pieces.) 

810.  Mirror  Sconce  of  Carved  and  Gilded  Wood. 

With  three  lights  and  two  bracket  shelves,  mounted  on  a  rose 
velour  covered  panel. 

811.  Wine  Cooler,  George  II.  Period. 

Hand-sewed  saddle  leather  wine  cooler  with  silver  trimmings,  one 
engraved  with  crest  of  former  owner. 

Height,  12  1-2  inches;   diameter,  15  1-2  inches. 

812.  Traveling  Garden. 

Six  miniature  porcelain  flower-pots  containing  plants  in  blossom, 
primroses,  tulips,  lilies  of  the  valley,  etc.    In  leather  case. 

813.  Spanish  Filigree  Gold  Tray. 

Bottom   of  conventional   leaves   surrounded  by   pierced  scrolls, 
leaf  pattern. 

814.  Spanish  Beadwork  Cigar  Holder. 

Small  blue  and  white  beads  finely  wrought. 

815.  Jewel  Box. 

Covered  with  white  silk,  applique  embroidery  in  gold. 
Small  Round  Hand  Glass. 

Ormolu  mounts  with  miniature  in  iridescent  colors  surrounded 

with  pearl  beads  (some  missing)  on  the  back,  marked  "Pirette." 
Leaf-shaped  Silver  Gilt  Perfume  Flask. 

With  monogram.  (3  pieces.) 

816.  Stand  Glass  Set  in  Old  Ivory  Carving  and  an  Ivory  Comb. 

817.  Coalport  Three-handled  Loving  Cup. 

Urn  shape  on  stem. 

[123] 


818.  Coalport  Perfume  Bottle. 

Raised  gold  and  jewel  decoration. 

819.  Coalport  Teacaddy. 

Floral  decoration  on  turquoise  blue. 

820.  Silver  Desk  Set. 

Candleholder  and  two  cut  glass  ink  wells  in  oval  tray  on  four  legs. 

821.  Eight  Light  Porcelain  Candelabra. 

White  porcelain  base  showing  a  young  faun  flanked  on  either 
side  by  four-light  candelabra.  From  the  Charles  F.  Phillips 
collection. 

822.  Mantel  Clock. 

Brass  frame,  glass  panels.    Ansonia  Clock  Co.,  makers. 

Height,  11  inches. 

Musical  Instruments 

823.  Old  Italian  Lute. 

Inlaid  with  ivory. 

824.  Banjo. 

With  metal  drum.     Perfect  order. 

825.  Guitar. 

John  C.  Haynes  &  Co.,  Boston,  makers.    Perfect  order. 

826.  Banjo. 

John  C.  Haynes  &  Co.,  Boston,  makers.     Perfect  order. 

827.  Mandolin. 

George  Washburn,  maker.     Perfect  order. 

828.  Double-necked  Guitar. 

Hartman  Bros,  and  Remhard,  makers. 

829.  Old  Italian  Long-necked  Lute. 

Pearl  inlay. 

[124] 


830.  Harp. 

Carved    and    painted,   floral  decoration.     Verms-Martin  finish. 
In  fine  condition.  Lyon  and  Healy,  makers, 

831.  Gilt  Bronze  Ornamental  Music  Rack. 

For  the  same. 

• 

Watches  and  Lockets 

832.  Watch  Key. 

With  stem  for  winding,  and  cross-stem  for  setting  a  watch. 

833.  Silver  Onion  Watch. 

Silver  dial  marked  with  the  hours  and  minutes  and  calendar. 

Goodoy,  London,  maker. 

834.  Large  Brass  Striking  Watch. 

Silver  dial,  hours  and  minutes. 

835.  Small  Silver  Locket  Watch. 

836.  Gold  Watch. 

Silver  dial.  Boy,  London,  maker. 

837.  Small  Crystal  Locket. 

Enclosing  watch  with  blue  enamel  dial. 

838.  Silver  Watch. 

Dial  showing  two  Saints  painted  in  enamel,  outer  case  of  metal. 

Nicolaus  Jager,  maker. 

839.  Small  Oval  Silver  Watch. 

Engine-turned  case.  Solomon  Sailler,     Ulm,  maker. 

840.  Octagonal  Crystal  Locket. 

Enclosing  small  watch,  silver  dial  enameled  with  green  leaves. 

841.  Crystal  Cross. 

Enclosing  small  watch,  the  dial  engraved  with  landscape. 

842.  Small  Watch. 

Crystal  case  encircled  with  brilliants.  Gudin,  Paris,  maker. 

[125] 


Nos.  837,  840,  841,  843,  845,  848,  849,  853    85T,  858,  859 


843.  Octagonal  Crystal  Locket. 

Enclosing   small   watch,    dial   engraved   with   figure   of   Venus. 

Sermone,  maker. 

844.  Crystal  Cross. 

Enclosing  a  watch  set  in  gilt  metal  pierced  in  foliated  pattern. 

Jacob  De  La  Croix,  maker. 

845.  Octagonal  Crystal  Locket. 

Enclosing  watch  set  in  gilt  metal.  Jeremi  East,  maker. 

846.  Oval  Watch. 

With  silver  case  pierced  in  scroll  and  leaf  pattern.    No  name. 

847.  Lady's  Small  Gold  Watch. 

Encircled  with  brilliants  front  and  back,  portrait  of  a  lady  in 
enamel.  Jacques  Coulin,  Geneva,  sellers,  made  at  Augsburg. 

848.  Octagonal  Crystal  Locket. 

Enclosing  watch,  silver  dial.    . 

849.  Two  Detached  Outer  Cases. 

One  of  wood  enameled  outside  in  figures  and  landscape,  the  other 
ornamented  en  repousse. 

850.  Lady's  Small  Gold  Watch. 

The  back  painted  in  enamel  with  figures  of  Susanna  and  the 
Elders. 

851.  Gold  Watch  with  Double  Case. 

Outer  case  studded  with  gold  stars;   inner  case  of  white  enamel 
studded  with  turquoise.  John  Machette,  London,  maker. 

852.  Lady's  Small  Watch. 

The  back  decorated  with  a  pastoral  scene  in  enamel  (hands  missing). 

853.  Crystal  Locket. 

Enclosing  watch  set  in  gilt  metal  (no  hands). 

854.  Watch  in  Silver  Enameled  Egg-shaped  Box. 

With  decoration  showing  the  flight  of  the  hours.     Mounted  to 
be  worn  as  a  pendant. 

[127] 


855.  Table  Watch  Set  in  Chiseled  Brass. 

Johann  Charles  Erhardt,  Augsburg,  maker. 

856.  Table  Clock. 

Enclosed  in  a  sphere  supported  by  a  figure  on  the  base  sphere  and 
base  ornamented  with  Viennese  enamel  of  classical  subjects, 
surmounted  by  a  spread  eagle.  Kupfer  Schmid,  maker,  Freiburg. 

Height,  12  inches. 

857.  Crystal  Cross. 

Enclosing  a  watch  set  in  gilt  metal  in  leather  case,  the  case 
studded  with  gold  stars.  Solomon  Coster,  maker. 

858.  Small  Hexagonal  Watch. 

Of  crystal  and  gilt  metal.  From  the  collection  of  Lady 
Lampson.  Maunas,  Blois,  maker. 

859.  Small  Cruciform  Watch. 

Of  crystal  and  amethyst,  set  in  silver  pierced  in  scroll  and  leaf 
pattern.  From  the  collection  of  Lady  Lampson. 

Bergier,  Paris,  maker. 

860.  Small  Gold  Watch. 

Bordered  with  brilliants,  the  back  enameled  with  a  figure  on  a 
blue  ground.  J.  Satrone,  Geneva,  maker. 

861.  Gold  Presentation  Watch. 

Repeater,  double  case;  the  outer  case  beautifully  enameled  with 
musical  instruments  on  a  blue  ground  encrusted  with  pearls. 
Hands  studded  and  dial  encircled  with  pearls,  and  marked  with 
Turkish  numerals. 

Early  Nineteenth  Century.    George  Prior,,  maker. 

862.  Lady's  Small  Gold  Watch. 

Double  case  studded  with  brilliants,  showing  portrait  in  enamel. 
Early  Nineteenth  Century.    Bordier,  Geneva,  maker. 

863.  Small  Gold  Watch  with  Double  Case. 

Outer  case  ornamented  with  figure  en  repousse.    Inner  case  plain. 

Francois  Mercier,  maker. 

864.  Gold  Watch. 

Engine-turned  case  with  gold  fob  and  seal.  LeRoy  who  became 
Horloger  du  Roy,  1713,  was  the  foremost  of  French  watch- 
makers. He  was  born  1686,  died  1759. 

Julien  Le  Roy,  Paris,  maker.     Circa,  1740-1750. 

1128] 


865.  Lady's  Small  Gold  Watch. 

Case  decorated  in  floral  design  with  overlaid  ornamentation  in 
vari-colored  gold,  studded  with  turquoise. 

Chappuis,   Paris,  maker. 

866.  Small  Gold  Watch  with  Double  Case. 

Outer  case  in  two  colors  of  gold,  enameled  with  a  medallion 
showing  Lady's  head  encircled  with  brilliants,  dial  also  bordered 
with  brilliants,  inner  case  plain.  Abraham  Colomby,  maker. 

867.  Gold  Watch  with  Chatelaine. 

Back  enameled  with  figures  on  a  blue  ground.  Chatelaine  with 
blue  enameled  pendants.  J.  J.  Hallet,  maker. 

868.  Gold  Watch,  Double  Case,  Repeater. 

Outer  case  chased  with  scroll  work  and  figures.  XVIIIth  Cen- 
tury. Charles  Goode,  London,  maker. 

869.  Small  Gold  Watch. 

Case  ornamented  en  repousse  with  eagle  and  torch. 

Musson,  Paris,  maker. 

870.  Rock  Crystal  Table  Clock. 

Supported  on  a  standard  formed  as  a  mermaid  resting  on  a 
crystal  base.  Dial,  stem  and  case  decorated  with  enamel. 

George  Prine,  London,  maker. 

Carved  Ivories 

871.  Pair  of  Humorous  Figures  of  Peasants. 

Mounted  on  ebony  pedestals;  one  with  one  foot  bare  holds  the 
shoe  behind  him,  the  other  holds  a  stick  in  his  hand.  German 
work.  Height,  12  1-2  inches  (with  pedestal). 

872.  Pair  of  Statuettes  on  Ebony  Pedestals. 

One  cupid  with  stork,  the  other  nymph  and  faun.    Height,  7  inches. 

873.  Silver  and  Ivory  Seal. 

Silver  seal  with  carved  ivory  handle  representing  a  young  girl, 
partly  draped. 

[  129  ] 


874.  Figures  of  Cupid  in  Character. 

Pair.  "Cupid  Mending  Hearts"  and  "Cupid  attending  sick 
Hearts"  on  carved  wood  and  gilded  tripods,  Louis  XVIth  design. 

875.  Figure  of  a  Boy. 

On  black  wood  base,  Italian  or  Spanish  carving  of  the  Seventeenth 
Century.  From  an  old  cathedral  in  Guatemala.  Height,  18  inches. 

876.  Veneered  Jewel  Casket. 

Pentagonal  top.  Height,  10  inches. 

877.  Charity. 

The  figure  of  a  monk  in  his  robe.    On  ebony  base. 

878.  Pair  of  Silver  Repousse  and  Ivory  Shrines. 

Bas  relief  in  ivory  representing  the  betrayal  of  Christ  and  the 

Passion  in  Gethsemane,  framed  hi  carved  architectural  wood 

mounts  with  silver,  tortoise  shell  and  malachite. 

Old  German  work  attributed  to  the  XVIIih  Century.     Height,  17 

inches. 

. 

879.  The  Infant  Christ. 

Standing  with  orb  in  left  hand  and  right  hand  uplifted  in  attitude 

of  benediction.     The  hair  is  colored. 

French  or  Spanish  XVth  Century.  Ebony  base.     Height,  10  inches. 

880.  Ivory  and  Silver  Mounted  Cup  and  Cover. 

The  body  of  cup  of  ivory  carved  in  very  high  relief  with  a  proces- 
sion of  Infant  Bacchantes  carrying  fruit  and  grapes,  and  of 
Amorini  accompanied  by  birds  and  dolphins.  The  cover,  also 
of  ivory,  is  carved  with  a  group  of  Amorini  and  has  as  a  finial  an 
ornament  composed  of  large  baroque  pearls  and  wrought  silver 
leaves.  The  silver  rim  is  fluted,  the  stem  of  plain  silver,  and  the 
circular  base  is  of  ivory. 

A7o  marks.     Probably  Italian,  XVIIih  Century. 

Height,  10  inches. 

881.  Ivory  Carving. 

Richly  mounted  in  silver;  hi  the  lower  part  are  scenes  from  the 
life  of  the  Virgin;  God  the  Father  on  upper  part,  separated  by 
elaborate  tabernacle  work.  Late  XlVth  or  XVth  Century. 

[130] 


882.  Figure  of  the  Infant  Christ. 

The  nude  figure  of  a  male  child  stands  with  extended  arms.    On 
black  wood  base.     From  an  old  church  in  Guatemala. 
Italian  or  Spanish  carving,  XVIIth  Century.     Height,  18  inches. 

883.  Ivory  and  Silver  Gilt  Mounted  Beaker. 

The  body  is  of  ivory  carved  in  high  relief  with  a  procession  of 
Amorini  playing  musical  instruments  and  dancing.  The  domed 
lid  is  decorated  with  vertical  flutings  and  surmounted  by  a  ring 
handle  formed  as  a  serpent  with  an  acanthus  leaf  ornament. 
The  base  is  of  silver  moulded  and  chased  with  a  floral  pattern. 
Ivory  carving,  Austrian.  Silver  mounting*  Vienna,  XVIIth 
Century.  Height,  8  3-4  inches. 

884.  Ivory  and  Silver  Gilt  Mounted  Tankard. 

Hinged  lid.  The  body  of  ivory  carved  in  low  relief  with  a  subject 
of  mermen,  sea  nymphs  and  Amorini,  and  having  a  silver  shield 
engraved  with  Armorial  bearings  inlaid.  The  mountings  are  of 
silver,  the  base  being  repousse  in  a  design  of  shells  and  scrolls, 
and  the  lid  is  repousse  in  a  similar  design  and  terminates  in  a 
turned  finial.  The  thumb  piece  is  of  scrolled  and  beaded  design 
and  the  carved  and  scrolled  handle  is  formed  as  a  female  Term. 
Maker's  [mark,  L.  B.  in  monogram.  Augsburg,  XVIIth  Century. 

Height,  7  3-4  inches. 

885.  Ivory  and  Parcel  Silver  Gilt  Mounted  Tankard. 

Hinged  lid.  The  ivory  body  is  carved  in  high  relief  with  a  subject 
of  Neptune  and  Amphitrite  in  chariots  drawn  over  the  surface 
of  the  sea  by  sea  horses  and  dolphins,  and  attended  by  cupid  and 
tritoni.  The  base  is  plain  with  a  band  of  engraved  and  rope 
pattern  in  silver.  The  domed  lid  is  surmounted  by  a  finial  formed 
as  a  figure  of  an  Amorino  holding  a  trident  and  bestriding  a 
dolphin.  The  looped  handle  is  of  scrolled  and  beaded  pattern,, 
and  the  thumb  piece  is  scrolled. 

Maker's  mark.  Initials  D.  H.  and  Hammer  in  pale  (Daniel 
Hammerer  1659).  Strasburg,  XVIIth  Century. 

Height,  91-4  inches. 
[1311 


886.  Ivory  Statuette  of  a  King. 

He  wears  a  jeweled  collar  and  crown  and  a  tunic  fringed  with 
leaves  and  stands  with  right  hand  on  his  thigh,  the  other  holding 
a  scepter  whose  base  rests  on  a  fish  held  under  his  left  foot. 

Height,  12  inches. 

887.  Ivory  Triptych. 

Subject,  central  panel  The  Resurrection  underneath  which  is  a 
pieta.  In  the  wings  are  figures  of  St.  Nicholas  and  St.  Gilme 
beneath  which  are  portraits  of  the  royal  donors. 

French,  XVth  Century.     Height,  15  inches. 


888.  Wrought  Iron  Corner  Electrolier. 

Two  volutes,  elaborately  wrought  with  glass  flame  shades,  fitted 
for  electricity.    Pair  extra  glass  flame  shades  for  the  same. 

889.  Pair  Small  Antique  Bronzes. 

Female  draped  figures.  Height,  6  inches. 

890.  Pair  Low  Brass  Candlesticks. 

Book  Rest  of  Chiseled  Brass.  (2  pieces.) 

891.  Bronze  Electric  Reading  Lamp. 

Shade  of  panels  of  pale  yellow  favrile  glass  set  in  bronze,  circular 
base,  four  low  legs  ending  in  scrolls.  Height,  14  inches. 

892.  Portable  Ormolu  Electrolier. 

Empire  design,  two  lights,  ivory  silk  shade. 

893.  Pair  of  Low  Pompeian  Green  Bronze  Standards. 

Three  lights  each,  crystal  ball  shades. 

Fitted  for  electricity.      Height,  25  inches. 

894.  Knocker. 

Old  Bronze  Faun  Head.     (Incomplete.) 

895.  Old  Pewter  Ink  Well. 

Hinged  cover,  surrounded  by  six  holes  for  pens,  with  platter  base. 

896.  Old  Brass  Covered  Fire  Pot  with  Handles. 

Height,  13  inches. 

[132] 


897.  Large  Antique  Brass  Water  Jug  with  One  Handle. 

Height,  14  inches. 

898.  Bronze  Inkstand. 

Hound's  head,  ruby  eyes. 
Small  Bronze  Jewel  Tray.  (2  pieces.) 

899.  Brass  Tobacco  Box  and  Cover. 

Lettered  'Mas.  Beattie." 
Small  Heavy  Brass  Covered  Box. 

Coffer  shaped. 
Small  Brass  Bound  Blotting  Pad.  (3  pieces.) 

900.  Heavy  Brass  Night  Candlestick. 

901.  Old  Brass  Chalice.  • 

Height,  7  inches. 

902.  Bronze  Fire  Guard. 

Hinged  figures  holding  torches  on  either  side  of  a  centrepiece  with 
urn  and  pineapple  finials.  Gold  finish  with  torch  in  blue  enamel. 

(3  pieces.) 

903.  Norwegian  Brass  Charcoal  Brazier. 

Large  fluted  edge  bowl  with  low  handles  on  four  low  legs,  set  in  a 
large  tray  with  fluted  edges;  a  pierced  fire  holder,  8  inches  deep, 
with  four  low  handles,  fits  inside  the  bowl,  21  x  19  inches.  The 
large  oval  tray  measures  53  x  48  inches. 

An  unusual  piece  rarely  seen  in  this  country. 

904.  Russian  Brass  Candelabra. 

Surmounted  by  double  eagle.  Six  downward  curving  branches, 
for  candles,  mounted  on  a  cross  set  on  three  legs  ending  in  claw  and 
ball  feet  serving  as  a  rack  for  a  set  of  fire  irons;  ten  pieces,  all 
solid  brass.  One  of  the  finest  pieces  ever  imported. 

Fitted  for  electricity .     Height,  60  inches. 

905.  Brass  Desk  Set. 

Rococo  decoration,  inkstand,  tray,  paper  holder,  paper  knife, 
etc.  Nine  pieces  (monogram  on  tray). 

Made  by  Barbedienne,  Paris. 

906.  Pair  of  Rococo  Chiseled  Brass  Candlesticks. 

Made  by  Barbedienne.      Height,  8  inches. 

[1331 


907.  Turkish  Fire  Gilt  Coffee  Pot. 

Copper,  incised  decoration,  gourd  shape.  From  the  Thomas  B. 
Clarke  collection.  XVIih  Century.  Height,  7  inches. 

908.  Old  Bronze  Mortar. 

Dated   1706,   flaring   mouth,   grotesques   as   handles,   design  of 

leaves  in  low  relief  at  base,  and  carved  in  relief  around  the  rim 

the  lettering,  "Thomas  Brae,  Maitre  Apoticaire  de  Toulon,  1706" 

Height,  11  1-2  inches;  diameter,  14  inches. 

909.  Old  Bronze  Knocker. 

Winged  head  supported  by  the  nude  figures  of  a  man  and  woman. 
From  the  base  extend  two  candelabra  wired  for  electricity  with 
crystal  bead  globes.  An  old  bronze  door  knocker  altered  into 
an  electrolier. 

910.  Persian  Open  Work  Hanging  Basket. 

Chiseled  brass  studded  with  turquoise,  swinging  handle.  (Slight 
damage  to  one  side.)  From  the  Thomas  B.  Clarke  collection. 

XVIIth  Century. 

911.  Bronze  Andirons. 

Cupids  rising  from  flower  covered  canopy.         Height,  15  inches. 

• 

912.  Brass  Mortar. 

With  handle  on  wood  base.  Height,  7  1-2  inches. 

913.  Old  Flemish  Bronze  Double  Cluster  Candelabra. 

Radiating  in  eight  star-shaped  branches  from  each  of  which  rises 
a  torch.  Hung  as  a  chandelier  with  electric  light  fittings. 

914.  Cut  Glass  Toilet  Set. 

Pair  cut  glass  bottles,  silver  mounts;  two  cut  glass  boxes,  silver 
covers. 

915.  Pair  of  Tall  Pompeian  Green  Bronze  Torch  Electroliers. 

Slender  fluted  green  standards  resting  on  triangular  base  in  the 
form  of  dolphins.  Surmounted  by  cluster  of  five  lights  with 
crystal  bead  shades  (one  large  light  surrounded  by  four  small 
ones).  Fitted  for  electricity.  Height,  86  inches. 

[134] 


916.  Old  Bronze  Candelabra. 

A  bronze  gargoyle,  thirteen  inches  long,  holds  suspended  from 
his  neck  an  old  Greek  bronze  lamp  held  in  a  ring  joining  the  tails 
of  two  dolphins.  Candelabra  on  either  side  the  dolphin  with 
crystal  bead  globes.  Lions  project  from  the  body  of  the  lamp 
front  and  back.  Fitted  for  electricity. 

917.  Pair  Greek  Bronze  Candlesticks. 

Triangular  base  upholds  bow-shaped  top,  supporting  three  candle- 
holders  with  crystal  bead  shades.  • 

Adapted  for  electricity.     Height,  22  inches. 

918.  Pair  Marble  Garden  Seats. 

919.  Marble  Garden  Seat. 

Rose  antique  marble  top. 

Hanging  Lamps 

920.  Large  Antique  Cathedral  Hanging  Lamp. 

Ornamented  with  acanthus  leaf  pattern.  Three  cast  bracket  arms. 
Large  single  crystal  bead  globe.  Fitted  for  electricity. 

921.  Very  Large  Antique  Cathedral  Hanging  Lamp. 

Circular  in  form,  with  four  arms,  ornamented  with  applied 
escutcheons.  (No  globe.)  Fitted  for  electricity. 

922.  Circular  Hanging  Cathedral  Lamp. 

Antique  silver  bronze.  Three  side  arms,  between  which  are  three 
applied  cherubim  from  which  rise  chains.  Large  crystal  bead 
globe  and  three  small  ones  with  silk  cord  shades.  From  the 
palace  of  Cardinal  Serafino  Vanutelli  of  Rome. 

Fitted  for  electricity. 

923.  Large  Cathedral  Hanging  Lamp. 

Antique  silver  bronze.  Decorated  with  laurel  leaves  and  Greek 
fret  work,  chains  rising  from  three  arms  in  form  of  cornucopia. 
Large  crystal  bead  globe  with  silk  cord  shade  and  three  small  ones. 
From  the  palace  of  Cardinal  Serafino  Vanutelli  of  Rome. 

Fitted  for  electricity. 

[135] 


924.  Circular  Cathedral  Hanging  Lamp. 

Antique  silver  bronze.  Chains  rising  from  applied  cherubim. 
Single  crystal  bead  globe  with  silk  cord  shade.  From  the  palace 
of  Cardinal  Serafino  Vanutelli  of  Rome. 

Fitted  for  electricity. 

925.  Pair  of  Cathedral  Hanging  Lamps. 

Antique  silver  bronze.  Circular  bowls,  pierced  and  modeled  in 
acanthus  leaf  design.  Three  escutcheons  ending  in  cherubim 
heads  from  which  rise  ornamental  chains.  Each  chain  broken  by 
the  insertion  of  an  ornamental  sphere  pierced  as  the  bowl.  Large 
crystal  bead  globe.  Fitted  for  electricity. 

926.  Louis  XVIIth  Garden  or  Conservatory  Fountain. 

From  the  centre  of  the  shell  basin  ending  in  a  grotesque  head  rises 
a  cupid  astride  a  dolphin  (lower  half  of  stem  restored) . 

Height,  68  inches. 

927.  Bronze  Statue.    Justice  with  Sword  and  Scales. 

Bronze  figure,  life  size  with  drapery  carved  of  rose  antique  marble, 
on  low  green  marble  base  set  on  a  velvet  covered  pedestal  ornamen- 
ted with  applique  embroidery.  (Part  of  scales  missing.) 

Early  XVIIth  Century. 


[136] 


SEVENTH   SESSION 


Table  China  and  Glass 

928.  After  Dinner  Cup  and  Saucer. 

A  gift  from  Princess  Lioluokalana.  Egg-shell  china,  turquoise 
blue  bands.  Medallion  on  cup  showing  shield  flanked  with 
figures  in  Eastern  costume,  scroll  with  Hawaii  inscription. 

929.  Haviland  Tea  and  After  Dinner  Coffees. 

Nine  white  and  gold  after  dinner  cups  and  saucers. 
Ten  tea  cups  and  saucers  to  match. 

930.  Twelve  Haviland  Bread  and  Butter  Plates. 

Matt  gold  decoration,  fluted  edge. 

931.  Twelve  White  and  Gold  Haviland  Plates. 

Gilt  centre  medallion  and  decorated  rim. 

932.  Twelve  White  and  Gold  Haviland  Bread  and  Butter  Plates. 

To  match  the  above. 

933.  Twelve  Limoges  Soup  Plates. 

The  borders  decorated  with  garlands  of  tiny  green  leaves  on  a 
white  ground.  With  monogram. 

934.  Twenty-five  Limoges  Dinner  Plates. 

To  match  the  above. 

935.  Twenty  Limoges  Dinner  Plates. 

To  match  the  above. 

936.  Platter  and  Round  Chop  Dish. 

To  match  the  above. 

937.  Platter  and  Two  Round  Chop  Dishes. 

To  match  the  above,  smaller. 

938.  Pair  of  Vegetable  Dishes  with  Covers. 

To  match  the  above. 

[137] 


939.  Large  Salad  Bowl. 

To  match  the  above. 

940.  Deep  Salad  Bowl. 

To  match  the  above. 

941.  Twelve  Cut  Glass  Liqueur  Glasses. 

942.  Twelve  Sauterne  Glasses. 

Ruby  bowls  on  spindle  stems,  covered  with  gold  matt  decoration. 

943.  Eighteen  Punch  Glasses. 

Nine  plain,  and  nine  with  thread  glass  decoration  ending  in  green 
dots.  (18  pieces.) 

944.  Seventeen  Champagne  Glasses. 

Glass  Funnel.  (18  pieces.) 

945.  Wine  Glasses. 

Seven  red- wine  glasses,  enamel  and  gold  decoration,  silver  stems; 
eleven  claret  glasses,  enamel  and  gold  decoration;  four  cut  glass 
burgundy  glasses;  six  cut  glass  port  glasses  (plain  cut  glass). 

(28  pieces.) 

946.  Wine  Glasses. 

Eight  cocktail  glasses,  green  stems;  four  shallow  cocktail  glasses, 
green  thread  decoration;  three  long-stemmed  red-wine  glasses, 
decoration  green  dots;  five  white-wine  glasses,  round  bowls, 
decoration  green  dots;  five  long-stemmed  Venetian  liqueur  glasses. 

(25  pieces.) 

947.  Pair  of  Cut  Glass  Decanters  with  Stoppers. 

Plain  colonial  cut. 

948.  Pair  of  Cut  Glass  Decanters. 

Similar  to  above,  one  without  stopper. 

949.  Eleven  Cut  Glass  Water  Glasses. 

Etched  Glass  Decanter  and  Stopper.  (12  pieces.) 

950.  Heavy  Cut  Glass  Goblets. 

Seven  of  one  pattern;  four  different,  and  nine  beaker-shape  water 
glasses.  (20  pieces.) 

[138] 


951.  Etched  Wine  Glasses  same  Pattern. 

Eight  etched  sherry  glasses;    nine  etched  claret  glasses;    seven 
etched  champagne  glasses;   five  etched  liqueur  glasses. 

(Together  29  pieces.) 

952.  Ten  Finger  Bowl  Sets  of  Cut  Glass. 

Star  pattern,  ten  bowls,  and  ten  saucers.  (20  pieces.) 

953.  Champagne  Glasses,  Ormolu  Mounts. 

Green  Bohemian  glass,  ten  perfect,  thirteen  stems  with  seven 
detached  bowls.  (Together  30  pieces.) 

954.  French  Glass  Pitcher  and  Goblets. 

Decorated  with  bunches  of  grapes  in  relief,  six  goblets  to  match. 

(7  pieces.) 

955.  Iridescent  Glass  Swan.  Height,  5  inches. 

956.  Five  Green  Crackle  Glaze  Pitchers  and  Large  Green  Salad 

Bowl.  Height,  7  inches.     (6  pieces.) 

957.  Pair  of  Low  Column  Silver  Candlesticks. 

Fitted  for  electricity. 

958.  Four  Similar  Candlesticks. 

Without  electric  fittings. 

959.  Seventeen  Shallow  Iridescent  Champagne  Glasses. 

960.  Cut  Glass  Celery  Dish. 

Rose  and  diamond  pattern.  Length,  81-2  inches. 

961.  Cut  Glass  Olive  Dish,  Leaf -shape. 

Rose  and  diamond  pattern.  Length,  61-2  inches. 

962.  Cut  Glass  Bowl. 

Diamond  pattern.  Length,  9  inches;  width,  4  inches. 

963.  Cut  Glass  Olive  Dish. 

One  handle.  Length,  71-2  inches. 

[139] 


964.  Cut  Glass  Three-cornered  Bowl.  Length,  7  inches. 

965.  Cut  Glass  Deep  Bowl. 

Length,  8  1-2  inches;  width,  3  1-2  inches. 

966.  Cut  Glass  Celery  Dish.  Length,  12  inches. 

967.  Cut  Glass  Shallow  Bowl.  Length,  7  inches. 

968.  Cut  Glass  Scalloped  Bowl.  Diameter,  9  inches. 

969.  Cut  Glass  Rose  Bowl.  Height,  7  1-2  inches. 

970.  Cut  Glass  Shallow  Bowl.  Diameter,  10  inches. 

971.  Tall  Cut  Glass  Candlestick. 

Silver  mounts. 

972.  Tall  German  Etched  Glass  Drinking  Cup  with  Cover. 

Champagne  glass.  (2  pieces.) 

973.  Square  Etched  Goblet. 
Tall  German  Goblet. 
Bohemian  Wine  Glass. 

Gold  decoration.  (3  pieces.) 

974.  Two  Tall  German  Etched  Glass  Goblets. 
Ruby  Glass  Powder  Box. 

With  gilt  decoration. 
Ruby  Glass  Covered  Dish. 

Gilt  decoration.  (4  pieces.) 

975.  Pair  of  Glass  Candlesticks. 

Triangular  shape. 

976.  Taper  Etched  German  Glass  Urn  with  Cover  and  Cut  Stem. 
Bohemian  Cut  Glass  Cup.  (2  pieces.) 

977.  Pair  of  Red  Bohemian  Wine  Glasses. 

978.  Etched  Drinking  Glass. 

Tall  Etched  Glass  Goblet  with  Cover.  (2  pieces.) 

[140] 


979.  Flaring  Cut  Glass  Goblet  Studded  with  Rubies. 

980.  Six  Cups  and  Saucers. 

Of  Chinese  Porcelain. 
One  Teapot.  (13  pieces.) 

Silver  Service  Made  to   Order 

By  Elkington  &  Co.,  London 

A  heavy  silver  service  of  an  individual  design  made  especially 
to  order.  A  small  monogram  is  on  a  shield  in  the  handle  of  each 
piece.  The  design  is  beautifully  modeled,  the  handles  being  chased 
and  repousse,  ending  in  the  figures  of  female  caryatids  upholding 
a  crown  surmounted  by  a  stag. 

981.  Twelve  Large  Knives  and  Forks. 

982.  Twelve  Breakfast  Knives  and  Forks. 

983.  Twelve  Fish  Knives  and  Forks. 

984.  Twelve  Fruit  Knives  and  Forks. 

985.  Twelve  Bread  and  Butter  Knives. 

986.  Twelve  Meat  Skewers. 

987.  Twelve  Salad  Forks. 

988.  Twelve  Oyster  Forks. 

989.  Twelve  Large  Spoons. 

990.  Twelve  Soup  Spoons. 

991.  Twelve  Dessert  Spoons. 

992.  Twelve  Teaspoons. 

993.  Twelve  Coffee  Spoons. 

994.  Six  Large  Silver  Plates,  Gold  Lined. 

Wide  pierced  borders. 

[1411 


995.  Six  Silver  Plates. 

To  match,  a  little  smaller. 

996.  Six  Small  Silver  Gold-lined  Plates. 

To  match  the  above. 

997.  Pair  of  Tall  Silver  Lamps. 

Made  by  Elkington  &  Co.    With  three  chimneys  for  the  same. 

998.  Six  Staffordshire  After  Dinner  Coffee  Cups  and  Silver  Saucers . 

Blue  and  gold,  set  in  pierced  silver  holders,  curved  handles  ending 
in  stags'  heads,  silver  saucers,  with  monogram  and  three  extra 
cups. 

999.  Twelve  Staffordshire  Liqueur  Cups. 

Set  in  silver  mounts. 

1000.  Twelve  Staffordshire  Tea  Cups  and  Silver  Saucers. 

Yellow  porcelain,  gold  decoration,  set  in  pierced  silver  holders, 
curved  handles  ending  in  stags'  heads,  with  silver  saucers,  with 
monogram. 

1001.  Six   Staffordshire  After   Dinner   Coffee    Cups    and    Silver 

Saucers. 

Similar  to  the  foregoing. 

1002.  Twelve  Staffordshire  Tea  Cups  and  Silver  Saucers. 

Blue  and  gold,  set  in  silver  as  the  foregoing. 

1003.  Very  Large  Silver  Chafing  Dish  and  Funnel. 

Double  bottom  for  hot  water,  four  bracket  legs  holding  two 
alcohol  lamps,  fluted  cover  with  finely  modeled  stag  as  handle, 
large  tray  with  handles  formed  as  stags,  monogram  E.  B.  G. 
and  small  silver  funnel. 

A  special  order  made  by  Elkington  &  Co.  of  London. 


1004.  Eight  Pairs  of  Gilt  Bronze  Table  Candelabra. 

Two  lights  each.     Fitted  for  electricity. 

1005.  Eight  Pairs  of  Gold  Bead  Shades. 

With  bead  fringe,  for  the  foregoing. 

[142] 


1006.  Table  Decoration. 

Four  flaring  leaf-shaped  bowls  of  iridescent  glass;  thirteen  glasses 
as  lily  blossoms  of  various  sizes,  of  iridescent  glass.  With 
electric  fittings. 

1007.  Three  Bronze  Table  Decorations. 

In  the  shape  of  twisted  branches  with  leaves  set  at  intervals 
with  small  candleholders. 

1008.  Forty-seven  Small  Candle  Ornaments. 

Candle  bowls,  fitted  with  melted  wax  and  wicks,  and  wired 
ready  to  attach  to  a  Christmas  tree,  or  to  be  used  for  other 
decorative  purposes. 

1009.  Six  Iridescent  Candle  or  Single  Flower  Holders. 

Twelve  coiled  lead  weights  for  use  in  flower  decoration. 

Exhibition  Plates  by  the  Best  Modern 
Ceramic  Artists 

In  many  cases  only  a  single  example 
was  made  for  exhibition  purposes. 

1010.  Dresden  Plate. 

Centre  vignette  painted  in  a  scene  from  the  Franco-Prussian 
War;  irregular  gilt  rim  in  four  medallions  of  battle  scenes  alter- 
nating with  four  enameled  shields.  Diameter,  9  inches. 

1011.  Dresden  Plate. 

Centre  painted  with  Rembrandt's  "The  Goldweigher"  sur- 
rounded by  Bleu-de-Roi  and  gold  bands,  reticulated  rim  of  the 
same,  irregular  Bleu-de-Roi  edge.  Diameter,  10  inches. 

1012.  Dresden  Plate. 

Another  similar,  the  centre  painted  with  "Die  Versuchung"  by 
Verkolji.  Diameter,  10  inches. 

1013.  Dresden  Plate. 

The  centre  painted  in  medallion  of  Herder  and  Cattle  framed  in 
gold  relief  on  white  background,  reticulated  rim  in  three  medal- 
lions of  peasant  scenes.  Diameter,  91-2  inches. 

[143] 


1014.  Dresden  Plate. 

The  centre  painted  landscape  and  figures,  gilt  frame  on  apple 
green  band,  wide  reticulated  rim  of  lattice  work,  painted  in  blue 
and  gold  forget-me-nots.  Diameter,  10  inches. 

1015.  Dresden  Plate. 

Three  girls  with  garlands  and  baskets  of  flowers  painted  in  brown 
tints  within  a  decorative  rim  of  Bleu-de-Roi  and  gold  and  blue 
enamel,  pierced  edge  set  with  a  row  of  enamel  forget-me-nots. 

Diameter,  8  3-4  inches. 

1016.  Pair  of  Dresden  Plates. 

Large  medallion  portraits  of  Marquise  Florenzi,  and  the  Countess 
von  Oellengen-Wallerstein,  with  gold  bands  and  Bleu-de-Roi 
rim.  From  the  collection  of  Charles  F.  Phillips.  These  portraits 
are  as  finely  painted  as  miniatures  on  ivory.  The  Royal  blue 
borders  are  remarkable  for  the  depth  of  coloring. 

No  mark.     Diameter,  91-2  inches. 

1017.  Royal  Dresden  Tete-a-tete  Tea  Set. 

Painted  in  landscapes,  fishermen  and  women,  with  boats, 
between  bands  of  gold  on  a  Bleu-de-Roi  ground.  From  the 
Charles  F.  Phillips  Collection,  the  decoration  being  of  an  unusual 
character.  (10  pieces,  including  covers.) 

1018.  Dresden  Tete-a-tete  Tea  Set. 

Reticulated  white  outside  cover  with  gold  borders  enclosing 
cups,  teapot  and  other  pieces.  •  (10  pieces.) 

Length  of  tray,  17  1-2  inches. 

1019.  Dresden  Plate. 

The  centre  painted  with  the  muse  of  music  seated  on  the  back 
of  a  lion  with  a  woman's  head,  in  white  relief  on  ashes  of  roses 
background,  gilt  rim  set  with  diamond-shaped  white  enameled 
relief.  Diameter,  9  inches. 

1020.  Four  Royal  Vienna  Plates. 

Centres  painted  in  mythological  and  classical  scenes,  including 
Jupiter  and  Juno,  with  Bleu-de-Roi,  green  and  maroon  rims, 
ornamented  with  gold  relief. 

[144] 


1021.  Royal  Vienna  Tete-a-tete  Tea  Set. 

Stone  blue  ground  elaborately  gilt,  painted  in  oval  panels  of 
classical  scenes  on  cups,  teapot  and  pitcher.  The  sugar  dish  is 
supported  by  three  gilt  amorini,  and  with  the  saucers  is  deco- 
rated in  diamond-shaped  panels  connected  by  festoons  showing 
Satyrs  and  their  companions.  The  tray  shows  Samson  robbed  of 
his  strength  by  Delilah,  being  borne  away  by  her  soldiers. 

Length  of  tray,  16  inches,     (7  pieces,  10  including  covers.) 

1022.  Trefoil  Shape  Royal  Vienna  Dish. 

Painting  of  a  young  girl  at  the  Shrine  of  Venus,  signed  Sturl. 
Surrounded  by  alternate  bands  of  Bleu-de-Roi  and  latticed 
matt  gold.  Width,  11  1-2  inches. 

1023.  Royal  Vienna  Plate. 

The  centre  painted  with  the  Lorelei  on  the  Rocks.  Maroon  col- 
ored reticulated  rim  picked  out  with  gold.  Diameter,  10  inches. 

1024.  Royal  Vienna  Plate. 

Cupid  driving  the  Graces.  Maroon  reticulated  rim  picked  out 
with  gold.  Diameter,  10  inches. 

1025.  Royal  Vienna  Plate. 

Gold  matt  ground  with  Stars  in  relief,  painted  with  Venus  and  a 
chariot  drawn  by  Cupids;  ivory  rim  in  lattice  gilt  studded  with 
blue  forget-me-nots  on  an  old  red  ground. 

The  painting  signed  A.  Weh.     Diameter,  91-2  inches. 

1026.  Royal  Vienna  Plate. 

"Enlevement  de  Europa"  surrounded  by  wreath  of  grapes  and 
leaves  in  relief  gold,  edged  with  gilt  band. 

Marks,  "Beehive"  in  blue  and  crowned  double  eagle. 

Diameter,  91-2  inches. 

1027.  Royal  Vienna  Deep  Dish. 

Painted  with  "Jupiter  and  lo."  Bleu-de-Roi  band  ornamented 
with  gilt  grapes  and  leaves  in  relief,  gold  relief  base.  (One  piece 
chipped.)  Diameter,  9  3-4  inches. 

1028.  Twelve  Royal  Vienna  Rembrandt  Plates. 

Portraits  of  Rembrandt  by  himself  painted  by  Kroiller;  enamel 
rims  of  gold  and  colors.  Diameter,  91-2  inches. 

[  145  ] 


1029.  Twelve  Royal  Vienna  Plates. 

Centres  painted  in  classical  scenes  by  Kroiller,  "Judgment  of 
Paris,"  "Toilet  of  Venus,"  "Penelope,"  "Bath  of  Diana,"  "Phil- 
ippa  and  Edward  IV,"  etc.,  with  vari-colored  enameled  rims  on 
gold  stipple  ground.  Diameter,  10  inches. 

1030.  Six  Royal  Vienna  Plates. 

Centres  painted  in  medallions  of  classical  scenes,  "Genius," 
"Venus  and  Cupid,"  etc.,  surrounded  by  Bleu-de-Roi  and  gold 
bands;  reticulated  rims  in  flower  and  basket  work. 

Diameter,  9  1-2  inches. 

1031.  A  Similar  Vienna  Plate. 

"  Poetry  "  on  gold  background. 

1032.  Twelve  Royal  Vienna  Plates. 

Painted  in  classical  scenes:  "Venus  and  Psyche,"  "Ulysses  and 
Andromache,"  "Daphne  and  Apollo,"  "Birth  of  Venus,"  "Per- 
seus and  Andromeda,"  "Carrying  Off  of  Helen,"  "Pan  and 
Nymphs,"  "Pan  and  Syrinx,"  "Diana  and  Venus,"  "Clyte," 
"Achilles,"  "Telemachus  and  Calypso."  Rims  in  apple  green, 
Bleu-de-Roi  and  other  shades,  with  gilt  medallions  and  leaf  and 
floral  designs.  Diameter,  9  1-2  inches. 

1033.  Twelve  Octagonal  Royal  Vienna  Plates. 

Painted  in  classical  scenes:  "The  Toilet  of  Venus,"  "Offering 
at  the  Shrine  of  Venus,"  the  Graces,  Euphrosyne,  and  others,  by 
Keyman,  on  a  gold  matt  and  diapered  background,  Bleu-de-Roi 
rim  divided  into  panels  of  blue  and  gold  relief.  (One  repaired.) 

Diameter,  10  inches. 

1034.  Five  Meissen  Plates. 

Centres  painted  in  medallions  of  classical  scenes  on  Bleu-de-Roi 
background  festooned  in  gold,  reticulated  rims. 

Diameter,  91-2  inches. 

1035.  Twelve  Jeweled  Coalport  Plates. 

Centres  in  gold  relief  on  ivory  ground,  the  rims  with  five  gold 
medallions  studded  with  blue  enamel  between  which  is  a  dia- 
mond-shaped enameled  piece.  Irregular  gilt  and  floral  edge, 
curved  downward.  Diameter,  9  inches. 

[146] 


1036.  Coalport  Plate. 

Painted  in  gold  chrysanthemum  in  low  relief  at  centre  from  which 
radiate  six  vari-colored  petals;  gilt  triangular  pattern  on  matt 
ground,  with  relief  decoration,  reticulated  rim. 

Exhibition  piece,  only  one  made.    Diameter,  9  inches. 

1037.  Coalport  Plate. 

Centre  painted  with  an  interior  with  figures  in  costumes  of  1800, 
surrounded  by  six  irregular  enameled  panels,  with  reticulated 
rims.  Signed  L.  B.  Diameter,  9  inches. 

1038.  Twelve  Coalport  Plates. 

Inner  white  panel,  with  monogram;  rims  in  Bleu-de-Roi  and 
gold  decoration. 

1039.  Twenty-three  Coalport  Oyster  Plates. 

Irregular  fluted  gilt  rims. 

1040.  Six  Coalport  Bread  and  Butter  Plates. 

Delicate  green  band,  gold  decoration,  monogram. 

1041.  Copeland  Plate. 

Centre  medallion  of  Psyche,  within  broad  turquoise  band  with 
decoration  in  floral  gilt  relief,  reticulated  rim  with  rose  and  ivory 
panels,  held  by  tiny  blue  enameled  bands. 

Signed  S.  Alcoch.     Diameter,  9  inches. 

1042.  Crown  Derby  Plate. 

Amorini  with  wine  glass  and  lute  on  a  flowery  bank  in  heavy  gilt 
relief  on  an  ivory  toned  gold  studded  background.  Broad  Bleu- 
de-Roi  rim  with  garland  of  melons,  grapes  and  nuts  in  gold 
relief,  gold  band.  Diameter,  9  1-2  inches. 

1043.  Royal  Crown  Derby  Plate  by  Leroy. 

Rose  ground  with  decoration  of  cock  and  hawk  in  ivory;  reticu- 
lated rim  painted  in  six  panels  of  musical  and  floral  subjects  in 
ivory  on  a  rose  ground.  Signed  Leroy.  Diameter,  9  inches. 

1044.  Doulton  Plate. 

Medallion  of  a  girl's  head  from  which  radiate  twelve  panels  of 
conventional  leaves  on  a  tinted  green  ground  divided  by  gold 
colored  ribbon  strips,  irregular  rim.  Diameter,  9  inches. 

[147] 


1045.  Doulton  Plate. 

Centre  painting  of  "Perdita"  (bust)  after  Sir  Joshua  Reynolds, 
with  raised  beaded  gilt  band ;  pink  rim  with  relief  of  gilt  festoons, 
irregular  gilt  edge.  Signed  J.  R.  Sutton.  Diameter,  9  inches. 

1046.  Minton  Plate  Decorated  by  L.  Solon. 

Relief  decoration  of  a  flaming  altar  before  a  statue  of  Juno 
seated  with  her  peacock  in  white  relief  on  a  mirror  black  ground. 
Tinted  mauve  band  through  which  runs  a  gold  vine  in  relief; 
rim  of  mirror  black  and  gold,  black  back. 

Signed  L.  Solon.     Diameter,  9  1-4  inches. 

1047.  Minton  Plate. 

Robin's  egg  blue  centre  with  pate-sur-pate  decoration  in  white 
of  bird,  flowers  and  butterfly.  Pierced  rim  with  bands  of  sea- 
weed, gold  with  seeds  in  relief.  An  Exhibition  piece. 

Diameter,  9  inches. 

1048.  Twelve  Minton  Plates. 

Deep  red  with  gold  band  rims  painted  in  relief;    monogram. 

1049.  Twelve  Minton  Breakfast  Plates. 

To  match  the  above. 

1050.  Twelve  Cauldon  Gold-lined  Terrapin  Dishes  by  Boullemier. 

The  rims  painted  with  four  medallions  of  terrapin  in  the  natural 
colors,  by  the  late  Antonin  Boullemier,  whose  work  as  a  ceramic 
artist  is  of  the  highest  order.  This  set  of  plates  was  made  at  the 
Minton  factory  at  Stoke-upon-Trent,  with  which  M.  Boullemier 
was  connected  since  1871,  having  learned  his  art  at  the  National 
Manufactory  at  Sevres.  Purchased  through  Tiffany  &  Co. 
With  monogram. 

1051.  Twelve  Fish  Plates  Decorated  by  Boullemier. 

Of  equally  fine  workmanship,  and  secured  through  Tiffany  & 
Co.  With  monogram. 

1052.  Copper  Coffee  Percolator  with  Lamp  and  Tray. 

Perfect  condition,  brass  beaded  edge  decoration. 

1053.  Silver  Coffee  and  Tea  Pot. 
Cream  and  Sugar  Dish. 

Meriden  quadruple  plate.  (4  pieces.) 

[1*8] 


1054.  Mandarin  Plate. 

Decoration  of  "A  Hundred  Butterflies." 

1055.  Two  Sevres  Plates. 

The  centres  painted  in  Watteau  scenes  on  a  rose  pink  background; 
the  rims  in  four  panels  of  roses  and  other  flowers  on  a  white 
ground.  Date  letter  1768.  (2  pieces.)  Diameter,  9  1-2  inches. 

1056.  Two  Sevres  Plates. 

A  similar  pair  on  Bleu-de-Roi  background.     (One  cracked.) 

Date  letter  1764. 

1057.  Six  Blue  and  Silver  Initialed  Plates. 

White  centre,  applied  silver  monogram,  silver  festoons;  Bleu- 
de-Roi  rims  with  applied  and  carved  silver  decoration. 

Diameter,  9  inches. 

1058.  Spode  Service. 
Eight  Spode  Plates. 

Painted  with  bunches  of  primroses  and  leaves  in  white  and  gold, 
white  centre  with  two  gold  bands,  slightly  reticulated  rims, 
Royal  blue  ground;  (two  repaired.) 

Oblong  Spode  Dish. 

Square  Spode  Dish. 

Square  Spode  Plate. 
With  reticulated  handles. 

Two  Small  Leaf-shaped  Dishes. 

One  with  reticulated  handle,  all  from  the  same  set.  This  service 
said  to  have  come  from  the  family  of  Lord  Byron  at  Newstead 
Abbey.  (Together  13  pieces.) 

1059.  Five  Royal  Worcester  Alter  Dinner  Coffee  Cups  and  Saucers. 

White  and  blue,  with  Bleu-de-Roi  bands. 

1060.  Six  Sevres  Plates. 

Painted  in  medallions  of  Mdme.  de  Montespan,  Mdme.  Royale, 
and  others,  on  star-shaped  backgrounds  of  Bleu-de-Roi,  pink  and 
robin's-egg  blue,  the  points  of  the  stars  surmounted  with  jeweled 
crowns  in  enamel,  with  acanthus  leaf  and  scroll  decoration. 
Five  of  the  plates  are  signed  L.  G.,  and  that  of  Mdme.  de  Monte- 
span  signed  A.  Boullemier.  Diameter,  9  3-4  inches. 

[149] 


1061.  Sevres  Plate. 

Centre  painted  in  a  Watteau  scene  on  robin's-egg  blue  ground; 

the  rim  in  four  gilt-edged  floral  medallions  on  a  white  ground. 

Date  letter  1764.     Diameter,  91-2  inches. 

1062.  Four  Sevres  Plates. 

The  centres  painted  in  Watteau  scenes  by  Labas,  Bleu-de-Roi 
rims  with  panels  of  blue  and  gold  relief  decoration. 

Signed  Labas.     Diameter,  91-2  inches. 

1063.  Four  Sevres  Plates. 

Centres  painted  in  Watteau  scenes  on  robin's-egg  blue  ground 
with  four  gilt-edged  medallions  of  roses  and  other  flowers  on  a 
white  ground;  rims  with  gold. 

Sevres  1844-     Marked  "Chateau  des  Tuileries. 
Diameter,  91-2  inches. 

1064.  Sevres  Plate. 

The  centre  painted  in  a  Watteau  scene  on  robin's-egg  blue  ground; 
the  rim  gilt  and  enameled  in  festoons  of  flowers  and  leaves. 

Date  mark,  1807.     Diameter,  9  1-2  inches. 

1065.  Sevres  Plate. 

Vignette  portrait  of  Marie  Antoinette  after  Le  Brun.  The  rim 
in  green  lattice  and  dots  of  gold  with  gilt  fringe  and  tassels  in 
relief.  Date  1844-  Diameter,  9  1-2  inches. 

1066.  Sevres  Plate. 

Vignette  of  a  bust  of  a  young  girl  in  mob  cap,  after  Pater;  rim 
painted  in  festoons  of  roses,  gold  dotted  latticed  ground  over 
old  rose.  Diameter,  91-4  inches. 

1067.  Sevres  Plates. 

Similar  design,  by  Pater;  the  rim  painted  in  lattice  pattern  on  a 
pale  yellow  ground.  Diameter,  9  1-4  inches. 

1068.  Sevres  Plate. 

Vignette  portrait  of  a  French  Court  Beauty.  Irregular  rim, 
with  broad  pink  band  and  gold  decoration. 

By  Eug.  Sortevin.     Signed. 

1069.  Exhibition  Case  for  the  Above. 

Carved  and  gilded  wood. 

[150] 


1070.  Pair  of  Sevres  Deep  Plates. 

The  centres  painted  in  domestic  scenes  on  star-shaped  white 
ground  separated  into  floral  panels  by  gold  garlands. 

Diameter,  11  1-2  inches. 

1071.  Sevres  Tete-a-tete  Tea  Set. 

White  and  gold,  with  garlands  of  roses  between  Bleu-de-Roi 
bands  on  a  gold  matt  ground  studded  with  blue  stars.  The 
finials  in  the  form  of  tiny  crab-apples  and  leaves.  A  fine  and 
unusual  set. 

Date  letter  1768.    Length  of  tray,  9  1-2  inches.    (10  pieces.) 

1072.  Individual  Sevres  Tea  Set  with  Tray. 

White  and  blue,  gilt  edges  with  scenes  of  children  at  play  in 
blue  vignettes,  their  faces  delicately  tinted  with  color,  and 
detached  flying  birds.  The  finial  of  cover  in  the  form  of  a  small 
blue  rose.  A  very  early  and  rare  set,  the  tinting  of  the  faces 
showing  the  unusual  character  of  the  decoration. 
Date  letter  1758.  Length  of  tray  (including  cover),  11  1-2  inches. 

(6  pieces.) 

1073.  Twelve  Sevres  Plates. 

The  following  24  pate-tendre  plates  were  owned  by  the  Countess  de 
Fernandina,  were  purchased  by  her  in  Paris  and  were  in  her 
possession  for  thirty-five  years. 

Painted  with  medallion  portraits  of  Diane  de  Poitiers,  Marie 
Couchel,  Marguerite  de  Valois  and  other  Court  Beauties  of 
France,  surrounded  by  enamel  beading  of  red  and  gold  with 
scrolls  and  wreaths  of  roses.  The  rims  set  with  four  floral 
medallions  connected  by  conventional  jewel  designs  in  enamel 
and  gold  on  a  Bleu-de-Roi  ground. 

1074.  Twelve  Sevres  Plates. 

Belonging  to  the  same  set. 

1075.  Gold-lined  Porcelain  Service. 

Five  Dresden  cups  and  saucers,  painted  in  panels  of  rOses  and 
other  flowers  on  a  silver-stipple  Bleu-de-Roi  ground  with  gold 
floral  decoration;  two  square  plates,  a  pitcher  (5  1-2  inches  high), 
and  a  gold-lined  bowl  (diameter,  7  inches)  to  match. 

Marked  Boyer  S.  De  Feuillet  on  the  bottoms.    (14  pieces.) 

[1511 


1076.  Twelve  Louis  Philippe  Sevres  Plates. 

Star  centres  in  gold  on  a  white  ground.  Rims  in  medallions 
bearing  alternately  the  initials  of  Louis  Philippe  and  Hunting 
trophies,  connected  by  interwoven  scrolls  showing  fruit  and 
animals.  Marked  "Chateau  de Fontainebleau." 

1077.  Plate  Painted  by  M.  Gamier. 

Vignette  bust  portrait  of  Marie  Antoinette,  the  rim  finished  in 
conventional  gold  relief  decoration.  Diameter,  9  1-4  inches. 

1078.  Plate  Painted  by  Gamier. 

Similar  plate  with  vignette  portrait  of  the  Comtesse  de  Provence. 

Diameter,  9  1-4  inches. 

1079.  Blue  Staffordshire  China. 

Six  blue  Staffordshire  China  plates;  souvenir  plate  with  view  of 
Van  Kleeck  house,  Poughkeepsie;  covered  vegetable  dish; 
pierced  cake  bowl  and  tray  marked  "Stubbs."  (11  pieces.) 


[152] 


EIGHTH    SESSION 


Paintings,  Carbon  Prints  and  Engravings 

FRANCESCO  ALBANI 

1080.  Carbon  Print — Dance  of  Cupids. 

Large  oval.     Gilt  frame.         Height,  24  inches;  width,  30  inches. 

REMBRANDT  VAN  RHYN 

1081.  Carbon  Print— Rembrandt's  Mother. 

RUBENS 

1082.  Carbon  Print— Helena  Forment. 

TITIAN 

1083.  Carbon  Print— The  Assumption  of  the  Virgin. 

Oak  frame.  Height,  30  inches;  width,  24  inches. 

MADAME  VIGEE  LE  BRUN 

1084.  Carbon  Print — Madame  Le  Brun  and  Her  Daughter. 

Ornamental.     Gilt  frame. 

VAN  DYCK 

1085.  Carbon  Print — Portrait  of  Marie  Louise  de  Tassis. 

REMBRANDT  VAN  RHYN 

1086.  Carbon  Print— Portrait  of  Sobieski. 

Wide  oak  frame. 

RUYSDAEL 

1087.  Carbon  Print — Morass  in  a  Forest. 

Framed  in  oak,  gilded.  Height,  40  inches;  width,  50  inches. 

BOTTICELLI 

1088.  Carbon  Print — Springtime. 

Framed  in  oak  with  gilt  ornament. 

Height,  35  inches;  width,  52  inches. 

MORETTO  DA  BRESCIA 

1089.  Carbon  Print— St.  Justina. 

Framed  in  gold.  Height,  60  inches;  width,  40  inches. 

[153] 


RUYSDAEL 

1090.  Carbon  Print— The  Waterfall. 

Framed  in  oak.  Height,  48  inches;  width,  60  inches. 

MURILLO 

1091.  Carbon  Print — The  Immaculate  Conception. 

Oak  and  gilt  frame.  Height,  57  inches;  width,  36  inches. 

RAPHAEL 

1092.  Carbon  Print— The  Transfiguration. 

Framed  in  oak  and  gilt.          Height,  57  inches;  width,  36  inches. 

FRANZ  HALS 

1093.  Carbon  Print— Wilhelm  van  Heythuysen. 

Flemish  oak  frame.  Height,  52  inches;   width,  36  inches. 

Framed  Engravings  and  Etchings 

1094.  Scientists'  Portraits. 

Spencer,   Darwin.   Huxley   and  Tyndall    (all   unframed).     The 
Picnic;    folio  photogravure.  (5  pieces.) 

1095.  Color  Prints—"  A  Good  Story." 

Girl   with  flowers    (on  satin);    and   two   photographs,    one  of 
Napoleon  and  a  head.  (4  pieces.) 

PERZ  (D.  A.) 

1096..   Woven  Satin  Pictures — Women  Fencing;  Men  at  Billiards. 

Height,  7  inches;  width,  13  inches. 

BONHEUR  (ROSA) 

1097.  Head  of  a  Shaggy  Dog. 

Engraved  by  Joseph  B.  Pratt.     Signed  by  Rosa  Bonheur  and 
the  engraver.     Folio. 

GIUDETTI  (N.j 

1098.  Madonna  and  Child  :  After  Raphael. 

Brilliant  proof. 

[154] 


MORGHEN  (RAPHAEL) 

1099.  The  Last  Supper:  After  Leonardo. 

Large  folio,  script  letter  proof. 

MULLER  (W.) 

1100.  Raphael's  Sistine  Madonna. 

Large  folio,  script  letter  proof. 

HERTER  (ALBERT) 

1101.  Bowl  of  Roses. 

Copley  print  of  the  painting. 

DE  LONGHI 

1102.  Correggio's  Reading  Magdalen. 

Folio.     Beautiful  impression  with  verse  underneath. 

CHAPMAN  (F.  A.) 

1103.  Raising  the  Liberty  Pole. 
The  Day  We  Celebrate. 

Engraved  by  J.  C.  McRae.     1875.     Folio. 

HOGARTH  (WILLIAM) 

1104.  Noon. 

Folio,  mounted. 
The  Cock  Pit.     1759. 

4to,  with  margin. 

AUDRAN  (JEAN) 

1105.  Pietro  Ottoboni  (Cardinal). 

Engraved  portrait. 
Beethoven:  After  J.  Balestrieri. 
Etching  by  W.  L.  Arndt. 

HARDING  (S.) 

1106.  Roger  Payne  in  His  Workshop. 

Etching.     Sm.  folio. 

EYCK  (JAN  VAN) 

1107.  La  Vierge  D'Autun. 

Etching  by  L.  Flameng. 

[155] 


(2  pieces.) 


(2  pieces.) 


(2  pieces.) 


ETCHINGS 

1108.  The  Choir  Boys. 

Signed  remarque  proof  on  satin  by  F.  M.  Spiegle. 

1109.  The  Village  Road. 

Signed  proof  by  Amman. 

LEFORT  (HENRI) 

1110.  Benjamin  Franklin. 

Etched  portrait.    Signed  remarque  proof  after  Duplessis.    Issued 
by  the  Grolier  Club. 

FLAMENG  (LEOPOLD  AND  FRANCOIS) 

1111.  Grolier  at  the  House  of  Aldus. 

Signed  Japan  proof  issued  by  the  Grolier  Club. 

KOEPPING  (CHARLES) 

1112.  The  Banquet  of  the  Civic  Guard. 

Etching  after  Franz  Hals.     Signed  proof  before  letters.     Plate 
destroyed. 

HAIG  (AXEL) 

1113.  Westminster  Abbey. 

Etching.    Interior  showing  in  minute  detail  the  Altar-piece  and 
ironwork  rendered  with  extraordinary  skill.     Unframed. 


Paintings 


ALBERT  HERTER 

1114.  The  Birth  of  Wine. 

Woman  standing  against  a  shelf  holding  large  jars  of  wine 
holds  a  bowl  to  her  lips.  In  a  frame  of  grapes  and  leaves  designed 
by  Mr.  Herter. 

India  ink  drawing.     Signed. 
Height,  14  inches;  width,  9  1-2  inches. 

WILHELM  FUNK 
Contemporary  Austrian  Painter 

1115.  A  Group  of  Women  on  a  Piazza. 

Oil  sketch  for  a  large  painting  on  academy  board. 

Height,  14  inches;  width,  15  inches. 

[156] 


GIORGIO  BELLONI 
Contemporary  Italian  Painter  1861- 

1116.  The  Sea  on  a  Gray  Day. 

Under  a  stormy  sky  stretches  the  sea,  its  surface  broken  into 
white  caps  with  tossing  spray.  The  artist's  manner  is  forceful 
and  creates  a  strong  impression. 

Panel.    Signed  with  monogram  "G.  B." 
Height,  9  inches;  width,  12  inches. 

JEAN  JOSEPH  BENJAMIN-CONSTANT 
1845-1902 

1117.  The  Door  to  the  Temple. 

Through  a  high  Moorish  archway,  we  look  into  the  deep  shadow 
of  the  mosque  where  a  ghostly  figure  in  white  moves  softly. 
Bought  at  the  sale  of  the  artist's  effects  after  his  death. 

Canvas.     Signed.      Height,  16  inches;  width,  13  inches. 

EDWARD  ALLAN  SCHMIDT 
Contemporary  German  Artist 

1118.  The  Arrival  of  the  Bride. 

In  the  Sacristy  of  the  Church  whose  walls  are  richly  ornamented 
with  carvings,  a  number  of  cavaliers  in  Seventeenth  Century 
costumes  are  gathered  to  welcome  the  bride,  who  is  being  intro- 
duced to  them.  The  floor  is  strewn  with  roses. 

Panel.     Signed.     Height,  11  1-2  inches;  width,  9  1-2  inches. 

A.  C.  LAMB 

1119.  Landscape. 

A  herder  with  a  few  sheep  are  gathered  near  a  swift  and  narrow 
stream  beside  a  ruined  temple. 

Panel.     Signed  on  pillar.      Height,  18  inches;  width,  24  inches. 

GIORGIO  BELLONI 
Contemporary  Italian  Painter  1861- 

1120.  Summer  Evening  on  Lake  Maggiore. 

The  blue  waters  stretch  away  to  the  farther  shore  of  the  lake 
bounded  by  a  range  of  low  hills,  above  which  cluster  banks  of 
summer  clouds.  Panel.  Signed  with  monogram  "G.  B." 

Height,  9  inches;  width,  12  inches. 

[157] 


JOSE  SERRA-Y-PORSON 
Contemporary  Spanish  Painter 

1121.  The  Mendicant. 

In  ragged  clothes  and  wearing  a  long  cloak  on  his  shoulders,  a 
street  beggar  stands  with  bared  head  beside  the  Cathedral  door, 
holding  out  his  hat.  In  his  left  hand  he  holds  a  long  staff. 

Panel.     Signed  and  dated  1888. 
Height,  10  1-2  inches;  width,  9  inches. 

JOHANNES  C.  K.  KLINKENBERG 
Contemporary  Dutch  School  1852- 

1122.  View  of  Rotterdam. 

Along  a  quay  which  stretches  across  the  picture  from  the  left 
rise  the  tall  Dutch  houses  with  red  tile  roofs  broken  here  and 
there  by  trees.  &  white  bridge  spans  the  canal  a  short  distance 
away,  and  market  boats  lie  at  the  quay.  This  painter  of  Dutch 
town  views  has  his  studio  at  The  Hague. 

Panel.     Signed.     Height,  8  inches;  width,  10  1-2  inches. 

G.  FILOSA 
Contemporary  Italian  Painter 

1123.  The  Letter. 

Dressed  in  white  with  a  broad  red  sash  a  young  woman  is  engaged 
in  writing  a  letter;  behind  her  another  girl  in  blue  stands  looking 
over  her  shoulder.  A  room  handsomely  decorated  forms  the 
background. 

Water  color.     Signed.     Height,  15  inches;  width,  21  inches. 

W.  A.  VAN  DEVENTER 
Dutch  School 

1 124.  At  the  Mouth  of  the  Rhine. 

The  sluggish  waters  of  the  river  widen  out  toward  the  sea  past 
low  sedge  banks.  Two  small  sail  boats  and  a  brig  are  seen  on 
the  river,  and  a  woman  and  child  on  the  bank  at  the  left.  The 
sky  is  filled  with  fleecy  summer  clouds. 

Panel.     Signed.     Height,  10  inches;  width,  12  inches. 

G.  FILOSA 
Contemporary  Italian  Painter 

1125.  Au  Revoir. 

On  a  balcony  with  high  stone  balustrade  stand  two  young  women 
gaily  dressed  leaning  over  to  wave  farewell  to  some  one  below. 

Water  color.     Signed.      Height,  22  inches;  width,  16  inches. 

[158] 


OSWALD  ACHENBACH 
German  School  1827- 

1126.  The  Coming  Storm. 

In  a  mountainous  section  woodmen  and  faggot  gatherers  are 
seen  hurrying  for  protection  from  the  approaching  storm.  A 
gleam  of  yellow  light  breaks  through  the  clouds. 

Canvas.     Signed.     Height,  22  inches;  width,  18  inches. 

WILHELM  FUNK 
Contemporary  Austrian  Painter 

1127.  A  Rough  Rider. 

A  brown-haired  youth  wearing  the  khaki  cavalry  uniform  closely 
buttoned  to  the  neck  is  ready  to  start  for  the  field  of  action.  He 
looks  directly  at  the  spectator  and  is  seen  at  bust  length. 

Oval.     Canvas.     Height,  23  inches;  width,  18  inches. 

R.  L.  NEWMAN 
Contemporary  American  Painter 

1128.  Woman  and  a  Baby. 

Dressed  in  a  blue  dress  with  a  red  shawl  about  her  head,  a 
woman  carries  a  child  against  her  breast.  From  the  C.  T. 
Yerkes  collection.  Canvas.  Height,  10  inches;  width,  7  inches. 

L.  ADAM  KUNZ 
Contemporary  German  Painter 

1129.  Still  Life. 

A  silver  tankard  with  an  overturned  cup  and  a  dish  of  berries 
resting  on  a  table  covered  with  white  drapery  forms  an  interest- 
ing group  of  still  life,  all  painted  with  great  care. 

Panel.   Signed.    Height,  17  inches;  width,  22  inches. 

JOSE  SERRA-Y-PORSON 
Contemporary  Spanish  Painter 

1130.  Leda  in  the  Bath. 

Dressed  in  black,  a  man  is  seated  on  a  red  chair  contemplating  a 
circular  painting  on  the  wall  portraying  Leda  reclining  on  the 
bank  of  a  pool.  On  a  table  near  by  stands  some  bits  of  porcelain 
admirably  painted. 

Panel.     Signed.      Height,  9  1-2  inches;  width,  7  inches. 

[159] 


WILHELM  FUNK 
Contemporary  Austrian  Painter 

1131.  Head  of  a  Young  Girl. 

In  a  white  gown  with  blue  ribbon  at  her  throat,  a  young  woman 
seen  just  below  the  shoulders  looks  directly  at  the  spectator. 
Her  auburn  hair  curls  about  her  forehead  and  is  held  in  place 
by  a  band  of  blue  ribbon  tied  in  a  bow  at  the  left. 

Oval.     Canvas.     Signed.     Height,  23  inches;   width,  18  inches. 

JOHANNES  C.  K.  KLINKENBERG 
Contemporary  Dutch  School  1852- 

1132.  Street  Scene  in  the  Hague. 

Along  the  broad-paved  quay  lined  with  trees,  figures  of  men  and 
women  are  seen  in  shadow.  The  tall  tops  of  the  houses  are 
touched  with  the  rays  of  the  setting  sun.  Across  the  water  in 
full  light  stand  a  row  of  houses  with  red  roofs. 

Panel.     Signed.     Height,  8  inches;  width,  10  1-2  inches. 

JAN  VAN  BEERS 
Belgian  School  1852- 

1133.  Landscape,  Evening. 

Through  a  quiet  landscape  runs  a  stream  with  a  group  of  trees 

and  a  farmyard  along  the  banks.    The  clouds  floating  in  the  sky 

are  tinged  with  pink  light  and  a  deep  serenity  pervades  the  scene. 

Panel.     Signed.     Height,  8  inches;  width,  12  inches. 

UNKNOWN  ARTIST 

1134.  A  Lady  of  the  Court  of  Charles  II. 

She  wears  a  low-cut  dress  of  dark  green,  the  bodice  edged  with 
lace;  puffed  sleeves  with  full  lace-trimmed  undersleeves  of  white. 
Her  dress  is  held  in  front  by  three  jeweled  brooches.  Her  hair 
curls  above  her  forehead  and  shows  a  jeweled  ornament. 

Canvas.     Oval.     Height,  27  inches;  width,  22  inches. 

EUGENE  JETTEL 
Austrian  1845- 

1135.  Landscape  Near  Cayeux. 

On  the  bank  of  a  stream  which  winds  through  the  meadow  some 
women  are  gathered  washing  the  family  linen.    A  group  of  trees 
rises  beyond  under  which  are  seen  the  red  roofs  of  a  village. 
Cattle  graze  in  the  meadows  at  the  left. 
Panel.     Signed.     Paris.      Height,  13  1-2  inches;  width,  20  inches. 

[160] 


JEAN  JOSEPH  BENJAMIN-CONSTANT 
1845-1902 

1 136.    Awaiting  the  Sheik. 

Dressed  in  green  an  Arab  servant  holds  a  fluttering  falcon;  a 
white  horse  with  red  trappings  awaits  his  master  before  the 
arched  doorway,  while  at  the  corner  of  the  house  an  attendant 
on  a  black  horse  converses  with  a  woman,  and  two  Arabs  recline 
in  the  sun.  The  yellow  wall  of  the  house  with  an  upper  hanging 
balcony  and  a  glimpse  of  a  garden  forms  the  background. 

Canvas.     Signed.     Height,  8  inches;  width,  14  inches. 


PIERRE  MIGNARD 
1612-1695 

1137.  Portrait  of  a  Lady  as  Diana. 

This  work  by  the  court  painter  of  Louis  XIV.  shows  a  court 
beauty  of  the  time  in  low  white  dress  with  over  dress  of  blue 
and  a  crimson  mantle  held  in  place  by  a  jeweled  cord  across  the 
shoulder.  Her  dark  hair  is  dressed  with  jewels  and  a  crescent 
and  in  her  right  hand  she  holds  an  arched  bow. 

Canvas.     Oval.      Height,  28  inches;  icidth,  23  inches. 

EUGENE   JETTEL 
Austrian  1845- 

1138.  The  Washing  Place. 

On  the  shore  of  a  lake  a  number  of  women  are  seen  kneeling  over 
their  boards  engaged  in  washing  their  clothes.  Down  the  path  a 
woman  approaches  to  join  them.  Beyond  rises  a  mass  of  trees 
in  summer  foliage  shading  a  distant  village. 

Canvas.     Signed  and  dated  Paris,  1892. 
Height,  25  inches;  width,  35  inches. 

JAN  VAN  BEERS 
Belgian  School  1852- 

1139.  In  the  Bois  at  Twilight. 

A  young  woman  dressed  in  a  pale  green  gown  sits  on  a  stone 
garden  seat  with  an  open  book  beside  her.  Above  her  on  a 
pedestal  is  a  bust  of  the  youthful  Bacchus,  and  beyond  the 
lawn  a  wall  of  trees  darkening  in  the  twilight.  A  thin  sickle 
moon  floats  in  the  sky. 

Panel.     Signed.     Height,  31  inches;   icidth,  23  inches. 

[162] 


No.  1142.    ALFRED  STEVENS.    WAITING 


EUGENE  JETTEL 
Austrian  School  1845- 

1140.  A  French  Village. 

About  the  shores  of  a  pond  stretch  the  houses  of  the  village, 
their  high-pitched  roofs  outlined  against  an  evening  sky  of  prim- 
rose and  pink.  A  man  who  has  been  watering  his  horses  stops 
to  speak  with  a  woman  on  the  road  and  some  ducks  sail  about 
the  pond.  Panel.  Signed  and  dated  "Paris,  '#.?." 

Height,  14  inches;  width,  24  inches. 

JOSE   BENLLIURE 
Contemporary  Spanish  Painter 

1141.  The  Enchanted  Palette. 

The  artist's  palette  on  which  he  has  laid  his  colors  and  which  have 
been  transformed  into  curious  and  beautiful  scenes,  reminiscent 
of  the  artist's  many  pictures. 

Signed.     Height,  12  1-2  inches;  width,  17  inches. 

ALFRED  STEVENS 
1828-1908 

1142.  Waiting. 

In  a  richly  furnished  room  whose  walls  are  decorated  by  Corot 
stands  a  young  woman  fashionably  dressed  in  a  trained  gown  of 
pink  and  green.  A  long  white  glove  is  drawn  over  one  arm,  the 
other  is  raised  to  her  throat.  On  the  marble  top  table  before  her 
rests  a  bouquet  of  flowers,  fan  and  opera  glass,  and  at  the  back 
is  seen  a  large  vase  of  flowers.  From  the  Charles  T.  Yerkes 
Collection.  Panel.  Signed.  Height,  30  inches;  width,  22  inches. 
(See  Illustration.) 

JULES  DUPRE 

1812-1889 

1143.  Landscape. 

A  shepherd  guards  a  flock  of  sheep  scattered  over  a 
which  stretches  away  to  a  clump  of  dark  trees.     At  the  left 
mass  of  rock  rises  above  the  roadway  crowned  by  shrubbei 
A  blue  sky  with  gathering  clouds  stretches  above.     The  snu 
work  shows  the  characteristics  of  this  master,  one  of  the  mos 
powerful  of  the  modern  French  School. 

Circular  panel.     Signed  J.  D.     Diameter,  3  1-2  inches. 

[1641 


N...  1147.     AI.HKHT  HF.RTKK.    THE  (.AliDF.N  OK  I>HE.VM< 


CHARLES   EMILE  JACQUE  (ATTRIBUTED) 

1813-1894 

1144.     In  the  Sheep  Stable. 

Gathered  in  the  dimly  lighted  stable  are  a  number  of  sheep  feeding 
at  the  hay-rack.  Some  stand  apart  and  one  is  lying  down.  A 
broad  patch  of  sunlight  falls  across  the  wall  lighting  the  straw- 
strewn  floor.  Panel.  Signed.  Height,  8  inches;  width,  12  inches. 


J.  B.  C.  COROT  (ATTRIBUTED) 

1796-1875 

1145.    Landscape. 

Through  a  meadow  runs  a  stream  bordered  with  sedgy  grass 
in  which  two  cows  wander.  A  mass  of  trees  rise  at  the  left  and 
beyond  are  seen  barns  and  a  tall  poplar  tree.  The  sky  is  streaked 
with  the  yellow  light  of  waning  day. 

Canvas.     Signed.     Height,  10  1-2  inches;  width,  15  inches. 


1146.    Diaz'  Traveling  Easel  and  Palettes. 

Marked  in  Diaz'  handwriting  "Baite  de  Campagne.  N.  Diaz," 
underneath  is  the  guaranty  of  his  son:  "Cette  boite  a  appartient 
a  mon  pere.  Eug.  Diaz." 

This  contains  color  box,  7  brushes,  a  pencil,  pencil  holder,  rule 
and  triangle,  with  two  palettes.  The  latter  might  almost  be 
framed  as  paintings  by  Diaz,  so  representative  in  color  are  they 
of  all  of  his  paintings. 


ALBERT  HERTER 
Contemporary  American  Artist 

1 147.    The  Garden  of  Dreams. 

Through  a  garden  of  lilies  and  azaleas  backed  by  a  wall  of 
greenery,  a  tall  and  willowy  young  woman  in  floating  gray 
drapery  walks  as  in  a  dream.  Her  head  is  raised  as  in  ecstasy. 
Her  floating  drapery  is  held  at  shoulders  and  breast  by  blue 
jewels.  The  exquisite  composition  is  enhanced  in  decorative 
effect  by  its  Japanese  mounting  in  old  brocade.  Bought  from 
the  Artist. 

Water  color.     Signed.     Height,  27  inches;  width,  14  inches. 
(See  Illustration.) 
[166] 


EUGENE   BOUDIN 

1824-1898 

1148.  Port  of  Bordeaux. 

In  the  blue  waters  of  the  busy  harbor  are  seen  ships  from  many 
lands.  Beyond  stretches  the  city  rising  from  the  sea.  The  whole 
scene  is  handled  with  the  breadth  and  knowledge  which  charac- 
terized the  work  of  this  greatest  of  French  marine  painters. 
Bought  of  Durand  Ruel.  Canvas.  Signed  and  dated  187. .J. 

Height,  16  inches;   iridth.  25  inche*. 
(See  Illustration.) 

ANDERS  ZORN 
Born  at  Mora,  Sweden,  1860 

1149.  A  Bather. 

Through  a  leafy  covert  in  midsummer  a  nude  woman  advances 
toward  the  spectator.  She  holds  back  the  branches  as  she  turns 
to  look  back  over  her  right  shoulder.  The  sunlight  breaking- 
through  the  trees  mottles  the  nude  flesh  with  patches  of  light 
and  the  whole  scene  speaks  the  idyllic  atmosphere  of  summer. 
Bought  from  the  artist.  Canvas.  Signed  and  dated. 

Height,  38  1-2  inches;  uridth,  26  inches. 
(See  Illustration.) 

CAMILLE  PISSARRO 
1830- 

1150.  Environs  d'Evagny. 

From  a  slight  elevation  the  spectator  views  a  wide-stretching 
landscape  broken  by  clumps  of  trees  in  summer  dress.  In  the 
foreground  below  the  hill  stretch  the  tile  roofs  of  a  French  village 
and  at  the  right  rises  a  group  of  tall  trees.  The  whole  forms  a 
brilliant  color  scheme  the  result  of  Pissarro's  custom  of  always 
painting  in  the  open  air.  Bought  of  Durand  Ruel. 

Canvas.     Signed  and  dated  1884 . 
Height,  21  1-2  inches;  width,  25  1-2  inches. 
(See  Illustration.) 
[  ifisl 


No.  1149.    ANDERS  ZORN.    A  BATHER 


ALFRED  SISLEY 
1840-1908 

1151.  Landscape  at  Veneux. 

From  a  hill  in  the  foreground  over  which  are  scattered  a  few 
gnarled  trees,  reaches  a  wide  stretching  landscape,  with  a  village 
in  the  distance.  Above  arches  a  deep  blue  sky  with  floating, 
white,  summer  clouds.  Bought  of  Durand  Ruel. 

Canvas.     Signed.     Height,  21  inches;  undth,  28  inches. 
(See  Illustration.) 

J.  W.  MORRICE 

1152.  Scene  Along  the  Quai,  Paris. 

The  season  is  early  autumn  and  the  slender  trees  wear  a  red  and 
yellow  dress.  Beneath  their  branches  a  little  marionette  theatre 
still  caters  to  the  well-dressed  idlers  who  loiter  on  the  leaf-strewn 
walks  or  sit  in  the  chairs.  Over  all  is  the  pensive  note  of  autumn 
set  forth  with  exquisite  art. 

Canvas.     Signed.      Height,  19  inches;  width,  23  1-2  inches. 
(See  Illustration.) 

ANDERS  ZORN 
Swedish  Painter  B.  1860 

1153.  The  Bather. 

In  a  quiet  inlet  walled  in  by  high  rocks,  a  blonde  nude  woman 
just  stepping  out  of  her  white  skirt  is  seen  in  the  sunlit  fore- 
ground. With  her  left  hand  she  steadies  herself  against  the 
rocky  wall  rising  at  the  left.  Beyond,  her  companion,  dressed 
in  red,  cautiously  steps  along  the  rocks.  Bought  from  the  artist. 

Canvas.     Signed  and  dated  '92. 
Height,  38  inches;  undth,  26  1-2  inches. 
(See  Illustration.) 

CLAUDE  MONET 

1840- 

1154.  Highlands  on  the  French  Coast. 

In  the  centre  rises  a  huge  chalk  cliff  yellow  in  the  sunlight,  its 
back  clothed  with  patches  of  green,  the  ruffled  sea  at  its  base 
broken  by  many  colored  reflections.  A  sky  of  deepest  blue 
stretches  above  the  whole  showing  Monet's  effort  to  render 
Nature  as  brilliant  as  he  found  it.  Bought  of  Durand  Ruel. 

Canvas.     Signed  and  dated  '84- 
Height,  23  1-2  inches;   width,  28  1-2  inches. 
(See  Illustration.) 
[170] 


DAVID  TENIERS  (ATTRIBUTED) 
1610-1694 

1155.    Temptation  of  St.  Anthony. 

The  Saint  is  seen  in  a  cave  seated  before  a  table  with  a  skull  and 
book.  An  old  woman  leans  over  his  shoulder  while  grotesque 
shapes  surround  him. 

On  copper.     Height,  6  inches;  width,  8  1-2  inches. 


NICHOLAS  BERCHEM 
Dutch  School  1620-1683 

1156.    A  Country  Scene. 

A  woman  bringing  home  her  goats  and  cattle  at  evening  stops  on 
a  slight  elevation  to  speak  to  an  old  man  who  sits  at  the  roadside. 
At  the  right  is  a  mass  of  rocks  beyond  which  rises  a  hill  crowned 
by  a  castle.  The  evening  sky  shows  cumulus  clouds  on  a  blue 
ground.  Panel.  Height,  9  inches;  width,  12  inches. 


WILHELM  FUNK 
Contemporary  Austrian  Painter 

1 157.    Portrait  of  Himself. 

Bust  portrait  of  a  young  man  with  blond  mustache  and  imperial 
and  wearing  a  soft  black  hat  looks  directly  at  the  observer. 

Canvas.     Signed  and  dated  1900. 
Height,  21  inches;  width,  17  inches. 


PHILIPS  WOUVERMAN 
Dutch  1619-1668 

1 158.    The  Marshal  of  the  Country. 

At  a  wayside  smithy  are  gathered  some  horses  and  men  among 
which  is  seen  the  gaily  dressed  marshal  watching  his  white  horse 
being  shod.  Other  horses  and  men  approach  from  over  the 
slight  hill.  Engravings  of  this  work  are  in  existence.  Described 
in  Smith's  Catalogue,  Vol.  I.,  p.  268,  No.  240.  In  the  Holderness 
Collection  1802.  Collection  of  Earl  Breadalbane.  Bought  from 
the  Collection  of  G.  Preyer,  Imperial  Chancelor,  Vienna.  Lately 
in  the  Collection  of  Charles  T.  Yerkes. 

Panel.    Signed  "Ph.  W." 
Height,  12  1-2  inches;  width,  14  1-2  inches. 

[172] 


PETER   QUAST 
Dutch  School  1605-1647 

1159.    The  Doctor's  Shop. 

The  doctor  gaily  dressed  in  red  jacket  with  slashed  sleeves,  buff 
breeches  slashed  with  red  and  a  broad-brimmed  hat  with  red 
feather  is  treating  the  tooth  of  a  man,  an  old  woman  standing  by. 
His  assistant  binds  the  head  of  a  man  who  has  taken  part  in  a 
street  fight.  The  details  of  the  surroundings  are  painted  with 
characteristic  Dutch  fidelity.  From  the  Collection  of  Charles  T. 
Yerkes.  On  copper.  Height,  9  1-2  inches;  width,  13  1-2  inches. 


ADRIAN  VAN  DE  VELDE 
1639-1672 

1160.    Cattle  at  the  Fountain. 

Under  the  shade  of  tall  trees  a  group  of  cattle  and  sheep  are 
resting  near  an  old  memorial  fountain  from  the  basin  of  which 
a  cow  is  drinking.  A  man  and  woman  with  a  dog  and  some  cattle 
are  seen  on  the  left  at  the  base  of  a  hill  crowned  with  a  group 
of  houses.  The  landscape  ends  in  a  range  of  blue  hills.  Formerly 
in  the  Hopp  Collection.  From  the  C.  T.  Yerkes  Collection. 

Canvas.    Signed  "A.  V.  Velde  1661." 
Height,  21  inches;  ividth,  26  inches. 


UNKNOWN  ARTIST 

1161.    Bust  Portrait  of  a  Man. 

With  blonde  mustache  and  pointed  beard  and  wearing  a  brown 
costume  with  a  ruff  and  a  wide  red  sash,  a  man  of  sixty  is  seen 
in  almost  profile  view  gazing  intently.  From  the  Collection  of 
Charles  T.  Yerkes.  Canvas.  Height,  23  inches;  width,  19  inches. 


PAUL  POTTER   (ATTRIBUTED) 
1625-1654 

1162.    Sunset  in  Holland. 

At  a  door  of  a  house  on  the  left  stands  a  woman  holding  a  child 
while  some  pigs  are  feeding  at  her  feet.  Beyond  a  cow  is  seen 
against  the  light.  At  the  right  a  group  of  cattle  is  being  driven 
by  the  herdsman,  behind  which  rise  some  lopped  trees. 

Canvas.     Height,  17  inches;  width,  21  inches. 

F1741 


JAN   LE  DUCQ 
Dutch  School  1636-1685 

1163.    The  Toilet. 

Dressed  in  white  satin  with  a  cape  about  her  bare  shoulders,  a 
woman  sits  at  a  dressing  table  across  which  falls  heavy  rose- 
colored  silk  drapery,  putting  the  finishing  touches  to  her  toilet. 
At  the  right  stands  a  violoncello  with  books,  music  and  a  violin 
on  the  floor.  The  light  falls  through  a  high  double  window. 
Canvas.  Height,  19  inches;  width,  18  inches. 


JAN  VAN  GO  YEN 
1596-1666 

1164.    Dutch  Fishing  Boats  Entering  Port. 

This  spirited  scene  by  one  of  the  earliest  of  the  Dutch  landscape 
or  marine  painters  shows  a  number  of  boats  in  full  sail  making 
across  the  choppy  sea  for  the  harbor  beyond.  Masses  of  storm 
clouds  fill  the  sky  adding  to  the  spirit  of  the  scene. 

Panel.     Signed  in  monogram  on  the  boat  at  the  right. 
Height,  19  inches;  width,  28  inches. 


JEAN   BAPTISTE   GREUZE 
1725-1805 

1165.    Said  to  Be  a  Portrait  of  Marquis  de  Lafayette. 

In  dark  uniform  with  red  velvet  collar  trimmed  with  gold  braid 
and  wearing  gold  epaulettes,  the  sitter  looks  directly  at  the 
spectator.  Oval.  Canvas.  Signed  above  the  left  shoulder. 

Height,  25  inches;  width,  20  inches. 


JAN  VAN  GO  YEN 
Dutch  School  1596-1656 

1166.    Village  on  the  Banks  of  the  Meuse. 

Stretched  along  the  low  river  bank  at  the  right  are  a  group  of 
low-roofed  houses  shaded  by  trees.  Some  sailboats  and  hay 
barges  are  drawn  up  to  the  shore  and  others  appear  on  the  river 
horizon.  The  sky  is  filled  with  moving  clouds.  From  the  C.  T. 
Yerkes  Collection. 

Panel.     Signed  in  monogram  on  the  boat  in  the  foreground  and 
dated  1652.     Height,  21 1-2  inches;  width,  39  inches. 

[176] 


No.  115:!.     ANDKKS  /OKN.     THK  BATHKH 


FRANZ  POURBUS,  THE  YOUNGER 
1570-1622 

1167.  Portrait  of  a  Court  Lady. 

Seen  at  half  length  she  wears  a  black  costume  with  puffed  sleeves 
trimmed  with  gold  braid,  and  a  wide  triple  ruff  edged  with 
lace.  Across  her  breast  is  a  double  strand  of  pearls  from  which 
hangs  at  one  side  a  pendant  of  emeralds  and  pearls.  Above  her 
red  hair  rests  a  cap  richly  ornamented  with  pearls. 

Panel.     Height,  25  1-2  inches;  width,  20  1-2  inches. 

FRANCIA  LUIGIO  ALBERTINELLI 
Florentine  School,  Sixteenth  Century 

1168.  Virgin  and  Child. 

The  young  mother  wearing  a  red  dress  and  blue  mantle  bows  lier 
head  which  is  covered  with  a  veil  toward  the  nude  child  who 
sits  in  her  lap.  He  holds  a  rose  in  the  right  hand  and  raises 
the  left  toward  the  mother's  face.  An  Umbrian  landscape  fills 
the  background.  The  frame  with  band  of  Mazarine  blue  is  of 
the  period.  Bought  in  Florence. 

Canvas.     Height,  36  inches;  width,  27  inches. 

FRANZ  POURBUS,  THE  YOUNGER  (ATTRIBUTED) 
1570-1622 

1169.  Infanta  Isabella. 

Seen  at  half  length,  she  wears  a  richly  ornamented  dress  of  yel- 
low and  black  and  a  wide  ruff  edged  with  lace.  About  her  neck 
is  a  double  strand  of  pearls  held  together  on  her  breast  by  a 
bow  of  white  ribbon.  In  her  red  hair  which  is  rolled  back  from 
her  forehead  are  jeweled  ornaments  and  clustered  jewels  hang 
from  her  ear.  Her  right  hand,  raised  to  her  breast,  fingers  the 
strands  of  pearls. 

Panel.     Height,  23  1-2  inches;  iridth,  19 1-2  inches. 

JOHN  HOPPNER   (ATTRIBUTED) 

1758-1810 

1170.  Lady  Elizabeth  Whitbread. 

Dressed  in  a  black  velvet  low-cut  gown,  she  leans  her  head  on 
her  right  hand  with  the  elbow  on  a  table  at  her  side,  over  which 
is  thrown  a  cover  of  deep  red  on  which  rests  a  book.  With  her 
left  hand  she  holds  a  white  scarf  which  falls  from  her  right 
shoulder.  The  crimson  curtain  which  forms  a  background  is 
looped  up  disclosing  a  landscape  through  the  open  window. 

Canvas.      Height,  36  inches;  width,  27  inches. 

[178] 


JEAN   MARC  NATTIER 
1685-1766 

1171.  La  Marquise  de  Marigny  de  Menars. 

Dressed  in  white  with  a  flowing  blue  mantle  the  sister-in-law  of 
Madame  de  Pompadour  is  seen  at  three-quarters  length  seated 
with  her  arms  folded  resting  on  a  fountain  from  which  flows  a 
stream  of  water.  The  background  is  the  sky  with  floating 
clouds  against  which  a  cluster  of  reeds  is  seen  at  the  right. 

Canvas.      Height,  37  inches;  width,  31  inches. 

GIOVANNI   ANTONIO  SOGLIANI 
Florence,  1492-1544 

1172.  Madonna,  Child  and  St.  John. 

The  mother  dressed  in  the  conventional  red  and  blue  wears  a 
scarf  on  her  head,  looking  down  at  the  nude  boy  on  her  lap  who 
leans  across  her  left  arm  to  take  a  cross  from  the  Infant  St.  John, 
standing  at  her  side.  Landscape  with  rocky  hills  fills  the  back- 
ground. A  pupil  of  Lorenzo  di  Credi,  Sogliani  worked  in  con- 
junction with  Andrea  del  Sarto  and  Sodoma  on  the  high  altar 
in  the  Duomo  at  Pisa.  In  Sixteenth  Century  Carved  Wood 
Frame.  Bought  in  Florence. 

Panel.      Height,  33  inches;   width,  26  inches. 

FRANZ   POURBUS,   THE   YOUNGER 
1570-1622 

1 1 73.  Elizabeth  de  Vos. 

Wearing  a  Court  costume  of  black  richly  braided  with  gold  and 
a  large  ruff,  the  handsome  young  woman  is  seated  in  a  high  back 
red  chair  against  a  red  curtain,  which  is  drawn  aside  sufficiently 
to  show  a  view  of  a  town  on  the  bank  of  a  river.  About  her  neck 
below  the  ruff  she  wears  a  double  string  of  large  pearls  from 
which  hangs  a  jeweled  cross  and  three  strings  of  pearls.  From 
the  Van  den  Hoop  Collection,  Amsterdam. 

Canvas.     Height,  4%  inches;  icidth,  34  inches. 

(See  Illustration.) 
[180] 


No.  117:?.     FRANZ  POURBUS,  THE  YOUNGER.     KLI/ABKTH  DK  VOS 


FRANCESCO  DEI    ROSSI    (CALLED  SALVIATI) 
1510-1563 

1174.  Madonna  and  Child  with  St.  John  and  an  Angel. 

The  fair-haired  mother  in  a  pink  dress  with  her  blue  mantle  across 
her  knees  is  seated,  the  nude  boy  in  her  lap.  Her  head  is  seen 
in  profile  as  she  turns  to  an  angel  seen  at  her  back.  The  Child 
turns  away  from  her  to  take  a  reed  cross  from  the  young  St. 
John  at  his  side. 

Salviati  who  took  his  name  from  his  patron  Cardinal  Salviati, 
was  a  friend  of  Vasari  while  both  were  pupils  of  Andrea  del 
Sarto  and  later  of  Bandinelli.  The  frame  is  Italian  carved  wood 
of  XVI  Century.  Bought  from  Prince  Panciatici's  Palace  in 
Florence  where  it  was  said  to  have  hung  for  three  hundred  years. 
Canvas.  Height,  50  inches;  width,  37  1-2  inches. 

WILLIAM  WISSING 
1655-1687 

1175.  Mary,  Princess  of  Orange,  Afterward   Queen  Consort  of 

William  III. 

Dressed  in  a  robe  of  white  satin  with  a  mantle  of  red  velvet 
trimmed  with  ermine  held  by  jeweled  clasps,  the  Princess  is 
seen  at  full  length  seated  against  a  brown  brocaded  curtain 
which  is  half  drawn  revealing  a  view  of  Hampton  Court.  In 
her  right  hand  she  holds  a  spray  of  narcissus,  while  her  left 
holds  her  mantle  to  her  breast. 

For  some  time  Wissing  was  assistant  to  Sir  Peter  Lely  after 
whose  death  he  became  a  favorite  with  English  patrons.  He 
painted  all  the  Royal  Family.  Although  he  soon  found  a  rival 
in  Sir  Godfrey  Kneller,  he  was  still  extensively  employed  and 
after  the  death  of  Charles  II  was  appointed  principal  painter  to 
his  successor  by  whom  he  was  sent  to  Holland  to  take  the  por- 
traits of  William  and  Mary.  Other  portraits  of  Queen  Mary  by 
him  are  at  Hampton  Court  and  in  the  National  Portrait 
Gallery,  London. 
This  painting  was  formerly  ascribed  to  Sir  Godfrey  Kneller. 

Canvas.     Height,  60  inches;  undth,  1$  inches. 
[182] 


NINTH   SESSION 


Braun- Clement  Carbon  Prints 

Many  of  which  are  mounted  on  linen  and  i  handsomely  framed 

. 

COROT 

1176.  Bohemians  Under  the  Trees. 
Landscape.    Lake  of  Garde. 

WATTEAU 

1177.  Group  of  Men  and  Women  on  a  Terrace. 

Fete  Galante.  (2  pieces.) 

VAN  DYCK 

1178.  Portrait  of  a  Woman. 

REMBRANDT  VAN  RHYN 

1179.  Portrait  of  a  Man  With  Lace  Collar. 

Oval.      Dated  1633. 

RAPHAEL 

1180.  The  Madonna  of  the  Chair. 

Ornamental  carved  gilt  frame.  Diameter,  28  inches. 

RUYSDAEL 

1181.  The  Oak  Forest. 

REMBRANDT  VAN  RHYN 

1182.  Portrait  in  Polish  Costume  (known  as  "  Sobieski"). 

Flemish  oak  frame. 

RAPHAEL 

1183.  The  Grand-ducal  Madonna. 

Oak  frame,  36  x  22  inches. 

HANS  HOLBEIN 

1184.  Portrait  of  Erasmus. 

Portrait  of  R.  Cheseman,  1535.  (2  pieces.) 

[183] 


REMBRANT  VAN   RHYN 

1185.    Portrait  of  Himself,  Flat  Velvet  Cap. 

Wood  frame,  applied  gilt  ornament. 


1186.  Italian  Carved  Wood. 

Photograph  frame,  in  the  form  of  a  shrine. 

Edelweis  Souvenir  of  the  Tyrol. 

Rococo  Porcelain  Wall  Pocket  and  Photograph  Frame. 

(4  pieces,) 

1187.  Eight  Brass  Photograph  Easels  and  One  of  Wood.    (9  pieces.) 

1188.  Blue  Glass  Perfume  Bottle. 

Ormolu  base  and  top,  set  with  four  porcelain  cameos  and  gilt 
filigree. 

1189.  Jade  Colored  Glass  Violet  Vase. 
Small  Green  Crackle  Vase. 

Small  Embroidered  Silk  Tray,  Glass  Bottom.         (3  pieces.) 

1190.  Cylindrical  Wicker  and  Wood  Waste  Basket. 

Height,  33  inches. 

1191.  Small  Opalescent  Green  Glass  Flower  Holder. 

Mounted  in  silver  filigree. 

1192.  Ormolu  Cabinet  Photograph  Holder. 

With  silk  brocade  mat,  easel  rest. 

1193.  Ormolu  Easel  Frame  for  Photograph. 

Height,  15  inches;   width,  11  inches. 

1 194.  Silver  Venetian  Cigar  Lighter. 

1195.  Renaissance  Lace  Bureau  Scarf.  40  x  22  inches. 

1196.  Set  of  Three  Beveled  Glass  Jewel  Boxes. 

Satin  lined,  brass  rims. 
Three  Small  Cut  Glass  Scent  Bottles. 

Silver  mounts.  (6  pieces.) 

I  184  1 


1197.  Two  Renaissance  Lace  Table  Scarfs.  43  x  19  inches. 
Three  Lace  Squares.                             18  x  18  inches.     (5  pieces.) 

1198.  Traveling  Flower  Garden. 

Miniature  porcelain  flower  pots  with  flowers  in  bloom.  (15  pieces.) 

1199.  Portable  French  Desk  Clock. 

In  ormolu  case.  A.  B.  Rodanet,  Paris,  Maker. 

1200.  Folding  Book  Rack. 
Engagement  Book  to  Match. 

Each  covered  with  silk,   embroidered  with   garlands    of  roses 
enclosing  portraits  painted  on  silk. 

1201.  Small  French  Curio  Vitrine. 

Heart  shaped,  carved  and  gilded.     Lined  with  a  piece  of  old 
silk  brocade.  Height,  28  inches. 

1202.  Spanish  Military  and  Other  Orders. 

Enameled,  set  with  gems,  etc.     These  orders  were  presented  to 
Miss  Grigsby  by  Spanish  officers,  in  Cuba.  (6  pieces.) 

1203.  Three  Gold  Colored  Silk  Plush  Table  Covers. 

Two,  36  x  18  1-2  inches;    and  one,  12  inches  square. 

1204.  Circular  Down  Cushion. 

Silk  and  embroidery  cover  in  gray,  blue  and  rose. 

1205.  Toreador's  Suit  Complete. 

Toreador's  sword,  and  scabbard,  the  hilt  wrapped  with  the  red 

braid  used. 

Crimson  velvet  coat,  heavily  embroidered  in  gold  bullion,  the 

epaulets  and  sleeves  trimmed  with  blue  and  gold-tasseled  fringe. 

Knee-breeches  and  waistcoat  to  match. 

White  satin  cape,  trimmed  with  rows  of  gold  braid  and  faced 

with  red  satin. 

Toreador's  black  hat. 

The  above  suit  was  actually  used  in  the  Bull-ring  in  Mexico. 

1206.  Pair  of  Louis  XVth  Side  Chairs. 

Carved  and  gilded,  cane  seat  and  back  panel. 

[185] 


1207.  Four  Louis  XVth  Oval  Footstools. 

Carved  and  gilded,  upholstered  in  Aubusson  tapestry. 

1208.  Louis  XVth  Circular  Light  Stand. 

Carved  and  gilded  with  white  marble  top. 

1209.  Louis  XVth  Circular  Light  Stand. 

To  match  the  above. 

1210.  Louis  XVth  Gilt  Boudoir  Chair. 

Gilded  cane  seat  and  back. 

1211.  Two  Louis  XVth  Gilt  Boudoir  Chairs. 

To  match  the  foregoing. 

1212.  Silk  Down  Pillow. 

Applique  with  floral  panels,  bordered  with  gold  embroidery 
studded  with  pearls.  From  the  Royal  School  of  Art  Needle- 
work, South  Kensington. 

1213.  Footstool  Carved  and  Gilded. 

Upholstered  in  embroidery  of  a  pair  of  birds  on  white  satin. 
The  satin  worn  but  the  embroidery  could  be  used  as  an  applique. 
From  the  Royal  School  of  Art  Needlework,  South  Kensington. 

1214.  Round  Gold  Night  Stand. 

Two  drawers  and  marble  top. 

1215.  Pair  of  Carved  French  Walnut  Arm  Chairs. 

Gilt  cane  seat  and  back. 

1216.  Yellow  Silk  Down  Cushion. 

With  lace  applique. 

1217.  Heart-shaped  Silk  Down  Cushion. 

Trimmed  with  gold  lace. 

1218.  Small  Side  Spindle  Chair. 

Three  slats,  decorated  rush  bottom  seat. 

[186] 


1219.  Louis  XV.  Lady's  Sewing  Table. 

Latticed  inlays,  marble  top,  brass  rail  and  feet,  two  drawers  and 
shelf. 

1220.  Louis  XVth  Round  Stand. 

Verms-Martin  decoration,  three  drawers,  brass  rim  and    pulls, 
brass  feet. 

1221.  Louis  XVth  Square  Rosewood  Table. 

Marble  top  with  brass  rim  and  ormolu  mounts,  curved  legs, 
curved  straps  ending  in  pierced  ormolu  basket. 

1222.  White  and  Gold  Empire  Night  Stand. 

One  drawer  and  bottom  cupboard. 

1223.  Pair  of  Empire  Bronze  Torch  Mantel  Urns. 

With  ormolu  mountings.  Height,  30  inches. 

1224.  Brass  Empire  Mantel  Garniture. 

Clock  with  two  side  urns;  the  clock  showing  Minerva's  chariot, 
whose  wheel  forms  the  dial. 

Height  .of  dock,  22  inches;   width,  21  inches. 

1225.  Pair  of  Empire  Bronze  and  Gold  Andirons. 

Surmounted  by  busts  of  Minerva. 

1226.  Louis  XVth  Centre  Table. 

French  walnut,  carved  and  gilded. 

1227.  Small  Louis  XVth  Centre  Table. 

French  walnut,  carved  and  gilded. 

1228.  Louis  XVth  Sedan  Chair. 

Converted  into  a  cabinet,  original  decoration  in  leather,  glass 
shelf.     Lining  of  old  French  brocade. 

1229.  Louis  XVth  Chaise  Longue. 

Elaborately  carved  and  gilded.    Surmounted  by  a  pair  of  doves, 
upholstered  in  green  cut  velvet,  six  legs. 

1230.  Drawing  Room  Gold  Table. 

Elaborately  carved  and  gilded,  red  marble  top.     Four  carved 
straps  ending  in  vase  and  flowers. 

[187] 


1231.  Pair  of  Louis  XVth  Bergeres. 

Elaborately  carved  and  gilded,  surmounted  by  a  pair  of  doves, 
upholstered  in  green  cut  velvet,  with  loose  cushions. 

1232.  Gold  Dressing  Table. 

Triplex  folding  mirror,  with  carved  top,  double  curved  strap, 
five  drawers  and  carved  legs. 

1233.  Gilt  Canopy  Bed. 

White  and  gold  canopy  bed ;  carved  head  with  gilded  cane  panel 
surmounted  by  carved  cluster  of  flowers  and  torches;  mattress 
and  springs. 

1234.  Superb  Renaissance  Lace  and  Ivory  Satin  Cover  for  the 

Same. 

1235.  Canopy  Covering  of  Renaissance  Lace  and  Satin  for  the 

Same. 

1236.  Roll  for  Same  Covered  with  Renaissance  Lace. 

1237.  Six  Pairs  of  Lace  Curtains. 

Of  ivory  satin  with  wide  borders  of  Renaissance  lace.  To  match 
the  bed  hangings. 

1238.  Two  Pairs  of  Ivory  Moire  Silk  Portieres. 

With  wide  floral  bands  of  silk  brocade. 

1239.  Louis  XVth  Table. 

From  a  triangular  base  rises  a  pedestal  supported  by  three  curv- 
ing feet  on  each  of  which  is  perched  a  Cupid  holding  garlands. 
The  pedestal  is  encircled  with  wreaths  of  leaves  and  grapes  in 
brass,  circular  top  with  fourteen  painted  floral  porcelain  panels, 
and  twenty-eight  miniature  portraits  of  court  beauties  around 
a  sunken  porcelain  panel  decorated  with  a  procession  of  gods  and 
goddesses  encircled  by  a  garland  of  flowers.  (Center  panel 
cracked.) 

Inscription  engraved  on  the  rim:  "a  Madame  la  Marquise  de 
Montebello  par  son  Amie  T.  de  L.  P.  le  7  Mai,  1861." 

Height,  38  inches;  diameter,  43  inches. 

I  1891 


1240.  Empire  Mahogany  Arm  Chair. 

With  gilt  feet  and  arm  pieces,  ormolu  mountings,  upholstered 
in  green  brocade. 

1241.  White  and  Gold  Dressing  Table. 

Beveled  mirror,  two  drawers,  lyre-shaped  supports  and  bottom 
shelf. 

1242.  White  Empire  Dressing  Table. 

Elaborately  carved  and  gilded,  with  three  long  drawers,  bronze 
mountings,  claw  feet. 

1243.  White  and  Gold  Empire  Three-Quarter  Bed. 

Elaborately  carved  and  gilded.     With  mattress  and  springs. 

1244.  Green  Silk  Brocade  Canopy  Top  and  Hangings. 

For  the  same. 

1245.  Pair  of  Roll  Pillows. 

For  the  same,  upholstered  in  green  brocade. 

1246.  Low  Empire  Sofa,  Carved  and  Gilded. 

Upholstered  in  green  silk  brocade,  with  roll  pillow,  five  legs. 

Length,  66  inches. 

1247.  Pair  of  Empire  Arm  Chairs. 

Ivory  white  with  applied  gilded  carved  wood,  upholstered  in 
green  silk  velour  embroidered  in  gold,  and  "N"  circled  with  a 
laurel  wreath  on  the  back.  The  arms  of  ivory  tusks  ending  in 
acanthus  leaf  and  gilded  carving. 

1248.  Louis  XVIth  Round  Back  Low  Chair. 

Carved  and  gilded,  upholstered  in  green  striped  brocade  (includ- 
ing back). 

1249.  Revolving  Top  Mahogany  Writing  Desk. 

With  secretary  top,  ormolu  mountings,  Verms-Martin  panels. 
Height,  59  inches;  length,  30  1-2  inches;  icidth,  20  inches  (with 

shelf  extended  28  inches) . 

1250.  Spanish  Carved  Church  Lectern. 

Ornamented  with  cherubim  head,  shells  and  arabesques.  On 
the  feet  are  mythological  figures  from  the  Apocalypse  and  a 
cornucopia  of  fruit — all  richly  gilded.  Height,  5  feet,  6  inches. 

[190] 


1251.  Madame  Recamier  Table. 

Small  drawing  room  metal  table  with  red  marble  top,  legs  of  blue 
enamel  entwined  with  garlands  of  ormolu,  and  edge  of  blue 
interlaced  garlands  on  blue  enamel  ground,  four  curved  straps, 
brass  feet.  Top,  17  x  24  inches. 

1252.  Louis  XlVth  Boulle  Cabinet. 

Ebony  with  tortoise  shell  and  brass  inlays,  chiseled  bronze 
mounts,  glass  panel.  Black  marble  top. 

Height,  44  inches;  length,  23  inches. 

1253.  Louis  XVth  Suite  of  French  Walnut. 

Carved  and  gilded.  Sofa,  two  arm  and  three  side-chairs  uphol- 
stered in  pink  silk  brocade. 

Length  of  sofa,  54  inches.     (6  pieces.) 
1254-.     Couch. 

Upholstered  in  rose  velvet.  Length,  8.6  feet;  width,  3.3  feet. 

1255.  Rococo  Cabinet,  Louis  XVth  Period. 

French  walnut,  carved  and  gilded,  lined  with  rose  velour,  with 
three  glass  shelves,  glass  door  bowed,  glass  panel. 

Height,  72  inches;  width,  26  1-2  inches;  depth,  13  inches. 

1256.  Two  Pairs  of  Old  Rose  Silk  Velour  Portieres. 

Lined,  finished  with  silk  plush  fringe. 

1257.  Four  Pairs  of  Old  Rose  Silk  Velour  Curtains. 

To  match  the  above.     With  silk  cord  and  loops. 

1258.  Two  Pairs  of  Lace  and  Net  Curtains. 

Borders  in  lace,  rococo  design. 

1259.  Four  Pairs  of  Lace  and  Net  Curtains. 

To  match  the  above. 

1260.  Louis  XVIth  Gold  Exhibition  Cabinet. 

Elaborately  carved.  Four  glass  sides,  mirror  base,  and  three 
glass  shelves.  On  four  legs. 

Height,  ()6  inches;  width,  42  inches;  depth,  24  inches. 


1261.  Throne  Chair  of  the  House  of  Savoy. 

Side  chair,  encrusted  with  carved  ivory  classical  and  mythologi- 
cal figures  and  coats-of-arms  on  a  background  of  ivory  shell 
work,  seat  and  back  panel  upholstered  in  ancient  silver  brocade. 
On  a  low  platform  covered  with  fawn-colored  velvet.  The  House 
of  Savoy  is  the  present  reigning  House  of  Italy.  Height,  52  inches. 

1262.  Louis  XVth  Bergere. 

Decorated  with  carved  cupids,  garlands  and  grotesques  gilded; 
upholstered  in  Aubusson  tapestry  showing  floral  panels  on  an 
ivory  ground.  Height,  36  inches;  width,  40  inches. 

1263.  Louis  XVth  Bergere. 

Decorated  with  cupids,  garlands  and  grotesques  gilded;  uphol- 
stered with  Aubusson  tapestry  showing  floral  panels  on  ivory 
ground.  Height,  36  inches;  width,  40  inches. 

1264.  Louis  XVth  Oval  Vitrine. 

Elaborately  carved  and  gilded.    Length,  28  inches;  width,  21  inches. 

1265.  Half  Round  Louis  XVth  Vitrine. 

Elaborately  carved  and  gilded. 

1266.  Round  Table. 

Carved  and  gilded  with  glass  tray  top.  Diameter,  40  inches. 

1267.  Six  Large  Louis  XVth  Arm  Chairs. 

Elaborately  carved  and  gilded,  upholstered  in  Aubusson  Tapes- 
try, floral  design  on  ivory  ground. 

1268.  Louis  XVth  Cabinet. 

On  a  table  base,  elaborately  carved  and  gilded,  crowned  by  two 
Cupids  resting  on  a  mass  of  flowers,  holding  a  helmet.  Bowed 
glass  panels,  two  glass  shelves,  lined  with  antique  brocade  of 
French  make  showing  Chinese  influence. 

Height,  110  inches;  length,  37  inches;  depth,  26  inches. 

1269.  Louis  XVth  Wall  Cabinet. 

Resting  on  four  legs  elaborately  carved  and  gilded,  mirror  back 
and  base,  three  glass  shelves,  bowed  glass  panels  overhung  with 
garlands,  antique  brocade  lining  of  French  make  showing  Chin- 
ese influence. 

Height,  77  inches;  width,  35  inches;  depth,  18  inches. 


1270.  Louis  XVth  Wall  Cabinet. 

Similar  to  the  foregoing. 

1271.  Louis  XVth  Console  Table. 

Intricately  carved  and  gilded  with  shells,  garlands  and  gro- 
tesques, Italian  marble  top. 

Height,  40  inches;  length,  87  inches;  depth,  27  inches. 

1272.  Pair  of  Ivory  Silk  Drawing  Room  Curtains. 

Silk  curtains  with  applique  border,  Louis  XVth  style  cameo 
and  gold  wrought  with  an  intricate  rococo  pattern  in  gold  braid, 
and  edged  with  gilt  and  gilt-tasseled  fringe.  With  silk  cord 
loops  and  tassels  to  match.  Lined  and  padded.  A  special  order 
made  in  Paris.  Length,  137  inches;  width,  50  inches. 

1273.  Pair  of  Ivory  Silk  Drawing  Room  Curtains. 

To  match  the  above. 

1274.  Two  Pairs  of  Ivory  Silk  Drawing  Room  Curtains. 

To  match  the  above. 

1275.  Two  Pairs  of  Ivory  Silk  Drawing  Room  Curtains. 

To  match  the  above. 

1276.  Pair  of  Ivory  Silk  Portieres  to  Match. 

Length,  137  inches;  width,  75  inches. 

1277.  Two  Pairs  of  Renaissance  Lace  Drawing  Room  Curtains. 

Elaborate  rococo  pattern  on  a  net  foundation.     A  special  order 
made  in  Paris. 

1278.  Two  Pairs  of  Renaissance  Lace  Drawing  Room  Curtains. 

To  match  the  foregoing. 

1279.  Two  Pairs  of  Renaissance  Lace  Curtains. 

To  match  the  foregoing. 

1280.  Detached  Cushion  in  Aubusson  Tapestry. 

(Colors  ivory  and  pink.)     Belonging  to  the  sofa  following. 

1281.  Louis  XVth  Gilt  Canape  Longue. 

The  back  of  gilded-cane  work  broken  by  elaborate  scroll  of 
carved  wood  enclosing  figures  of  monkeys  in  court  costume. 

[193] 


1282.  Drawing  Room  Grand  Piano,  Size  C. 

Elaborately  carved  gold  case  resting  on  five  cabriole  legs, 
the  latter  joined  by  curved  straps  carved  in  high  relief  with 
arabesques  and  flowers.  The  case  intricately  carved  showing 
garlands  of  roses  and  arabesques,  the  legs  and  lyre  carved  inside 
and  out  with  a  border  of  interlaced  design  and  in  the  centre, 
musical  instruments,  score  and  laurel  branches.  The  rack  of 
rococo  design  showing  arabesques,  shell  work  and  dragons' 
heads.  The  instrument  was  made  to  order  for  Miss  Grigsby. 
A  remarkable  piece  of  workmanship.  No.  94390 — Steinway  Co. 

1283.  Louis  XVth  Piano  Bench. 

Carved,  gilded  and  upholstered  in  Aubusson  Tapestry. 


[194 


TENTH  SESSION 


Braun-Clement  Carbon  Prints 

Many  of  which  are  mounted  on  linen  and  handsomely  framed 
MELOZZO  DA  FORLI 

1284.  An  Angel  with  a  Mandolin. 

Framed  in  carved  and  gilt  wood. 

GUIDO  RENI 

1285.  Aurora. 

Large  folio. 

JAN  VAN  EYCK 

1286.  Singing  Angels. 

Round  top  in  plain  gilt  frame. 

RUBENS 

1287.  The  Infant  Christ,  St.  John  and  Angels. 

Oval,  in  carved  gilt  frame. 

VAN  DYCK 

1288.  Portrait  of  Henrietta  Maria. 

Oval  carved  gilt  frame. 

ANDREA   DEL   SARTO 

1289.  The  Holy  Family. 

Large  folio,  wide  Flemish  oak  frame. 

LEONARDO  DA  VINCI 

1290.  Mona  Lisa. 

Head  of  St.  Anne.  (2  pieces.) 

RUYSDAEL 

1291.  The  Mill. 

Large  folio. 

REMBRANDT  VAN  RHYN 

1292.  Portrait  of  Elizabeth  Bas. 

RUBENS 

1293.  Portrait  of  Elizabeth  de  France. 

[195] 


Rugs,  Skins  and  Carpets 

The  rugs  are  exquisitely  woven  in  colors  softened  and  enriched 
by  age.  They  show  the  individuality  of  Oriental  work  and 
cannot  fail  to  appeal  to  rug  lovers  of  artistic  discrimination. 
Aside  from  their  merits  as  works  of  art,  they  are  by  reason  of 
their  rarity  rapidly  increasing  in  value. 

The  inscriptions  have  been  translated;  they  are  proverbs  and 
quotations  from  the  odes  of  Hafiz,  the  Gulistan  of  Saa'di  and 
from  the  Rubaiyat  of  Omar  Khayyam. 

1 294.  Anatolian  Mat.  3  x  1.11  feet. 

1295.  Anatolian  Mat. 

Blue  centre  and  mulberry  border. 

1296.  Anatolian  Mat. 

1297.  Shirvan  Rug. 

Small  design  on  a  yellow  ground.       Length,  5  feet;  width,  3.6  feet. 

1298.  Antique  Silk  Prayer  Rug. 

Ivory  ground,  Mihrab  and  pendants  in  rose  and  gold;  border  of 
old  Fereghan  rose  color  with  rosacese.  An  exquisite  soft-toned 
small  rug.  Size,  4  x  2.7  feet. 

1299.  Antique  Silk  Mat. 

Magnificent  old  red  ground,  with  rare  green  border,  conven- 
tionalized floral  pattern  (slightly  repaired).  Size,  2.4  x  1.7  feet. 

1300.  Antique  Persian  Silk  Rug. 

Blue  ground,  deep  red  border  of  Ispahan  design.  The  centre 
well  covered  with  floral  pattern.  Size,  6x4  fat. 

1301.  Giordez  Prayer  Rug. 

Ivory  ground,  light  blue  Mihrab  in  graceful  floral  design,  sup- 
ported by  two  columns.  The  upper  and  lower  panels  are  also 
in  light  blue.  The  main  border  is  conventionalized  lotus  on  mul- 
berry ground.  Inner  and  outer  border  formed  of  three  borders 
in  conventionalized  lotus.  The  inside  border  a  soft  I*Gle  green. 
An  unusual  decoration  on  the  lower  part  of  the  panel  is  of  urns 
with  conventional  flowers.  The  design  is  very  fine. 

Size,  5.2  x  4.1. 

[196] 


1302.  Persian  Silk  Kashan  Rug. 

Conventional  floral  border  in  deep  mulberry;  ivory  ground  with 
medallion  of  conventionalized  flowers.  The  ground  of  the  rug 
turquoise  blue  with  flowers  of  heliotrope,  deep  rose  and  other 
colors.  Size,  6.10  x  4-2  feet. 

1303.  Persian  Silk  Prayer  Rug. 

Gold  ground,  light  blue  border,  Seventeenth  Century  Giordez 
design,  floral  pattern.  The  prevailing  color  red. 

Size,  4-4  x  5.3  feet. 

1304.  Antique  Persian  Silk  Prayer  Rug. 

Gold  ground,  Mihrab  of  light  blue  and  pink  with  hanging  mosque 
lamp  ornamented  with  flowers.  Turquoise  blue  border,  with 
lotus  pattern.  Size,  2.5  x  3.11  feet. 

1305.  Antique  Persian  Silk  Rug. 

Soft  ivory  ground  with  delicate  tracery  of  lotus  in  bud,  blossom 
and  seed.  The  borders  of  soft  red.  The  dominating  color  of 
the  rug  a  soft  red.  Size,  5.10  x  4.6  feet. 

1306.  Old  Persian  Silk  Rug. 

Unusual  ground  of  plain  verdure  green,  old  ivory  medallion  and 
borders.  Corner  pieces  of  deep  rose  of  floral  pattern.  A  most 
interesting  piece.  Size,  5.11  x  4-2  feet. 

1307.  Antique  Persian  Silk  Prayer  Rug. 

Rose  ground,  ivory  Mihrab  supported  by  highly  ornate  columns 
from  which  is  suspended  a  hanging  lamp.  The  borders  are  of 
the  best  Giordez  pattern.  Size,  5.6  x  4  feet. 

1308.  Polonaise  Rug  of  the  Seventeenth  Century. 

Gold  ground,  lotus  border,  gold  and  silver  embellishments. 
Soft  coloring.  Unusual  in  character,  although  the  rug  is  worn 
(square  in  centre  repaired).  Size,  4-11  x  5.6  feet. 

1309.  Antique  Giordez  Prayer  Rug. 

Soft  plain  Nile  green  centre,  Mihrab  of  ivory,  the  upper  and 
lower  panels  of  dark  blue  with  maroon  border.  Outer  border 
light  blue  of  Giordez  pattern.  An  unusual  rug,  the  plain  Nile 
green  rarely  found.  Size,  4-5  x  6  feet. 

[197] 


1310.  Antique  Persian  Silk  Rug. 

Red  ground  with  cream  medallion  and  corners.  Seventeenth 
Century  floral  pattern.  The  principal  border  of  cream  color 
with  very  unusual  floral  treatment.  Size,  11.10  x  8.10  feet. 

1311.  Antique  Turkestan  Rug. 

Gold  ground  with  silver  border.  The  prevailing  colors  of  the 
border  are  light  blue  and  shaded  green.  The  field  is  of  gold  woven 
with  conventional  flowers  in  dark  blue,  orange  and  shades  of 
green.  A  very  interesting  and  most  unusual  carpet. 

Size,  11. 2x6.10  feet. 

1312.  Old  Persian  Silk  Rug. 

Lustrous  gold  ground,  border  of  lotus  leaf  and  bud  on  a  gold 
ground.  The  centre  contains  a  large  urn  from  which  springs 
a  lotus  plant,  most  delicately  drawn  with  buds,  leaves  and 
full-blown  flowers  and  with  butterflies,  emblem  of  Eternity. 
Simple  but  unique  treatment  of  border;  altogether  a  most  unusual 
rug.  Size,  6.8  x  4  feet. 

1313.  Antique  Persian  Silk  Carpet. 

Ivory  ground  with  border  of  Ispahan  lotus  pattern  showing 
traces  of  Chinese  influence.  The  colors  are  soft  heliotrope  and 
rose.  Four  lotus  flowers  in  full  bloom  form  the  central  medal- 
lion. These  are  outlined  in  old  red.  The  entire  ground  is 
covered  with  a  graceful  floral  pattern  combined  with  figures 
of  boars,  cows  and  other  animals.  Unusually  heavy  quality. 

Size,  11.2x84  feet. 

1314.  Magnificent  Persian  Silk  Carpet. 

Rich  Pompeian  red  ground  with  cream  medallion  and  border. 
Floral  design  of  lotus,  flowers  and  buds,  and  the  Tree  of  Life 
forming  a  splendid  example  of  Persian  art. 

Size,  15.2  x  11.11  feet. 

1315.  Magnificent  Silk  Persian  Carpet. 

Rich  Pompeian  red  ground.  The  centre  medallion  represents 
the  Assassination  of  a  Shah  on  an  ivory  ground;  border  and 
Mihrab  are  of  light  rose,  the  latter  containing  lions  and  other 
wild  animals.  The  field  is  well  covered  by  a  floral  pattern. 

Size,  12.6  x  9.9  feet. 

[198] 


1316.  Antique  Persian  Silk  Carpet. 

A  panel  of  ivory  ground  contains  an  ornamental  vase  from  which 
spring  flowering  trees.  The  corners  are  blue  with  flowering 
branches.  At  the  base  are  three  portrait  panels  containing  groups 
of  figures,  evidently  portraits  of  important  personages  splendidly 
executed  in  various  colors.  The  prevailing  tone  of  the  rug  is 
blue.  Above  the  main  panel  is  one  of  ivory  in  fanciful  design 
on  each  side  of  which  is  a  hanging  lamp  with  pendants.  A 
very  unique  and  rare  rug.  Size,  12  x  8.8  feet. 

1317.  Antique  Ispahan  Fragment. 

Panel  ground  with  blue  ornamentation.     A  very  rare  piece. 

Size,  2.2  x  5.2  feet. 

1318.  Antique  Persian  Silk  Rug. 

Ivory  ground,  Ardebil  medallion,  gracefully  drawn  flowers  in 
blue  tind  shaded  reds.  Corner  piece  a  replica  of  the  centre  in 
contrasting  colors.  The  border  of  soft  iridescent  old  rose.  With 
cartouches  of  old  ivory  having  inscriptions  in  dark  blue.  Quota- 
tion from  Hafiz,  mostly  in  praise  of  wine,  in  cartouches  around 
the  border,  beginning  with  "Made  by  special  order:" 
"I  care  not  if  I  sell  my  coat  for  wine,  hoping  that  the  Gods  will  send  me  a  fair 
maiden  in  whose  blushes  I  can  see  the  beauty  of  wine.  Why  should  I  burn  with 
desire  far  distant  from  wine  and  a  beautiful  maiden.  Let  us  drink  the  cup  in 
season  for  without  wine  and  music  we  have  no  pleasure."  Says  Hafiz,  "If  we 
do  not  enjoy  them  we  are  like  the  larks  quiet  in  the  season  of  roses." 

Size,  6  x  4- 


1319.    Antique  Persian  Silk  Picture  Rug. 

Light  blue  ground,  dark  blue  border:  The  base  of  the  rug  con- 
tains a  design  of  a  palace,  on  each  side  of  the  entrance  to  which 
are  rampant  lions  resting  one  paw  on  columns.  A  cypress  tree 
stands  to  left  and  right  of  the  house.  Above  is  a  rock  over- 
hanging the  water  and  on  the  rock  is  a  large  bear  engaged  in 
combat  with  an  alligator  rising  from  the  water.  Seated  in  the 
branches  of  a  tree  springing  from  the  rock  are  three  grotesque 
figures  engaged  in  eating  fruit.  Above  a  leopard  and  an  orange- 
colored  tiger  prepare  to  spring  on  a  Bird  of  Paradise  ready  to 
take  flight.  Size,  8.6  x  5.10  feet. 

[199] 


1320.  Royal  Ispahan  Rug,  Sixteenth  Century. 

Three  borders  enclose  life-like  animals  in  attitudes  of  flight, 
pursuit  and  combat,  typifying  the  strife  towards  Eternal  Life. 
The  field  of  the  rug  is  formed  of  panels  with  a  variety  of  patterns 
of  birds,  animals  and  fish,  conventionalized  on  a  ruby  ground 
of  uncommon  shade,  the  whole  design  being  one  of  mythological 
significance,  showing  Chinese  influence. 

The  general  motif  of  beasts  and  birds  of  prey  with  their  victims 
suggests  the  struggle  between  right  and  wrong,  light  and  dark- 
ness, the  chief  motif  being  the  lotus,  emblem  of  Eternity.  The 
prevailing  tone  of  the  rug  is  old  ruby  color,  the  narrow  outer 
border  being  of  rose  color,  the  inner  border  of  old  pink;  both 
decorated  with  birds  and  animals.  The  principal  border  is 
of  old  Persian  blue  with  trees,  flowers,  birds  and  animals.  A 
Museum  Piece.  Size,  13.5  x  11.9  feet. 

(See  Illustration.) 

1321.  Fine  Antique  Persian  Silk  Rug. 

Ten  borders,  the  chief  one  of  ox-blood  red,  the  secondary  border 
of  turquoise  blue.  The  ground  of  the  rug  a  dull  ivory  contain- 
ing six  panels.  Each  of  these  panels  is  a  rug  design  in  itself; 
the  two  upper  are  of  fanciful  floral  decoration,  another  contains 
the  Tree  of  Life,  another  a  coat-of-arms  and  royal  emblems, 
another  a  rug  with  medallion  and  another  a  prayer  rug.  Blue 
columns  support  a  rich  red  Mihrab  from  the  centre  of  which  is 
suspended  a  lamp.  Size,  6.2  x  Jf.5  feet. 

1322.  Superb  Persian  Fish  Pattern  Silk  Rug. 

Rich  red  ground.  The  ground  of  the  main  border  and  centre 
medallion  is  a  very  dark  blue,  with  alternating  lotus  blossom 
and  head-dress  designs  surrounded  by  elephants'  heads  and 
fishes.  Running  from  the  centre  medallion  are  two  highly 
ornamental  columns  with  a  decoration  of  heads,  on  each  side 
of  which  are  beautifully  modeled  peacocks  from  which  run  the 
old  Persian  leaf  on  which  are  ornamental  gold  fishes. 
The  leaves  springing  from  the  centre  medallion  also  contain 
fishes  in  blue.  From  the  base  of  the  columns  spring  branches 
to  which  cling  apes  in  conflict  with  mythical  animals.  The 
various  branches  terminate  in  the  heads  of  dragons,  fish,  birds, 
wild  boar  and  other  animals.  Size,  10  x  6.3  feet. 

[200] 


No.  1320.     XVIth  CENTURY,  ROYAL  ISPAHAN  RUG 


1323.  Antique  Persian  Silk  Hunting  Carpet. 

Representing  a  conflict  between  the  Powers  of  Light  and  Darkness 
or  Good  and  Evil.  Figures  of  cows  attacked  by  tigers,  and 
other  similar  designs,  symbolizing  domesticity  in  conflict  with 
evil.  The  wide  border  of  magnificent  red  contains  large  car- 
touches of  ivory  with  inscriptions,  flanked  by  two  borders  of 
deep  ivory  of  conventional  floral  pattern.  The  inner  border 
has  red  ground  with  cartouches  of  gold  color  with  inscriptions. 
The  centre  a  deep  ivory  ground  in  harmonious  colors  of  soft 
red,  turquoise  blue  and  gold.  The  inscriptions  in  Arabic  and 
Persian  are  quotations  from  Saa'di  in  praise  of  the  King,  includ- 
ing: 

"  May  the  state  of  my  people  be  as  great  as  that  of  King  Solomon,  and  spread  as 
widely  as  did  the  branches  of  King  David,"  said  the  Caliph  Mansour,  the  glory  of  his 
house.    (Mansour  was  second  Caliph  of  the  House  of  Habbas.) 
"  The  dancer  of  the  party  is  like  a  servant,  who  does  menial  offices." 
"  A  friend  who  arrives  last  may  be  more  welcome  than  he  who  comes  first  (or  than  he 
who  invites  himself")    [Repeated.] 

"God  knows  how  I  enjoy  your  presence,  for  your  coming  is  as  news  of  the  coming  of 
the  spring  (or  the  coming  of  the  roses)."  [Repeated .] 

Size,  14.6  x  10.8  feet. 

1324.  Old  Persian  Silk  Rug. 

Dull  red  ground,  soft  blue  border,  floral  medallion  on  cream 
ground.  The  ground  well  covered  with  floral  decoration. 

Size,  5.11  x  4-6  feet. 

1325.  Antique  Persian  Silk  Kashan  Rug. 

Ivory  ground,  turquoise  blue  Ispahan  border  with  floral  helio- 
trope decoration.  The  field  with  animal  design. 
A  very  unusual  piece,  the  design  being  of  the  Shah  Habbas 
Period  (towards  the  end  of  the  XVIth  Century)  done  in  only 
a  few  colors,  the  prevailing  tone  being  heliotrope,  showing  a 
distinct  Chinese  influence,  with  inscriptions  which  show  this 
to  be  a  "gift  rug."  The  main  legend  reads: 

"  /  hope  you  will  enjoy  this  rug  as  you  enjoy  the  buds  of  the  springtime  (or  the  time  of 
roses).  May  you,  your  family  and  yet  unborn  children  enjoy  it.  Milardi."  (Prob- 
ably a  gift  at  a  birth,  the  final  word  reading  "a  birth-gift.") 

Size,  7.1  x  4.3  feet. 

1326.  Antique  Persian  Silk  Rug. 

Ivory  ground  medallion;  pendant  and  corner  pieces  of  helio- 
trope. Border  rich  ivory,  the  heliotrope  decorations  outlined 
with  black.  Floral  design.  6.3  x  4  feet. 

[202] 


1327.  Antique  Persian  Silk  Kashan  Tomb  Rug. 

Deep  ivory  ground,  seal  brown  border  with  coventional  lotus 
pattern  in  heliotrope.  The  inner  and  outer  borders  fawn  color. 
The  field  ornamented  with  a  large  Urn  from  which  spring  two 
flowering  trees  bearing  also  ripe  pomegranates.  On  either  side 
of  the  Urn  are  two  trees  with  broken  trunks,  symbolical  of  the 
lives  prematurely  ended.  The  Mihrab  of  heliotrope.  The 
prevailing  colors  heliotrope  and  soft  sage  green.  An  interesting 
feature  is  the  introduction  of  large  orchids  of  heliotrope  color 
into  the  design.  Size,  10  x  5  feet. 

1328.  Antique  Persian  Silk  Carpet,  Sehna-Kurdestan  Weave. 

Five  borders  of  alternate  colors  in  Khorassan  design.  Inside 
is  an  ivory  border  four  inches  wide,  containing  inscriptions  all 
around.  The  centre  of  the  rug  is  dark  blue  covered  with  Persian 
floral  pattern  in  rose,  turquoise  blue  and  ivory.  The  weave  of 
this  rug  is  very  rare. 

The  proverbs  repeated  around  the  border  are: 
"A  bad  friend  will  be  unable  to  answer  the  questions  put  to  him  in  Eternity" 
"  The  Speech  of  Yusuf  is  sweeter  than  the  sayings  of  Religion." 
"Your  presence  is  as  dear  to  my  heart,  as  was  the  presence  of  Aiyaz  to  Sultan 
Mahmoud."     (Repeated.) 

Size,  11 4  x  8.6  feet. 

1329.  Antique  Persian  Silk  Carpet. 

From  the  center  of  the  rug  on  a  light  rose  ground  range  a  series 

of   light  blue  cartouches  with  inscriptions,    intersected  by  two 

similar  bands  across  the  width  of  the  rug,  thus  dividing  it  into 

six  sections.     Each  of  these  sections  contain  four  panels  of  highly 

artistic   design   showing   cartouches    and  floral  patterns.     The 

border  is  dark  rose  with  light  blue  cartouches  with  inscriptions 

and  floral  patterns.     The  inscriptions  are  as  follows : 

Centrelines:    "What  says  the  lark  to  the  rose  in  the  garden?"     He  said:    "That 

you  with  your  rosy  cheeks  should  bloom.     Why  weary  of  life  when  everything 

around  you  is  beautiful  ?  " 

(The  small  lozenges  repeat :  "May  you  enjoy  it," — meaning  the  rug.) 

Cross  line:      "I  love  your  presence,  therefore  you  are  welcome.      May  a  thousand 

lives  be  sacrificed  at  your  every  step!"  (Repeated  twice.) 

Border:     "What  says  the  rose  to  the  lark?  "    He  says:  "He  whose  deeds  are  as 

open  as  the  day  has  no  anxieties."     (Repeated.) 

Lozenges:     "  The  man  whose  hat  is  of  silk  both  inside  and  out  can  take  it  off,  he 

is  honest,  and  has  nothing  to  conceal." 

Size,  12.2  x  9  feet. 

1330.  Small  Wolf  Skin. 

Mounted  with  head.  Length,  53  inches. 

[203] 


1331.  Chetah  Skin. 

Mounted  with  head.  Length,  90  inches. 

1332.  Heavy  White  Fur  Rug.  54  x  30  inches. 

1333.  Heavy  White  Fur  Rug.  60  x  30  inches. 

1334.  Heavy  White  Fur  Rug.  64  x  32  inches. 

1335.  Superb  Bengal  Tiger  Skin. 

Mounted  with  head  and  claws.  Length,  112  inches. 

1336.  Bengal  Tiger  Skin. 

Mounted  with  head.  Length,  82  inches. 

133T.    Chetah  Skin. 

Mounted  with  head.  Length,  90  inches. 

1338.  Great  White  Bear  Skin. 

Mounted  with  head  and  claws. 

Length,  125  inches;  width,  90  inches. 

1339.  Korean  Leopard  Skin. 

Mounted  with   head.     From   the   Joseph  W.  Sprague  Collec- 
tion. Length,  64  inches. 

1340.  Brussels  Lace  Handkerchief. 

Said  to  have  belonged  to  Princess  Hortense  Beauharnais.  With 
"I.  H."  (Imperatrice  Hortense)  embroidered  in  the  corner. 

Framed. 

1341.  Brussels  Lace  Handkerchief. 

Also  the  property  of  Princess  Hortense.     No  initials.         Framed. 

1342.  Pair  of  Silver  Gilt  Flower  Vases. 

Vase-shaped  and  fluted  bodies,  boldly  curved  rims  and  standing 
on  three  curved  legs  ending  in  lion's  paws  decorated  with 
twisted  ribbons  and  ending  in  female  heads.  Body  and  rim 
elaborately  repousse  and  chased  in  designs  of  scrolls,  flowers, 
and  musical  and  horticultural  trophies. 

Maker's  mark,  S.  R.     Dutch,  XVIlIth  Century. 

Height,  10  1-2  inches. 

[204] 


1343.  Silk  Cushion  Panels. 

Pair  of  changeable  tan  rep  silk  cushion  panels,  with  silk  and 
velvet  shield  in  applique  and  raised  monogram. 

Length,  25  inches;  width,  12  inches. 

1344.  Small  Wall  Carving  of  Painted  and  Gilded  Wood. 

Holy  Water  Font,  mounted  on  carving  in  high  relief  of  the 
Baptism  of  John,  surmounted  by  angels  in  glory  and  a  dove. 

Height,  16  inches. 

1345.  Pair  of  Wall  Mirrors  in  Italian  Carved  Wood  and  Gilded 

Frames. 

Irregular  oval  shape  framed  in  pierced  and  gilded  floral  scrolls. 
Painted  in  silver  on  each  mirror  is  a  classical  figure  with  wreath. 

Height,  27  inches;  width,  14  inches. 

1346.  Pair  of  Embroidered  Coats-of-Arms. 

In  gold  and  colors  (red  and  green),  surmounted  by  a  crown. 

Length,  24  inches. 

1347.  Italian  Wood  Carving. 

Annunciation  of  the  Virgin.  Carved  and  painted  seated  figure 
of  the  Virgin  on  a  carved  and  gilded  scroll  base. 

Height,  29  inches. 

1348.  Box  Pedestal  of  Gilded  Wood  and  Embroidery. 

From  the  Royal  School  of  Art  Needlework  at  South  Kensing- 
ton, London.  A  low  wall  pedestal  with  five-sided  front;  top 
formed  of  panels  of  embroidery  set  in  gilt  wood  frames.  On 
four  low  gilt  feet. 

Length,  18  inches;  height,  11  inches;  width,  10  inches. 

1349.  Pair  of  Italian  Carved  Hall  Chairs. 

Round  carved  seat,  back  and  front  support  ending  in  dolphins, 
with  carved  medallions  of  monks  and  lions. 

1350.  Pair  of  Italian  Carved  Wood  Footstools. 

Upholstered  in  striped  purple  velvet,  and  ornamented  with 
coat-of-anns  in  applique. 

1351.  Cushion  of  Spanish  Embroidery  on  White  Satin. 

Heavy  gold  applique  of  an  urn  with  roses  and  other  flowers. 
This  and  the  two  following  are  worn,  although  the  applique 
can  be  easily  transferred. 

[f06] 


1352.  Cloth  of  Gold  Cushion  Spanish  Embroidery. 

Heavy  applique  of  a  pelican  on  her  nest  feeding  her  young, 
surrounded  by  rays. 

1353.  Cushion  of  Spanish  Embroidery  on  Ivory  Silk. 

Basket  in  gold  applique  holding  embroidered  flowers. 

1354.  Narrow  Cushion  of  Silk. 

With  applique  embroidery. 

1355.  Small  Oval  Table  of  Carved  Italian  Walnut. 

The  top  is  formed  as  a  tray  with  handles,  elaborately  carved, 
supported  by  winged  Griffins  on  the  backs  of  lions;  relief 
carving,  joined  by  scroll  work. 

1356.  Small  Table  of  Carved  Italian  Walnut. 

Irregular  oval  top,  carved  in  relief  resting  on  four  winged  Griffins 
supported  by  lions  resting  on  scroll  feet;  one  shelf. 

1357.  Antique  Carved,  Gilded  and  Painted  Column. 

On  triangular  claw  base.  Height,  1^3  inches. 

1358.  Low  Box  Pedestal  Covered  with  Purple  Velvet. 

With  three  coats-of-arms  in  applique  in  gold  and  colored  em- 
broidery on  striped  purple  velvet  ground. 

Height,  21  inches;  width,  20  x  20  inches, 

1359.  Mirror  with  Silver  Frame  by  Rinaldini. 

Oval  plate  glass  mirror  set  in  a  silver  frame,  exquisitely  wrought 
in  a  design  typifying  the  allegory  of  "The  First  Kiss,"  showing 
Cupid  and  Psyche  surrounded  by  flowers  of  Spring,  merging 
into  roses  allegorical  of  Summer,  wheat  the  emblem  of  Autumn, 
and  Ivy  showing  Winter,  the  design  leaving  one  side  of  the  mirror 
unfinished  showing  that  Love  never  ends.  A  beaded  silver 
oval  surrounds  the  mirror.  Mounted  on  hexagonal  satin-wood 
panel.  The  work  of  one  of  the  finest  modern  Italian  artists, 
Paolo  Rinaldini  of  Florence.  Size  of  mirror,  14  1-2  x  11 1-2  inches. 

1360.  Ivory  Silk  Cushion. 

Embroidered  in  an  individual  pattern  of  ribbons  and  floral 
garlands  in  delicate  rose;  the  reverse  side  of  plain  rose  silk. 

I  207  I 


1361.  Pair  of  Down  Cushions. 

Grey  silk  centres,  quatrefoil  shape,  surrounded  by  applique  gilt 
floral  embroidery  on  grey  velvet.  Both  sides  alike.  A  special 
design  made  to  order  for  Miss  Grigsby.  (2  pieces.) 

1362.  Renaissance  Lace  Bureau  Covers. 

Three  pieces,  various  widths. 

1363.  Large  Couch  Rug  of  Old  Gold  Brocade. 

In  a  pattern  of  feathers  and  flowers  in  gold  and  colors  on  old 
ivory  ground.  Lined  with  rose  satin  and  trimmed  with  sable 
tails  and  wide  Duchess  lace  flounce. 

1364.  Hand-made  Banquet  Cloth  of  Lace,  Linen  and  Embroidery. 

Squares  of  ivory  filet  lace  in  the  form  of  hearts,  set  in  linen  corners 
embroidered  "a  1'Anglaise, "  with  inserted  medallions  of  Point 
de  Venise. 

These  squares  are  put  together  with  wide  gold  thread  lace  em- 
broidered in  chenille  and  ribbon  flowers  in  pastel  shades.  The 
cloth  is  bordered  in  wide  gold  thread  lace  embroidered  in  flowers 
in  a  like  manner  and  fringed  with  separate  blossoms. 

Made  in   Paris.    Length,   138  inches;  vridth,   78  inches. 

1365.  Spanish  Gold  Thread  Embroidery. 

Table  scarf  of  gold  thread  drawn  work.  35  x  19  inches. 

1366.  Pair  of  Spanish  Gold  Embroidered  Squares. 

Two  squares  of  gold  thread  drawn  work.  20  x  20~inches. 

1367.  Pair  of  Spanish  Gold  Embroidered  Squares. 

The  same  as  the  above. 

1368.  Pair  of  Spanish  Gold  Embroidered  Squares. 

The  same  as  the  above. 

1369.  Spanish  Gold  Thread  Embroidery. 

Twelve  doyleys  embroidered  in  gold  thread. 

1370.  Mexican  Drawn  Linen  Table  Cloth. 

Wide  hemstitched  edge,  deep  elaborate  corner  designs,  one  wide 
and  two  narrow  rows  of  Mexican  drawn  work  around  the 
entire  cloth.  120  x  70  inches. 

[208] 


1371.  Pair  of  Antique  Italian  Bronze  Andirons. 

Bronze  Cupids  fifteen  inches  in  height,  standing  on  triangular 
base  ornamented  with  medallions  of  women's  heads  flanked  by 
fauns.  Upheld  by  Amorini  and  scroll  work. 

Height,  42  inches. 

1372.  Large  Italian  Carved  Walnut  Side  Chair. 

Irregular  oval  back  and  seat  upholstered  in  purple  cut  velvet. 

1373.  Four  Italian  Carved  Side  Chairs. 

Upholstered  in  purple  cut  velvet;  oval  panels  of  the  same  in 
the  backs  and  on  the  reverse. 

1374.  Italian  Carved  Prie  Dieu  of  Antique  Walnut. 

Elaborately  carved  in  the  style  of  the  Italian  Renaissance  in 
high  relief  with  a  group  of  Knights,  the  Virgin  and  Child  above, 
upholstered  in  purple  cut  velvet.  Height  of  back,  51  inches. 

1375.  Italian  Oak  Library  Table. 

Elaborately  carved,  two  drawers  (cracked.) 

Width,  34  inches;  length,  53  inches. 

1376.  Dresser  with  Mirror  of  Carved  Italian  Walnut. 

Cabinet  bottom,  one  long  drawer,  marble  top,  with  mirror 
framed  in  elaborate  carving  of  winged  female  forms,  flanked  by 
two  small  drawers.  Carved  and  twisted  columns  at  the  corners; 
oval  panels  of  Cupids  in  relief  on  the  cabinet  doors.  The  whole 
elaborately  carved. 

Height,  106  inches;  width,  57  inches;  depth,  25  1-2  inches. 

1377.  Dresser  of  Carved  Italian  Walnut  with  Oval  Mirror. 

Smaller,  but  matches  the  foregoing.  Under  the  mirror  is  a 
narrow  marble  shelf  running  the  length  of  the  dresser. 

Height,  90  inches;  width,  54  inches;  depth,  26  1-2  inches. 

1378.  Carved  Italian  Walnut  Hexagonal  Table. 

Carved  top,  six  curved  and  vine-wreathed  legs  resting  on  a 
solid  hexagonal  carved  base  about  ten  inches  in  height. 

[210] 


1379.  Italian  Carved  Walnut  Night  Stand  and  Jewel  Safe  Com- 

bined. 

Elaborately  carved  cabinet  bottom  containing  the  safe,  one 
drawer,  marble  top,  carved  back  with  dolphin  panel  in  high 
relief  surmounted  by  Amorino  on  a  scroll. 

The  jewel  safe  measures  21^  inches  high  x  14  }<£  inches  wide 
x  12  inches  deep;  the  body  of  the  safe  ^/±  inch  thick  of  best  steel 
plates,  the  door  ^2  mcn  thick;  the  lock  securely  fastened  to  the 
door  by  a  steel  strap.  The  inside  of  the  safe  lined  with  wood 
shelves  on  a  bookcase  rack  with  three  covered  with  maroon 
velvet. 

Height  back,  64  inches;  height  cabinet,  36  1-2  inches; 
width,  23  1-2  inches;  depth,  17  inches. 

1380.  Pier-glass  in  Italian  Carved  Walnut  Stand. 

Twisted  vine- wreathed  pillars  rest  on  four  dolphins.  The  top 
of  the  mirror  ornamented  with  the  busts  of  women  upholding 
a  shield.  Height,  79  inches. 

1381.  Carved  Mahogany  Sofa  or  Canape  Longue. 

Three-quarter  back,  five  legs,  upholstered  front  and  back  in 
cut  purple  velvet. 

1382.  Italian  Carved  Arm  Chair  of  Old  Walnut. 

Elaborately  carved,  curved  arms  ending  in  winged  heads;  the 
base  ending  in  lions'  heads.  Height  of  back,  50  1-2  inches. 

1383.  Italian  Carved  Wood  Lady's  Desk. 

Cabinet  bottom,  carved  door  with  bronze  hinges,  flanked  by 
carved  and  twisted  columns  on  lions'  heads  in  relief.  One 
long  drawer,  sloping  cover  closing  over  small  drawers  and  pigeon- 
holes; two  small  drawers  above  and  elaborately  carved  over- 
hanging top;  bronze  mounts  carved  in  high  relief. 

Height,  60  inches;  width,  39  inches;  depth,  20  inches. 

1384.  Italian  Carved  Double  Bed  and  Canopy. 

At  the  foot  are  twisted  columns  wreathed  in  vine  leaves, 
an  Amorino  perched  on  the  top  of  each.  The  base  and  headboard 
are  elaborately  carved  in  high  relief  with  groups  of  Amorini, 
Dolphins  and  Scrolls.  Carved  Cupids  upholding  shields  sur- 
mount the  canopy  of  purple  brocade  lined  with  lace  over  lilac 
silk.  A  tufted  damask  dais  around  three  sides. 

[211] 


1385.  Purple  Satin  and  Lace-covered  Roll  for  the  Same. 

1386.  Lace  Spread  for  the  Same. 

1387.  Bed  Hangings  of  Violet  Silk  Brocade. 

For  the  foregoing.  Lined  and  fringed.  Silk  loops.  Canopy  of 
violet  velvet.  Three  coats-of-arms  in  applique  with  gold 
fringe.  Lining  of  two  pairs  of  lace  curtains. 

1388.  Italian  Carved  Antique  Walnut  Chariot  Chair. 

The  chair  in  shape  of  a  low  curved  chariot  resting  on  the  Winged 
Lion  of  St.  Mark  at  the  back,  supported  in  front  by  wheels. 
The  curved  back  ends  in  the  figure  of  a  woman  forming  the 
arms;  claw  feet.  Upholstered  in  striped  purple  velvet. 

1389.  Italian  Carved  Hall  Chest. 

On  six  low  legs.    Length,  10  feet;  width,  2,2  feet;  height,  2.7  feet. 

1390.  Antique  Italian  Carved  Wall  Cabinet. 

Table  support,  front  legs  as  women,  their  bodies  terminating 
in  scrolls  and  claws,  shield  back  with  relief  carving  in  panels, 
and  one  drawer.  Upper  part  with  one  drawer  cabinet  top 
with  two  doors  from  the  centre  of  each  of  which  appears  a  Cupid; 
the  corners  of  Cupids  terminating  in  scrolls;  carved  top  ending 
in  a  winged  grotesque.  From  the  Collection  of  Charles  F. 
Phillips.  Height,  72  inches;  width,  42  inches;  depth,  21  inches. 


212 


ELEVENTH  SESSION 


Braun-Clement  Carbon  Prints 

Many  of  which  are  mounted  on  linen  and  handsomely  framed 
REMBRANDT 


1391.    Portrait  of  a  Man. 

Portrait  of  a  Woman. 

Pair  in  square  frames. 


(2  pieces.) 


MICHELANGELO 

1392.    The  Lybian  and  Delphic  Sybils  from  the  Sistine  Chapel. 


Large  photographs  in  oak  frames. 
FRA   ANGELICO 

1393.  Frieze  of  Twelve  Angels. 

Set  in  a  panel. 

MURILLO 

1394.  The  Infant  Jesus  and  St.  John. 

In  very  elaborate  carved  gilt  frame. 

TITIAN 

1395.  Lavinia  (daughter  of  the  Painter). 

Large  folio. 

RUYSDAEL 

1396.  Landscape. 

Large  folio. 

MICHELANGELO 

1397.  Figures  from  the  Tomb  of  the  Medici. 

GEORGE  ROMNEY 

1398.  Lady  Hamilton  as  a  Bacchante. 
The  Parson's  Daughter. 

Gilt  frames. 

FRANZ  HALS 

1399.  Portrait  of  a  Woman. 
Portrait  of  a  Man. 

4to. 

[2131 


(2  pieces.) 


(2  pieces.) 


(2  pieces.) 


WATTEAU 

1400.    The  Departure  for  Cythera. 

Small  folio. 


1401.  Pair  of  Green  Velvet  Hair  Cushions. 

For  hall  chests.     Upholstered  on  both  sides  and  tufted. 

1402.  Small  Carved  Mahogany  Folding  Chair. 

Ending  in  claw  feet;  four  carved  slats,  seven  slats  make  seat. 

Height  of  back,  33  inches. 

1403.  Pair  of  Footstools. 

Upholstered  in  crimson  velvet,  with  crest  embroidered  in  silver. 

1404.  Pair  Square  Sofa  Pillows. 

Covered  with  old  gold  satin,  applique  embroidery  of  birds. 

1405.  Pair  Square  Sofa  Pillows. 

Similar  to  the  foregoing. 

1406.  Pair  Square  Sofa  Pillows. 

Similar  to  the  foregoing* 

1407.  Wrought  Iron  Reading  Desk.  Height,  49  inches. 

1408.  Venetian  Low  Carved  Arm  Chair. 

With  narrow  seat  upholstered  in  striped  purple  velvet. 

Height  of  back,  36  1-2  inches. 

1409.  Swiss  Musical  Carved  Wood  Chair. 

Inlay   decoration,   playing   four   airs,    from   Faust,   Aida,   Don 
Juan,  and  the  Barber  of  Seville. 

1410.  Inlaid  Music  Cabinet. 

One  drawer  and  cupboard. 

Height,  31  1-2  inches;  width,  14  1-2  inches;  length,  21  inches. 

1411.  Pair  of  Circular  Oak  Footstools. 

Upholstered  in  tapestry. 

[215] 


1412.  Pair  of  XVth  Century  Spanish  Carved  Wood  Figures  of  the 

Madonna  and  St.  Catherine. 

Drapery  gilded,  one  holding  a  chalice  and  one  the  sword  and 
broken  wheel.     From  a  monastery  in  Nuremberg. 

Height,  27  inches. 

1413.  Italian  Stand. 

Elaborate  ivory  inlay  decoration,  one  drawer. 

1414.  Gorham  Silver  Toilet  Set. 

Cloth,  hat  and  military  brushes  with   silver  backs,  combs,  etc. 

(7  pieces.) 

1415.  Three  Large  Down  Sofa  Pillows. 

Heavy   rose-colored  rep  silk,  with  centre  and  corner  pieces  of 
gold  applique. 

1416.  Three  Large  Down  Sofa  Pillows. 

Covered  in  rose  silk  velour. 

1417.  Antique  Hall  Chair. 

Inlaid  with  ivory. 

1418.  Two  Carved  Gilt  Mahogany  Footstools. 

Upholstered  in  gold  and  silver  embroidery  on  red  velvet.     From 
the  Royal  School  of  Art  Needlework,  South  Kensington. 

1419.  Small  Italian  Hall  Chair. 

Inlaid  ivory  decorations. 

1420.  Round  Antique  Oak  Lamp  Table. 

Elaborately  carved.  Diameter,  32  inches. 

1421.  Antique  French  Mantel  Clock. 

Classic  design,  Alabaster  columns,  metal  dial. 

1422.  Ebony  Night  Stand. 

With  one  drawer,  cabinet  bottom. 
Ebony  Light  Stand;  Ebony  Book  Rest. 

Length,  30  inches.     (3  pieces.) 

1423.  Circular  Rose  Wood  Table. 

Marquetry  inlay,  marble  top,  with  brass  rim  and  one  drawer. 

[216] 


1424.  Carved  Red  Wood  Flower  Stand. 

Marble  top.  Height,  36  inches. 

1425.  Pair  Antique  Andirons. 

With  log  rest  Cupids  holding  garlands  on  a  triangular  base, 
above  three  fauns  in  relief  support  Cupids  (15  inches  high). 

Height,  40  inches. 

1426.  Pair  Tall  Brass  Andirons. 

Baronial  shapes  with  lion  head  medallions  at  base. 

142T.    Footstool. 

Upholstered  in  royal  purple  velvet,  monogram  of  Edward  VII. 
gold  embroidery.  Used  at  the  Coronation  Services  of  Edward 
VII.  Secured  from  the  Princess  Christian  when  in  charge  of 
the  Royal  School  of  Art  Needlework,  South  Kensington. 

1428.  Miniature  Portrait  of  a  Lady  on  Ivory. 

Set  in  a  silver  frame,  studded  with  brilliants. 

1429.  Miniature. 

Bust  of  a  lady,  powdered  hair  dressed  high  with  wreath  of  flowers. 
In  ornamental  circular  silver  frame.  Signed  Saintet. 

1430.  Carved  Wood  Miniature  Frame. 

With  miniature  of  a  Court  Beauty. 

1431.  Oval  Miniature  on  Ivory — Persian  Girl. 

Native  dress  in  blue  enamel  frame. 

1432.  Miniature  Portrait  of  Napoleon. 

On  porcelain  wood  frame  inlaid  with  Mother-of -Pearl. 

1433.  Miniature  on  Porcelain. 

Group  of  classical  figures,  in  gilt  frame. 

1434.  Miniature  Locket  Brooch. 

Containing  French  miniature  portrait,  on  porcelain,  of  a  young 
man.  Costume  of  XVIIth  Century. 

1435.  Oval  Miniature  on  Ivory. 

Court  Beauty,  XVIIIth  Century,  hair  dressed  high  with  feathers. 

In  ormolu  frame.     Signed  Mirilier. 

[217] 


1436.  Medallion  Painted  on  Paper. 

Child  with  lamb  mounted  in  silver  gilt-headed  frame. 

r 

1437.  Two  Small  Miniatures. 

X. 

Girls'  heads  on  ivory.  Signed  Petit. 

1438.  Book  Wheel. 

Carved  mahogany  exhibition  bookcase  having  four  revolving 
compartments  with  hinged  glass  covers,  33  x  1%  inches,  set  at 
angles  for  the  exhibition  of  books.  Height,  -50  inches. 

1439.  Large  Venetian  Carved  Arm  Chair. 

Seat  and  inside  arms  inlaid,  carved  back.          Width,  ,11  inches. 

1440.  Venetian  Carved  Arm  Chair. 

Of  walnut,  seat  upholstered  in  red  damask. 

Height  back,  63  inches. 

1441.  Pair  Massive  Bronze  Andirons. 

With  four  wood  rests.  Lions  uphold  a  crest  flanked  on  either 
side  by  flower  wreathed  caryatides,  who  support  a  shield  en- 
closing silvered  classical  medallions.  Winged  lyre  with  Cupid 
in  relief  above  holding  silvered  coils  surmounted  by  a  crown. 
From  the  library  of  Francois  Coppee,  famous  French  poet. 
(See  Illustration.)  Height,  56  inches. 

1442.  Antique  Spanish  Oak  Arm  Chair. 

Elaborately  carved,  eagles  resting  on  balls  form  the  front,  the 
sides  and  rails  are  elaborately  carved.  Upholstered  in  fine  old 
ecclesiastical  embroidery  on  velvet.  The  original  from  which 
the  four  copies  in  the  collection  were  made.  See  the  following 
numbers. 

1443.  Pair  Arm  Chairs. 

Copied  from  the  original  in  this  collection  from  a  Spanish  Cathe- 
dral, each  upholstered  in  old  Church  embroideries  in  gold  and 
silver  on  crimson  velvet.  Height  of  back,  50  inches. 

1444.  Pair  Arm  Chairs. 

Companions  to  the  above. 

[218] 


No.  1441.    FRANCOIS  COPPEE.    ANDIRONS 


1445.  Venetian  Cabinet  Secretary. 

Ebony  inlaid  with  ivory,  two  glass  doors,  four  small  and  two 
larger  drawers.  Height,  86  inches;  length,  55  inches. 

1446.  Louis  XVth  Large  Hall  Chair. 

Old  mahogany  carved  and  gilt,  the  arms  ending  in  crouching 
lions,  pineapple  finials.  Upholstered  in  old  Church  embroidery 
in  gold  on  crimson  velvet,  with  coat-of-arms. 

Height  of  back,  58  inches;  width,  27  inches. 

1447.  Louis  XVIth  Large  Hall  Chair. 

Companion  to  the  above. 

1448.  Flemish  Carved  Oak  Library  Table. 

Made  from  Miss  Grigsby's  design,  with  four  deep  sliding  shelves 
at  each  end,  for  folios  and  large  books;  three  drawers  on  each 
side,  the  centre  ones  with  bronze  ring  handles,  irregular  carved 
top.  Length,  7  feet;  width  4  feet. 

1449.  Small  Oak  Library  Table. 

To  match  the  preceding,  containing  sixteen  drawers,  four  on 
each  side  and  four  on  each  end. 

Height,  31  inches;  width,  36  inches;  length,  54  inches. 

1450.  Library  Table  of  Antique  Oak. 

Carved  in  relief  ornament  and  gilded. 

Length,  52  inches;  width,  29  inches. 

1451.  Two  Large  Arm  Chairs  and  Sofa. 

Upholstered  in  red  silk  velour,  five  large  pillows  belonging 
to  the  set. 

1452.  Small  Sofa  of  Antique  Oak. 

Carved  in  relief  and  gilded,  upholstered  in  red  velvet,  the  back 
panel  upholstered  in  applique  embroidery.  The  sofa  was  made 
for  the  purpose  of  using  the  panel  of  embroidery,  as  seen. 

1453.  Mahogany  Book  Case. 

Brass  inlays,  four  shelves,  two  doors  with  silk  curtains. 

Height,  56  inches;  width,  48  inches. 

[220] 


1454.  Mahogany  Washington  Desk. 

Colonial  shape,  top  fatted  with  two  shelves  at  each  end;  one  long 
drawer  and  six  small  drawers  on  either  side,  brass  pull. 

54  1-2  x  32  inches. 

1455.  Six  Queen  Anne  Mahogany  Side  Chairs. 

Cane  seats. 

1456.  Carved  Antique  Oak  Library  Table.  52  x  39  inches. 

1457.  Antique  Oak  Writing  Desk. 

Two  side  cupboards  fitted  with  shelves,  glass  doors,  lined  with 
gold-figured  silk,  two  small  drawers  on  either  side  of  a  niche, 
below  which  are  extension  writing  shelf  and  one  long  drawer 
underneath. 

Height,  64  inches;  width,  37  inches;  depth,  25  inches 

(with  extension)  33  inches. 

1458.  Pair  of  Ebony  Side  Chairs. 

Cane  seats. 

1459.  Antique  Oak  Chairs,  Suite  of  Five  Pieces. 

One  large  arm,  two  smaller  arms,  and  two  side  chairs  of  Antique 
Oak,  carved  backs,  upholstered  in  ivory  colored  tapestry  with 
monogram  in  applique". 

1460.  Twin  Beds,  Antique  Oak  Canopy  Top. 

Canopied  with  a  valance  of  figured  tapestry  on  three  sides, 
extending  to  the  headboard,  carved  posts.  Mattress  and  springs. 

1461.  Pair  Gold  Satin  Coverlets. 

With  applique  embroidery  and  monogram  for  the  same. 

1462.  Pair  Gold  Satin  Roll  Pillows. 

For  the  same. 

1463.  Three  Pairs  of  Tapestry  Curtains. 

Of  foliage  pattern,  lined,  finished  with  fringe  and  loops. 

1464.  Three  Pairs  of  Tapestry  Portieres. 

To  match  the  above. 

[221] 


1465.  Tall  Antique  Oak  Walnut  Cabinet. 

With  six  large  drawers,  brass  knobs,  and  cupboard  top  with 
three  shelves  and  leaded  bull's-eye  glass  doors. 

Height,  98 1-2  inches;  length,  50  inches;  depth,  19  1-2  inches. 

1466.  Louis  XVth  Boulle  Cabinet. 

Inlaid  ebony,  glass  front,  elaborate  mountings  of  masques, 
flowers,  and  classic  mouldings  in  finely  chased  gilt  bronze. 
One  shelf,  black  marble  top. 

Height,  48  1-2  inches;  width,  40  inches;  depth,  17  inches. 
This  and  the  following  Boulle  Cabinet  are  from  the  Charles  F. 
Phillips  collection. 

1467.  Louis  XVth  Boulle  Cabinet. 

To  match  the  above,  but  a  little  smaller.     Two  shelves. 

Height,  44  inches;  length,  25  1-2  inches;  width,  14  1-3  inches. 

1468.  Antique  Oak  Library  Table. 

Elaborately  carved,  with  drawer,  solid  ends,  and  one  shelf. 

34  x  54  inches. 

1469.  Ladies'  Dressing  Table  and  Mirror. 

Draped  with  lace  and  net;  colors,  blue  and  white.  (Blue  faded, 
but  lace  in  good  condition.) 

1470.  Patent  Easy  Rocker. 

Upholstered  in  blue  silk  brocade  with  wash  cover. 

1471.  Antique  Four-post  Bed  of  Tulip  Wood. 

With  mattress  and  springs;  canopy  top  and  hangings  of  blue 
silk  brocade  for  the  same. 

1472.  Blue  Brocaded  Satin  Bed  Spread. 

For  the  same. 

1473.  Antique  Walnut  Highboy. 

Resting  on  six  carved  legs,  with  three  large  and  five  small  drawers, 
old  brass  pulls  and  mounts,  open  base,  four  front  legs,  two  curved 
back,  plain  straps. 

1474.  Walnut  Dressing  Table. 

Six  legs,  three  small  drawers.  Made  to  match  Highboy  de- 
scribed. 

[222] 


Suite  of  Dutch  Marquetry  Furniture 

1475.  Twin  Beds. 

High  roll  top  and  low  footboard.      With  springs  and  mattresses. 

1476.  Yellow  Silk  and  Lace  Spreads. 

For  the  same. 

1477.  Pair  of  Lace-covered  Yellow  Silk  Rolls. 

For  the  same. 

1478.  Lady's  Dutch  Marquetry  Dressing  Table. 

With  three  drawers  and  oval  mirror. 

1479.  Hinged  Leaf  Stand  of  Dutch  Marquetry. 

One  small  drawer  and  two  shelves  and  hinged  leaves. 

1480.  Pair  of  Marquetry  Side  Chairs. 

Upholstered  in  cut  velvet. 

1481.  Arm  Chair  of  Dutch  Marquetry. 

Upholstered  in  cut  velvet.    (Repaired.) 

1482.  Work  Table  of  Dutch  Marquetry. 

With  two  shelves. 

1483.  Highboy  of  Dutch  Marquetry. 

With  six  long  drawers. 

1484.  Old  Fashioned  Desk  of  Dutch  Marquetry. 

Flat  top,  curved  front,  one  top  drawer,  four  small  drawers  either 
side. 

1485.  Small  Marquetry  Cabinet. 

One  drawer  and  cupboard  bottom. 

1486.  Small  Marquetry  Work  Table. 

Two  small  drawers  and  one  shelf. 

[224] 


1487.  Linen  Chest  or  Wardrobe  of  Dutch  Marquetry. 

Three  deep  long  drawers  and  two  small  drawers,  large  cupboard 
top  with  two  doors.  A  very  old  and  fine  piece  of  marquetry 
from  the  Lord  George  Hamilton  Collection. 

Length,  66  inches;  height,  96  inches. 

1488.  Dutch  Marquetry  Hall  Clock. 

Marquetry  decorated  case.  Brass  and  silver  dial  with  months 
and  days  and  lunar  phases.  Peter  Klock,  Amsterdam,  Maker. 

1489.  Dutch  Marquetry  Secretary. 

Swelled  front,  three  large  drawers,  ornamented  ormolu  mounts, 
enclosing  shelf  and  roll  cover  over  nine  small  drawers,  two  secret 
drawers  and  pigeon-holes. 

From  the  Lord  George  Hamilton  Collection. 


1490.  Pair  of  Carved  Gothic  Hall  Chairs  of  Antique  Oak. 

Upholstered  with  green  velvet,  gold  embroidery  en  applique. 

1491.  Venetian  Carved  Hall  Chair. 

Knight's  coat-of-arms  carved  on  the  back,  flanked  by  winged 
lions.  Height,  47  inches. 

1492.  Pair  of  Italian  Palace  Chairs. 

Rococo  Period,  upholstered  in  green  brocade. 

Height  back,  65  inches. 

1493.  High  Back  Venetian  Hall  Bench. 

Elaborately  carved,  box  seat,  back  upholstered  in  green  Vene- 
tian brocade,  tufted  seat  cushion  of  the  same. 

Height  back,  64  inches;  length,  64  inches. 

1494.  Italian  Screen  Three-fold  Carved  Gilt  Wood. 

Three  panels  enclosing  oil  paintings  on  canvas,  classical  subjects. 
The  side  panels  have  oval  tops.  Central  panel  (painting  56  x 
47  ^j  inches);  Frame  77  x  52  inches:  Side  Panels  (Paintings 
55  x  38  inches) ;  Frames  77  x  38  x  7  inches.  (Slight  damage) 

[2251 


1495.  Antique  Oak  Prie-Dieu. 

German  Fifteenth  Century  with  bronze  Crucifix.  Panel  carved 
in  relief  with  figure  of  St.  Paul.  Height,  5  feet  9  inches. 

1496.  Pair  of  Italian  Twisted  Carved  Wood  Columns. 

Overlaid  with  applied  carving  of  grapes  and  leaves  in  gold  and 
colors.  Height,  75  inches. 

1497.  Pair  of  Carved  Antique  Oak  Side  Tables. 

Each  having  one  long  drawer  and  plate  rail.         39  x  18  incites. 

1498.  XVIth  Century  Venetian  Ebony  Table. 

Inlaid  with  ivory. 

Height,  33  inches;  width,  32  inches;  length,  51  inches. 

1499.  Louis  XlVth  Ebony  Cabinet  by  Boulle. 

Relief  medallion  of  Moliere  framed  in  a  laurel  wreath  of  chiseled 

brass,  ormolu  chasings  at  each  corner  of  medallions,  scrolls  and 

foliage,  key  plates  and  borders  of  the  same.     Black  marble  top. 

Height,  47  inches;  length,  60  inches;  width,  17  inches. 

1500.  Ebony  Enclosed  Tea  Table,  Louis  XVth  Style. 

With  folding  movable  top  fitted  with  coffee  and  liqueur  service : 
three  cut  glass  bottles  with  stoppers,  3  liqueur  glasses  (3  missing), 
half  a  dozen  coalport  cups  and  saucers,  gold-lined  silver  coffee 
pot  and  sugar  bowl,  tongs  and  half  a  dozen  coffee  spoons;  the 
coffee  service  on  a  glass  bottom  tray  with  handles;  the  liqueur 
set  in  compartments;  underneath  are  compartments  for  cigars. 

Height,  29  inches;  top  unfolds  to  29  x  33  inches. 

1501.  Aeolian  Orchestrelle. 

Style  "V, "  Old  English  Oak,  pipe  front,  with  bench  for  the  same. 
A  very  fine  instrument,  good  workmanship,  and  made  in  the 
best  manner  of  the  Aeolian  Company;  the  original  price  was 
$2,000. 

1502.  Aeolian  Music. 

Fifty -seven  rolls,  including  airs  from  the  Operas  and  some  of 
the  best  modern  composers. 

[226] 


1503.  Weber  Grand  Piano. 

Case  in  Verms-Martin  decoration.     In  perfect  condition. 

1504.  Revolving  Piano  Stool. 

Shell  seat,  Vernis-Martin  decoration. 

1504a.     Silk  Cushion  Panels. 

Four  pairs  changeable  tan  rep  silk  cushion  panels  with  silk  and 
velvet  shield  in  applique  and  raised  monogram  on  four  pieces 
(four  pieces,  plain).  21  x  9  inches. 

1504b.     Silk  Cushion  Panels. 

Three  similar  pairs  (three  pieces,  plain).  21  x  9  inches. 

1504c.     Silk  Cushion  Panels. 

Five  changeable  silk  tan  rep  silk  cushion  panels  with  silk  and 
velvet  shield  in  appliqu6  and  raised  monogram  on  four  pieces, 
21  x  9  inches,  and  6  pieces  of  plain  silk,  26  x  27  inches. 

(11  pieces.) 
1504d.     Silk  Cushion  Panels. 

Two  larger  panels  with  shield  and  monogram  as  above,  25 
x  12  inches,  and  five  plain  pieces,  30  x  33  inches.  (7  pieces.) 


[227] 


Mural  Paintings  by  Albert  Herter 

Six  mural  paintings :  five  wall  panels  and  a  ceiling  decoration;  represent- 
ing the  Niebelungen  Legends,  painted  on  canvas  in  oil  colors. 

1505.  Siegfried  and  the  Rhine  Maidens. 

Height,  80  inches;  width,  42  inches. 

1506.  The  Valkyrie.  Height,  80  inches;  width,  53  inches. 

1507.  The  Three  Fates  Weaving  the  Thread  of  Life. 

Height,  80  inches;  width,  46  inches. 

1508.  Siegmund  in  Flight.  Height,  80  inches;  width,  42  inches. 

1509.  Siegfried  Awakening  Brunhilde. 

Height,  80  inches;  width,  60  inches. 

1510.  The  Gods  Retreating  into  Valhalla. 

This  ceiling  shows  the  Rhine  Maidens  guarding  the  ring  in 
the  depths  of  the  sea;  on  earth  rises  the  Tree  of  Yggdrasyl— 
the  Tree  of  the  Universe,  with  Freya's  apples  from  which  the 
ravens  of  Siegfried  are  flying  towards  the  Gods  in  Valhalla, 
thus  connecting  the  forces  of  the  waters,  earth  and  heavens. 

Length,  25  feet;  width,  15  feet. 

These  paintings  (lots  1505  to  1510)  can  be  seen  at  the  residence 
of  Miss  Grigsby,  No.  660  Park  Avenue,  and  will  be  sold  as  they  are, 
to  be  removed  by  the  purchaser. 

They  will  be  first  offered  as  one  lot,  and  if  not  so  disposed  of, 
will  be  sold  separately. 


228 


NOTE 


Miss  Grigsby's  interesting  and  valuable 

Collection  of  Books  and  Carbon  Prints  will 

- .  -  m 
be    sold    on    Monday  ,  afternoon    and    on 

the  afternoons  and  evenings  of  Tuesday  and 
Wednesday,  January  29,  30,  and  31.  See 
Part  II  of  the  Catalogue. 

The  handsome  city  residence  of  Miss 
Grigsby  at  660  Park  Avenue  is  also  offered 
for  sale  or  rent.  For  particulars  apply  at 
the  office  of  this  Company. 


THE 

EMILIE    QRIGSBY 
COLLECTION 


PART  II 

BOOKS  AND  CARBON  PRINTS 


THE  ANDERSON  GALLERIES 

NEW  YORK 


THE   COLLECTION 

OF 

MISS  EMILIE  GRIGSBY 

OF  NEW  YORK  CITY 


KEATS.     ENDTMION.     FIRST  EDITION 


ILLUSTRATED  CATALOGUE 

—  OF    THE  — 

Art  and  Literary  Collections 

—  OF  — 

Miss  Emilie  Grigsby 


OF  NEW  YORK  CITY 


Part  II -BOOKS  AND  CARBON  PRINTS 


Fine    Sets    of  First   Editions    of  English    Authors, 

Association  Books,   Complete   Sets  of  Book 

Club   Publications,  Autographs 

and  Manuscripts 

ON  EXHIBITION  IN  THE  ANNEX  OF  THE  ANDERSON  GALLERIES, 
No.  16  EAST  FORTIETH  STREET.     THE  BOOKS  AND  CAR- 
BON PRINTS  WILL  BE  SOLD  BY  AUCTION  IN  THE 
AUDITORIUM  OF  THE  ANDERSON  GAL- 
LERIES DURING  THE  FIRST 
HALF  OF  THE  WEEK 

BEGINNING  JANUARY  29,  1912 

BY 

The  Anderson  Auction  Company 

MADISON  AVENUE  AT  FORTIETH  STREET 
NEW  YORK  CITY 


Conditions  of  Sale 


1.  All  bids  to  be  per  Lot  as  numbered  in  the  Catalogue. 

2.  The  highest  bidder  to  be  the  buyer;  in  all  cases  of  disputed  bids  the  lot 
shall  be  resold,  but  the  Auctioneer  will  use  his  judgment  as  to  the  good  faith  of 
nil  claims  and  his  decision  shall  be  final. 

3.  Buyers  to  give  their  names  and  addresses  and  to  make  such  cash  pay- 
ments on  accounts  as  may  be  required,  in  default  of  which  the  lots  purchased 
to  be  immediately  resold. 

4.  Goods  bought  to  be  removed  at  the  close  of  each  sale.    If  not  so  removed 
they  will  be  at  the  sole  risk  of  the  purchaser,  and  subject  to  storage  charges, 
and  this  Company  will  not  be  responsible  if  such  goods  are  lost,  stolen,  damaged 
or  destroyed, 

5.  TERMS  CASH.    If  accounts  are  not  paid  at  the  conclusion  of  each 
Sale,  or,  in  the  case  of  absent  buyers,  when  bills  are  rendered,  this  Company 
reserves  the  right  to  recatalogue  the  goods  for  immediate  sale  without  notice 
to  the  defaulting  buyer,  and  all  costs  of  such  resale  will  be  charged  to  the 
defaulter.     This  condition  is  without  prejudice  to  the  rights  of  the  Company 
to  enforce  the  sale  contract  and  collect  the  amount  due  without  such  resale  at 
its  own  option.    Unsettled  accounts  are  subject  to  interest  at  the  rate  of  six  per 
cent,  per  annum. 

6.  All  books  are  sold  as  catalogued,  and  are  assumed  to  be  in  good  second- 
hand condition.    If  material  defects  are  found,  not  mentioned  in  the  catalogue, 
the  lot  may  be  returned.    Notice  of  such  defects  must  be  given  promptly  and  the 
goods  returned  within  ten  days  from  the  date  of  the  sale.    No  exceptions  will 
be  made  to  this  rule.    Magazines  and  other  periodicals  and  all  miscellaneous 
books  arranged  in  parcels  are  sold  as  they  are  without  recourse.   , 

7.  Autograph  Letters,  Documents,  Manuscripts  and  Bindings  are  sold  as 
they  are  without  recourse.    The  utmost  care  is  taken  to  authenticate  and  cor- 
rectly describe  items  of  this  character,  but  this  Company  will  not  be  responsible 
for  errors,  omissions,  or  defects  of  any  kind. 

8.  Bids.     We  make  no  charge  for  executing  orders  for  our  customers. 
We  use  all  bids  competitively  and   buy  at  the  lowest  price  permitted  by 
other  bids. 

THE  ANDERSON  AUCTION  COMPANY 

MADISON  AVENUE  AT  FORTIETH  STREET,  NEW  YORK 
TELEPHONE  7990  BRYANT 


Order  of  Sales 


Monday  Afternoon,  January  29      .    .  Lots,          1-302 

Tuesday  Afternoon,  January  30     .     .  Lots,      303-592 

Tuesday  Evening,  January  30    ...  Lots,      593-900 

Wednesday  Afternoon,  January  31     .  Lots,    901-1186 

Wednesday  Evening,  January  31     .     .  Lots,  1187-1459 


The    Collection    of    Miss    Emilie    Grigsby 


PART  II— BOOKS  AND  CARBON  PRINTS 


Miss   Grigsby's   bookplate   designed    by  Lalique   of 
Paris  will  be  found  in  every  volume  in  her  Library 


FIRST  SESSION 

1.  ABOUT     (EDMOND).      Le    Roi    des    Montagues. 
**•     Illustrations  by  G.  Dore.     8vo,  half  morocco,  gilt 

edges.  Paris,  1861 

2.  ABOUT   (EDMOND).     Trente  et  Quarante.     Frontis- 
piece, proof  on  India  paper,  and  numerous  illustrations.    Royal 
8vo,  calf  gilt,  gilt  top.  Paris,  1891 

3.  ADELINE  (JULES).     La  Peinture  a  1'eau:    aquarelle, 
lavis,  gouache,  miniature.    5  plates  in  colors  and  145  text  illus- 
trations.    8vo,  half  morocco,  gilt  top,  uncut. 

Paris,  Quantin,  n.  d. 

4.  J^SOP.     Fables  of  ^Esop  and  other  eminent  mythologists; 
with  morals  and  reflexions  by  Sir  Roger  L'Estrange.     Portrait 
engraved  by  Vander  Gucht  after  Kneller  and  frontispiece.     8vo, 
old  panelled  calf.  Lond.  1724 

5.  ALBUM  OF   CARICATURES.     Album   de  la  guerre, 
caricature    d'actualites  par  Cham,  Daumier,  Darjou,  Hadol, 
Stop  et  Vernier,  Paris  [ca.  1865];  Les  Tatonnements  de  Jean 
Bidoux  dans  la  carriere  mititaire  par  Cham,  Paris,  n.  d.;    Le 
Secret  de  Polichinel  par  Girin,  Paris,  n.  d.    3  pieces  in  one  vol. 
Royal  4to,  half  levant  morocco  gilt,  gilt  top,  by  Ruban. 

6.  ALDRICH  (THOMAS  BAILEY).      Works.      Portrait, 
proof  on  India  paper.     8  vols.  8vo,  half  levant  morocco,  gilt 
floral  backs,  gilt  tops,  uncut.   Cambridge:  Riverside  Press,  1897 

*  LARGE  PAPER,  limited  to  250  copies,  with  the  author's  autograph 
signature  in  Vol.  I.  Laid  in  is  an  A.  L.  S.  by  the  author  addressed  to 
Mr.  Mosher  complimenting  him  on  his  edition  of  "In  Praise  of  Omar," 
by  John  Hay.  1  p.  16mo,  dated  May  5,  1898. 

7.  ALLEN  (CHARLES  D.).     American  Book-Plates,  with 
a  Bibliography  by  E.  N.  Hewins.     Numerous  reproductions  of 
rare  and  interesting  book-plates.     12mo,  half  morocco,  gilt  top. 

N.  Y.  1894 


8.  ALLEN  (JAMES  LANE).    A  Kentucky  Cardinal :  After- 
math ;   Flute  and  Violin  (2  copies) ;  The  Reign  of  Law.    FIRST 
EDITION.      Grahame's  Pagan  Papers  .and  The    Golden    Age. 
Some  illustrated.    Together,  7  vols.  12mo  and  16mo,  cloth. 

N.  Y.  v.  d. 

9.  ALMANACK  des  Dames  pour  1812.    Engraved  portraits 
and  plates.     16mo,  old  French  red  morocco  gilt,  gilt  edges. 

Paris,  [1811] 

10.  ALZOG  (JOHN).    Manual  of  Universal  Church  History, 
translated  with  additions  by  F.  J.  Pabisch  and  T.  S.  Byrne. 
3  vols.  8vo,  cloth.  Cinn.  1899 

11.  AMERICAN  AUTHORS.   Hawthorne's  Mosses  from  an 
Old  Manse,  Twice  Told  Tales,  Scarlet  Letter,  etc. ;  Longfellow's 
Kavanagh  and  Hyperion,  and  others.    Together  10  vols.    12mo, 
cloth.  v.   p.,   v.   d. 

12.  AMERICAN    AUTHORS  [LETTERS  OF].     A.   L.   S.   of 
F.  H.  Day,   Annie   Fields,   Margaret    Crosby,   E.   C.    Bolles, 
and  others.     13  pieces. 

13.  AMERICAN    AUTHORS    AND     ILLUSTRATORS 

[LETTERS  OF].     A.  L.  S.  of  P.  T.  Barnum,    Clinton   Scollard, 
J.  E.  Spingarn,  Louis  Rhead,  and  others.     16  pieces. 

14.  AMERICAN  MEN  OF  LETTERS.   Edited  by  C.  D. 
Warner:    William  Cullen  Bryant  by  Bigelow;    George  Ripley 
by  Frothingham,  Washington  Irving  by  Warner;  Noah  Webster 
by  Scudder;    Ralph  Waldo  Emerson  by  Holmes;    Henry  D. 
Thoreau  by  Sanborn;    Edgar  Allan  Poe  by  Woodberry;  etc. 
Portraits.     13  vols.   12mo,  cloth.  Bost.   1890-95 

15.  AMERICAN  POETS.    Longfellow's  Tales  of  a  Wayside 
Inn  (1863);  Three  Books  of  Song  (1872);  New  England  Trage- 
dies (1868),    FIRST  EDITIONS.       Courtship  of  Miles  Standish 
(1859);   Whittier's  Among  the  Hills,  and  Other  Poems  (1869), 
FIRST  EDITION.     5  vols.  12mo,  cloth.  Bost.  1859-72 

16.  AMERICAN   AND   ENGLISH   POETS.     The   Cam- 
bridge Book  of  Poetry  and  Song.    Selected  from  American  and 
English  Authors  by  C.  F.  Bates,  2  vols.;    Complete  Poetical 
Works   of   Dante   G.    Rossetti;     Poetical   Works   of   William 
Cowper,  3  vols.  in  2.     Illustrations.     5  vols.  12mo,  half  calf, 
gilt  tops.    (Binding  not  quite  uniform.)  N.  Y.  &  Bost.  n.  d.  [1896] 

[10] 


17.  AMERICAN    AND    ENGLISH    POETS.      Poems    of 
Thomas    Bailey  Aldrich;    Poetical  Works   of  James   Russell 
Lowell;     Longfellow's    Poetical    Works;     Poetical    Works    of 
Tennyson.     Portraits  and  illustrations.     4  vols.  12mo,  half  calf 
gilt,  gilt  top  (not  uniform).  Bost.  n.  d. 

18.  AMERICAN  STATESMEN.    Edited  by  J.  T.  Morse: 
Thomas   Jefferson   by   Morse;     Lewis   Cass   by    McLaughlin; 
Benjamin  Franklin  by  Morse;     Andrew  Jackson  by  Sumner; 
John  Marshall  by  Magruder,  etc.     Portraits.     27  vols.  12mo, 
cloth.  Bost.  1895,  etc. 

The  Writings  of  William  Loring  Andrews 
Some  Presentation  Copies  and  some  on  Japan  Paper 

19.  ANDREWS  (WILLIAM  LORING).    Roger  Payne  and 
his  Art :  a  short  account  of  his  life  and  work  as  a  binder.    Por- 
trait after  an  old  print,  and  reproductions  of  bindings.     12mo, 
cloth,  uncut.  N.  Y.  1892 

*  Limited  to  120  copies  printed  on  Holland  paper. 

20.  ANDREWS  (WILLIAM  LORING).     Jean  Grolier  de 
Servier  Viscount   d'Aguisy:   Some  account  of  his  Life  and  of 
his  famous  Library.     Reproductions  of  bindings,  etc.  8vo,  cloth, 
uncut.  N.  Y.  1892 

*  Limited  to  140  copies. 

21.  ANDREWS    (WILLIAM    LORING).      The    Bradford 
Map.    The  City  of  New  York  at  the  time  of  the  granting  of  the 
Montgomerie  Charter — to  accompany  a  facsimile  of  an  actual 
survey  made  by  James  Lyne.      Numerous  illustrations.     8vo, 
cloth,  uncut.  N.  Y.  1893 

*  Limited  to  142  copies.     Presentation  copy  with  autograph  in- 
scription from  Mr.  Andrews. 

22.  ANDREWS  (WILLIAM  LORING).     The  Old  Book- 
sellers of  New  York  and  other  Papers.    3  plates  of  views  engraved 
byE.  D.  French  and  a  facsimile.    12mo,  cloth,  uncut.  N.  Y.  1895 

*  Limited  to  142  copies.    Presentation  copy  from  the  author  with 
autograph  inscription  to  Miss  Grigsby. 

23.  ANDREWS  (WILLIAM  LORING).    An  Essay  on  the 
Portraiture   of   the  American  Revolutionary   War,   being  an 
account   of   a   number   of   the   engraved  portraits   connected 
therewith,  remarkable  for  their  rarity  or  otherwise  interesting. 
To  which  is  added  an  appendix.  18  facsimiles  of  portraits.    8vo, 
cloth,  uncut.  N.  Y.  1896 

*  Limited  to  185  copies. 

fill 


24.  ANDREWS  (WILLIAM  LORING).    New  Amsterdam, 
New  Orange,  New  York:    a  chronologically-arranged  account 
of  engraved  views  of  the  city  from  the  first  picture  published 
in  1651  until  the  year  1800.    36  full  page  plates,  one  in  colors, 
and  15  vignettes  engraved  by  E.  D.  French.     8vo,  cloth,  gilt  tops, 
uncut.  N.  Y.  1897 

*  Limited  to  170  copies  on  American  hand-made  paper. 

25.  ANDREWS  (WILLIAM  LORING).    A  Prospect  of  the 
Colledges  in  Cambridge  in  New  England ...  engraved  by  William 
Burgis  in  1726.     6  illustrations.       8vo,  cloth,  gilt  top,  uncut. 

N.  Y.  1897 

*  One  of  25  copies  on  Imperial  Japan  paper.  Presentation  copy  from 
the  author,  with  autograph  inscription  to  Miss  Grigsby. 

26.  ANDREWS    (WILLIAM    LORING).      Fragments    of 
American  History,  illustrated  solely  by  the  works  of  those  of 
our  own  engravers  who  flourished  in  the  18th  Century.     18 
reproductions  of  rare  engravings,  4  of  which  in  colors.     12mo, 
half  calf,  gilt  top,  uncut.         N.  Y. :    Privately  printed,  1898 

*  Limited  to  80  copies  on  hand-made  paper.    Presentation  copj'  from 
the  author  to  Miss  Grigsby,  with  autograph  inscription. 

27.  ANDREWS  (WILLIAM  LORING).    A  Trio  of  Eigh- 
teenth Century  French  Engravers  of  Portraits  in  Miniature: 
Ficquet,   Savart,   Grateloup.      Numerous  reproductions  of  old 
engravings,  including  one  in  colors.     8vo,  wrappers,  uncut. 

N.  Y.  1899 

*Limited  to  161  copies  on  Imperial  Japan  paper.  Laid  in  are  a 
poem  by  A.  Lang  and  a  verse  of  4  lines  by  Mr.  Andrews,  all  in  the 
autograph  of  the  latter  and  written  expressly  for  Miss  Grigsby. 

28.  ANDREWS     (WILLIAM    LORING).      Sextodecimos 
and  Infra.      Numerous  facsimiles   of  title-pages,  frontispieces, 
portraits  and  bindings,  some  in  colors.     12mo,  gilt  wrappers, 
uncut.  N.  Y.  1899 

*  Limited  to  140  copies. 

29.  ANDREWS    (WILLIAM    LORING).      James    Lyne's 
Survey  or,  as  it  is  more  commonly  known,  the  Bradford  Map. 
An  appendix  to  an  account  of  the  same.     3  facsimile  maps. 
12mo,  cloth,  uncut.  N.  Y.  1900 

*  Limited  to  170  copies.     Presentation  copy  from  the  author  with 
autograph  inscription  to  Miss  Grigsby. 

[12] 


30.  ANDREWS    (WILLIAM    LORING).      Gossip    about 

Book-Collecting.  12  illustrations  of  which  6  are  in  colors.  2 
vols.  12mo,  original  illuminated  wrappers  in  imitation  of 
a  Seventeenth  Century  English  binding,  uncut.  N.  Y.  1900 

*  One  of  32  copies  on  Imperial  Japan  paper.    On  the  first  fly-leaf 
is  a  verse  of  a  poem  by  Eugene  Field  written  by  Mr.  Andrews  at  the 
request  of  Miss  Grigsby. 

31.  ANDREWS  (WILLIAM  LORING).    Paul  Revere  and 
his  engraving.    Engraved  title  by  E.  D.  French,  17  full-page  plates 
of  which  one  is  in  colors,  and  15  illustrations.     8vo,  boards,  gilt 
top,  uncut.  N.  Y.  1901 

*  One  of  35  copies  on  Japan  paper. 

32.  ANDREWS  (WILLIAM  LORING).  The  Iconography 
of  the  Battery  and  Castle  Garden.     20  illustrations,  3  of  which 
are  in  colors.     8vo,  cloth,  gilt  top,  uncut.  N.  Y.  1901 

*  One  of  32  copies  on  extra  quality  Japan  paper. 

33.  ANDREWS  (WILLIAM  LORING).   Bibliopegy  in  the 
United  States,  and  kindred  subjects.     Engraved  frontispiece  and 
title,  plates,  facsimiles,  etc.   8vo,  boards,  gilt  top,  uncut. 

N.  Y.  1902 

*  One  of  36  copies  on  Imperial  Japan  paper. 


34.  ANGLO-SAXON    REVIEW,    a    quarterly    miscellany, 
edited  by  Lady  Randolph  Spencer  Churchill.     Illustrated.     10 
vols.  4to,  calf  gilt  in  imitation  of  ancient  historical  bindings. 

Lond.  1899-1901 

*  Complete  set,  now  becoming  scarce. 

35.  APPLETON'S     SCIENTIFIC     SERIES.       Darwin's 
Origin  of  Species,  2  vols.;   Darwin's  Animal  and  Plants  Under 
Domestication,  2  vols.;   Darwin's  Journal  of  Researches;  Dar- 
win's Insectivorous  Plants;  Darwin's  Life  and  Letters,  2  vols.; 
Haeckel's  Evolution  of  Man,  2  vols.;    Spencer's  Principles  of 
Biology,  2  vols.;    Spencer's  Principles  of  Psychology,  3  vols.; 
Spencer's  Principles  of  Ethics,  2  vols.;   Spencer's  Principles  of 
Sociology,  5  vols.;    etc.,  together,  60  vols.  12mo,  half  leather. 

N.  Y.  1898 

*  Fine  collection. 

36.  ARABIAN  NIGHTS.     The  Thousand  Nights  and  One 
Night,  now  first  completely  done  into  English  Prose  and  Verse, 

[13] 


from  the  original  Arabic,  by  John  Payne,  9  vols.,  1882-84; 
Tales  from  the  Arabic  of  the  Breslau  and  Calcutta  (1814-18) 
editions  of  the  book  of  The  Thousand  Nights  and  One  Night, 
not  occurring  in  the  other  printed  texts  of  the  work,  now  first 
done  into  English  by  John  Payne,  3  vols.,  1884;  Alaeddin  and 
the  Enchanted  Lamp,  Zein  Ul  Asnam  and  the  King  of  the 
Jinn,  done  into  English  from  the  recently  discovered  Arabic 
Text  by  John  Payne,  1889.  13  vols.  8vo,  vellum  gilt,  gilt  tops, 
uncut.  Lond.:  for  the  Villon  Society,  1882-89 

*  Limited  to  500  sets  printed  by  private  subscription  and  for  pri- 
vate circulation  only. 

37.  ARCHITECTURE   AND    PAINTING.       History    of 
Architecture    (Hamlin);     History    of    Painting    (Van   Dyke); 
The  Philosophy  of  the  Beautiful,  2  vols.  (Knight);  Adventure 
in  Photography  (Octave  Thanet);    and  others.     Together,  9 
vols.  12mo,  and  smaller,  cloth  and  boards.  v.p.,  v.d. 

38.  ARMY  AND  NAVY  of  the  United  States,  with  Appen- 
dix.     Plates   beautifully  printed  in  colors   and  numerous  text 
illustrations  on  Japan  paper.     12  parts  folio,  cloth  portfolios 
(last  part  in  wrappers).  Phila. :  G.  Barrie,  1896 

*  EDITION  DE  LUXE,  limited  issue. 

39.  ARNOLD   (MATTHEW).     Essays  in  Criticism,  First 
and  Second  Series;    Poems,  3  vols.;    Literature  and  Dogma; 
Discourses  in  America;  God  and  the  Bible;  etc.    14  vols.  12mo, 
cloth.  Lond.  &  N.  Y.  1895-96 

40.  ARNOLD    (MATTHEW).      Empedocles    on    Etna,    a 
Dramatic  Poem.     Woodcuts  and  initials.     8vo  wrappers  and 
boards,  uncut.  Portland,  Me.:  Mosher,   1900 

*  One  of  50  copies  printed  on  Japan  vellum. 

41.  ARNOLD  (THOMAS).    Miscellaneous  Works,  collected 
and  republished,  1845;   History  of  the  Late  Roman  Common- 
wealth, 2  vols.,  1845;    History  of  Rome,  3  vols.,  1848-50.     6 
vols.  8vo,  uniformly  bound  in  polished  calf  gilt,  marbled  edges. 
LIBRARY  EDITION.  Lond.  1845-50 

42.  ART.     Art  Life  and  Theories  (Wagner),  1889;   Shakes- 
peare in  Art  (Hartmann),  1901;    The  Madonna  in  Art  (Hurll), 
1897;  The  Fine  Arts  (Brown),  1896,  and  others.  7  vols.,  12mo 
and  smaller,  cloth,  etc.  v.  p.,  v.  d. 

[14] 


43.  ART  (The)  of  1897  and  1898.  Illustrated.  2  vols.,  Lond. 
and   N.    Y.,    1897-98;    Children's  Books   and  Their    Illustra- 
tors, by  Gleeson  White  (Special  Winter  Number  of  the  Studio) . 
Illustrated.     1897-98.     Together,  3  vols.  Royal  8vo,  cloth  and 
boards. 

44.  ART  SALES.     Catalogue  des  Objets  d'Art  composant 
la  collection  Bourgeois  Freres  a  Cologne.    October  19-27,  1904. 

Numerous  photogravure  illustrations  of  antique  gold  and  silver 
plate,  jewels,  furniture,  brass  and  bronze,  glass,  etc.  2  vols. 
4to,  wrappers.  Cologne,  1904 

45.  ASHBEE  (C.  R.).    A  Few  Chapters  in  Workshop  Re- 
Construction   and    Citizenship.      Illustrated.      4to,    parchment 
boards,  uncut.  Lond.  1894 

*  One  of  75  signed  copies  published  by  The  Guild  of  Handicraft. 

46.  AUSTEN    (JANE).     Works,    as    follows:     Pride  and 
Prejudice,  2  vols.;    Emma,  2  vols.;    Sense  and  Sensibility,  2 
vols.;  Mansfield  Park,  2  vols.;  Persuasion;  Northanger  Abbey; 
Lady  Susan  and  the  Watsons;    Letters.     Etchings  on  Japan 
paper.    12  vols.  8vo,  half  levant  morocco,  gilt  floral  backs,  gilt 
tops,  uncut.  Bost.  1892 

*  Limited  to  250  sets. 

47.  AUTOGRAPHS  OF  FAMOUS  MEN.     An  Autograph 
Album   containing   the   autograph   signatures   of   200   notable 
men,  including  Garrett  Davis,  J.  A.  Garfield,  Schuyler  Colfax, 
Geo.   Bliss,   and  others,  mostly  Western  Congressmen,  of  the 
middle    of    the    Nineteenth    Century.      12mo,    brown    levant 
morocco  gilt,  gilt  edges. 

48.  T)ACON  (FRANCIS).   Works.    Portrait.    10  vols.  8vo, 
•*-*  half  calf,  marbled  edges.  Lond.  1824 

49.  BAEDEKER'S  GUIDES.    Paris,  London,  Switzerland, 
The  Rhine,  Southern  Italy,  Holland,  Germany,  Austria,  etc. 
Maps.     24  vols.  (some  duplicates)  12mo,  cloth.        Lond.  v.  d. 

50.  BAJOT  (EDOUARD).     Du  Choix  et  de  la  Disposition 
des  ameublements  de  Style.     60  plates.    Imp.  8vo,  cloth. 

Paris:    Rouveyre,  n.  d. 

51.  BALZAC  (HONORE  DE).     Old  Goriot,  A  Woman  of 
Thirty,  The  Wild  Ass's  Skin.    Turgenev's  Rudin,  Dream  Tales, 
Virgin  Soil,  and  On  the  Eve.     Some  illustrated.     Together,  7 
vols.  12mo,  cloth,  gilt  tops.  Lond.  and  N.  Y.  1894-97 

[15] 


52.  BALZAC  (HONORE  DE).  Novels,  now  for  the  first 
time  completely  translated  into  English.  Numerous  etchings 
in  two  states,  proofs  ivith  artists'  remarks  on  Japanese  paper,  and 
proofs  on  India  paper,  by  Jeannin,  Gery-Bichard,  De  Billy, 
Gaujean,  De  Los  Rios,  Le  Sueur,  Dubouchet,  etc.,  after  Busswre, 
Cain,  Fournier,  Robaudi,  Vidal,  Vagrez,  and  others.  53  vols. 
8vo,  dark  red  levant  morocco,  doublure  of  red  morocco,  mosaic- 
flower  borders,  morocco  linings,  gilt  edges. 

Phila. :  G.  Barrie,  n.  d. 

*  Limited  Edition  printed  on  Japan  paper. 

^  53.  BARING-GOULD  (S— Editor).  A  Book  of  Nursery 
Songs  and  Rhymes.  Illustrations  by  members  of  the  Birmingham 
Art  School.  12mo,  cloth.  Lond.  1895 

54.  BASHKIRTSEFF  (MARIE).    Journal  translated,  with 
an  introduction,  by  Mathilde  Blind.     2  portraits.     12mo,  half 
morocco,  gilt  edges.  Lond.  1890 

55.  BATE  (P.  H.).     The  English  Pre-Raphaelite  Painters; 
Their  Associates  and  Successors.    91  illustrations.     4to,  cloth. 

Lond.  1899 

56.  BEARDSLEY  (AUBREY).    The  Pierrot  of  the  Minute : 
A  Dramatic  Phantasy  in  one  act,  written  by  Ernest  Dowson. 
Frontispiece,  initial  letter,  vignette  and  tail-piece  by  A.  Beardsley. 
Small  4to,  cloth.  Lond.  1897 

57.  BEARDSLEY  (AUBREY).    Ben  Jonson.His  Volpone; 
or  the  Foxe;   a  new  edition  with  a  critical  essay  on  the  author 
by  V.  O'Sullivan.    Frontispiece,  and  5  initial  letters  designed  by 
A.  Beardsley.    4to,  vellum,  the  front  cover  gilt  after  Beardsley 
design,  gilt  top,  uncut.  N.  Y.  1898 

*  One  of  100  copies  on  Imperial  Japan  paper. 

58.  BEARDSLEY  (AUBREY).     A  Second  Book  of  Fifty 
Drawings.     Illustrations.     4to,  cloth.     Limited  edition. 

N.  Y.  1899 

59.  BEARDSLEY  (AUBREY).    The  Early  Work  of  Aubrey 
Beardsley,  with  a  Prefatory  Note  by  H.  C.  Marillier.    Portraits 
and  numerous  illustrations.    4to,  cloth  gilt,  gilt  top. 

Lond.  and  N.  Y.  1899 

*  One  of  120  copies  on  Japan  paper. 

[161 


60.  BEARDSLE 1 Y  (AUBREY) .     The  Later  Work  of  Aubrey 
Beardsley.     Portraits   and   numerous  illustrations.     4to,   cloth 
gilt,   gilt   edges.  Lond.  1901 

*  One  of  120  copies  on  Japan  paper. 

61.  BEDDOES   (T.   L.).     Poetical  Works  eolited,   with  a 
memoir,  by  Edmund  Gosse.    Etchings  by  H.  Railton.     2  vols. 
12mo,  cloth,  uncut.  Lond.  1890 

*  LARGE    PAPER,    limited    to    125    copies    for    sale    in    England 
and  America. 

62.  BEECHER   (MRS.  HENRY  WARD).    About  27  pp. 
Manu'script,  (not  signed)  8vo,  upon  several  subjects,  in  which 
she  claims  to  have  embodied  the  ideas  of  her  husband.     Written 
probably  for  publication. 

63.  BELL    (MRS.   ARTHUR   G.).     Nuremberg.     Painted 
by   Arthur    G.    Bell.     Colored   illustrations.     8vo,    cloth    gilt, 
gilt  top,  uncut.'  Lond.  [1905] 

64.  BERALDI    (HENRI).     La   Reliure    du   XIXe    siecle. 
Part   IV.     Numerous   reproductions   of   bindings.     Imp.    8vo, 
wrappers,  uncut.  Paris,  1897 

65.  BERCHOUX     (J.     DE).     La     Gastronomic,     poeme. 
12mo,  half  levant  morocco,  gilt  back,  gilt  top,  uncut.     Very 
limited  edition.  Paris,  Jouaust,  1876 

66.  BIBLE.     The  Holy  Bible,  containing  the  entire  canoni- 
cal Scriptures,  according  to  the  Decree  of  the  Council  of  Trent, 
translated    from    the    Latin    Vulgate.    Beautifully    illustrated 
with  numerous  steel  plates,  and  colored  and  other  illustrations. 
Thick  4to,  padded  morocco,  gilt  edges.  Balto. :  [1884] 

67.  BIBLIOGRAPHICA.     A    Magazine    of    Bibliography, 
with  contributions  by  A.  Lang,  A.  W.  Pollard,  R.  Garnett, 
Paul  Kristeller,  Gordon  Duff,  William   Morris,  etc.     Colored 
plates  and  other  facsimiles.     12  parts,  imperial  8vo,  wrappers, 
uncut.  Lond.  1895-97 

*  Complete  set. 

68.  BIBLIOPHILIST'S  LIBRARY.     Decameron  of  Boc- 
caccio now  first  completely  done  into  English  prose  and  verse 
by  John  Payne,  2  vols. ;  the  Heptameron  by  Magaret  of  Navarre 
translated  by  Arthur  Machen,  2  vols.;  Persian  Letters  of  Mon- 
tesquieu translated  by  J.  Davidson,  2  vols.;  the  Confessions  of 

[171 


Rousseau  translated  by  M.  C.  Mallory,  2  vols.;  Rabelais'  Gar- 
gantua  and  Pantagruel,  2  vols.  Etchings  in  two  states.  10  vols. 
8vo,  red  levant  morocco,  doublure  of  green  and  red  levant  gilt 
in  the  Persian  manner,  gilt  tops,  uncut.  Phila. :  G.  Barrie,  n.  d. 

*  Japan  paper,  limited  issue.    Pine  set. 

69.  BIBLIOPHILIST'S  LIBRARY.     Don  Quixote  trans- 
lated by  H.  E.  Watts,  4  vols. ;  Gil  Bias  of  Santillana  translated 
by  Henri  Van -Latin,  3  vols.;  Romances  of  Voltaire  translated 
by  William  Walton,  3  vols.    Etchings  in  two  states.     10  vols. 
8vo,  green  levant  morocco,  silk  linings,  gilt  edges. 

Phila. :  G.  Barrie,  n.  d. 

*  Japan  paper,  limited  edition. 

70.  BICKNELL  (ANNA  L.).     Life  in  the  Tuilleries  under 
the   Second   Empire.     Portraits   and  other   illustrations.     8vo, 
half  morocco,  gilt  tops.  N.  Y.  1895 

71.  BIDDULPH  (LADY).     Charles  Philip  Yorke,  Fourth 
Earl  of  Hardwicke.     Portraits.     FIRST  EDITION.     8vo,  cloth. 

Lond.  1910 

*  Presentation  copy,  with  autograph  "Hardwicke." 

72.  BIDPAY.     Les   Fables   de   Pilpay   Philosophe   Indien; 
ou  la  Conduite  des  grands  et  des  petits.     12mo,  vellum.     Rare. 

A  Paris,  et  se  vend  a  Bruxelles,  1698 

Specimens  of  Fine  Binding 

Keats'    Endymion    bound    by  Cobden-Sanderson,    Specimens  of 
Silver  Bindings,  Embroidered  Bindings,  Etc. 

73.  BINDING.     Luther    (Martin).     Der   kleine   Catechis- 
mus    (in   German   and   in   French).    Engraved  title.     Narrow 
12mo,    contemporary    German    binding    in    calf,    ornamental 
borders  of  chased  silver,  and  silver  clasps,  gilt  edges. 

Nuremberg,  1701 

74.  BINDING.     Geistliche  Lebens-Quelle,  vollGottl.     Er- 
quickung.     24mo,   contemporary   German  binding  in  velvet, 
floral  borders  and  centre  pieces  of  engraved  and  pierced  silver, 
engraved  and  pierced  silver  clasps,  gilt  edges.         Leipzig,  1702 

*  A  pretty  and  genuine  specimen  of  silver  binding  of  the  period. 

75.  BINDING.     Das  Gantze  Neue  testament  unsers  Herren 
Jesu   Christi.    Engraved   title.     12mo,    contemporary   German 
binding  in  sealskin,  ornamental  frames  of  pierced  and  chased 
silver  gilt,  with  one  clasp  missing.  Zurich,  1709 

[18] 


76.  BINDING.     Anleitung  zu  rechtschaffener  Buss-Beicht — 
und    Communion — Andacht.     Copper-plates.     Narrow    12mo, 
contemporary  German  binding  in  sealskin,  silver   gilt  frames 
and  clasps,  gilt  edges.  Nordlingen,  1731 

77.  BINDING.     Andachtiges   Mayntzer    Gebett-Buch,  al- 
ien und  jeden  Christglaubigen  zu  Ehren  Gottes,  seiner  werthen 
Mutter,  und  alien  Heiligen.    Engraved  title.     12mo,  contem- 
porary German  binding  in  red  velvet,  ornamental  corner  pieces 
and  clasps  in  stamped  silver,  gilt  edges.  Mayntz,  1739 

78.  BINDING.     Montalto     (Agostino).     Theologica     Dis- 
ceptatio.     4to,  contemporary,  Italian  silk  binding,  embroidered 
borders  of  gold  thread  on  the  sides,  in  the  centre  the  arms  of 
an  abbott  embroidered  in  colored  silks  and  gold  thread,  silk 
ties,  gilt  edges.  Bononiae,  1753 

79.  BINDING.     Seelen  erquickendes  Harpffen-Spiel,  oder 
Schweinfurthiscb.es  neu  aufgelegtes  Gesang-Buch.     12mo,  con- 
temporary German  binding  in  velvet   (worn,   the  linen  cloth 
tissue  only  remaining)  frames  and  clasps  of  pierced  and  repousse 
silver,    gilt   edges.  Schweinfurth,    1754 

80.  BINDING.     Missale    Romanum    decreto    Sacrosancti. 
Concilii  tridentini  restitutum.     Copper  engravings.     Folio,  con- 
temporary Italian  binding  in  red  velvet,   embroidered  orna- 
mental  borders  of  gold  thread  on  the  sides,  with  the  arms  of 
a  bishop  embroidered  in  colored  silks  and  gold  thread  in  the 
centre  of  both  covers,  gilt  edges.  Neapoli,  1793 

81.  BINDING.     Missale  Romano-Seraphicurn.    Folio,  con- 
temporary  Italian   binding   in   red   velvet,  the   sides   entirely 
embroidered  to  a  beautiful  ornamental  design  of  gold  thread, 
gilt  edges.  Venetiis,  1794 

*  An  interesting  piece  of  Italian  embroidery  of  the  period. 

82.  BINDING.     Missale  Romano-Seraphicum.  Folio,    con- 
temporary   Italian    binding    in    red    velvet,    the    sides  with  a 
border  of  grapes  and  grape  leaves  embroidered  in  gold  thread, 
in  the  centre  of  the  front  cover  a  figure  of  the  Holy  Ghost  in 
gold  and  silver  thread,  and  in  that  of  the  back  cover  the  Heart 
of  the  Virgin,  gilt  edges.  Venetiis,  ca.  1792 

83.  BINDING.     Byron  (George  Gordon).     Childe  Harold's 
Pilgrimage,  a   Romaunt.      Canto  I  and  II.     FIRST  EDITION. 
4to,  blue  straight  grain  morocco,  richly  tooled  and  gilt  in  com- 

[19] 


partments,  corner  and  centre  pieces  of  green  morocco,  brass 
inside  borders,  watered  silk  linings,  gilt  edges,  probably  by 
KALTHOEBER.  Lond.  1812 

*  A  very  fine  specimen  of  English  binding  of  the  period,  in  perfect 
condition. 

84.  BINDING.     Keats  (John).     Endymion:  A  Poetic  Ro- 
mance.    FIRST  ISSUE  OF    THE    FIRST    EDITION.      8vo,    blue 
levant    morocco,     the    sides    covered    with    curving    sprays 
of  conventionalized  laurel  arranged  in  a  formal  composition, 
the  open    spaces   dotted   with   small  stars,  a  crescent  in  the 
centre,    and   four   hearts  in  the  larger    circular    spaces,    all 
heavily   tooled   in  gold.      The  back  richly  gold-tooled,   with 
the  lettering  evenly  distributed  through  the  six   panels   and 
closely  surrounded  by  flowers  and  small  stars,  decorated  inside 
borders,  edges  richly  gauffred  and  gilt  over  blue,  by  Cobden- 
Sanderson.         London:   Printed  for  Taylor  and  Hessey,  1818 

*  An  early  and  fine  specimen  of  Cobden-Sanderson's  binding  signed 
18C-S87.     With  the  "  Printed  by  T.  Miller,  Noble  street,  Cheapside ' ' 
on  verso  of  the  half-title.  Half  title  to  book  3  repaired  and  2  corrections 
in  ink  in  the  text. 

(See  Frontispiece.) 

85.  BINDING.     Missale  Romanum.     Copper  plates.     4to, 
old  pierced  and  repousse  silver,  both  sides  being  worked  in  a 
beautiful  and  elegant  floral  design,  in  the  centre  of  the  front 
cover  a  coat  of  arms  surmounted  by  a  prince's  crown,  accom- 
panied by  the  initials  A.  T.,  and  on  that  of  the  back  cover  the 
figure  of  Faith.     Silver  back,  gilt  edges.  Napoli,  1820 

*  An  uncommon  example  of  silver  binding. 

86.  BINDING.    Gesangbuch  fur  die  Evangelische  Kirche  in 
Wiirttemberg.    8vo,  contemporary  German  binding  in  stamped 
leather,  pierced  and  chased  silver  corner  and  centre  pieces,  and 
clasps,  gilt  edges  (one  clasp  missing).  Stuttgart,  1843 

.87.  BINDING.  Gesangbuch  fur  die  Evangelische  Kirche  in 
Wiirttemberg.  Frontispiece.  12mo,  contemporary  binding  in 
stamped  seal-skin,  frames,  centre  pieces  and  clasps  of  pierced 
and  chased  silver,  gilt  edges.  Stuttgart,  1843 

88.  BINDING.  Holbein  (Hans).  L'Alphabet  de  la  Mort, 
public  d'apres  les  manuscrits  par  Anatole  de  Montaiglon.  Wood- 
cut borders  and  initials  representing  subjects  from  the  Dance  of 
Death.  8vo,  light  brown  morocco,  the  front  cover  beautifully 
worked  in  a  design  in  bas-relief  representing  an  allegorical  subject 

[20] 


ROSSETTI.     A  SHADOW  OF  DANTE 

Binding  by  Miss  Prideaux 

No.  89 


of  Death,  on  the  back  cover  a  medallion,  also  in  bas-relief, 
representing  a  fight  between  Love  and  Death,  by  A.  S.  M. 
dated  1900.  Paris,  1856 

89.  BINDING.     Rossetti   (Maria  Francesca).     A  Shadow 
of    Dante;     Being    an    Essay    towards    studying   himself,    his 
World,   and  his   Pilgrimage.      Portrait  and  other  illustrations. 
FIRST  EDITION.       12mo,  green  levant  morocco,  the  back  tooled 
and  gilt  in  a  conventional  heart  design,  the  covers  in  a  con- 
ventional tulip  design,  gilt  edges,  by  Miss  Prideaux,  signed 
"S.  T.  P.  1900."  Lond.  1871 

(See  Reproduction.) 

90.  BINDING.     Hafiz.     Ghazels  from  the  Divan  of  Hafiz 
done  into  English  by  Justin  Huntly  McCarthy.     12mo,  green 
levant  morocco  tooled  in  a  conventional  floral  design,   gilt, 
borders  stamped  with  passages  from  the  text,  gilt  over  rough 
edges,  by    Miss    Prideaux.      Signed  "S.  T.  P.  1900." 

Lond.  1893 
(See  Reproduction.) 

91.  BINDING.     Parry  (C.  Hubert).     The  Art  of  Music. 
Illustration.      8vo,     dark     blue    levant     morocco,     gilt     and 
mosaic  floriated  design  on  back  with  numerous  small-tooled 
dots,  the  same  design  enlarged  and  repeated  on  the  sides, 
doublure  of  similar  morocco  with  wide  border  of  dots,  mosaic 
flowers  and  vine,  gilt  edges,  by  Watson.  Lond.  1893 

92.  BINDING.     The  Marriage  of  Cupid  and  Psyche.    By 
Lucius  Apuleius,  translated  by  William  Adlington,  1566.     6 
illustrations  designed  and  engraved  on  wood  by  C.  Ricketts.    8vo, 
dark  red  levant  morocco,  gilt  panelled  sides,  with  rich  orna- 
mental borders,  silk  linings,  gilt  top,  by  Zaehnsdorf. 

Lond.:  Vale  Press,  1897 

*  Limited  to  210  copies. 

93.  BINDING.    Penn  (William).    Some  Fruits  of  Solitude 
in  Reflections  and  Maxims,  relating  to  the  conduct  of  Human 
Life.    Cut  on  title  by  T.  S.  Moore.   16mo,  calf,  both  covers  worked 
in  a  floral  design  in  gilt  relief,  doublure  of  calf  worked  in  the 
same  manner  and  having  in  the  centre  paintings  on  translucent 
vellum,  silk  linings,  gilt  top,   uncut,   by  Cedric  Chivers. 

Lond. :  Essex  House  Press,  1901 

*  Limited  to  250  copies. 

[23] 


94.  BINDING.     Ruskin  (John).     Sesame  and  Lilies,  three 
Lectures.     12mo,  silk,  the  front  and  back  cover  embroidered 
in  an  elegant  floral  design  of  colored  silks,  outlined  with  gold 
thread,  gilt  top,  uncut,  in  a  celluloid  case.  Lond.  1901 

95.  BINDING.     Venice:    Its  History,  Art,  Industries  and 
modern  life  by  Charles  Yriarte,  translated  by  F.  J.  Sitwell. 
Illustrated.      12mo,    in    compartments    formed    by    interlaced 
bands  of  wood,  gilt  and  hand-painted,  the  ground  formed  by 
painted  mother  of  pearl,  leather  back,  in  imitation  of  a  Venetian 
Sixteenth  Century  binding  in  the  Civic  Museum  at  Venice. 

Phila.,  Coates  &  Co.  n.  d. 

96.  BINDING.    A  Blank  Book,  royal  8vo,  bound  in  vellum; 
on  the  front  cover  is  inlaid  a  large  panel  of  needlework  in 
colored  silks  and  gold  thread,  nearly  the  size  of  the  volume, 
representing  the  Virgin  and  Child,  of  very  good  execution,  gilt 
edges. 

*  Said  to  have  been  executed  by  Princess  Helena  Augusta  Victoria , 
sister  of  King  Edward  VII,  and  afterward  Princess  Christian  of 
Schleswig-Holstein,  and  exhibited  at  the  Royal  School  of  Needlework 
in  London,  as  proved  by  the  label  on  the  inside  of  the  front  cover. 
(See  Reproduction.) 

97.  BINDING.    A  blank  book  in  the  shape  of  a  Cross,  bound 
in  boards  covered  with  perforated  and  gilt  paper,  and  embroid- 
ered with  colored  silks,  gilt  edges. 


98.  BINGLEY  (W.).    Animal  Biography,  or,  Popular  Zoo- 
logy, illustrated  by  Authentic  Anecdotes.     Plates  (foxed).     4 
vols.  12mo,  half  calf.  Lond.  1824 

99.  BIRRELL  (AUGUSTINE).     Obiter  Dicta,  First  and 
Second  Series;    Stephen's  Studies  of  a  Biographer,   2  vols.; 
Dobson's  Eighteenth  Century  Vignettes,  First  and  Third  Series, 
Portraits.    Together,  6  vols.  8vo,  and  12mo,  cloth.  N.  Y.  1895-98 

100.  BLACK  (WILLIAM).  Works:  Madcap  Violet;  The 
Three  Feathers;  Judith  Shakespeare;  Strange  Adventures  of  a 
House  Boat;  A  Princess  of  Thule;  Wise  Women  of  Inverness; 
Shandon  Bells;  White  Heather;  Macleod  of  Dare;  A  Daughter 
of  Heth;  White  Wings,  etc.  12  vols.  12mo,  cloth. 

X.  Y. :  International  Book  Co.,  n.  d. 

101.   BLACKBURN  (VERNpN).     The  Fringe  of  an  Art. 
Appreciations  in  Music.     Portrait.     12mo,  cloth.       Lond.  1898 


HAFIZ.     GHAZELS  FHOM  THE  DIVAN  OF  HAFIZ 

Binding  by  Miss  Prideaux 

No.  90 


102.  BLAKE  (WILLIAM).    XVII  Designs    to  Thornton's 
Virgil   reproduced   from   the   original   woodcuts.     Royal   8vo, 
boards.  Portland,  Me. :  Mosher,  1899 

*  The  original  manuscript  used  by  Mr.  Mosher  for  the  publication  of 
the  volume,  with  proof  impressions  of  the  reproduction.     A  Pre- 
sentation Copy  from  him  to  Miss  Grigsby  with  autograph  inscription. 

103.  BLAKE  (WILLIAM).     XVII  Designs  to  Thornton's 
Virgil,  reproduced  from  the  original  woodcuts.     8vo,  wrappers 
and  boards,  uncut.  Portland,  Me.:  Mosher,  1899 

*  No.  1  of  25  copies  printed  on  Japan  vellum. 

104.  BLUNT  (W.  S.).     Esther,  a  Young  Man's  Tragedy, 
together  with  the  Love  Sonnets  of  Proteus.    Borders  and  initials 
designed  byB.G.  Goodhue.    12mo,  boards,  uncut. 

Bost. :   University  Press,  1895 

*  Limited  to  500  copies. 

105.  BLUNT  (W.  S.).  Satan  Absolved,  a  Victorian  Mystery. 
Frontispiece  after  G.  F.  Walts.     FIRST  EDITION.    Square,  12mo, 
buckram,  uncut.  Lond.  1899 

106.  BOOKBINDING.     International   Bookbinding  Exhi- 
bition by  the  Chief  Craftsmen  from  all  parts  of  the  world,  at 
the  Caxton  Head,  232,  High  Holborn.    75  photographic  repro- 
ductions of  bindings.     4to,  boards,  cloth  back. 

Lond. :   Privately  printed,  1894 

107.  BOOKBINDING.    Du  Bois  (Henri  Pene).    American 
Bookbindings  in  the  Library  of  Henry  William  Poor.     Auto- 
graphed portrait  of  Mr.  Poor,  and  39  full-page  plates  in  gold  and 
colors  by  Edward  Bierstadt.    8vo,  cloth,  uncut. 

N.  Y.:  Marion  Press,  1903 

*  Limited  Edition.      Presentation  copy  from  H.  W.  Poor  to  Miss 
Grigsby,  with  autograph  inscription  on  fly-leaf. 

108.  BOOKS  ABOUT  BOOKS.    Power  (John).    A  Handy- 
Book  about  Books,  for  Book-Lovers,  Book-Buyers,  and  Book- 
Sellers.    Facsimiles.    8vo,  decorative  boards,  gilt  top,  uncut. 

Lond.  1870 

109.  BOOKS  ABOUT  BOOKS,  edited  by  A.  W.  Pollard: 
Books  in  Manuscript  by  F.  Madan,  1893;  Earlv  Printed  Books 
by  E.  G.  Duff,  1893;   The  Great  Book-Collectors,  by  Mr.  and 
Mrs.  Elton,  1893;    Book-Plates  by  Wr.  J.  Hardy,  1893;    The 

[271 


Binding  of  Books  by  H.  P.  Home,  1894.    Illustrated.    5  vols. 
12mo,  half  levant  morocco,  gilt  mosaic  backs,  gilt  tops. 

Lond.  1893-94 

110.  BOOKS  ABOUT  BOOKS.     Crazy  Book-Collecting  or 
Bibliomania.      By    Bellioud-Mermet.      12mo,    flexible    cloth, 
uncut.  N.  Y.  1894 

111.  BOOKS   ABOUT   BOOKS.     Slater    (J.    H.).     Early 
Editions.    A  Bibliographical  Survey  of  the  Works  of  some  Pop- 
ular  Modern   Authors.      8vo,    three   quarter   polished   green 
morocco  gilt,  gilt  top,  uncut.  Lond.  1894 

112.  BOSSUET  (J.  B.).     Oraisons  Funebres  publiees  avec 
une  introduction  et  des  notes  historiques  et  bibliographiques  par 
A.  Gaste.    16mo,  half  levant  morocco.  Paris,  1883 

113.  BOSTON,  MASS.     Snow  (C.  H.).     A  Geography  of 
Boston,   County  of  Suffolk,   and  the  Adjacent  Towns,  with 
Historical  Notes.    For  the  Younger  Class  of  Readers.  Engraved 
frontispiece  and  map  (torn)  by  A.  Bowen,  and  numerous  wood- 
cuts.   16mo,  boards,  morocco  back  (rubbed).  Bost.  1830 

114.  BOSTON  IMPRINT.    Moodey  (Samuel).    Judas  the 
Traitor  Hung  up  in  Chains,  to  give  Warning  to  Professors,  that 
they  beware  of  Worldlymindedness,  and  Hypocrisy.     18mo, 
old  calf  (rubbed,  edges  stained).  Bost.:  B.  Green,  1714 

115.  BOSWELL  (JAMES).    Life  of  Samuel  Johnson,  com- 
prehending an  account  of  his  studies  and  numerous  works,  in 
chronological  order,  a  series  of  his  epistolary  correspondence, 
and  conversations  with  many  eminent  persons,  the  Journal  of 
his  Tour  to  the  Hebrides,  etc.,  edited  by  Henry  Morley.    Por- 
traits.   5  vols.  8vo,  half  leather,  gilt  tops.  Lond.  1891 

116.  BOUCHOT  (HENRI).    The  Book:  Its  Printers,  Illus- 
trators, and  Binders,  from  Gutenberg  to  the  present  time.  With 
a  treatise  on  the  art  of  collecting  and  describing  early  printed 
books,  and  a  Latin  English  and  English  Latin  Topographical 
Index  of  the  Earliest  Printing  Places.     172  facsimiles.     Imp. 
8vo,  vellum,  uncut.  Lond.  1890 

*  LARGE  PAPER,  100  copies  printed. 

117.  BOURGEOIS  (EMILE).     France  under  Louis  XIV. 
(le  grand  Siecle) :  its  Arts,  its  Ideas.    From  the  French  by  Mrs. 
Cashel  Hoey.     Numerous  portraits  and  other  illustrations.    4to, 
cloth  gilt,  gilt  edges.  N.  Y.  1897 

128} 


EMBROIDERED  BINDING  SAID  TO  HAVE  BEEN  EXECUTED  BY 

PRINCESS  HELENA  AUGUSTA  VICTORIA 

No   96 


118.  BOYDELL'S  GALLERY  of  Illustrations  for  Shakes- 
peare's   Dramatic   Works,    reduced   and    re-engraved   by    the 
Heliotype  process,  with  selections  from  the  text,  edited  by  J.  P. 
Norris.     Royal  4to,  red  morocco  gilt,  gilt  edges.     Phila.  1874 

119.  BRERETON  (AUSTON).    Henry  Irving,  a  Biographi- 
cal Sketch.    17  full-page  portraits.    Royal  8vo,  cloth.  Lond.  1883 

120.  BRIDGES  (ROBERT).     The  Shorter  Poems.     16mo, 
cloth,  uncut.  Lond.  1890 

*  First  collected  edition,  with  the  exception  of  the  poems  of  Book  IV, 
which  are  here  printed  for  the  first  time. 

121.  BRIDGES  (ROBERT).    The  Growth  of  Love.    Small 
4to  wrappers  and  boards,  uncut.    Portland,  Me.:  Mosher,  1894 

*  Laid  in  are  an  A.  L.  S.  and  an  A.  C.  S.  by  the  author,  both  ad- 
dressed to  Mr.  Mosher. 

122.  BRIDGES  (ROBERT).    Purcell  Ode  and  Other  Poems. 
16mo,  boards.  Chicago,  1896 

*  Limited  to  200  copies  on  Van  Gelder  paper.     See   also   under 
Daniel  Press,  Nos.  2o»  and  260. 

123.  BRITISH    ESSAYISTS    (The),    with    Prefaces,    Bio- 
graphical,  Historical   and   Critical,   by   James   Ferguson.     40 
vols.  16mo,  scored  calf  gilt.  Lond.  1823 

124.  BRITISH  POETS.    Akenside;   Ballads,  8  vols.;   Beat- 
tie;  Burns,  3  vols.;  Butler,  2  vols.;  Byron,  10  vols.;  Campbell; 
Chatterton,  2  vols.;   Chaucer,  3  vols.;   Churchill,  3  vols.;   Col- 
lins; Cowper,  3  vols.;  Donne,  Dry  den,  5  vols.;  Falconer;  Gay, 
2  vols.;    Goldsmith;    Gray;    Herbert;    Herrick,  2  vols.;    Hood, 
5  vols.;    Howard;    Keats;    Mar  veil;    Milton,  3  vols.;    Mont- 
gomery, 5  vols.;   Moore,  6  vols.;   Parnell;   Pope,  3  vols;   Prior, 
2  vols.;    Scott,  9  vols.;    Shakespeare  and  Jonson;    Shelley,  3 
vols.;    Skelton,  3  vols.;    Southey,  10  vols.;    Spencer,  5  vols.; 
Swift,  3  vols.;    Thomson,  2  vols.;    Vaughan;    Watts;    White; 
Wordsworth,  7  vols.;   Wyatt;   Young,  2  vols.     132  vols.  16mo, 
half  new  calf,  gilt  backs,  gilt  tops.    FINE  SET.  Bost.  v.  d. 

125.  BRONTE  (CHARLOTTE  AND  ANNE).    Shirley,  2 
vols.;   The  Tenant  of  Wildfell  Hall,  2  vols.;   Jane  Eyre,  2  vols. 
Illustrated.     Together,  6  vols.  12mo,  uniform  cloth,  gilt  tops, 
uncut.  Lond.  1893 

[31] 


1*6.  BROWN  (C.  B.).  Edgar  Huntly;  Jane  Talbot;  Wie- 
land  or  the  Transformation;  Ormond  and  Clara  Howard; 
Arthur  Mervyn,  2  vols.  6  vols.  8vo,  half  vellum,  gilt  tops, 
uncut.  Phila.  1887 

*  Limited  to  500  sets. 

1*7.  BROWN  (HATTIE).  Catoninetales,  a  Domestic  Epic. 
8vo,  vellum.  Lond.  1891 

*  Japan  paper,  only  35  copies  printed. 

128.  BROWN    COUNTY    CONVENT.      Fifly    Years    in 
Brown  County,  by  a  member  of  the  Community.    Illustrated. 
Square  8vo,  polished  calf  gilt,  gilt  edges.  Cinn.  1895 

*  Presentation  copy  from  the  nuns  of  the  Convent  to  Miss  Grigsby. 

129.  BROWNELL  (W.  C.).     French  Art  Classic  and  Con- 
temporary:   Painting  and  Sculpture.     48  illustrations.    Royal 
8vo,  cloth.  N.  Y.  1901 

Elizabeth  and  Robert  Browning 

Poetical  Works,  large  paper.    The  Pied  Piper,  on  vellum,  and  a  let- 
ter of  Robert  Browning  about  "The  Ring  and  the  Book,"  etc. 

130.  BROWNING  (E.  B.).     Sonnets  from  the  Portuguese. 
Ornamental  initials   by  B.  G.  Goodhue.      12mo,   green  levant 
morocco,  gilt  tooled  broad  floral  borders,  on  pointille  ground, 
tools  of  flowers  in  the  panels,  gilt  top  by  Riviere. 

Bost.:  University  Press,  1896 

*  Limited  to  750  copies.    Laid  in  is  an  A.  L.  S.  by  Jno.  Barrett, 
father  of  Elizabeth  Barrett  Browning.   2  pp.  12mo,  n.  d.    A  very  rare 
autograph. 

131.  BROWrNING  (E.  B.).     Sonnets  from  the  Portuguese. 
Floral  borders  and  initials  by  H.  M.  O'Kane.    4to,  half  vellum, 
uncut.  New  Rochelle,  Elston  Press,  1900 

132.  BROWNING   (ROBERT).     Poetical  Works.     4  por- 
traits and  a  frontispiece.     17  vols.  8vo,  buckram,  uncut. 

London,  1888 

*  LARGE  PAPER,  limited  to  250  copies  printed  on  handmade  paper. 

133.  BROWNING  (ROBERT).    The  Pied  Piper  of  Hamelin. 
Illustrations  and  decorations  by   Harry  Quilter,  the  ornamental 
text  written  by  Mary,  his  wife.    Royal  4to,  calf  richly  gilt,  with 

[32] 


two  stamped  floral  silver  pieces  inserted  in  the  front  cover, 
gilt  top.  Edinb.  and  Lond.  1898 

*  EDITION  DE  LUXE  PRINTED  ON  VELLUM  and  limited  to  100  copies, 
with  two  illustrations  in  colors,  one  printed  on  satin  by  Lemercier 
in  Paris. 

134.  BROWNING  (ROBERT) .    The  Pied  Piper  of  Hamelin, 
A  Child's  Story.    Illustrations  and  decorations  by  Harry  Quilter 
and  the  ornamental  text  written  by  Mary,  his  wife.     16mo,  cloth 
gilt.  Edinb.  and  Lond.  1898 

*  Printed  on  vellum,  very  limited  issue. 

135.  BROWNING  (ROBERT).    The  Statue  and  the  Bust. 

Illustrations  by  Philip  Connard.    16mo,  cloth.  Lond.  1900 

136.  BROWNING  (ROBERT).    Rabbi  Ben  Ezra.    2  copies, 
1  on  Japan  paper,  and  1  on  Van  Gelder  paper.    2  vols.  16mo, 
wrappers.  Portland,  Me. :  Mosher,  1909 

137.  BROWNING  (ROBERT).     Poetical  Works.     9  vols. 
12mo,  half  new  calf,  gilt  backs,  gilt  tops,  uncut.       N.  Y.  1894 

138.  BROWNING    (ROBERT).      A.    L.    S.    3pp.    12mo. 
Lond.  Feb.  14,  1869.     A  fine  letter  referring  to  his  "Ring  and 
the  Book,"  etc.      "I  have  just  received  a  note  to  inform  me 
that  a  fire  has  consumed  vols.  2  and  3,  and  nearly  all  the  poor 
man's  substance,  including  the  pattern  of  the  1st  volume."  etc. 

139.  BROWNING  (ELIZABETH  AND  ROBERT).    Son- 
nets from  the  Portuguese.    One  of  100  copies  on  Japan  vellum, 
autographed  by  the  publisher;    the  same,  smaller  edition,  on 
Japan  vellum,  autographed  by  the  publisher;    Pippa  Passes. 
No.  1  of  100  copies  on  Japan  vellum.    3  vols.  12mo,  and  16mo, 
boards,  uncut.  Portland,  Me.:  Mosher,  1899,  etc. 


140.  BROWNSON  (O.  A.).    Works  collected  and  arranged 
by  H.  F.  Brownson.     20  vols.  8vo,  cloth.  Detroit,  1898 

141.  BRUECK   (HEINRICH).     History  of  the  Catholic 
Church  for  use  in  Seminaries  and  Colleges,  with  additions  from 
the  Writings  of  Card.    Hergenrother,  translated  by  E.  Pruente. 
2   vols.   8vo,   cloth.  N.  Y.  [1884] 

142.  BRYANT  (W.  C.).     Poems  collected  and  arranged  by 
the  Author.    2  vols.  12mo,  cloth  (ink  stains  and  slightly  worn). 

N.  Y.  1855 

[33] 


143.  BRYANT  (W.  C.).     The  Wide-Awake  Gift  for  1855 
(Contained  poems  by  Bryant,  Emerson,  Holmes,  etc.).     12mo, 
cloth.  N.  Y.  1855 

144.  BUCHANAN    (ROBERT).     The    Fleshly    School    of 
Poetry,  and  other  Phenomena  of  the  Day.     FIRST   EDITION. 
12mo,    original    boards,    uncut.  Lond.  1872 

145.  BUCHANAN  (ROBERT).     The  Story  of  David  Gray. 
Portrait.     Title  in  red  and  black,  and  initials  in  red.     Square 
12mo,  vellum,  with  ties.  Portland,  Me. :  Mosher,  1900 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by  the 
publisher. 

146.  BUCHANAN  (ROBERT).     The  Story  of  David  Gray. 
Portrait,  title  in  red  and  black.     Square  12mo,  wrappers  and 
boards,  uncut.  Portland,  Me.:  Mosher,  1900 

*  No.  1  of  50  copies  printed  on  Japan  vellum. 

147.  BULWER    LYTTON     (EDWARD).     Novels:    Paul 
Clifford,   Eugene  Aram,   What  will  he  do  with  it?    Pompeii, 
Harold,  Pelham,  Lucretia,  Rienzi,  Caxtons,  The  Coming  Race, 
Last  of  the  Barons,  Pausanias,  Alice,  A  Strange  Story,  Zanoni, 
etc.     Illustrated.     13  vols.  8vo,  half  levant  morocco,  gilt  tops. 

N.  Y.:U.  S.  Book  Co.,  n.  d. 

*  A.  L.  S.  by  the  authur,  1  p.  12mo,  dated  July  29,  1871,  laid  in. 

148.  BULWER  LYTTON   (EDWARD).    A.   L.   S.,   3pp. 
12mo,  Jan.  19,  1832.     Regarding  an  article. 

149.  BUNDLE  OF  MYRRH  (Neihardt) ;  Mezzotints  (Bark- 
er); Elaine  (Tennyson),  and  others.     Cloth  and  boards.     Main- 
ly  Press   issues.     6   vols.  v.  p.,  v.  d. 

150.  BUNYAN  (JOHN).     The  Pilgrim's  Progress  from  this 
world  to  that  which  is  to  come,   with   a  Preface  by  Charles 
Kingsley.     118   illustrations   by   C.    H.   Bennett.     12mo,    half 
levant  morocco,  gilt  back,  gilt  top.  Lond.  1897 

151.  BURKE    (EDMUND).     WTorks.     Portrait.     12    vols. 
12mo,  half  new  polished  calf,  gilt  backs,  gilt  tops.     Bost.  1894 

152.  BURNE-JONES  (E.).     Memorials  of  Edward  Burne- 
Jones  by  G.  B.  J.     Portraits  and  illustrations.     2  vols.  8vo, 
cloth,  gilt  tops,  uncut.  Lond.  1904 

[34] 


153.  BURTON    (R.    F.).     The   Jew,    the    Gypsy    and    El 
Islam.     Portrait.     Royal  8vo,  half  levant  morocco,  gilt  top, 
uncut.  Chicago,  1898 

154.  BURTON  (ROBERT).     The  Anatomy  of  Melancholy. 
The  eleventh  edition  corrected,  to  which  is  now  prefixed  an 
account  of  the  author.     2  vols.  8vo,  calf.     A  few  pages  slightly 
worn  at  top  of  inner  margin.  Lond.  1813 

155.  BURY  (RICHARD  DE).     The  Philobiblion  of  Rich- 
ard de  Bury.     Edited  and  Translated  by  Ernest  C.  Thomas. 
Frontispiece.     12mo,  half  blue  levant  morocco,  gilt  top,  uncut, 
by   Rains.  Lond.:   Chiswick   Press,    1888 

156.  BURY  (RICHARD  DE).     Philobiblion:  a  treatise  on 
the  Love  of  Books,  translated  by  J.  B.  Inglis.     8vo,  boards. 

N.  Y.  1899 

*  Limited  to  500  copies. 

157.  BUSCH    (MORITZ).     Bismarck,    some   secret   pages 
on  his  History,  being  a  Diary  during  twenty-five  years'  official 
and  private  intercourse  with  the  great  Chancellor.     Portraits. 
2  vols.  8vo,  half  levant  morocco,  gilt  tops.  N.  Y.  1898 

158.  BUSSEY  (G.  M.).    History  of  Napoleon.  Illustrations 
by  Horace  Vernet.     %  vols.  royal  8vo,  calf  (somewhat  rubbed). 
A  few  leaves  somewhat  stained.  Lond.    1840 

159.  BUTLER  (ALBAN).     Lives  of  the  Fathers,  Martyrs, 
and  other  principal  Saints,  compiled  from  original  monuments 
and    authentic   records.    Frontispieces   and   vignette  titles.      12 
vols.  12mo,  half  calf  (slightly  rubbed).  Dublin,  1868,  '66 

160.  BYRON     (LORD).     Poems    and    Dramas    reprinted 
from  the  original  editions,  with  explanatory  notes.     Illustrated* 
2  vols.  12mo,  half  calf,  gilt  tops.  N.  Y.,  n.  d. 

161.  BYRON  (LORD).     Works.     Portrait  and  frontispieces 
engraved  byE.Finden.     6  vols.  16mo,  calf  gilt.  Lond.  1831 

162.  CABLE    (GEORGE    W.).     Bonaventure;   Dr.  Sevier; 
Strange  True  Stories  of  Louisiana,  Illustrated,  (2  copies) ;    Old 
Creole  Days.     Together,  5  vols.   12mo,  uniform  cloth. 

N.  Y.  1893-97. 

[35] 


163.  CABLE   (GEORGE    W.).     Old  Creole  Days.    Illus- 
trations by  Albert  Herter.    8vo,  vellum  gilt,  gilt  top,  uncut  and 
unopened.  N.  Y.  1897 

*  One  of  204  copies  on  Japan  paper.    With  autograph  inscriptions 
by  the  author  and  illustrator. 

164.  CABLE  (GEORGE  W.).  The  Grandissimes.     Illustra- 
tions by  Albert  Herter.    8vo,  vellum  gilt,  gilt  top,  uncut. 

N.  Y.  1899 

*  One  of  204  copies  on  Japan  paper.    With  autograph  inscriptions 
by  author  and  illustrator. 

165.  CABINET  CYCLOPEDIA.     The  Cabinet  Cyclopedia, 
conducted   by   the   Rev.    Dionysius   Lardner,   etc.     Engraved 
titles   and   other   illustrations.      ORIGINAL    ISSUE.       133    vols. 
(lacks  several  volumes)  12mo,  half  calf  gilt,  gilt  top. 

Lond.  1829-41 

*  Among  the  works  included  in  the  Cyclopedia  are  Sir  Walter 
Scott's  History  of  Scotland  (first  edition),  Moore's  History  of  Ireland, 
Southey's  British  Admirals,  Swainson's  works  on  Natural  History, 
De  Morgan's  Essay  on  Probabilities,  and  a  number  of  biographical 
collections. 

166.  CABINET    CYCLOPEDIA.      Thorwall's  History  of 
Greece,  8  vols. ;  Scott's  History  of  Scotland.    2  vols. ;  Swainson's 
Animals  in  Menageries;    and  other  works;    several  odd  vols. 
Illustrated.     Together,  28  vols.  12mo,  half  calf  (not  uniform). 

Lond.  v.  d. 

167.  CAFFIN  (CHARLES  H.).    American  Masters  of  paint- 
ing.    Illustrated  with  examples  of  their  work.     8vo.  cloth,  gilt 
top.  N.  Y.  1902 

168.  CAHU  (THEODORE).    Theo-Crit  a  Saumur.   Illustra- 
tions par  Job,  Vallet,  Bombled,  et  autres.     8vo.  half  leather,  gilt 
top,  original  covers  bound  in.  Paris,   1889 

169.  CALIDASA.       Sacountala.       Drame  en  Sept    Actes. 
Traduit  par  Abel  Bergaigne  et  Paul  Lehugeur.  12mo,  half  green 
levant  morocco,  gilt  top,  uncut  and  unopened.         Paris,  1884 

170.  CAMERA    WORK.     Camera  Work:     An  Illustrated 
Quarterly   Magazine   devoted   to   Photography.      Edited    by 
Alfred  Stieglitz.    Many  plates.     Number  XXIX,  January,1910, 
to  Number  XXXIV-XXXV,  April-July,  1911.     6  pieces,  4to, 
original  wrappers,  uncut  and  partially  unopened. 

N.  Y.  1910-1911 

*  The  plates  represent  some  of  the  best  work  of  modern  photog- 
raphers. 

[36] 


171.  CAMOENS  (LUIS  DE).    Love  Poems  from  the  Portu- 
guese  of  Luis   de   Camoens,   by   Lord  Viscount   Strangford. 
Square  8vo,  original  wrappers,  uncut  and  unopened. 

Privately  Printed,  1886 

*  One  of  100  copies  only,  Whatman  paper  example. 

172.  CARLYLE  (THOMAS).    Works.    Illustrated.  20  vols. 
8vo,  cloth,  uncut.  Bost.  1884 

*  One  of  35  copies  on  Japan  paper.    Edition  de  luxe. 

173.  CARLYLE  (THOMAS).    Sartor  Resartus.    Illustrated 
by  Edmund  J.  Sullivan.    8vo,  cloth,  uncut  and  unopened. 

Lond.  1898 

*  One   of   150  copies  on   Japan   vellum,  printed  at  the  Chiswick 
Press,  and  containing  an  illustration  not  in  the  ordinary  edition.    Laid 
in  is  an  A.  L.  S.  from  Carlyle  to   John  P.  Knight   acknowledging 
the  receipt  of  an  invitation.    2pp.  12mo,  dated  April,  1856. 


Bliss   Carman 

Autographed  Copies  of  His  Writings, 
Original  Manuscripts,  Etc. 

174.  CARMAN  (BLISS).    Low  Tide  on  Grand  Pre,  a  Book 
of  Lyrics.     12mo,  cloth,  gilt  top,  uncut.  Bost.  1895 

*  Written  on  the  half  title,  in  Carman's  autograph,  is 
"The  glad  indomitable  sea, 

The  strong  white  sun. 
Bliss  Carman." 

175.  CARMAN    (BLISS).      Behind  the  Arras:  A  Book  of 
the    Unseen.      Designs  by   T.  B.  Meteyard.      FIRST  EDITION. 
12mo,  boards,  uncut  and  partially  unopened.  Bost.  1895 

*  On  the  half-title  is  written, 
"There  are  dimensions  still 

Beyond  thought's  reach,  though  not  beyond  love's  will, 
For  Soul  to  fill. 
Bliss  Carman." 

176.  CARMAN  (BLISS).     Ballads  of  Lost  Haven,  a  Book 
of  the  Sea.    FIRST  EDITION.     12mo,  cloth,  uncut.      Bost.  1897 

*  With  the  author's  signature  on  the  half-title. 

[37] 


177.  CARMAN  (BLISS).      A    Vision    of    Sappho.     FIRST 
EDITION.     8vo,  blue-gray  paper  wrappers,  uncut.       [Bost.  1903] 

*  SCARCE.     Only  60  copies  were  privately  printed.     Laid  in  is  AN 
ORIGINAL  MANUSCRIPT  POEM  by  Bliss  Carman  of  15  lines,  entitled 
"The  New  Moon,"  written  on  2pp.  4to  and  signed.    (Poem  published 
in  "Everybody's  Magazine.") 

The  new  moon  through  the  firs 
Shines  like  a  silver  lamp, 
Tranquil  and  bright. 
The   purple   mountain   wall 
And  the  dark-shadowed  gorge 
Glimmer  and  pale. 
&c.,  &c. 

178.  CARMAN   (BLISS).     Pipes  of  Pan;    and,  The  Rough 
Rider,  and  other  Poems.     Portrait. .  FIRST    EDITION.     12mo, 
cloth,  gilt  tops,  uncut;  and  16mo,  limp  calf,  uncut. 

Bost.  &  N.  Y.  1906-9 

179.  CARMAN     (BLISS).        ORIGINAL     MANUSCRIPT    of 
the  FIRST  DRAFT  of  an  Essay,   "The  Music  of  Life,"  WRITTEN 

THROUGHOUT    IN    THE    HANDWRITING    OF    BLISS    CARMAN     AND 

SIGNED.     Contains  26  pp.     4to.     Dated  January,  1907. 

180.  CARMAN  (BLISS).  The  Making  of  Personality.  Front- 
ispiece.   FIRST  EDITION.     12mo,  cloth,  gilt  top.          Bost.  1908 

*  Presentation  copy,  inscribed — "M.  K.  from  B.C.,  March,  1908." 

181.  CARMAN   (BLISS).     The  Gate  of  Peace.     8vo,  blue- 
gray  wrappers.  New  Canaan  [Conn.]  1909 

*  SCARCE.     The  First  Edition  of  112  copies  was  almost  entirely 
destroyed  by  fire.  The  present  edition  consists  of  only  60  copies,  with 
a  Prologue  and  Epilogue  added.    Laid  in  is  AN  ORIGINAL  MANUSCRIPT 
POEM  by  Bliss  Carman  entitled,  "A  Bystander,"  written  on  5pp. 4to. 
Signed  and  dated  April,  1904. 

What  mortal  ever 
Laid  hold  upon  life 
So  lightly  as  I? 
I  behold  the  wind 
In  the  purple  grass 
By  the  river  marge. 
&c.,  &c. 

182.  CARMAN     (BLISS)    AND    HOVEY    (RICHARD). 

Songs  from  Vagabondia.    12mo,  boards,  uncut  and  unopened. 

Bost.  1895 

*  On  the  half-title  are  written  two  lines  of  verse,  "Make  me  over, 
Mother  April,  When  the  sap  begins  to  stir."     (Signed)    Bliss  Carman. 

[38] 


183.  CARMAN   (BLISS)    AND    HOVEY    (RICHARD). 

More  Songs  from  Vagabondia.    Designs  by  Tom  B.  Meteyard. 
12mo,  boards,  uncut.  Bost.  1896 

*  On  the  half-title  is  written, "  There  is  something  in  the  Autumn 
that  is  Native  to  my  blood.    Bliss  Carman." 

184.  CARMAN  (BLISS)  AND  HOVEY  (RICHARD).  More 
Songs  from  Vagabondia.    Designs  by  Tom  B.  Meteyard.    12mo, 
boards,   uncut,   in  a  burnt  leather  wrapper  with   monogram 
"EBG."  Bost.  1896 


185.  CASSELL'S  UNIVERSAL  PORTRAIT  GALLERY. 

Reproductions  of  photographs,  with  facsimile  autographs.     8vo, 
half  green  levant  morocco  gilt,  gilt  top.  Lond.   1895 

186.  CASTLE    (EGERTON).      English  Book-Plates.    An 
Illustrated  Handbook  for  Students  of  Ex-Libris.    Many  repro- 
ductions.   8vo,  original  wrappers,  uncut  and  unopened. 

Lond.  1892. 

*  One  of  65  numbered  copies  on  Japan  vellum. 

187.  CATALOGUE.    Catalogue  des  Tableaux    Anciens    et 
Modernes  composant  la  Collection  Bourgeois  Freres.     Many 
reproductions.    4to,  vellum  wrappers,  uncut.          Cologne,  1904 

188.  CATALOGUE  of  the  "V.  A.  B."  [lacque.]     Collection 
in  the  library  of  Henry  W.  Poor.     Illustrated.      1903;    From 
the  Eastern  Sea  (Noguchi),  1910;  Yzdra  (Louis  V.   Ledoux). 
1907.      Together,  3  vols.      8vo,  wrappers.  v.  p.,  v.  d. 

*  All  autographed  presentation  copies. 

189.  CATALOGUE  ILLUSTRE,  Salon  de  1889,  Peinture  et 
Sculpture.    Many  reproductions.    8vo,  half  red  calf  gilt,  gilt  top. 

Paris,  [1889] 

190.  CATALOGUE  ILLUSTRfi  des  Ouvrages  de  Peinture, 
Sculpture,    et    Gravure.      Societe    Nationale    des    Beaux-Arts, 
Exposition  de  1896.     Many  photogravures.     8vo,  half  red  calf 
gilt,  gilt  top.  Paris,  [1896] 

191.  CATHEDRALS.    Cathedrals,  Abbeys,  and  Churches  of 
England  and  Wales.     Edited  by  T.  G.  Bonney.     Many  illus- 
trations.    2  vols.     Royal  8vo,  cloth,  gilt  tops.  Lond.  1896 

[39] 


192.  CATHOLIC  CHURCH.    Shea  (John  Gilmary).    The 
Catholic  Church  in  Colonial  Days.     The  Thirteen  Colonies, 
Ottawa  and  Illinois  Country,  Louisiana,  Florida,  Texas,  New 
Mexico  and    Arizona.     Portraits,  views,  maps  and  facsimiles. 
4  vols.     Royal  8vo,  cloth,  uncut.  N.  Y.  1886 

*  Fine  copy. 

193.  CENTURY  DICTIONARY.    The  Century  Dictionary 
and  Cyclopedia.    Illustrated.    6  vols.    Royal  4to,  half  morocco 
(rubbed).  N.  Y.  1889 

194.  CENTURY  DICTIONARY.    The  Century  Dictionary 
and  Cyclopedia.     Illustrated.     6  vols.     1889-91;  The  Century 
Cyclopedia  of  Names,  1897.    Together,  7  vols.    Royal  4to,  half 
morocco.  N.  Y.  1889-97 

195.  CENTURY  GUILD.  The  Century  Guild  Hobby  Horse. 
Illustrated.    No.  1,  April,  1884  (All  issued  at  this  time).    No.  1, 
January,  1886,  to  No.  28,  October,  1892;    Nos.  1,  2,  and  3, 
New  Series,  1893-94.  Together,  32  pieces,  4to,  original  wrappers, 
uncut  and  mainly  unopened.  Lond.  1884-94 

*  A  COMPLETE  SET  OF  THE  DIFFERENT  ISSUES  OF  THE  HOBBY 
HORSE.     The  illustrations  include  examples  of  the  work  of  Dante 
Rossetti,  William  Strong,  Burne-Jones,  Leighton,  Ford  Madox  Brown, 
Watts,  and  others.    Austin  Dobson,  J.  H.  Shorthouse,  John  Adding- 
ton  Symonds,  Christina  Rossetti,  and  Selwyn  Image  are  among  the 
contributors  of  prose  and  verse.    The  publication  was  printed  at  the 
Chiswick  Press,  on  specially  made  paper,  and  is  a  beautiful  example 
of  the  printer's  art.    The  first  part  is  scarce;   complete  sets,  in  such 
condition  as  this,  are  extremely  rare. 

196.  CERFBERR     (ANATOLE)     AND    CHRISTOPHE 

(JULES).  Repertoire  de  la  Comedie  Humaine  de  H.  de  Balzac. 
Avec  une  introduction  de  Paul  Bourget.  8vo,  half  brown 
levant  morocco  gilt,  gilt  top,  uncut,  original  wrappers  bound  in, 
by  Ruban.  Paris,  1888 

196*.    Another  copy,  half  red  levant  morocco  gilt,  gilt  top, 
uncut,  original  wrappers  bound  in,  by  Ruban. 

197.  CERVANTES-SAAVEDRA    (MIGUEL    DE).     Don 

Quixote.  Tranlated  by  P.  Motteux.  Illustrated  with  etchings  by 
Lalauze.  4  vols.  8vo,  half  red  levant  morocco,  gilt  tops,  uncut, 
by  Riviere.  Lond.  1892 

*  Limited  to  800  copies  for  America,  signed  by  the  publishers. 

[40] 


198.  CERVANTES-SAAVEDRA    (MIGUEL    DE).      The 

History  of  Don  Quixote.    Illustrated  by  Gustav  Dore.    4to,  red 
morocco  gilt,  gilt  edges,  by  Blackwell.  Lond.  n.  d. 

199.  CHAFFERS  (WILLIAM).  Marks  and  Monograms  on 
European  and  Oriental  Pottery  and  Porcelain,  with  Historical 
Notices  of  each  Manufactory.       Upwards  of  3000  potter's  marks 
and  illustrations.    8vo,  half  brown  levant  morocco,  gilt  top,  by 
Rains.  Lond.  1891 

200.  CHAMBERLAIN  (HOUSTON  STEWART).  Richard 
Wagner.    Translated  from  the  German  by  G.  A.  Hight.    Many 
illustrations.      4to,   half   green  levant   morocco   gilt,    gilt   top, 
by  Rains.  Lond.  1897 

201.  CHAMBERS  (JULIUS).   The  Mississippi  River  and  its 
Wonderful  Valley.    Maps  and  Illustrations.     FIRST  EDITION. 
8vo,  cloth,  gilt  top.  N.  Y.  1910 

*  Presentation  copy,  signed  by  the  author. 

202.  CHAMISSO  (ADELBERT4DE).     Pierre  Schlemihl,  ou 
I'Homme  qui  a  perdu  son  Ombre.    Dessins  de  Myrbach.  4to,  half 
brown  levant  morocco  gilt,  gilt  top,  by  Ruban.          Paris,  1887 

203.  CHAPMAN  (GEORGE).     The  Comedies  and  Trage- 
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oir of  the  Author.     3  vols.     12mo,  half  calf  gilt,  gilt  tops, 
(several  covers  slightly  rubbed).  Lond.  1873 

204.  CHARLES   I.     Disraeli    (Isaac).      Commentaries   on 
the  Life  and  Reign  of  Charles  the  First,    King  of  England. 
New  Edition,  Edited  by  his  Son.    2  vols.    8vo.,  tree  calf  gilt. 

Lond.  1851 

205.  CHATEAUBRIAND.    Atala.     Translated  by   James 
S.  Harry.     Illustrated  by  Gustav  Dore.     4to,  green  polished  calf 
gilt,  gilt  edges,  by  Blackwell.  N.Y.  [1884] 

206.  CHEIRO.  Cheiro's  Language  of  the  Hand.    Illustrations 
4to,  cloth.  Chic.  1901 

*  Presentation  copy,  with  autograph  inscription  signed  "Cheiro." 

207.  CHERVILLE  (G.  DE) .      Les  Chiens  et  les  Chats  d'Eu- 
gene  Lambert.     Illustre  de  6  eaux-fortes  et  145  dessins  par  Eugene 
Lambert.     Royal  4to,  half   maroon  levant  morocco  gilt,   silk 
sides,  gilt  top,  uncut,  original  covers  bound  in,  by  Stikeman. 

Paris,  1888 

[41] 


208.  CHESTERFIELD   (PHILIP  DORMER  STANHOPE, 
LORD).     The  Letters   of  Philip    Dormer  Stanhope,  Earl  of 
Chesterfield.     Edited  by  John   Bradshaw.      Frontispieces.    3 
vols.  8  vo,  half  calf.  N.  Y.  1892 

209.  CHESTERTON   (GILBERT  K.).     George   Bernard 
Shaw.     FIRST  EDITION.     12mo,  cloth.  N.  Y.  1909 

210.  CHRISTIAN  SCIENCE.    Brisbane   (Arthur).    Mary 
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edges.  Bost.  1908 

211.  CHURCHILL  (WINSTON).    The  Celebrity.    An  Epi- 
sode.   12mo,  cloth.  N.  Y.  1898 

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212.  CIBBER    (COLLEY).       The  Tryal  of  Colley  Gibber, 

Comedian,  1740;  An  Apology  for  the  life  of  Mr.  T. C-   — , 

Comedian,  being  a  Proper  Sequel  to  the  Apology  for  the  Life 
of  Mr.  Colley  Gibber,  Comedian.      1740;    Another  Occasional 
Letter  from  Mr.  Gibber  to  Mr.  Pope,  1744;    The  Egotist,  or  Col- 
ley upon  Gibber,  1742;  The  Buskin  and  Sock,  1743;  5  pieces 
in  one  vol.      12mo,  half  red  morocco   (one  title  damaged,  and 
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*  An  interesting  collection  of  pamphlets  in  relation  to  the  dramatic 
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213.  CIBBER    (COLLEY).      Dramatic   Works.      Portrait. 
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214.  CIVIL  WAR.     The  War  of  the  Rebellion:  A  compila- 
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exception  of  series  I,  vol.  45,  part  I,  also  Atlas  to  accompany  the 
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215.  CLAIRVILLE,SIRAUDINANDKONING.    LaFille 
de  Madame  Angot.      Colored  and  other  illustrations  by  Gr'evin. 
8vo,  half  morocco,  gilt  top,  uncut.  Paris,  1875 

[42] 


216.  CLEMENS    (SAMUEL   LANGHORNE).     What  is 
Man  ?     8vo,  boards,  uncut.  N.  Y.  DeVinne  Press,  1906 

*  Only   250  copies  privately   printed  for  distribution  among  his 
friends.    The  author  in  his  foreword  says :     " .    .     The  studies  for  these 
papers  were  begun  twenty-five  years  ago.     Every  thought  in  them 
has  been  thought  (and  accepted  as  unassailable  truth)  by  millions 
upon  millions  of  men — and  concealed,  kept  private.     Why  did  they 
not  speak  out?    Because  they  dreaded  (and  could  not  bear)  the  dis- 
approval of  people  around  them.    Why  have  I  not  published?    The 
same  reason  has  restrained  me,  I  think.     I 'can  find  no  other." 

This  copy  was  presented  by  the  Author  to  a  friend  who  gave  it  to 
Miss  Grigsby. 

Accompanying  the  volume  is  a  one-page  autograph  letter  by 
Clemens,  written  from  Elmira,  N.  Y.,  September  19,  1903,  mention- 
ing "those  two  sittings,"  and  signed  "S.  L.  Clemens." 

217.  CLEMENS    (SAMUEL    LANGHORNE).     What  is 
Man  ?     12mo,  cloth.  Lond.  1910 

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supposed  to  be  the  first  copy  offered  for  public  sale  in  America. 

218.  CLEMENS  (SAMUEL  LANGHORNE).     The  Inno- 
cents Abroad,  1897;   A  Tramp  Abroad,  1894;  Personal  Rec- 
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Tom  Sawyer    Abroad,    Tom   Sawyer  Detective,   n.    d.;    The 
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Finn,  n.  d.;  The  Prince  and  the  Pauper,  1896;    A   Connecticut 
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8vo  and  12mo,  cloth. 


219.  CLIFFORD    (MRS.  W.  K.).     A  Flash  of  Summer; 
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*  All  presentation  copies,  with  inscriptions  by  the  author. 

220.  CLODD  (EDWARD).     Concerning  a  Pilgrimage  to  the 
Grave  of  Edward  Fitzgerald.    Portrait  and  view,  title  in  red  and 
black.    Square  12mo,  boards,  uncut. 

Portland,  Me.:  Privately  printed  (Mosher),  1902 

*  No.  1  of  50  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher. 

221.  CLOUSTON(K.  WARREN).    The  Chippendale  Period 
in  English  Furniture.    Many  illustrations.    4to,  cloth,  gilt  top, 
uncut.  Lond.  1897 

[43] 


[COLBATCH.]  An  Account  of  the  Court  of  Portugal, 
under  the  Reign  of  the  present  King,  Dom  Pedro  II.  12mo, 
old  panelled  calf,  in  green  roan  cover.  Lond.  1700 

*  Robert  Southey's  copy,  with  his  signature,  dated  "Bristol,  1801," 
written  in  a  fine  hand  between  the  lines  of  the  title  border,  and  a  note 
on  the  inner  front  cover:    "This  is  an  excellent  book — full,  accurate 
and  dispassionate  written  with  the  most  upright  feelings  and  with  a 
thorough  knowledge  of  the  subject."    "Southey,  1801,"  is  also  written 
on  the  cover.    The  first  signature  noted  is  remarkable  for  its  fineness 
and  legibility.    With  Southey's  bookplate,  designed  by  T.  Bewick. 

223.  COLEMAN  (CARYL) .  Symbolism  in  Religious  Art :  a 
Lecture,  etc.  Illustrations  in  color.  8vo,  boards,  uncut. 

N.  Y.  1899 

224..COLLINS  (WILKIE).  English' Novelist.  A.L.S.,4pp. 
12mo,  to  L.  Metcalf  regarding  contribution.  Dated  London: 
Portman  Square,  W.,  14th  September,  1887 

225.  COLUMBUS  (CHRISTOPHER).  Lettere  Autografe  di 
Cristofore  Colombo,  Nuovamente  Stampate.    Portrait.    12mo, 
half  green  morocco.  Milan,  1863 

226.  COMBE  (WILLIAM).     The  Tour  of  Doctor  Syntax  in 
Search  of  the  Picturesque.    9th  edition.    The  Second  Tour  of 
Doctor  Syntax,  in  Search  of  Consolation;   The  Third  Tour  of 
Doctor  Syntax,  in  Search  of  a  Wife.    All  illustrated  with  colored 
plates  by  Rowlandson.     3  vols.  8vo,  uniformly  bound  in  red 
morocco,  gilt  tooled,  gilt  edges.  Lond.  n.  d. 

*  A  fine  set  of  the  three  tours. 

227.  CONINGTON     (JOHN).      Miscellaneous  Writings. 
Edited  by  J.  A.  Symonds,  with  a  Memoir  by  H.  J.  S.  Smith. 
FIRST  EDITION.    2  vols.    8vo,  cloth.  Lond.  1872 

228.  COOPER    (JAMES   FENIMORE).    Works.    Illustra- 
tions byF.  0.  C.  Darley.    32  vols.    8vo,  half  calf.        N.  Y.  1883 

229.  COPPEE  (FRANCOIS).     Poesies,  1864-1887.  300  des- 
sins  par  Myrbach.    Royal  8vo,  decorative  cloth,  gilt  edges. 

Paris,  n.  d. 

230.  CRANE  (STEPHEN).    War  is  Kind.  Drawings  by  Witt 
Bradley.    FIRST  EDITION.    8vo,  boards,  uncut.  N.  Y.  1899 

231.  CRANE  (WALTER).   Renascence,    a  Book  of  Verse. 
Designs  by  the  author.    8vo,  boards,  uncut.  Lond.  1891 

*  One  of  40  copies  on  Japan  vellum,  signed  by  the  author. 

[44] 


232.  CRANE  (WALTER) .    Of  the  Decorative  Illustration  of 
Books,  Old  and  New.    Many  illustrations.    8vo,  original  wrap- 
pers, uncut.  Lond.  1896 

*  Printed  at  the  Chiswick  Press.     One  of  130  copies  only  on  tall 
Japan  vellum. 

233.  CUNNINGHAM  (ALLAN).  TheLives  of  theMostEmi- 
nent    British    Painters    and    Sculptors.      Frontispieces.  FIRST 
AMERICAN  EDITION.      3  vols,  16mo,  half  red  morocco  gilt,  gilt 
tops,  by  Blackwell.    (slightly  foxed).  N.  Y.  1833 

234.  CUNNINGHAM  (PETER).   The  story  of  Nell  Gwyn 
and  the  Sayings  of  Charles  the  Second.    Illustrated.  8vo,  cloth. 

N.  Y.  n.  d. 

235.  CURIOUS    MEDICAL    BOOKS.      My  Water  Cure 
(Kneipp).      The    Fasting    Cure     (Sinclair),     Medical  Chaos 
and  Crime  (Barnesby),  Meditations  on  Gout  (Ellwanger),  and 
others.    7  vols.    8vo,  and  12mo,  cloth.  v.  p.  v.  d. 

236.  CURTIS  (GEORGE  WILLIAM).   Prueandl .Illustra- 
tions by  Albert  Sterner.    12mo,  blue  levant  morocco,  gilt  tooled, 
gilt  edges,  silk  doublure,  by  Roach.  N.  Y.  1896 

237.  CYCLOPEDIA  .of  Music  and  Musicians.    Edited  by 
John  D.  Champlin,  Jr.    1000  illustrations.    3  vols.    8vo,  cloth. 

N.  Y.  1893 

238.  CYCLOPEDIA  of  Painters  and  Painting.    Edited  by 
John  D.  Champlin,  Jr.    2000  illustrations.    4  vols.    8vo,  cloth. 

N.  Y.  1892 


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240.  DANIEL  PRESS.  Patmore  (Henry).  Poems.  Biograph- 
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[45] 


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242.  DANIEL  PRESS.    Webster  (John).    Love's  Graduate. 
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[46] 


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260.  DANIEL   PRESS.          [Bridges    (Robert).]    A    Royal 
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[47] 


261.  DANIEL  PRESS.    Jones  (Robert).   The  Muses  Gardin 
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264.  DANTE.     The  Purgatory  of  Dante  Alighieri.    An  Ex- 
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265.  DAUDET  (ALPHONSE).    Works  of  Daudet.    Trans- 
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*  This  set  comprises :  Tartarin  on  the  Alps;  Tartarin  of  Tarascon; 
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266.  DAUDET  (ALPHONSE).    Works  of  Daudet.    Trans- 
lated by  Charles  De  Kay,  C.  B.  Ives,  and  others.     Colored 
frontispieces,  and  other  illustrations.    24  vols.    8vo,  three  quarter 
red  levant  morocco,  gilt  backs  and  tops,  uncut.  Bost.    1899-1900 

*  No.  5  of  The  Edition  De  Luxe  limited  to  100  copies. 

267.  DAVIDSON  (JOHN).       Smith;  a  Tragedy.      FIRST 
EDITION.  16mo,  original  vellum  wrappers,  uncut.  Glasgow,  1888 

268.  DAVIDSON  (JOHN).     Plays  by  Davidson;   An  Un- 
historical  Pastoral;  A  Romantic  Farce;  Bruce;  &c.  Frontispiece 
by  Beardsley.     FIRST  COLLECTED  EDITION.  Square.  8vo, 
buckram,  uncut.                                          Lond.  &  Chicago,  1894 

269.  DAVIS  (RICHARD  HARDING).     The  Cuban  and 
Porto  Rican  Campaigns.      Numerous  Illustrations.     8vo,  three 
quarter  blue  polished  morocco  gilt,  gilt  top.  N.  Y.  1898 

[48] 


270.  DEFOE  (DANIEL).      The  Life  and  Adventures  of 
Robinson   Crusoe.     Etchings   and  engravings  on  India  Paper 
after  Stothard,  Flameng,   and  Mouilleron.     %   vols.     8vo,   half 
purple  crushed  levant  morocco,  gilt  tops,  uncut.       Phila.  1891 

271.  DE  FREVAL  (J.  B.).     The  History  of  the  Heavens. 
Translated  from  the  French  of  the  Abbe  Pluche.     Curious 
engravings.     2  vols.     12mo,  half  green  calf,  gilt   edges    (one 
margin  torn).  Lond.  1743 

272.  DE  LA  MORE  PRESS.    Rossetti  (Helen  M.  Madox). 
Ford  Madox  Brown.    Illustrations.    12mo,  boards. 

Lond.  1902 

273.  DENON  (VIVANT).     Point  de  Lendemain.      Conte; 
suivi  de  La  Nuit  Marveilleuse.     Frontispiece  by  Paul  Avril. 
and  characteristic  plate   [by  F.    Hops].     24 mo,   three  quarter 
morocco  gilt,  gilt  top,  uncut  (ink  stain  on  cover).      Paris,  1867 

*  Limited  edition. 

274.  DE  QUINCEY  (THOMAS).      The  Writings  of  De 
Quincey.     22  vols.     12mo,  half  polished  brown  morocco,  gilt 
backs  and  tops.  Bost.  1871-2 

275.  DE  QUINCEY  (THOMAS).     The  Uncollected  Writ- 
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Hogg.     Portrait.    2  vols.    12mo,  half  polished  calf  gilt,  gilt  tops. 

N.  Y.  1890 

276.  DEROULEDE  (PAUL).     Chants  du  Soldat.    Dessins 
et  aquarelles  de  De  Neuville,  Baugnies,   &c.  gravure  de  Guill- 
aumeFreres.  8vo,half  alligator-calf ,  gilt  top,  uncut,  with  original 
covers  bound  in.  Paris,  1888 

277.  DESBEAUX  (EMILE).     Le  Secret  de  Mademoiselle 
Marthe.    100  illustrations  after  Bogaert,  Gelibert,  and  others.    4to, 
decorative  cloth,  gilt  edges.  Paris,  1887 

278.  DEUCHAR  (DAVID).    A  Collection  of  Etchings  after 
the  Most  Eminent  Masters  of  the  Dutch  and  Flemish  Schools — 
and  a  few  Original  Designs  by  Deuchar.    Japan  Paper.    Folio, 
half  morocco  and  boards,  gilt  tops.  Edinb.  n.  d. 

279.  DIBDIN    (THOMAS    FROGNALL).      Bibliomania; 
or,   Book-Madness.     A  Bibliographical  Romance.     Illustrated 
with  cuts.    Royal  8vo,  half  morocco,  gilt  top.  Lond.  1876 

[49] 


280.  DICKENS  (CHARLES).       The  Works  of  Dickens. 
Illustrations  by  George  Cruikshank,  Seymour,     "Phiz."   &c.    30 
vols.    Life  of  Dickens.    By  John  Forster.    Illustrations.    FIRST 
EDITION.    3  vols.    1872-4;  Life  and  Letters  of  Dickens.    Edited 
by  his  Sister-in-Law,  &c.    3  vols.    Together,  36  vols.,  uniformly 
bound  in  half  red  polished  morocco,  gilt  backs  and  tops,  uncut, 
by  Tout.  Lond.  n.  d.  and  1872-80 

*  HANDSOME  SET  OF  THE  CHAPMAN  AND  HALL  EDITION  PRINTED 
IN  LARGE  TYPE,  AND  WITH  ALL  THE  ILLUSTRATIONS 

Laid  in  is  a  1-page  A.  L.  S.  from  Dickens,  written  from  Gad's  Hill 
Place,  August  3rd,  1863,  regarding  an  Orphan  Working  School. 
Accompanied  by  addressed  envelope. 

281 .  DISRAELI  (BENJAMIN) .     Works  of  Lord  Beacons- 
field.     10  vols.     12mo,  half  calf.  Lond.  1868 

*  This  set  comprises:    Coningsby,   Venetia,   Vivian  Grey,  Alroy, 
Ixion,   Henrietta  Temple,  Young  Duke,   Sybil,  Contarini  Fleming, 
Tancred. 

282.  DISRAELI  (BENJAMIN).     Coningsby;  Vivian  Grey; 
Henrietta  Temple;  Alroy;  Venetia;  Sybil;    The  Young  Duke. 
7  vols.     12mo,  uniform  cloth.  Lond.  1890-92 

283.  DIVERSITEZ   GALANTES.     Les  Diversitez  Galan- 
tes.    Frontispiece.     16mo,  old  green  morocco,  gilt  edges  (fron- 
tispiece trimmed).  Paris,  1665 

284.  DOBSON  (AUSTIN).       The  Story  of  Rosina,  and 
other  Verses.     FIRST  EDITION.       Illustrations  by  Hugh  Thom- 
son.    12mo,  half  grey  levant  morocco,  gilt  edges.         Lond.  1895 

285.  DORAT  (JOSEPH).    The  Kisses.    (LesBaisers).    Pre- 
ceded by  the  Month  of  May.     Translated  by  H.  G.  Keene. 
Copperplate  engravings  after  the  designs  of  C.  Eisen  and  Marillier. 
8vo,  silk-cloth,  uncut.  Lond.  n.  d. 

*  Limited  edition. 

286.  DOUCE  (FRANCIS).     The  Dance  of  Death  exhibited 
in  elegant  Engravings  on  Wood  with  a  Dissertation  on  the 
several  Representations  of  that  Subject,  but  more  particularly 
on  those  ascribed  to  Macaber  and  Hans  Holbein.    Engravings 
on  wood.     8vo,  red  levant  morocco  gilt,  gilt  top,  by  Rains. 

Lond.:  Pickering,  1833 

*  EXTRA-ILLUSTRATED  by  the  insertion  of  a  set  of  plates  by  Schel- 
lenberg. 

[501 


287.  DOUGLAS  (ALFRED).    The  City  of  the  Soul.    16mo, 
half  vellum  boards,  uncut.  Lond.  1899 

*  Presentation  copy,  signed  by  the  author,  with  MS.  verses  on  a 
flyleaf.     Laid  in  is  a  very  interesting  EIGHT-PAGE  A.  L.  S.  by  Lady 
Alfred  Douglas. 

288.  DOVES  PRESS.     Tacitus.     De  Vita  et  Moribus  Julii 
Agricolae.    8vo,  limp  vellum,  uncut. 

Hammersmith,  Doves  Press,  1900 

*  SCARCE.    The  first  book  printed  by  this  Press.    Only  125  copies 
printed. 

289.  DOVES  PRESS.    Mackail  (William).     William  Mor- 
ris.    An  Address,  delivered  November  11,  1900,  at  the  Kelm- 
scott  House,  8vo,  limp  vellum,  uncut.    (Back  slightly  damaged.) 

Hammersmith,  Doves  Press,  1901 

*  Only  800  copies^  printed. 

290.  DOVES  PRESS.     Tennyson   (Alfred,   Lord).     Seven 
Poems  and  Two  Translations.    8vo,  limp  vellum,  partly  uncut. 

Hammersmith,  Doves  Press,  1902 

*  Only  300  copies  printed. 

291.  DOWSON   (ERNEST).     Verses  by  Dowson.     12mo, 
vellum  boards,  uncut.  Lond.  1896 

*  Limited  Edition.     Presentation  copy  from  T.  B.  Mosher,  with 
autograph  inscription  on  flyleaf.     Laid  in  is  an  A.  L.  S.  of  William 
Theodore  Peters  with  envelope,  referring  to  a  Dowson  MS. 

292.  DOWSON   (ERNEST).     Decorations;     in  Verse  and 
Prose.     12mo,  vellum  boards,  uncut.  Lond.  1899 

*  Presentation  copy  from  T.  B.  Mosher,  with  autograph  inscription 
on  flyleaf. 

293.  DOWSON  (ERNEST).    The  Poems  of  Ernest  Dowson. 
Square  12mo,  sheets,  unstitched,  uncut. 

Portland,  Me.:  Mosher,  1902 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher. 

Laid  in  is  an  autograph  poem  of  three  seven-line  stanzas,  signed  by 
Ernest  Dowson,  and  addressed  to  "William  Theodore  Peters:  Upon 
his  Renaissance  Cloak." 

294. — The  same,  No.  1  of  50  copies  printed  on  Japan  vellum 
autographed  by  the  publisher. 

[51] 


295.  DOYLE  (A.  CONAN).    The  White  Company,  Micah 
Clarke,  The  Sign  of  the  Four;  My  Friend  the  Murderer;  The 
Firm  of  Girdlestone.    Together,  5  vols.     12mo,  cloth. 

N.  Y.,  n.  d. 

296.  DRAKE  (NATHAN).     Literary  Hours;    or,  Sketches 
Critical  and  Narrative.     Second  Edition.     2  vols.     8vo,  tree 
calf  gilt.  Sudbury  [Eng.]  1800 

297.  DRAMA.    Inchbald  (Mrs.).    The  British  Theatre;   or 
a  Collection  of  Plays  which  are  Acted  at  the  Theatres  Royal, 
Drury  Lane,  Covent  Garden  and  Haymarket,  with  Biographical 
and  Critical  Remarks.     Numerous  engraved  plates,  mostly  scenes 
from  the  plays.    25  vols.    12mo,  scored  calf  gilt,  gilt  side  borders. 
(Some  vols.  slightly  rubbed).  Lond.  1808-9 

*  Complete  set  of  this  well-known  work. 

298.  DRAMA.     Inchbald  (Mrs.).     A  Collection  of  Farces 
and  other  Afterpieces,  which  are  Acted  at  the  Theatres  Royal, 
Drury  Lane,  Covent  Garden  and  Haymarket.  Selected  by  Mrs. 
Inchbald.     7  vols.     12mo,  tree  calf  gilt.    (Slightly  rubbed  and 
spotted).  Lond.  1809 

299.  DRAMA.     Inchbald   (Mrs.).     The  Modern  Theatre; 
a  Collection  of  Successful  Modern  Plays,  as  Acted  at  the  Thea- 
tres Royal,  London.    Printed  from  the  Prompt  Books  under  the 
Authority  of  the  Managers.     10  vols.     12mo,  full  polished  calf 
gilt.  Lond.  1811 

*  From  the  Library  of  John  Mair,  with  bookplate. 

300.  DU  BOIS  (HENRI  PENE).    Four  Private  Libraries 
of  New  York.    A  Contribution  to  the  History  of  Bibliophilism 
in  America.     Preface  by  Octave  Uzanne.     Illustrations  of  bind- 
ings,   &c.      Some    Colored.      8vo,    silk  cloth,    uncut.     (Sides 
stained).  N.  Y.  1892 

*  Limited  Edition. 

301.  DU  BOIS  (HENRI  PENE).    French  Folly  in  Maxims; 
Art,    Letters,      Philosophy,     the     Stage.       Translated     and 
Edited  by  H.  P.  Du  Bois.    4  vols.    24mo,  half  calf,  gilt  tops. 

N.  Y.  [1894] 

302.  DU  BOIS  (HENRI    PENE,  Compiler).      Princesses 
in  Love.     A  Compilation.  Etched  portraits.    12mo.  half   blue 
morocco  gilt,  gilt  tops,  uncut.  N.  Y.  [1895] 

[52] 


SECOND   SESSION 

303.  DUMAS      (ALEXANDRE).      Celebrated     Crimes 
Translated  by  I.   G.   Burnham.     Illustrations  after  De  Los 
Rios,   Prudhomme,  Wagrez,  &c.     8   vols.   small    4to.,    brown 
levant  morocco,  doublure  of   same  with  centre  panels  of  red 
morocco,  gilt  tops,  uncut.  Phila. :  Barrie,  1895 

*  Limited  Edition  on  large  Japan  paper,  with  a  duplicate  set  of 
the  plates. 

304.  DUMAS  (ALEXANDRE).     The  Works  of  Dumas. 
Illustrated.      15    vols.    8vo,    cloth,    paper    labels,    gilt    tops. 
(Several    pages    loose).  N.    Y.    1895 

*  Edition  de  Louvre.    Set  comprises:  Chevalier  de  Maison  Rouge; 
Beau  Tancrede;   Monte  Cristo,  2  vols.;   Man  in  Iron  Mask;   Andree 
de  Taverny;   Queen's  Necklace;   Bragelonne;   Louise  de  La  Valliere; 
Joseph  Balsamo;  Memoirs  of  a  Physician;  Three  Guardsmen;  Twenty 
Years  After;   Countess  du  Charny;   Ten  Years  Later. 

305.  DU   MAURIER   (GEORGE).     Trilby.     The  Origi- 
nal Chapters  extracted  from  Harper's  Magazine,  1894;  bound 
together  with  "Trilbyana,  the  Rise  and  Progress  of  a  Popular 
Novel,  by  J.  B.  and  L.  Gilder,  N.  Y.,  1895;  Sherard's  Auto- 
biographic Interview  from  McClure's  Magazine,  April  1895; 
Schonberg's    Trilby    Glossary;    and    numerous    illustrations, 
facsimiles,  &c.     Royal  8vo.,  full  dark  brown  crushed  levant 
morocco  gilt,  doublure  similar  with  centre  panels  and  end 
papers  of  ooze  calf,  gilt  top,  uncut  (one  side  stained). 

*  With  the  caricature  portrait  of  Whistler,  that  in  all  later  issues, 
in  book-form  was  suppressed. 

306.  DU    MAURIER     (GEORGE).      English     Society. 
Sketched  by  Du  Maurier.     [Introduction  by  W.  D.  Ho  wells]. 
Many  illustrations.     Oblong  4to,  buckram.  N.  Y.  1897 

307.  DUNCAN  (ISADORA).     The  dance  of  the  Future. 
Portrait   and   illustrations.     Small   folio,   boards.     [Privately 
Printed]. 

308.  tpCHEGARAY  (JOSE).     The  Great  Galeotp ;   Folly 
•*--'    or  Saintliness :  two  Plays  done  into  English  prose 

by  Hannah  Lynch.     8vo,  cloth,  uncut.  Lond.  1895 

*  Limited  to  400  copies. 

[53] 


309.  EDWARD   VI   and   the   Book   of   Common   Prayer 
(Gasquet  &  Bishop),  1891;  The  Martyrdom  of  an  Empress, 
1899;  The  First  Divorce  of  Henry  VIII  (Hope),  1894;  Queen 
Mary  (Kinloch-Cooke) .    4  vols.  8vo  and  smaller,  cloth,    v.  p. 

310.  ELIOT  (GEORGE).     Works.     With  Life  of  George 
Eliot,  by  Cross.     Illustrated.     24  vols.  8vo,  half  green  moroc- 
co, gilt  tops,  uncut.  Bost.  1894 

*  Limited  edition. 

311.  ELIZABETHAN  SONGS  in  Honour  of  Love  and 
Beauty.     Collected    and   Illustrated    by   Edmund   H.    Garrett. 
With  Introduction  by  Andrew  Lang.   8vo,  blue  polished  moroc- 
co, doublure  similar  with  gilt  borders,  and  centre  panels  of 
watered  silk,  silk  end-papers,  gilt  back,  gilt  edges,  by  W. 
Roach.     In  silk-covered  and  silk-lined  wooden  case. 

Bost.  1895 

*  HANDSOME  COPY. 

312.  ELIOT    (FRANCES).     Old    Court  Life    in   France. 
Illustrated.     2  vols.  12mo,  half  morocco,  gilt  tops,  uncut. 

N.   Y.,   n.   d. 

313.  ELLIOTT  (REV.  WALTER).     The  Life  of  Father 
Hecker.     Portrait.      8vo,   half    blue    morocco,   gilt,   gilt  top, 
uncut.  N.  Y.   1894 

314.  ELLIS  (MRS.  HAVELOCK).     My  Cornish  Neigh- 
bors 1906;  Voices  of  Doubt  and  Trust,  selected  by  Volney 
Streamer,  1897.     Together,   2  vols.  12mo  cloth. 

Lond.   &  N.  Y.,  v.  d. 

*  Autographed  presentation  copies,  with  A.  N.   S.  laid  in  "My 
Cornish  Neighbors." 

315.  ELOGE    DE    L'ENFER.     Ouvrage    Critique,    His- 
torique,   et  Moral.     Plates  by  Sibelius.     2  vols.    12mo,   half 
morocco,  gilt  tops.  La  Haye,  1759 

316.  EMERSON  (RALPH  WALDO).     Works.     Portraits. 
Riverside  Edition.     12  vols.    12mo,   half  calf  gilt,   marbled 
edges.  Bost.  1894-5 

317.  EMERSON    (RALPH   WALDO).     Tantalus.     With 
a  note  by   F.   B.   Sanborn.     12mo,   brown  levant   morocco, 
gilt,  gilt  top,  uncut,  by  The  Adams  Bindery. 

Canton,   Pa.     The   Kirgate  Press,    1903 

*   One  of  10  copies  on  Japan  paper. 
[54] 


318.  ENCYCLOPEDIA  BRITANNICA.  The  Encyclo- 
paedia Britannica.  A  Dictionary  of  Arts,  Sciences,  and  Gen- 
eral Literature.  Illustrated.  NINTH  EDITION.  24  vols.  1878; 
American  Supplement  to  the  Encyclopedia  Britannica  (Ninth 
Edition).  Illustrated.  4  vols.  Index  to  the  Ninth  Edition, 
1889.  Together,  29  vols.  4to,  finely  bound  in  half  red  moroc- 
co. N.  Y.,  v.  d. 

.319.  ENGLAND  and  the  English  (Collier);  England's 
Ideal  (Carpenter);  English  Pharisees  and  French  Crocodiles 
(Max  O'Rell);  and  others.  Together,  6  vols.  12mo,  cloth. 

v.  p.,  v.  d. 

320.  ENGLISH  AUTHORS,  ETC.    [LETTERS  OF].     A.  L. 
S,  and  A.  L.  of  A.  B.  Grosart,  (in  regard  to  one  of  his  reprints), 
Maurice  Forman,  (2),  Herbert  E.Clarke,  (2),  Lewis  Hind,  W. 
J.  Ibbett.  The  Countess  of  Jersey   (3d  person),  H.  C.  Mac- 
dowall,  Neil  Munro,  Frank  Murray,  Alexander  T.  de  Mattos, 
and  C.  Whaley.     Swedish  Royal  D.  S.     Together,  15  pieces, 
various  sizes. 

321.  ENGLISH   AUTHORS,    ETC.     A.   L.    S.   of  Wm. 
Rose,  bibliographer,  Adelaide  Anne  Proctor  (to  Mrs.  Howitt), 
John  Stuart  Mill,  Sir  Edwin  Landseer,  Samuel  Smiles,  Eliz- 
abeth Robins,  a  card   signed  "C.D.  S.,"  and  a  D.  S.  of  J. 
Doyle,  Lieut-Governor  of  Guernsey,  1807.     Together,  8  pieces 
various  sizes. 

322.  ENGLISH  POETRY.     Complete  Poetical  Works  of 
Wordsworth,    introduction     by    John    Morley;      Poems    by 
Matthew  Arnold;  The   Poems    of  Goethe,    translated  in  the 
original  Metres  by  Thomas  Carlyle,  &c.;  Poetical  Works  of 
E.  B.  Browning;  Complete  Works  of  Robert  Burns.     Illus- 
trations.    5  vols.  12mo,  half  calf  gilt,  gilt  tops  (2  shades  of 
binding).  N.    Y.,    n.    d. 

^  323.  ENGLISH  POETRY.  Aquamarine's  (Nora  Chesson) 
Songs  of  the  Morning  (Nora  Hopper);  When  Birds  go  North 
Again  (Higginson);  Heartsease;  A  Shropshire  Lad  (House- 
man). Together,  5  vols.  12mo,  half  vellum  boards,  &c. 

v.  p.,  v.  d. 

324.  ENGLISH  POETRY.  Eros  and  Psyche  (Bridges); 
Potiphar's  Wife  and  other  Poems  (Edwin  Arnold) ;  The  Jaco- 
bean Poets  (Gosse);  Bruce:  a  Drama  (John  Davidson); 
and  others.  Together,  7  vols.  12mo,  and  16mo,  cloth,  and 
boards.  v.  p.,  v.  d. 

[551 


325.  ENGLISH   POETRY.     Love  and  Laughter   (J.   G. 
Burnett) ;  Abelard  and  Heloise  (Ridgely  Torrence) ;  In  Titian's 
Garden  (Harriet  P.  Spofford);  Children  of  the  Night  (E.  A. 
Robinson);  and  others.     Together,  17  vols.  12mo,  and  smaller, 
cloth.  v.  p.,  v.  d. 

326.  ENGLISH  POETRY.     Songs  from  the  Silent  Land 
(Ledoux) ;  Cathedral  and  other  Poems  (Dickinson) ;  A  Doric 
Reed  (Cocke) ;  Songs  of  Exile  (Bates) ;  and  others.     Together, 
12  vols.  12mo,  and  smaller,  cloth,  &c.  v.  p.,  v.  d. 

327.  ENGLISH    POETRY.      The     Alhambra     (Coutts); 
Poems  (T.  G.  Hake);  Cuckoo  Songs  (Hinkson);  The  Death 
Wake  (Stoddart);  and  others.     Together,  9  vols.  12mo,  cloth 
and  boards.  v.  p.,  v.  d. 

328;.  ENGLISH  POETRY.  Poetical  Works  of  S.  T. 
Coleridge;  Spenser's  Poetical  Works;  Dante's  Vision,  trans- 
lated by  H.  F.  Gary;  Jean  Ingelow's  Poems;  Poetical  Works 
of  Mrs.  Hemans.  5  vols.  12mo,  half  calf  gilt,  gilt  tops. 

N.  Y.,  n.  d. 

329.  ENGLISH    POETRY.     Poetical    Works    of    Owen 
Meredith;  Poems  of  Robert  Southey;  Poetical  Works  of  Chau- 
cer; Poems  of  Shelley.     Edited  by  E.  Dowden.     Illustrations. 

4  vols.  half  calf  gilt,  gilt  tops.  N.  Y.,  n.  d. 

330.  ENGLISH    POETRY.     Poetical    Works    of    Keats; 
Complete  Poetical  Works  of  Walter  Scott,  Introduction   by 
Charles  E.  Norton;  Poetical  Works  of  Milton,  Introductions 
by  David  Nassen;    Poems  of  Adelaide  Procter,  Introduction 
by  Charles  Dickens.     2  copies.     Portraits  and  illustrations. 

5  vols.  12mo,  half  calf  gilt,  gilt  tops.  N.  Y.,  n.  d. 


Publications  of  the  Eragny  Press 

331.  ERAGNY  PRESS.     Rust  (Margaret).     The  Queen 
of  the  Fishes:  An  Adaptation  in  English  of  a  Fairy  Tale  of 
Valois.     Colored  woodcuts   by  Pissarro.     Small  8vo,   printed 
on  one  side  of  the  paper  only,  vellum,  gilt  top.         Lond.  1894 

332.  ERAGNY  PRESS.     [Bible.]     The  Book  of  Ruth  and 
the  Book  of  Esther.     5  illustrations  designed  and  cut  on  wood 
by  L.  Pissarro.     24mo,  boards,  uncut.  Lond.  1896 

*  Only  155  copies  printed. 

[56] 


333.  ERAGNY    PRESS.     Laforgue      (Jules).     Moralites 
Legendaires.     Frontispieces,   borders   and    ornamental  initials 
designed  by  Lucian  Pissarro  and  engraved  on  wood  by  him  and 
Esther  Pissarro.     2  vols.  8vo,  original  boards.         Lond.  1897 

*  Limited  to  220  copies. 

334.  ERAGNY    PRESS.     Perrault    (Charles).     La   Belle 
au  Bois  Dormant    et    le    Petit    Chaperon    Rouge.     Wood- 
cuts, borders  and  initials  by  L.  Pissarro.     12mo,  original  boards, 
uncut  and  unopened.  Lond.  1899 

*  Limited  to  224  copies. 

335.  ERAGNY  PRESS.    Flaubert  (Gustave) .    LaLegende 
de    Saint.  Julien    1'Hospitalier.      Frontispiece     by    Pissarro. 
12mo,  boards,  uncut.  Lond.,  Eragny  Press,1900 

336.  ERAGNY  PRESS.     Villon  (Francois).     Ballade  des 
Dames  du  Temps  Jadis.     Frontispiece  and  designs  by  Pissarro. 
Small  8vo,  boards,  uncut  and  mainly  unopened.     Lond.  1900 

*  Limited  to  226  copies. 

337.  ERAGNY  PRESS.     Flaubert  (Gustave).     Herodias. 
Woodcut  frontispiece  by  Pissarro.     Small  8vo,  boards,  uncut 
and  unopened.  Lond.    1901 

*  One  of  226  copies. . 

338.  ERAGNY  PRESS.     Verhaeren  (Emile).     Les  Petits 
Vieux.     Colored    frontispiece     by    Pissarro.     Oblong     12mo, 
printed  on  one  side  of  the  paper  only,  boards,  gilt  top. 

Lond. 1901 

*  230  copies  only  printed. 

339.  ERAGNY  PRESS.     Perrault  (Charles).     Historic  de 
Peau  d'Ane.     Illustrations  by  Pissarro  and  T.  Sturge  Moore. 
8vo,  boards,  uncut  and  unopened.  Lond.  1902 

*  Limited  to  230  copies. 

340.  ERAGNY  PRESS.    Ronsard  (P.  de).    Choix  de  Son- 
nets.   Woodcut  frontispiece  by  Lucien  and  Esther  Pissarro.    8vo, 
boards,  uncut  and  unopened.  Lond.  1902 

*  Limited  to  226  copies. 


341.  ERCKMANN-CHATRIAN.  Histoire  d'un  Consent 
de  1813.  Portrait.  12mo,  half  red  morocco  gilt.  (Some 
margins  discolored.)  Paris,  n.  d. 

[57] 


342.  ESSAYS.  Degeneration  (Nordau),  Apologia  Diffi- 
dentis  (Leith) ;  An  Onlooker's  Note-Book,  Realities  and  Ideals 
(Harrison);  The  Intellectual  Life  (Hamerton);  and  others. 
8  vols.  8vo,  cloth,  etc.  v.  p.,  v.  d. 


Publications  of  the  Essex  House  Press 

343.  ESSEX   HOUSE   PRESS.     Ashbee    (C.   R.).     From 
Whitechapel  to  Camelot.     Illustrated  by  M-or-N.     8vo,  cloth. 

Lond.  1892 

344.  ESSEX  HOUSE  PRESS.     Cellini  (Benvenuto).     The 
Treatises  on  Goldsmithing  and  Sculpture.     Illustrated.     4to, 
cloth,  uncut  and  mainly  unopened.  Lond.  1898 

*  One  of  600  copies. 

345.  ESSEX  HOUSE  PRESS.     Bunyan  (John).     The  Pil- 
grim's Progress  from  this  world  to  that  which  is  to  come. 
Frontispiece,  12mo,  vellum,  uncut.  Lond.  1899 

*  One  of  750  copies. 

346.  ESSEX    HOUSE    PRESS.      Shakespeare    (William). 
Poems.     Edited,  according  to  the  Text  of  the  Original  Copies, 
by  F.  S.  Ellis.    8vo,  vellum,  uncut  and  unopened.     Lond.  1 899 

*  One  of  450  copies. 

347.  ESSEX  HOUSE  PRESS.    Burkitt  (F.  Crawford).   The 
Hymn  of  Bardaisan,  rendered  into  English.    Small  8vo,  boards, 
uncut  and  unopened.  Lond.  1899 

*  One  of  300  copies. 

348.  ESSEX  HOUSE  PRESS.     Keats   (John).     The  Eve 
of  St.  Agnes.    Frontispiece  by  Reginald  Savage.     12mo,  vellum. 

Lond.  1900 

*  One  of  125  copies  on  vellum,  with  the  initials  done  by  hand  in 
colors. 

349.  ESSEX  HOUSE  PRESS.     Castilio  (Baldessar).     The 
Courtyer    of    Count    Baldessar    Castilio,    divided    into    foure 
Bookes,  very  Necessary  and  Profitable  for  yonge  Gentilmen 
&  Gentilwomen  abiding  in  Court,  Palaice  or  Place,  done  into 
English  by  Thomas  Hoby.    8vo,  vellum,  uncut  and  unopened. 

Lond.  1900 

*  One  of  200  copies. 

[58] 


350.  ESSEX   HOUSE   PRESS.      Gray    (Thomas).      Elegy 
written  in  a  Country  Churchyard.    Frontispiece  in  colors  by 
George  Thomson.    12mo,  vellum,  uncut.  Lond.  1900 

*  One  of  125  copies,  all  on  vellum. 

351.  ESSEX  HOUSE  PRESS.     Whitman  (Walt).     When 
Lilacs  last  in  the  Dooryard  bloomed.    Frontispiece  and  initials 
by  C.  R.  Ashbee.    12mo,  vellum,  uncut.  Lond.  1900 

*  One  of  135  copies,  printed  on  vellum. 

352.  ESSEX    HOUSE    PRESS.      Penn    (William).      Some 
Fruits  of  Solitude.     12mo,  vellum,  uncut,  in  a  morocco  case. 

Lond.  1901 

*  One  of  250  copies. 

353.  ESSEX  HOUSE  PRESS.    Woolman  (John).  A  Journal 
of  the  Life  and  Travels  of  John  Woolman  in  the  Service  of  the 
Gospel.    12mo,  vellum,  uncut.  Lond.  1901 

*  One  of  250  copies. 

354.  ESSEX  HOUSE  PRESS.     Spenser  (Edmund).     The 
Epithalamion.    Colored  frontispiece  by  Reginald  Savage.    12mo, 
vellum,  uncut.  Lond.  1901 

*  One  of  150  copies  on  vellum,  in  black,  red  and  blue. 

355.  ESSEX    HOUSE    PRESS.      Erasmus    of    Roterdam. 
The   Praise   of   Folie,    Englished   by   Sir   Thomas    Chaloner. 
Engraved  title  and  plate  by  W.  Strang.    4to,  decorated  vellum, 
uncut.  Lond.  1901 

*  One  of  250  copies. 

356.  ESSEX   HOUSE   PRESS.       An   Endeavour  towards 
the  Teaching  of  John  Ruskin  and  William  Morris.     Woodcut. 
8vo,  vellum,  uncut.  Lond.  1901 

*  One  of  350  copies. 

357.  ESSEX  HOUSE  PRESS.     Shelley  (P.  B.).     A  Letter 
to  T.  Peacock,  July,  1796.     8vo,  boards,  uncut. 

Lond.  1901 

*  One  of  50  copies. 

358.  ESSEX   HOUSE    PRESS.      Strang    (William).      The 
Doings  of  Death.  12  plates  on  wood  by  William  Strang.  Large  folio, 
buckram  portfolio.  Lond.  1901 

*  Limited  Edition. 

[59] 


359.  ESSEX'HOUSE  PRESS.    Ashbee  (C.  R.).    American 
Sheaves   and   English   Seed-Corn.     8vo,    vellum,   uncut   and 
unopened.  Lond.  1901 

*  One  of  300  copies. 

360.  ESSEX  HOUSE  PRESS.     The  Psalter,  or  Psalms  of 
David,    from   the   Bible    of   Archbishop    Cranmer.      Woodcut 
initials.    4to,  green  vellum,  uncut.  Lond.  1902 

*  One  of  250  copies. 

361.  ESSEX   HOUSE   PRESS.     The   Snow   Lay   on   the 
Ground.    Illustration.    Words  and  music.    4  pages,  4to. 

Christmas,  1902 

362.  ESSEX    HOUSE    PRESS.      Ashbee    (C.    R.).      The 
Masque  of  the  Edwards  of  England.    Illustrations  in  color  by 
Edith  Harwood,  touched  in  part  by  hand.     Oblong  folio,  cloth. 

Lond.  1902 

*  One  of  300  copies  on  paper. 

363.  ESSEX    HOUSE    PRESS.      Burns    (Robert).      Tarn 
O'Shanter.     Frontispiece  by  William  Strong,  and  colored  and 
illuminated  initials.    12mo,  vellum,  uncut.  Lond.  1902 

*  One  of  150  copies,  printed  on  vellum. 

364.  ESSEX  HOUSE  PRESS.     Chaucer  (Geoffrey).     The 
Flower  and  the  Leaf.    Colored  illustrations,  and  initials  colored 
by  Edith  Harwood.     12mo,  vellum,  uncut.  Lond.  1902 

*  One  of  165  copies,  printed  on  vellum. 

365.  ESSEX  HOUSE  PRESS.     Transactions  of  the  Guild 
&  School  of  Handicraft.    Illustrated.    Vol.  I,  1890;   Proofs  on 
hand-made  Japan  Vellum  of  the  Transactions,  Vol.  I;    The 
Trinity  Hospital  in  Mile  End:   An  Object  Lesson  in  National 
History,  by  C.  R.  Ashbee.    Illustrated,  1896;   The  Old  Palace 
of  Bromly-by-Bow,  Illustrated,  1901 ;  Manual  of  the  Guild  and 
School  of  Handicraft,  Illustrated,  1892;   and  about  30  leaflets, 
reports,  speeches,  etc.,  relating  to  the  Guild,  mostly  issued 
from  the  Essex  House  Press.    About  35  pieces.    4to  and  smaller, 
wrappers  and  unbound.  Lond.,  v.  d. 


366.  EUROPEAN  ARCHITECTURE.  Third  edition,  yols. 
I  to  VI.  Many  photographic  reproductions.  6  vols.  4to,  limp 
morocco.  Chicago,  1892-98 

[60] 


367.  EVE    (G.    W.).      Decorative    Heraldry;     a    Practical 
Handbook   of   its   Artistic   Treatment.      Profusely   illustrated. 
8vo,  paper  covers,  uncut.  Lond.  1897 

*  One  of  130  copies  printed  on  large  Japan  paper. 

368.  EXPOSITION    of     Christian    Doctrine,    Moral    and 
Worship,  2  vols.,  1899-1900;  Wear  and  Tear  by  S.  W.  Mitchell, 
1891;  Journal  of  Countess    Krasinska,   1895;  An  Agnostic's 
Apology  by  L.  Stephen,  1893;  and  others.     28  vols.  8vo  and 
smaller,  cloth,  etc. 

369.  FANCY'S  FOLLOWING.     By  Anodos.    Title  in  red, 
green  and  black.     12mo,  colored  wrappers,  uncut. 

Portland,  Me.:  Mosher,   1900 

*  No.  1  of  50  copies  printed  on  Japan  vellum. 

370. — .The  same.    Printed  on  the  finest  vellum,  No.  1  of  4 
copies,  autographed  by  the  publisher. 

371.  FENOLLOSA  (ERNEST  FRANCISCO).     The  Mas- 
ters of  Ukioye.    A  Complete  Historical  Description  of  Japanese 
Paintings  and  Color  Prints  of  the  Genre  School,   etc.    8vo, 
boards.  N.  Y.  1896 

372.  FICTION.    Fiction  (Selections  from  "Short  Stories"). 
Nos.  I  to  IV,  and  VII  and  VIII.    Illustrated.    Together,  6  vols. 
8vo,  half  red  polished,  calf  gilt.  N.  Y.  1895 

*  Contains  numerous  stories  by  Kipling,  Stockton,  Daudet,  Barrie, 
Jacobs,  and  others. 

373.  FICTION.     A  Tragic  Idyl  (Bourget);    Evelyn  Innes 
(Moore) ;  The  Martian  (Du  Maurier) ;  Sunrise  Stories  (Riordan) ; 
etc.  30  vols.,  12mo,  cloth.  v.  p.,  v.  d. 

374.  FICTION.    Life  of  my  Heart  (Cross),  1905;  Cagliostro 
and  Company  (Brentano),  1902;  Babs  the  Impossible  (Grand), 
1901;  The  Royal  End  (Harland),  1909;  and  others.    Together, 
23  vols.  12mo,  cloth.  v.  p.,  v.  d. 

375.  FICTION.    Whom  God  hath  Joined  (Bennett);    The 
Cost  of  her  Pride   (Alexander);    Margery  Moore   (Sergent); 
The  Country  House  (Galsworthy) ;  and  others.    25  vols.  12mo, 
cloth.  v.  p.,  v.  d. 

[61] 


376.  FICTION.    Knitters  in  the  Sun  (Thanet);   The  Choir 
Invisible    (Allen);     Rhoda    Fleming    (Meredith);     Pembroke 
(Wilkins);   and  others.     46  vols,  various  sizes  and  bindings. 

v.  p.,  v.  d. 

377.  FICTION.     The   Strength   to   Yield    (Bogue),    1909; 
Kentuckians  (Fox),  1898;    Simon  Dale  (Hope);   Jerome  (Wil- 
kins), 1898;    and  others.     25  vols.  12mo,  cloth.      v.  p.,  v.  d. 

378.  FICTION.    The  Lady  Paramount  (Harland);    Court- 
ship of  Morrice  Buckler  (Mason);    Hilary  Thornton  (Wales); 
Comedies  and  Errors   (Harland);    and  others.     Together,  25 
vols.  12mo,  cloth.  v.  p.,  v.  d. 

379.  FICTION.    Comedies  and  Errors  (Harland);  The  Girl 
at  Cobhurst  (Stockton);    The  Yoke   (Miller);    The  Jessamy 
Bride  (Moore);    The  Reflections  of  Ambrosine  (Glyn);    and 
others.     Together,  25  vols.  12mo,  cloth.  v.  p.,  v.  d. 

380.  FICTION.      Blown   Away    (Mansfield);     Folks    from 
Dixie  (Dunbar);    As  it  was  Written  (Harland);    The  Green 
Carnation  (Hichens);    and  others.     Together,  40  vols.  12mo, 
and  smaller,  cloth.  v.  p.,  v.  d. 

381.  FICTION,   ETC.        "Hell  for  Sartain"    and    Other 
Stories   (Fox);    A  Fool  of  Nature   (Hawthorne);    Phyllis  in 
Bohemia  (Bickford  and  Powell);    A  Bride   from    the  Desert 
(Allen) ;  Pursuit  of  Houseboat  (Bangs) ;  and  others.    Together, 
40  vols.    Various  sizes  and  bindings.  v.  p.,  v.  d. 

*  Laid  in  are  2  L.  S.,  by  John  Kendrick  Bangs. 

382.  FIELD  (EUGENE).    The  Holy  Cross  and  Other  Tales. 
8vo,  original  vellum  gilt,  gilt  top,  uncut. 

Cambridge  and  Chicago,  1893 

*  ONE  OF   TWENTY    COPIES    ON    JAPAN    PAPER.     With  the  book- 
plates of  Eugene  Field  and  Leigh  Lynch,  and  inscribed:  "To  Eugene 
Field  Lynch,  with  Eugene  Field's  love,  Chicago,  May  28,   1894." 
Laid  in  are  two  letters  from  Field  to  Lynch,  one  an  invitation  to  lunch, 
and  the  other,  of  some  length,  telling  of  his  wife's  illness,  and  referring 
to  "little  Eugene,"  to  whom  the  book  is  inscribed. 

Only  5  copies  of  the  Japan  paper  edition  were  put  on  sale. 

383.  FIELD  (EUGENE).    A  Little  Book  of  Profitable  Tales; 
A  Little  Book  of  Western  Verse;   Second  Book  of  Verse.    To- 
gether, 3  vols.  12mo,  uniformly  bound  in  half  calf,  gilt  top. 

N.  Y.  1893 

[62] 


384.  FIELD  (EUGENE).    The  House.    An  Episode  in  the 
Lives  of  Reuben  Baker,  Astronomer,  and  of  his  Wife  Alice. 
FIRST  EDITION.    12mo,  cloth,  gilt  top,  uncut.  N.  Y.  1896 

385.  FIELD  (EUGENE).     The  Love  Affairs  of  a  Biblio- 
maniac.   Field  arms  as  frontispiece.    12mo,  half  vellum,  gilt  top, 
uncut,  in  a  cloth  wrapper.  N.  Y.  1896 

*  One  of  150  copies  on  Holland  paper. 

386.  [FIELD     (EUGENE).]    Stone    (Herbert    S.).      First 
Editions  of  American  Authors.  A  Manual  for  Booklovers.  Intro- 
duction by  Eugene  Field.    Small  4to,  three  quarter  olive-green 
levant  morocco  gilt,  gilt  top,  partly  uncut. 

Cambridge,    Mass.,    1893 

*  Large  Paper  Edition;  only  50  copies  printed.     Laid  in  is  a  very 
interesting  3  pp.  A.  L.  S.  from  the  author  (Herbert  S.  Stone),  to  T.  B. 
Mosher,  regarding  the  above  work. 

387.  [FIELD  (EUGENE).]   Wilson  (Francis).    The  Eugene 
Field  I  Knew.    Portrait  and  other  illustrations.     FIRST  EDITION. 
12mo,  cloth,  gilt  top,  uncut.  N.  Y.  1898 

388.  FIELD    (EUGENE   AND   ROSWELL   MARTIN). 

Echoes  from  the  Sabine  Farm.    Vignettes.    8vo,  cloth,  gilt  top, 
uncut.  N.  Y.   1895 

389.  FIELD  (MICHAEL).    Long  Ago,  and  Underneath  the 
Bough,  2  vols.  12mo,  boards,  uncut.     Both  printed  on  Japan 
vellum,  autographed  by  the  publisher,  100  copies  of  each  issued. 

Portland,  Me.,  Mosher,  v.  d. 

*  Laid  in  are  3  A.  L.  S.  of  the  author  to  Mr.  Mosher,  referring  to 
the   appearance   of   the   Mosher   publications,  copyright   questions, 
changes  in  text,  and  other  similar  matters. 

390.  FIELD   (MICHAEL).     Preface  to  "Underneath  the 
Bough."  American  Edition.     In  the  autograph  of  and  signed 
by  Field.    1  p.  4to.  Sept.  8,  1898. 

391.  FIELD  (MICHAEL).     Autograph  Poems,  Index  and 
Corrections  to  be  made  in  an  American  Edition  of  "Under- 
neath the  Bough."    16  pieces. 

392.  FIELD    (MICHAEL).      Autograph   Poem,    unsigned, 
14  lines.     1  p.  4to. 

393.  FIELD  (MICHAEL).    5  A.  L.  S.  concerning  the  pub- 
lication of  American  Editions  of  his  works.     12mo. 

[63] 


394.  FIELD  (MICHAEL).  Two  autograph  letters,  one 
without  signature,  both  referring  to  various  details  in  the  prepa- 
ration of  the  American  edition  of  the  "Bough,"  Together, 
pages,  8vo.  1895 


395.  FIELD  (MICHAEL).    3  A.  L.  S.  relating  to  his  pub- 
lications. 

396.  FIELDING  (HENRY).    Works:  Tom  Jones,  2  vols., 
Joseph  Andrews,  Jonathan  Wild,  Amelia.     Illustrated.     5  vols. 
8vo,  half  calf  gilt,  gilt  tops.  Lond.  &  N.  Y.,  v.  d. 

397.  FISKE    (JOHN).      Essays    Historical    and    Literary. 
Portrait.  2  vols.     8vo,  cloth,  gilt  tops.  N.  Y.  1902 

398.  FITZGERALD    (EDWARD).     Letters  and  Literary 
Remains.     Edited  by   William  Aldis   Wright.     Frontispieces. 
FIRST  EDITION.     3    vols.  small    8vo,  cloth,    uncut    and    un- 
opened. Lond.  1889 

399.  FITZGERALD    (EDWARD).      Rubaiyat    of    Omar 
Khayyam,  rendered  into  English  Verse.     Decorated  by  W.  B. 
MacDougall.    4to,  silk  cloth  gilt,  uncut.    Lond.  and  N.  Y.  1898 

400.  FITZGERALD  (EDWARD).    The  Rubaiyat  of  Omar 
Khayyam.     Drawings  by  Florence  Lundborg.     8vo,  cloth,  gilt 
top.  N.  Y.  [1900]. 

*  Printed  on  one  side  of  the  paper  only. 

401.  FITZGERALD  (EDWARD).    Polonius;  A  Collection 
of  Wise  Saws  and  Modern  Instances.     Square  12mo.  sheets, 
unstitched,  uncut.  Portland,   Me.:  Mosher,  .1901 

*  No.  1  of  4  copies  printed  on    the  finest   vellum,   autographed 
by  the  publisher. 

402.  FITZGERALD  (EDWARD)  Polonius;    A  Collection 
of  Wise  Saws  and  Modern  Instances.    Square  12mo  wrappers 
and  boards,  uncut.  Portland,  Me.:  Mosher,  1901 

*  No.  1  of  50  copies  printed  on  Japan  vellum. 

403.  FITZGERALD    (EDWARD).      An    Aftermath,    by 
Francis  Hindes  Groome.    With  miscellanies  in  verse  and  prose. 
Portrait  and  views.    Square  12mo,  wrapper  and  boards,  uncut. 

Portland,  Me.;    Mosher,    1902 

*  No.  1  of  60  copies  printed  on  Japan  vellum. 

[64] 


404.  FITZGERALD  (EDWARD).    A.  L.  in  French  signed 
"E.  FG. "  addressed  to  Mr.  Loder,  2  pp.  12mo,  with  envelope, 
and  dated  Marine  Terrace,  21  March,  1875. 

*  Asking  for  6  vols.  of  his  Blackwood,  and  mentioning  his  call  at 
Woodbridge.     Together  with  the  letter  are  sold  an  A.  L.  S.  of  Mr. 
Loder  to  Mr.  Mosher,  accompanying  the  letter  of  Fitzgerald,  and 
six  other  letters  by  distinguished  people  referring  to  Fitzgerald. 

405.  FLAUBERT   (GUSTAVE).     La  Tentation  de  Saint 
Antoine.     8vo,  half  morocco  (worn).  Paris,   1874 

406.  FLECHIER  (VALENTIN  ESPRIT).     Mademoiselle 
de  Combes,  nouvelle  tiree  des  memoires  sur  les  grands-jours 
d'Auvergne.     12mo,  half  levant  morocco,  gilt  back,  gilt  top, 
uncut.    Very  limited  edition.  Paris:  Jouaust,  1885 

407.  FLETCHER    (BANISTER   AND    BANISTER   F.). 

A  History  of  Architecture  on  the  Comparative  Method.   About 
2,000  illustrations.    8vo,  cloth,  gilt  top.  Lond.  1905 

408.  FORE-EDGE  PAINTING.     The  Works  of  Shakes- 
peare.    Globe  Edition.     Edited  by  W.  G.  Clarke  and  W.  A. 
Wright.     12mo,  brown  levant  morocco,  gilt  and  mosaic  back, 
sides  tooled  in  gilt  and  mosaic  design  of  intertwining  leaf -sprays 
and  flowers,  surrounding  several  spears  and  masks,  wide  inside 
leaf  border,  gilt  edges,  by  Fazakerley.  Lond.   1887 

*  On  the  fore-edge  under  the  gilt  is  a  FINELY  EXECUTED  WATER-COLOR 
of  a  scene  from  the  "  Merchant  of  Venice,"  representing  Portia,  Shy- 
lock,  and  others. 

409.  FORTUNATUS.     Les  Aventures  Merveilleuses  de  For- 
tunatus,   avec  une  preface  par  Henry  Fouquier.     Cent  vingt 
dessins  par  De  Beaumont.     4to,  half  red  levant  morocco  gilt, 
gilt  top,  uncut,  original  covers  bound  in,  by  Ruban.  Paris,  1887 

*  Limited  Edition. 

410.  FOSTER    (VERE.)      Editor.      The   Two   Duchesses: 
Georgiana    Duchess    of    Devonshire,    Elizabeth    Duchess    of 
Devonshire.      Family      Correspondence     etc.     Portraits.    8vo, 
half    red    levant    morocco    gilt,    gilt    top,  by   Rains  (corners 
of  portraits  somewhat  stained).  Lond.  1898 

411.  FOTHERGILL  (JESSIE).     The  First  Violin.     Illus- 
trations byG.  W.  Brenneman.    2  vols.  8vo,  half  blue  calf,  gilt  tops. 

N.  Y.,  n.  d. 

[65] 


412.  FRANKLIN  (BENJAMIN).     Works,  containing  sev- 
eral Political  and  Historical  Tracts  not  included  in  any  former 
Edition,    and   many   Letters   not   hitherto   published.      With 
Notes  and  a  Life  of  the  Author  by  Jared  Sparks.    Frontispieces. 
10  vols.  8vo,  half  red  morocco,  gilt  tops.  Lond.  1882 

413.  FRENCH   ART.     Salon   des   Aquarellistes   Francais. 
Texte  de  Eugene  Montrosier.     Premiere  Annee.     Hundreds  of 
illustrations,  some  on  India  Paper,  by  Boilvin,  Francois  Flameng, 
Maurice  Leloir,  Charles  Meissonier,  Adrian  Moreau,  and  others. 
Folio,  cloth,  uncut.  Paris,  1887 

*  Limited  Edition. 

414.  FROUDE  (JAMES  ANTHONY).     Short  Studies  on 
Great  Subjects.    4  vols.    12mo,  cloth,  gilt  tops.        N.  Y.  1897 

415.  QACHONS  (JACQUES  DES).    A.  L.  S.  in  French, 

A.  L.  S.  in  English,  leaflet  containing  poem, 
"Inscription  for  a  Fireplace,"  2  proof  engravings,  original  pen 
and  ink  drawing,  original  water  color  drawing,  D.  S.  Together, 
8  pieces,  8vo,  etc. 

416.  GALE  (NORMAN).     A  Country  Muse.     12mo,  cloth 
gilt,  gilt  top,  uncut.  Chicago,  1894 

*  Contains  six  poems  which  did  not  appear  in  the  First  Edition. 

417.  GARDEN   IN   VENICE    (Eden);    Paris   of  To-Day 
(Kaufmann);    Venice,   (Allen),  2  vols.;    Account  of  China,   3 
vols.;    and  others.     13  vols.,  various  sizes  and  bindings. 

v.  p.,  v.  d. 

418.  GARDENS  AND  FRIENDSHIP    (Francis    Bacon); 
In  the  Garden  of  Peace,  and,  Outside  the  Garden  (Helen  Mil- 
man);  The  Solitary  Summer  [Von  Huttonj.    4  vols.,  16mo,  and 
12mo,  cloth.  v.  p.,  v.  d. 

419.  GARRICK  (DAVID).    The  Dramatic  Works  of  David 
Garrick.    To  which  is  Prefixed  a  Life  of  the  Author.     3  vols. 
small  8vo,  hah*  polished  calf  gilt,  gilt  edges.  Lond. :  A.  Miller,  1798 

420.  GASQUET    (FRANCIS   A.).     Henry   VIII   and   the 
English  Monasteries.    A  Revised  Popular  Edition.    8vo,  cloth, 
gilt  top,  partly  uncut.  Lond.  1899 

[66] 


421.  GAUTIER  (THEOPHILE).  Emaux  et  Camees. 
Edition  ornee  de  cent  dix  aquarelles  par  Henri  Caruchet,  repro- 
duites  en  COULEURS.  12mo,  dark  blue  levant  morocco, 
with  a  side  and  top  panel  of  light  and  dark  brown  morocco 
mosaic  vine  and  flower  design,  gilt  and  mosaic  leaf  design  on 
back,  wide  inside  gilt  borders,  gilt  edges,  with  the  original 
covers  bound  in.  (A  few  pages  water-stained.) 

Paris:    Charpentier,  1895 

4-22.  GELL  (WILLIAM)  and  GANDY  (J.  P.).  Pompeii; 
its  Destruction  and  Re-discovery,  with  Engravings  and  Descrip- 
tions of  the  Art  and  Architecture  of  its  Inhabitants.  Numerous 
illustrations.  Imperial  8vo,  decorative  cloth,  gilt  edges.  (Back 
loose.)  N.  Y.  [Lond.  printed]  n.  d. 

423.  GENLIS  (MME.  DE).     Mademoiselle  de  Clermont, 
avec  une  notice  par  M.  de  Lescure.    12mo,  half  levant  morocco, 
gilt  back,  gilt  top,  uncut.    Very  limited  edition. 

Paris:   Jouaust,    1880 

424.  GERIN    (GABRIEL).     Le  Louvetier  de  Venissieux. 
Illustr'e  de  20  eaux-fortes  par  C.  Meunier.     16mo,  original  wrap- 
pers, uncut.  Lyon,  1893 

*  No.  2  of  only  40  copies  on  Japan  paper. 

425.  GERRING    (CHARLES).      Notes    on    Printers    and 
Booksellers,  with  a  Chapter  on  Chap  Books.     Portraits,  fac- 
similes, &c.     8vo,  boards,  uncut.  Lond.  1900 

426.  GIBBON  (EDWARD).     The  History  of  the  Decline 
and  Fall  of  the  Roman  Empire.     Portrait  and  map.     12  vols. 
8vo,  sheep  (somewhat-rubbed) .  Lond.  1815 

427.  GIBBON    (EDWARD).      The   Decline    and    Fall    of 
the  Roman  Empire.     With  Notes  by  Dean  Milman.    A  New 
Edition.    5  vols.  12mo,  half  polished  morocco. 

Chi.  &  N.  Y.,  n.  d. 

428.  GIBBON  (EDWARD).     The  History  of  the  Decline 
and  Fall  of  the  Roman  Empire.     Notes  by  the  Rev.  H.  H. 
Milman.    A  New  Edition.    6  vols.  12mo,  half  polished  calf  gilt, 
gilt  edges.  N.  Y.,  n.  d. 

429.  GIBSON   (CHARLES  DANA).     Drawings.     Oblong 
folio,  boards,  linen  back.  N.  Y.  1896 

[67] 


430.  GIBSON   (CHARLES  DANA).     Pictures  of  People. 
Oblong  folio,   boards,   linen  back.  N.   Y.    1896 

431.  GIBSON   (CHARLES  DANA).     London  as  seen  by 
C.  D.  Gibson.     Oblong  folio,  boards,  linen  back.      N.  Y.  1897 

432.  GIBSON    (CHARLES  DANA).     Sketches   and   Car- 
toons.    Oblong  folio,  boards,  linen  back.  N.  Y.   1898 

433.  GLADSTONE    (WILLIAM   EWART).     The    Story 
of  Gladstone's  Life.    By  Justin  McCarthy.    Portrait  and  illus- 
trations.    Royal  8vo,  three-quarter  blue  polished  morocco  gilt, 
gilt  top.  N.  Y.  1898 

434.  GLADSTONE  (WILLIAM  EWART).     The  Life  of 
Gladstone.     By  John  Morley.     Portrait  and  illustrations.     3 
vols.  8vo,  buckram,  uncut.  Lond.  1903 

*  First  Edition. 

435.  GOETHE  (WOLFGANG  VON).    Faust.    A  Tragedy. 
Translated  in  the  original  metres,  by  Bayard  Taylor.    Engraved 
plates  by  Champollion,  in  2  states,  before  and  after  letters,  inserted. 
2   vols.   royal    8vo,    maroon,   levant    morocco    gilt,   sides  gilt- 
tooled   in   panels    with   corner   ornaments,    doublure   of  green 
morocco  with  a  semis  of  small  red  mosaic  flowers,  embroidered 
silk  end-papers,  gilt  tops.  Bost.  1873 

*  FINE  COPY. 

436.  GOETHE    (WOLFGANG    VON).      The    Works    of 
Goethe.      Translated  by  Sir  WTalter  Scott,    E.    A.    Bowring, 
Anna  Swanwick,  and  others.     Portraits.     12  vols.   12mo,  half 
brown  morocco,  gilt  tops.  Lond. :  Bell  &  Sons,  1880-2 

*  This  set  comprises:   Dramatic  Works;  Travels  in  Italy;   Conver- 
sations;   Wilhelm  Meister's  Travels;    Poems;    Meister's  Apprentice- 
ship;  Early  Letters;   Faust;   Miscellaneous  Travels;   Autobiography, 
2  vols.;    Novels  and  Tales. 

437.  GOLDEN  WINGS  (Morris);    Barrack-Room  Ballads 
(Kipling,  published  by  the   Doxey    Press);    The    Echo    Club 
(Bayard  Taylor),  and  others,  cloth  and  leather.     7  vols. 

v.  p.,  v.  d. 

438.  GOLDSMITH    (OLIVER).      The   Works    of    Gold- 
smith.     Edited   by   Peter   Cunningham.     Engraved  titles  and 
frontispiece.    4  vols.  8vo,  tree  calf,  gilt.  Lond.  1854 

*  SCARCE.    Fine  copy  of  John  Murray's  Best  Edition. 

[68] 


439.  GOWER    (LORD    RONALD).      My    Reminiscences. 
Etched  portrait.     Thick  16mo,  flexible  vellum  boards,  gilt  top, 
uncut.  Lond.  1885 

440.  GRAND  (SARAH).     A.  L.  S.     3  pp.     12mo.     Tun- 
bridge  Wells,  July  11,  1902. 

441.  [GRANT  (U.  S.)]    A  petition  to  General  Grant,  dated 
Washington,   March  20,   1868,   and  signed  Roscoe  Conkling, 
O.  P.  Morton,  Charles  Sumner,  and  others. 

442.  GRASS  OF  PARNASSUS    (Lang),    1892;    Coleridge 
(Lang),  1898;    Andromeda  and  other  Poems  (Kingsley),  1858; 
Shelley  (Thompson),  1909.    4  vols.  12mo,  cloth.  v.  p. 

443.  GREAT   ARTISTS.     Illustrated   Biographies   of   the 
Great  Artists.    Edited  by  Austin  Dobson,  Cosmo  Monkhouse, 
J.  Paul  Richter,  Joseph  Cundall,  and  others.     Numerous  illus- 
trations, facsimiles,  &c.    Together,  39  vols.  12mo,  flexible  cloth, 
two  styles.  Lond.  1882-92 

444.  GREAT  MASTERS  in  the  Louvre  Gallery.     Numer- 
ous beautiful  plates,  some  finely  colored  and  mounted  on  mats,  the 
others  proofs  on  India  paper,  and  numerous  text  illustrations,  all 
reproduced  in  photogravure  by  Goupil  of  Paris.     12  parts  large 
folio,    wrappers,    enclosed    in    2   marbled   calf   gilt   portfolios. 
(Cover  damaged.)  N.  Y.  and  Paris,  1898-1900 

*  Edition  de  Grand  Luxe,  with  English  text,  limited  to  200  copies, 
the  best  reproductions  of  the  Great  Masterpieces  of  the  Louvre. 

445.  GREEN  (JOHN  RICHARD).    A  Short  History  of  the 
English  People.     Edited  by  Mrs.  J.  R.  Green  and  Miss  Kate 
Norgate.     Hundreds  of  illustrations.     4  vols.,  Royal  8vo,  half 
polished  calf,  gilt  backs,  gilt  tops,  uncut.   N.  Y.;  Harpers,  1895 

*  FINE  COPY  of  this  Beautifully  Illustrated  Edition.     Contains  up- 
wards  of   1400  illustrations  including  portraits,   views,   maps,   &c., 
some  of  which  are  richly  illuminated  in  GOLD  AND  COLORS. 

446.  GRIBBLE  (FRANCIS) .    George  Sand  and  Her  Lovers. 
Rousseau  and  the  Women  he  Loved.     Photogravure  portraits. 
2  vols.  8vo,  cloth,  gilt  tops,  uncut.  N.  Y.   1908 

447.  GRIGSBY  (HUGH  BLAIR).     The  Virginia  Conven- 
tion of  1776.     A  Discourse  delivered  in  the  Chapel  of  Williams 
and  Mary  College,  Williamsburg,  July  3,  1855.     8vo,  original 
cloth  (rubbed;    and  several  margins  stained). 

Richmond,  Va.,  1855 

[691 


Publications  of  the  Grolier  Club 
Including  the  Hawthorne  and  Lowell  Medallions 

448.  GROLIER  CLUB.     A  Decree  of  Star  Chamber  con- 
cerning  Printing,   date   July    11,    1637.      Illuminated  vignette- 
title,  headings,  initials,  &c.    8vo,  original  wrappers,  uncut. 

N.  Y.;  Grolier  Club,  1884 

*  FINE  COPY.    VERT  SCARCE.     THE  FIRST  BOOK  PUBLISHED  BT 
THE  GROLIER  CLUB.     Only  150  copies  printed. 

449.  GROLIER  CLUB.     Transactions  of  the  Grolier  Club 
from  its  Foundation,  January,   1884,  to  July,   1885;    Part  I. 
Small  4to,  original  wrappers,  uncut.  N.  Y.;   Grolier  Club,  1885 

450.  GROLIER  CLUB.     Irving  (Washington).     A  History 
of  New  York  from  the  Beginning  of  the  World  to  the  End  of  the 
Dutch  Dynasty,  &c.     By  Diedrich  Knickerbocker.     2  frontis- 
pieces in  three  states  etched  by  H.  C.  Enos  and  F.  Raubicheck,  and 
illustrations  by  G.  H.  Boughton,  W ,  H.  Drake  and  Howard  Pyle. 
2  vols.  8vo,  orange  boards,  uncut.      N.  Y. :   Grolier  Club,  1886 

*  SCARCE.     One  of  175  copies  on  Holland  paper,  with  the  proper 
title  for  Vol.  I  at  end  of  Vol.  II. 

451.  GROLIER  CLUB.    De  Vinne  (Theodore  L.).    Historic 
Printing  Types.    A  Lecture.    Facsimiles.     4to,  half  cloth  and 
boards,  uncut.  N.  Y.:    Grolier  Club,    1886 

*  One  of  200  copies  on  handmade  paper. 

452.  GROLIER  CLUB.    Hoe  (Robert).    A  Lecture  on  Book- 
binding as  a  Fine  Art.     63  reproductions  of  ancient  and  modern 
bindings.    4to,  half  cloth  and  boards,  uncut. 

N.  Y.:    Grolier  Club,  1886 

*  One  of  200  copies  on  Holland  paper. 

453.  GROLIER  CLUB.    Reade  (Charles).    Peg  Woffington. 
2  vols.  12mo,  white  cloth,  gilt  extra,  uncut. 

N.  Y.;    Grolier  Club,   1887 

*  One  of  250  copies  on  Holland  paper. 

454.  GROLIER  CLUB.     De  Vinne  (Theodore  L.).     Chris- 
topher Plantin  and  the  Plantin-Moretus  Museum  at  Antwerp. 
Illustrations.     Royal  8vo,  wrappers  uncut. 

N.  Y.:  Grolier  Club,  1888 

*  One  of  300  copies  printed.    Laid  in  are  2  A.  L.  S.  from  the  author, 
one  giving  the  publishing  price  of  the  Grolier  "Rubaiyat." 

[70] 


455.  GROLIER    CLUB.      Matthews    (William).      Modern 
Bookbinding  practically  Considered.     A  Lecture.     8  reproduc- 
tions.   4to,  cloth,  gilt  top,  uncut  (one  side  slightly  stained). 

N.  Y.:  GrolierClub,  1889 

*  One  of  300  copies  on  handmade  paper. 

456.  GROLIERCLUB.     Bury   (Richard  De).     The  Philo- 
biblon.    Edited  from  the  best  Manuscripts  and  translated  into 
English,  with  Introduction  and  Notes,  by  A.  F.  West.    Colored 
initials,  illustrations  and  facsimiles.    3  vols.  square  8vo,  original 
vellum,  uncut.  N.  Y. :   Grolier  Club,  1889 

*  ONE  OF  THE  RAREST  OF  THE  CLUB'S  PUBLICATIONS.     Only  297 
copies  printed. 

457.  GROLIER  CLUB.    Milton  (John).    Areopagitica.    A 
Speech  of    Mr.   John  Milton  for  the  Liberty  of    Unlicensed 
Printing,  to  the  Parliament  of  England.    With  an  Introduction 
by  James  Russell  Lowell.     Proof  portrait  of  Milton.     16mo, 
boards,  uncut.  N.  Y. :  Grolier  Club,  1890 

*  Limited  Edition  on  Holland  paper. 

458.  GROLIER  CLUB.     Curtis  (George  William).     Wash- 
ington Irving.    A  Sketch.    Portraits  and  illustrations.    8vo,  full 
red  morocco,  gilt  top,  uncut.          N.  Y. :    Grolier  Club,   1891 

*  One  of  344  copies  on  handmade  paper. 

459.  GROLIER  CLUB.    Effigies  of  the  most  famous  English 
Writers   from    Chaucer   to   Johnson.      12mo,    full   red   levant 
floriated  gilt-tooled  sides,  gilt-paneled  back,  doublure  of  red 
morocco  tooled  in  geometrical  design,  gilt  over  uncut  edges, 
with  the  original  wrappers  bound  in,  by  [Petit-Simier]. 

N.  Y.:  GrolierClub,  1891 

460.  GROLIER    CLUB.      Effigies    of    the    most    Famous 
English  Writers  from  Chaucer  to  Johnson.    Portrait  of  Johnson. 
8vo,  original  wrappers,  uncut.  N.  Y. :   Grolier  Club;  1891 

*  Large  paper  copy;    one  of  200  printed. 

461.  GROLIER  CLUB.     Conway  (Moncure  D.).     Barons 
of  the  Potomac  and  Rappahannock.    Portraits,  illustrations  and 
facsimiles.     8vo,  original  boards,  uncut. 

N.  Y. :  Grolier  Club,  1892 

*  One  of  300  copies  on  Italian  handmade  paper. 

[71] 


462.  GROLIER   CLUB.      Catalogue   of   an   Exhibition   of 
Illuminated   and   Painted   Manuscripts,  together  with   a   few 
Early  Printed  Books  and  Illuminations.    Also,  some  Examples 
of  Persian  Manuscripts.    22  facsimiles  in  photogravure.    Square 
8vo,  original  cloth,  uncut.  N.  Y.:   Grolier  Club,  1892 

*  Limited  Edition  on  Holland  paper. 

463.  GROLIER  CLUB.     Catalogue  of  Original  and  Early 
Editions  of  some  of  the  Poetical  and  Prose  Works  of  English 
Writers  from  Langland  to  Wither,  with  Collations  and  Notes. 
87  facsimiles  of  title-pages  and  frontispieces.    Royal  8vo,  cloth, 
morocco  back,  uncut.  N.  Y. :  Grolier  Club,  1893 

*  Limited  Edition  on  Holland  paper. 

464.  GROLIER  CLUB.    Allen  (Charles  Dexter).    A  Classi- 
fied List  of  Early  American  Bookplates,  with  a  brief  description 
of    the    Principal  Styles.      Numerous  facsimiles.     8vo,  original 
wrappers,  uncut.  N.  Y. :  Grolier  Club,  1894 

*  Large  paper  copy;   limited  edition.    Letter  signed  by  the  author 
laid  in. 

465.  GROLIER  CLUB.    Facsimile  of  the  Laws  and  Acts  of 
the  General  Assembly  for  their  Majesties  Province  of  New  York, 
&c.,  at  New  York.   Printed  and  sold  by  William  Bradford,  1694. 
With  Historical  Introduction,   Notes  on  the  Laws,   &c.,   by 
Robert  L.  Fowler.     Small  folio,  vellum,  uncut. 

N.  Y.:   Grolier  Club,  1894 

*  One  of  312  copies  on  handmade  paper. 

466.  GROLIER  CLUB.    Transactions  of  the  Grolier  Club; 
Part  II.     From  July,   1885,  to  February,   1894.     Small  4to, 
original  wrappers,  uncut.  N.  Y. :   Grolier  Club,  1894 

*  Limited  Edition. 

467.  GROLIER  CLUB.     Fitzgerald  (Edward).     Rubaiyat 
of  Omar  Khayyam,  the  Astronomer-Poet  of  Persia,    rendered 
into   English   Verse   by   Edward   Fitzgerald.      Headings   and 
initials    in    GOLD    AND    COLORS.       8vo,    original    decorative 
wrappers,  uncut.  N.  Y. :  Grolier  Club,  1885 

*  One  of  150  copies  on  Japan  paper.    SCARCE.    Laid  in  is  an  A.  L. 
S.  by  Theo.  L.  De  Vinne,  printer  of  the  above  volume,  to  Mr.  Mosher. 

468.  GROLIER    CLUB.      A    Description    of    the    Early 
Printed  Books  owned  by  the  Grolier  Club,  with  a  Brief  Account 

[72] 


of  their  Printers  and  the  History  of  Typography  in  the  XVth 
Century.    Facsimiles.    Small  folio,  half  calf,  uncut. 

N.  Y.:  GrolierClub,  1895 

*  One  of  400  copies  on  handmade  paper. 

469.  GROLIER  CLUB.     Donne   (John).     The  Poems  of 
John  Donne,  from  the  text  of  the  edition  of  1633.    Revised  by 
James  Russell  Lowell.    Introduction  and  Notes  by  C.  E.  Nor- 
ton.   2  etched  portraits  by  Ferris.    2  vols.  12mo,  cloth,  uncut. 

N.  Y. :  Grolier  Club,  1895 

*  Limited  Edition  on  handmade  paper. 

470.  GROLIER  CLUB.    Catalogue  of  the  Engraved  Work 
of  Asher  B.  Durand.     Portrait  and  plates.    8vo,  original  wrap- 
pers, uncut.  N.  Y. :  Grolier  Club,  1895 

*  Large  paper  copy;    limited  edition. 

471.  GROLIER  CLUB.    Catalogue  of  Books  .  .  .  with  Arms 
or  Devices  upon  the  Bindings.    Illustrations.    8vo,  three-quarter 
olive  morocco  gilt,  gilt  top,  uncut.      N,  Y. :  Grolier  Club,  1895 

*  Limited  Edition  on  Holland  paper. 
472. — .Another  Copy,  original  cloth. 

473.  GROLIER  CLUB.     Warren   (Arthur).     The  Charles 
Whittinghams,  Printers.     Portraits  and  facsimiles.    Royal  8vo, 
half  green  morocco,  uncut.  N.  Y. :  Grolier  Club,  1896 

*  One  of  385  copies  on  handmade  paper.    Laid  in  is  an  A.  L.  S.  from 
Charles  Whittingham  &  Co.,  Apr.  7,  1891. 

474.  GROLIER  CLUB.     Catalogue  of  an  Exhibition  Illus- 
trative of  a  Centenary  of   Artistic    Lithography,  1796-1896. 
Numerous  facsimiles.    8vo,  original  wrappers,  uncut. 

N.  Y.:  GrolierClub,  1896 

*  Large  paper  copy;    Limited  Edition. 

475.  GROLIER  CLUB.    Koehler  (S.  R.).    A  Chronological 
Catalogue  of  the  Engravings,  Drypoints  and  Etchings  of  Albert 
Durer,  as  Exhibited  at  the  Grolier  Club.     Plates.    Small  folio, 
cloth,  uncut.  N.  Y.:  Grolier  Club,  1897 

*  One  of  400  copies  printed. 

476.  GROLIER   CLUB.      Carlyle    (Thomas).     Two   Note 
Books  of  Thomas  Carlyle  from  23d  March,  1822,  to  16th  May, 
1832.     Edited  by  C.  E.  Norton.     2  portraits  and  facsimiles. 
12mo,  half  morocco,  gilt  top,  uncut.   N.  Y. :   Grolier  Club,  1898 

*  One  of  387  copies  printed. 

[73] 


477.  GROLIER   CLUB.     Pichon   (Jerome).     The  Life  of 
Charles  Henry,  Count  Hoym,  Ambassador  from  Saxony-Poland 
to  France,  &c.     With  Sketch  of  the  Life  of  the  late  Baron 
Pichon.     2  engraved  portraits,  binding  facsimiles.,  and  illustra- 
tions.   Royal  8vo,  original  brocade  silk  binding,  morocco  back, 
uncut.  N.  Y.:   Grolier  Club,  1899 

*  One  of  303  copies  printed. 

478.  GROLIER  CLUB.    Boccaccio  (Giovanni).    A  Transla- 
tion of  Boccaccio's  Life  of  Dante.    With  an  Introduction  and  a 
Note  on  the  Portraits  of  Dante  by  G.  R.  Carpenter.     Portrait 
of  Dante,  and  a  folding  view  of  Florence  reproduced  from  an 
original  about  1490.    Square  8vo,  original  pigskin,  stamped  with 
allegorical  designs,  uncut.  N.  Y. :   Grolier  Club,  1900 

*  One  of  300  copies  on  Italian  handmade  paper. 

479.  GROLIER  CLUB.     Exhibition  Catalogues.  Engraved 
Portraits    of    Women    Writers;      Alchemy    and    Chemistry; 
Zilcken  Etchings;  Early  Printed  Books;  American  Bookplates; 
Faithorne  Portraits;    etc.     11  pieces,  12mo,  wrappers. 

N.  Y.,  v.  d. 

480.  GROLIER  CLUB.    Lowell    (James  Russell).     Bronze 
Medallion  Portrait  in  bas-relieif  issued  by  the  Grolier  Club. 

481.  GROLIER  CLUB.     Hawthorne  (Nathaniel).     Bronze 
Medallion  Portrait  in  bas-relief  issued  by  the  Grolier  Club. 


482.  GUERBER  (H.  A.).    Stories  of  Famous  Operas;   and, 
Stories  of  the  Wagner  Opera.    Illustrations.    2  vols.  12mo,  half 
polished  morocco,  gilt  tops,  uncut.  N.  Y.  1897 

483.  [GUEULETTE  (THOMAS  S.).]      The  Thousand  and 
One  Quarters  of  an  Hour.      (Tartarian  Tales).     Edited  by 
Leonard  Smithers.    8vo,  cloth,  gilt,  gilt  tops,  uncut.  Lond.  1893 

*  Limited  Edition. 

484.  GUIDE  BOOKS,  SOCIAL  REGISTER,  ETC.     About 
75  vols.  various  sizes  and  bindings.  v.  p.,  v.  d. 

485.  GUIZOT  (F.  P.  G.).     A  Popular  History  of  France, 
from  the  Earliest  Times.    Translated  by  Robert  Black.    Illus- 
trated.   6  vols.  in  4,  thick  8vo,  cloth.  (Top  of  one  back  broken). 

Bost,  n.  d. 

[741 


486.  GUIZOT  (F.  P.  G.).    A  Popular  History  of  England, 
from  the  Earliest  Times  to  the  Accession  of  Victoria.     Trans- 
lated by  M.  M.  Ripley.     Illustrated.     5  vols.,  in  3,  thick  8vo, 
cloth.     (Top  of  one  back  broken).  Bost.,  n.  d. 

487.  HALL  (JOHN  R.).    The  Bourbon  Restoration.  Front- 
ispiece.    8vo,  cloth,  gilt  top,  uncut  and  unopened.     Lond.  1909 

488.  HALLER    (GUSTAVE).      Le    Bleuet.      Preface    de 
George  Sand.    8vo,  half  cloth,  uncut,  original  covers  bound  in. 

Paris,  1875 

*  With  presentation  inscription  from  the  author. 

489.  HALPIN    (PATRICK  A.).     The  Sacred  Heart,   the 
Teacher  of  Mankind;    Precepts   of  Literature.     Together,   2 
vols.     8vo,  cloth  and  wrappers.  N.  Y.  v.  d. 

*  Autographed  presentation  copies. 

490.  HAMERTON    (PHILIP   GILBERT).     The  Intellec- 
tual Life;    Muller's  Auld  Lang  Syne;    Lubbock's  Use  of  Life; 
Wilson's  Through  Silence  to  Realization;    The  Curse  of  Intel- 
lect;  and  others.    Together,  14  vols.  8vo  and  12mo,  cloth. 

v.  p.,  v.  d. 

491.  HANDY    BOOK    OF    LITERARY    CURIOSITIES 

(Walsh) ;  Familiar  Short  Sayings  of  Great  Men  (Bent) ;  Great 
Words  from  Great  Americans;  Mooted  Questions  of  History 
(Desmond);  and  others,  12  vols.,  various  sizes  and  bindings. 

v.  p.,  v.  d. 

The  Writings  of  Thomas  Hardy 

Mainly  First  Editions  in  Original  Cloth 

492.  HARDY  (THOMAS).    Desperate  Remedies:  A  Novel. 
FIRST  EDITION.    3  vols.     12mo,  original  cloth  (poor  copy). 

Lond.   1871 

*  Hardy's  first  novel,  and,  as  only  50  copies  were  printed,  the 
most  difficult  to  obtain. 

493.  HARDY  (THOMAS).    Under  the  Greenwood  Tree;    A 
Rural  Painting  of  the  Dutch  School.     FIRST  EDITION.     2  vols. 
12mo,   original  cloth,   uncut   (worn,   loose  and  soiled). 

Lond.  1872 

494.  HARDY  (THOMAS).    Far  from  the  Madding  Crowd. 

12  illustrations.  FIRST  EDITION.  2  vols.  8vo,  original  cloth, 
uncut  (worn).  .  Lond.  1874 

[75] 


495.  HARDY  (THOMAS).    A  Pair  of  Blue  Eyes:  A  Novel. 
FIRST  EDITION.    3  vols.  12mo,  original  cloth  (poor  copy). 

Lond.  1873 

496.  HARDY  (THOMAS).  The  Hand  of  Ethelberta.     11 
illustrations  by  Du  Maurier.  FIRST  EDITION.     2  vols.   8vo, 
original  cloth,  partially  uncut.  (Library  labels  removed  from 
covers,  and  bindings  loose.)  Lond.  1876 

497.  HARDY   (THOMAS).     The   Return  of   the  Native. 
Map.      FIRST  EDITION.     3  vols.      12mo,  original  cloth  (library 
labels  removed  from  covers;   loose).  Lond.  1878 

498.  HARDY  (THOMAS).    The  Trumpet  Major:    a  Tale. 
FIRST  EDITION.     3  vols.  12mo,  original  cloth  (worn  and  loose). 

Lond.  1880 

499.  HARDY  (THOMAS).     A  Laodicean;    or,  The  Castle 
of  the  De  Stancys.      FIRST  EDITION.     3  vols.   12mo,  original 
cloth  (library  labels  removed;  one  vol.  loose).  Lond.  1881 

500.  HARDY  (THOMAS).    Two  on  a  Tower.     FIRST  EDI- 
TION.   3  vols.  12mo,  original  cloth  (worn  and  shaken). 

Lond.  1882 

501.  HARDY  (THOMAS).     The  Mayor  of  Casterbridge : 
The  Life  and  Death  of  a  Man  of  Character.     FIRST  EDITION. 
2  vols.  12mo,  original  cloth  (loose,  worn  and  slightly  foxed). 

Lond.  1886 

502.  HARDY  (THOMAS).    The  Woodlanders.     FIRST  EDI- 
TION.    3  vols.  12mo,  original  cloth,  uncut.     (Loose  and  slightly 
stained.)  Lond.  1887. 

503.  HARDY  (THOMAS).    Wessex  Tales:  Strange,  Lively, 
Commonplace.     FIRST  EDITION.     2  vols.  12mo,  original  cloth, 
uncut.  Lond.  1888 

504.  HARDY  (THOMAS).    Three  Notable  Stories,  respec- 
tively by  The  Marquis  of  Lome,  Mrs.  Alexander,  and  Thomas 
Hardy.     FIRST  EDITION.    12mo,  original  cloth  (slightly  worn). 

Lond.  1890 
*  Contains  "The  Melancholy  Hussar." 

505.  HARDY  (THOMAS).     Tess  of  the  D'Urbervilles:    A 
Pure  Woman.      FIRST  EDITION.      3  vols.  12mo,  original  cloth, 
partially  uncut  (circulating  library  labels  removed  from  covers). 

Lond.  1891 

[76] 


506.  HARDY  (THOMAS).      A    Group   of   Noble   Dames. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.     (Worn.) 

Lond.  1891 

507.  HARDY   (THOMAS).     Life's  Little  Ironies:     a  Set 
of  Tales  with  some  Colloquial  Sketches  entitled :    a  Few  Crusted 
Characters.     FIRST  EDITION.      12mo,  original  cloth  (worn  and 
loose).  Lond.  1894 

508.  HARDY  (THOMAS).    Jude  the  Obscure.    Etching  by 
Macbeth- Raeburn,  and  map  of  Wessex.     FIRST  EDITION.      8vo, 
cloth,  gilt  top,  uncut,  fresh  copy.  Lond.  1896 

509.  HARDY  (THOMAS).    The  Well-Beloved.    Etching  by 
Macbeth- Raeburn,  and  map  of  Wessex.     FIRST  EDITION.     8vo, 
cloth,  gilt  top,  uncut  (loose,  and  binding  soiled).         Lond.  1897 

510.  HARDY    (THOMAS).      The   Trumpet   Major;     The 
Return  of  the  Native;  Tess  of  the  D'Urbervilles;   The  Hand  of 
Ethelberta;   Jude  the  Obscure;   The  Well-Beloved;   Desperate 
Remedies;   The  Mayor  of  Casterbridge;   The  Laodicean;   Far 
from  the  Madding  Crowd;    A  Pair  of  Blue  Eyes;    Under  the 
Greenwood  Tree;  Two  on  a  Tower;  The  Woodlanders.    Front- 
ispiece.    Together,  14  vols.  8vo,  cloth.  N.  Y.   1895-97 

*  Harper's  Uniform  Edition. 

511.  HARDY  (THOMAS).     The  Art  of  Thomas  Hardy. 
By  Lionel  Johnson.     Bibliography  by  John  Lane.    Signed  por- 
trait by  William  Strung  on  Japan  paper.    Square  12mo,  boards, 
uncut.  Lond.  1894 

*  One  of  150  copies  printed. 

512.  HARDY  (THOMAS).     The  Art  of  Thomas  Hardy. 
By   Lionel   Johnson.     Engraved   portrait   by   William    Strang. 
Bibliography  by  John  Lane.     12mo,  buckram,  uncut. 

Lond.  1895 

*  Presentation  Copy  from  John  Lane,  with  inscription  on  fly-leaf. 


513.  HARE  (AUGUSTUS  J.  C.).  Memorials  of  a  Quiet 
Life,  2  vols.,  1874;  Days  near  Rome,  2  vols.  in  one,  1875; 
Cities  of  Northern  and  Central  Italy,  3  vols.  1876;  Cities  of 
Southern  Italy  and  Sicily,  1883;  North-Eastern  France,  1890; 
South- Western  France,  1890;  South-Eastern  France,  1890; 
Studies  in  Russia,  1896;  Walks  in  London;  Holland  and  Scan- 
dinavia; Florence;  Days  near  Paris;  Walks  in  Paris.  Maps 
and  illustrations.  Together,  16  vols.  Small  8vo,  2  vols.  calf, 
and  14  vols.  cloth.  Lond.,  etc.,  v.  d. 

[77] 


514.  HARLAND  (HENRY).    The  Lady  Paramount.  FIRST 
EDITION.     12mo,  cloth,  gilt  top,  uncut.  Lond.  1902 

*  Autographed  presentation  copy  from  the  author. 

515.  HARPER'S  New  Monthly  Magazine.    Illustrated.  Vol. 
I,  1850,  to  Vol.  C,  1900,  inclusive.    With  the  index  vol.,  1892. 
Together,  101  vols.  large  8vo,  uniformly  bound  in  half  morocco 
gilt,  marbled  edges.  N.  Y.  1850-1900 

*  An  unusually  long  run  of  this  periodical,  in  good  condition,  and 
well  bound. 

516.  HAWKINS  (THOMAS).     The  Origin  of  the  English 
Drama,  illustrated  in  its  various  Species,  by  Specimens  from  our 
earliest  Writers.    FIRST  EDITION.    3  vols.  12mo,  calf. 

Oxford,  1773 

517.  HARPER'S   POCKET   EDITIONS.      Criticism    and 
Fiction  (Howells) ;  Studies  of  the  Stage  (Matthews) ;  American- 
isms and  Briticisms  (Matthews);    As  We  Go  (Warner);    As 
We  Were  Saying  (Warner) ;   Concerning  All  of  Us  (Higginson) ; 
Other  Essays  from  the  Easy  Chair  (Curtis) ;  and  others.    Front- 
ispieces.   Together,  13  vols.  16mo,  uniform  decorative  cloth. 

N.  Y.  1893 

518.  HARRIS  (FRANK).     The  Man  Shakespeare  and  His 
Tragic  Life  Story;    Brown's  Critical  Confessions;    Davidson's 
The  Man  Forbid;    Bridges'  Suppressed  Chapters;    and  others. 
Together,  11  vols.  8vo  and  12mo,  various  bindings,  v.  p.,  v.  d. 

519.  HARTE   (FRANCIS  BRET).     Works.     Portrait.     6 
vols  only.     8vo,  half  red  calf  gilt,  gilt  tops,  some  uncut,  by 
Blackwell.  Bost.  1894-97 

*  Comprises  Poems,  Gabriel  Conroy,  Condensed  Novels,  Frontier 
Stories,  Tales  of  the  Argonauts,  The  Luck  of  Roaring  Camp,  and 
other  tales. 

520.  HARTSHORNE   (ALBERT).     Old   English   Glasses. 
An  Account  of  Glass  Drinking  Vessels  in  England,  from  Early 
Times  to  the  End  of  the  Eighteenth  Century.    Colored  frontis- 
piece and  many  other  illustrations.    Folio,  half  vellum,  gilt  top, 
uncut.  Lond.  1897 

*  This  important  work  is  now  entirely  out  of  print  and  becoming 
scarce. 

521.  HASKINS  (DAVID  GREENE).    Ralph  Waldo  Emer- 
son :  His  Maternal  Ancestors,  with  some  Reminiscences  of  him. 
Illustrated.     8vo,  cloth  and  boards,  uncut.  Bost.  1887 

*  Edition  de  luxe,  on  large  paper. 

[78] 


522.  HASTINGS  (GILBERT).    Siena;  its  Architecture  and 
Art.     Illustrations.     Small  4to,  boards,  cloth  back,  uncut. 

Lond. :    De  La  More  Press,  1902 

523.  HAVARD  (HENRY).    L'Art  dans  la  Maison:   Gram- 
maire   de   rAmeublement.      Illustrations    de    Corroyer,   David, 
Peignot,  etc.    4to,  half  red  morocco  gilt,  gilt  top.  Paris,  n.  d. 

524.  HAVARD  (HENRY).     Dictionnaire  de  I'Ameublement 
et  de  la  Decoration,  depuis  le  Xllle  siecle  jusqu'a  nos  jours. 
Many  illustrations,  some  colored.     4  vols.  4to,  boards,  uncut. 

Paris,  n.  d.  ca.  1880 

525.  HAWTHORNE     (NATHANIEL).      The    Blithedale 
Romance.     FIRST  EDITION.     12mo,  green  levant  morocco,  gilt 
top,   partially  uncut,   by  Affolter.  Bost.  1852 

526.  HAWTHORNE  (NATHANIEL).    The  Marble  Faun; 
or,  The  Romance  of  Monte  Beni.    2  vols.  12mo,  original  cloth. 

Bost.  1860 

*  Second  issue  of  the  FIRST  EDITION. 

527.  HAWTHORNE  (NATHANIEL).    Works.    Illustrated. 
13  vols.  12mo,  half  blue  morocco  gilt,  gilt  tops,  by  Blackwell. 

Bost.  1897 

*  Laid  in  is  an  A.  L.  by  Rose  Hawthorne  Lathrop,  signed  Sister 
Mary  Alphonsa  Lathrop,  and  an  A.  L.  S.  by  Frank  Scott,  President 
of  the  Century. 

528.  HAWTHORNE  (NATHANIEL).    A.  L.  S.,  2pp.  8vo, 
from  Hawthorne  to  George  McLaughlin,  Cinn.,  O.     With  the 
addressed  portion  of  Envelope.    Dated  Concord,  Dec.  11, 1863 

Dear  Sir: 

On  receiving  your  note  of  30th  Nov.,  requesting  autographs  for  the 
Sanitary  Fair  of  Cincinnati,  I  ....  find  only  three  which  I  should  be 
justified  in  giving  away  ....  I  regret  to  make  so  poor  a  contribution, 
but  have  really  nothing  else  that  I  could  lend;  for  I  set  but  little  value 
on  autographs,  and  generally  give  away  immediately  such  as  contain 
nothing  private  and  personal. 

Very  respectfully  yours, 

NATH'L  HAWTHORNE. 

529.  HAY    (JOHN).      In   Praise   of   Omar.     An  Address. 
Square  16mo.  wrappers,  uncut.     Portland,  Me.,  Mosher,  1898 

*  No.  1  of  4  copies  printed  on  vellum,  autographed  by  the  publisher. 

530.  HELPS     (ARTHUR).      The    Spanish    Conquest    in 
America.    Vols.  I-III.    FIRST  EDITION.  3  vols.  8vo,  half  levant 
morocco,  gilt  tops.  Lond.  1855-57 

[79] 


531.  HENLEY  (WILLIAM  ERNEST).    A  Book  of  Verses. 
Vignette  on  title.      FIRST  EDITION.      12mo,  original  wrappers, 
uncut.  Lond.  1888 

*  With  bookplate  of  Walter  Hamilton,  author  of  the  famous  collec- 
tion of  "Parodies." 

532.  HENLEY    (WILLIAM    ERNEST).      Hawthorn   and 
Lavender,  with  Other  Verses.    FIRST   EDITION.     8vo,  lavender 
levant  morocco,  inlaid  and  tooled  with  a  floral  design  in  gold, 
white,  red  and  green,  by  Toof  and  Co.  Lond.  1901 

533.  HERALDRY.    America  Heraldica.    A  Compilation  of 
Coats  of  Arms,  Crests,  and  Mottoes  of  Prominent  American 
Families  settled  in  this  Country  before  1800.    Edited  by  E.  de 
V.   Vermont.     Colored  plates.     Folio,   Russia  gilt,   gilt   inside 
borders,  gilt  top,  uncut,  by  R.  W.  Smith  (slightly  worn). 

N.  Y.  ca.  1886 

534.  HERVIEU    (PAUL).      Flirt.      Illustr'e    par    Madame 
Madeleine  Lemaire.     4to,  half  green  levant  morocco,  the  back 
inlaid  with  a  floral  design,  gilt  top,  uncut,  by  David.  Paris,  1890 

535.  HESPERUS.      Richter.      4    vols.;     Bacon's     Essays; 
Coleridge's  Works,  2  vols.  only;    and  others,  10  vols.,  8vo  and 
12mo,  cloth  and  calf.  v.  p.,  v.  d. 

536.  HEWLETT    (MAURICE).      Pan    and    the    Young 
Shepherd.    A  Pastoral  in  Two  Acts.      FIRST  EDITION.     12mo, 
cloth,  uncut,  fine  copy.  Lond.  &  N.  Y.  1898 

537.  HEWLETT  (MAURICE).     Letters  to  Sanchia  upon 
Things  as  they  are.     FIRST  EDITION.    8vo,  wrappers,  uncut. 

Lond.  1910 

538.  HILL  (GEORGE  BIRKBECK).     Talks  about  Auto- 
graphs.    Portraits  and  facsimiles.      FIRST  EDITION.     8vo,  calf, 
gilt  top.  Bost.  1896 

539.  HISTORICAL  PAPERS.    Edited  by  John  Morris  and 
Sydnev  F.  Smith.     Illustrations.     5  vols.  12mo,  cloth. 

Lond.  1892-98 

540.  HISTORY.     Growth  of  the  French   Nation  (Adams) 
1896;   The  Awakening  of  Japan  (Kakuzo),  1905;   Evolution  of 
Empire  Series  (Parmele),  4  vols.;  History  of  England,  2  copies. 
Together,  8  vols.  12mo,  cloth.  v.  p.,  v.  d. 

[80] 


541.  HODDER   (EDWIN).     Cities  of  the  World:    Their 
Origin,   Progress,    and   Present   Aspect.      Illustrated.     4   vols. 
Royal  8vo,  cloth  (one  vol.  loose).  Lond.  n.  d. 

542.  HOGARTH    (GEORGE).     Memoirs   of   the   Musical 
Drama.    Frontispiece  portraits.     2  vols.  8vo,  half  red  morocco, 
gilt  tops.  (Slightly  foxed).  Lond.  1838 

543.  HOGARTH     (WILLIAM).       The    Rake's    Progress, 
engraved  by  T.  Cook.     7  plates,  (lacks  plate  3.)     Small  Folio, 
loose  in  a  portfolio  (a  few  spots  on  margins).  Lond.  1806 

544.  HOLBEIN  (HANS).    The  Dance  of  Death  by  Holbein. 
Introductory  Note  by  Austin  Dobson.      Numerous  reproduc- 
tions.   8vo,  wrappers,  uncut.  Lond.  1892 

*  Limited  Edition  on  Japan  paper. 

545.  HOLME    (CHARLES).      Modern    British    Domestic 
Architecture  and  Decoration;  Modern  Design  in  Jewellery  and 
Fans  (special  Summer  and  Winter  Nos.  of  the  Studio).    Illus- 
trated.   2  vols.  Royal  8vo,  wrappers.     Lond.  &  N.  Y.  1901-02 

546.  HOLMES  (EDMOND).    The  Silence  of  Love.    Square 
8vo,  cloth,  gilt  top,  uncut.  Lond.  &  N.  Y.  1899 

547.  HOLMES  (EDMOND).    WTiat  is  Poetry?    Square  8vo, 
cloth,  uncut  and  mainly  unopened.  Lond.  &  N.  Y.  1900 

548.  HOLMES  (EDMOND).    Walt  Whitman's  Poetry;    A 
Study  and  a  Selection.    Square  8vo,  cloth,  uncut. 

Lond.  &  N.  Y.  1902 

549.  HOLMES  (OLIVER  WENDELL).    Works.  Riverside 
Edition.     10  vols.  (should  be  13),  12mo,  cloth,  gilt  tops. 

Bost.  1894-95 

550.  HOLMES    (OLIVER  WENDELL).     Four  Lines   of 
Verse  in  the  Handwriting  of  Holmes,  signed  and  dated.    Oblong 
12mo. 

O  Caroline,  Caroline,  child  of  the  sun, 
There  are  battles  with  fate  that  can  never  be  won; 
The  star-flowering  banner  must  never  be  furled, 
For  its  blossoms  of  light  are  the  hope  of  the  world. 

Oliver  Wendell  Holmes. 
New  York  City, 
April  18,  1883. 

[81] 


551.  HOLT  (ROSA  BELLE).     Rugs;    Oriental  and  Occi- 
dental, Ancient  and  Modern.    Illustrations,  some  in  colors.    4to 
cloth,  gilt  top,  uncut.  Chic.  1901 

552.  HOMER.      Homeri     llias,    cum    Brevi    Annotatione, 
curante  C.  G.  Heyne.    2  vols.  8vo,  old  calf  (slightly  rubbed). 

Oxonii,  1834 

553.  HOMMEL  (ADOLF).    Sammlung  Dr.  Adolf  Hommel, 
Zurich.    Kunstgegenstande  und  Antiquitaten;  Gemalde  Alterer 
Meister.      Many    photographic    reproductions.      2    parts,    4to, 
wrappers.  Koln,  1909 

554.  HOOK  (THEODORE— EDITOR).    The  French  Stage 
and  the  French  People  as  illustrated  in  the  Memoirs  of  M. 
Fleury.     2  vols.  small  8vo,  half  red  morocco,  gilt  tops  (one 
title  slightly  repaired).  Lond.  1841. 

555.  HOOLE  (JOHN— TRANSLATOR).    Orlando  Furioso. 
With  notes.    Engravings  by  Bartollozzi,  CaldweU,  etc.     5  vols. 
8vo,  red  straight  grain  morocco,  gilt  inside  borders,  gilt  edges, 
by  J.  Froding.  Lond.  1799 

556.  HOUSMAN  (LAURENCE).    Green  Arras.    Woodcuts. 
FIRST  EDITION.     12mo,  cloth,  uncut.  Lond.  &  Chic.  1896 

557.  HOUSMAN  (LAURENCE).    Stories  from  the  Arabian 
Nights,  Retold.    Colored  illustrations  by  Edmund  Dulac.    Royal 
8vo,  cloth  (several  leaves  loose).  Lond.  1907 

558.  HOVEY  (RICHARD).     The  Quest  of  Merlin:    The 
Marriage  of  Guenevere:   The  Birth  of  Galahad.    Together,  3 
vols.  12mo,  uniformly  bound  in  half  vellum  gilt.   Bost.  1898-99 

559.  HOWELLS    (WILLIAM    DEAN).      Venetian    Life. 
Illustrations  from  original  water  colors.    2  vols.  12mo,  tree  calf 
gilt,  gilt  edges,  by  Blackwell.  Bost.  1892 

560.  HOWELLS  (WILLIAM  DEAN).    Venetian  Life.  Illus- 
trations from  original  water  colors.    2  vols.  12mo,  half  blue  levant 
morocco,  gilt  tops,  by  Blackwell.  Bost.  1896 

*  Signature  "  W.  D.  Howells,  March  22,  1898,"  on  fly-leaf  of  Vol.  I. 

[82] 


561.  HOWELLS  (WILLIAM  DEAN).     The  Rise  of  Silas 
Lapham;  Criticism  and  Fiction;  Five  O'Clock  Tea;  A  Hazard 
of  New  Fortunes,  2  vols.;   The  Minister's  Charge;   A  Modern 
Instance;    The   Mouse-Trap   and   Other  Farces;    A   Chance 
Acquaintance;  The  Sleeping  Car  and  Other  Farces;  The  Lady 
of  the  Aroostook;  The  Landlord  at  Lion's  Head;   The  Day  of 
their  Wedding;  April  Hopes.    Illustrations.    Together,  14  vols. 
12mo  and  16mo,  cloth.  Bost.  and  N.  Y.  v.  d. 

562.  HUBBARD  (ELBERT).     Little  Journeys.     Eminent 
Painters:  Good  Men  and  Great;  American  Authors;  American 
Statesmen;    Famous  Women.     Portraits.     Together,   5   vols. 
12mo,  uniformly  bound  in  half  green  morocco,  gilt  tops. 

N.  Y.,  n.  d. 

563.  HUC    (ABBE).    Christianity  in   China,  Tartary,  and 
Thibet.    2  vols.  8vo,  half  calf  (rubbed).  Lond.  1857 

564.  HUGO  (VICTOR).     Extraits.     Portrait  and  facsimile. 
12mo,  half  blue  morocco,  gilt  top,  original  covers  bound  in. 

Paris  1885 

565.  HUGO   (VICTOR).     Novels  and  Tales.     Illustrated. 
CABINET  EDITION.     28  vols.  12mo,  half  blue  levant  morocco, 
gilt  tops,  uncut.  Phila.  n.  d. 

*  Limited  Edition. 

566.  HUGO  (VICTOR).     La  Legende  des  Siecles,  2  vols., 
Bruxelles,  1859;     Les  Chansons  des  Rues  et  des  Bois,  Paris, 
1866;  Torquemada,  Paris,  1882;  L'Ane,  Paris,  1880.    Together, 
5  vols.  8vo,  half  brown  morocco,  original  covers  bound  in. 

v.  p.,  v.  d. 

567.  HUGO    (VICTOR).      Works.     Illustrated.     EDITION 
DE  BIBLIOPHILE.     41  vols.   (lacking  album  of  plates).     8vo, 
light  gray  morocco,  the  back  inlaid  with  a  floral  design,  the 
front  cover  tooled  in  a  monogram,  "EBG,"  gilt  edges. 

Phila.  n.  d. 

*  Limited  to  250  copies.    Printed  on  Japan   vellum,    with   many 
of  the  plates  in  two  printings,  black  and  bistre.    The  set  contains, 
including  the  duplicate  plates,  over  a  thousand  etchings.    Laid  in  is 
A.  L.  S.  of  Hugo,  2  pp.  8vo,  n.  p.,  n.  d. 

568.  HUME  (DAVID)  AND  SMOLLETT  (TOBIAS).  The 

History  of  England  from  the  Invasion  of  Caesar  to  the  Revolu- 
tion in  1688,  6  vols.;  The  History  of  England  from  the  Revo- 
lution to  the  Death  of  George  II.  4  vols.  Frontispieces.  To- 
gether, 10  vols.  8vo,  polished  calf,  marbled  edges,  (several  vols. 
slightly  cracked).  Lond.  1848 

[83] 


569.  HUMPHREYS  (ARTHUR  L.).    The  Private  Library. 
Square  8vo,  half  green  levant  morocco,  gilt  top.         N.  Y.  1897 

570.  HUMPHREYS'  CLASSICS.    Marcus  Aurelius  Anton- 
inus.   Small  4to,  original  wrappers,  uncut. 

Lond. :  Arthur  L.  Humphreys,  1896 

*  The  above  and  the  8  following  lots  are  all  printed  in  large  black- 
faced  type,  woodcut  initials  and  titles  in  black  and  red.  They  are  all 
in  the  ORIGINAL  WRAPPERS,  UNCUT.  THE  EARLY  VOLUMES  ARE  SCARCE. 

571.—  -  A'Kempis  (Thomas).  Imitation  of  Christ.  Small 
4to.  Lond.  1897 

572.—          Discourses  of  Epictetus,  Vol.  II  only,  small  4to. 

Lond.   1897 

573.-      -   Republic  of  Plato.     2  vols.  small  4to.    Lond.  1898 

574.  —          Emerson    (R.    W.)     Essays.     2    vols.    small    4to. 

Lond.  1899 

575.—         Bacon  (Francis).    Essays.    Small  4to.    Lond.  1900 

576.—  Macaulay  (T.  B.).  Two  Essays  on  Chatham. 
Small  4to.  Lond.  1901 

577.-      -   Cicero,  De  Officiis.     Small  4to.  Lond.  1904 

578.—  Aristotle,  the  Ethics,  revised  from  the  translation 
by  D.  P.  Chase.  2  vols.  Small  4to,  8vo,  wrappers,  uncut. 

Lond. 1902 

579.  —  -  Sappho,  Life  and  Work.  12mo,  original  wrappers, 
uncut.  Lond.  1910 

580.—  Beaconsfield  (Lord).  Maxims.  16mo,  wrappers. 
Limited.  Lond.  1905 

581.  HUMPHREYS  (H.  NOEL).  Specimens  of  Illuminated 
Manuscripts  of  the  Middle  Ages  from  the  Sixth  to  the  Six- 
teenth Century.  A  series  of  12  colored  plates,  after  originals. 
Small  8vo,  red  morocco,  floral  design  in  yellow  and  green, 
doublure  of  two  shades  of  red  morocco,  same  floral  design,  gilt 
edges.  Lond.  1853 

[84] 


582.  ILLUMINATION.     The  Penitential  Psalms.     Each 

page  in  facsimile  of  an  illuminated  manuscript,  some 
with  small  miniatures.  12mo,  polished  calf,  gilt  edges,  some 
fore  edges  stained.  n.  p.,  n.  d.  [London,  ca.  1860] 

583.  ILLUSTRATED  LONDON  NEWS.     Record  of  the 
Glorious  Reign  of  Queen  Victoria,   1837-1901,  the  Life  and 
Accession  of  King  Edward  Vllth  and  the  Life  of  Queen  Alex- 
andra.    14  India  proofs  and  other  photogravures.      Folio,  illus- 
trated wrappers.  Lond.  1901 

584.  IN GELOW  (JEAN— English  Poetess).     A.L.S.    8pp., 
12mo,    to    a    Mr.    Strahan,  regarding  certain  items  published 
by  William  Niles  for  her  account.  n.  p.,  n.  d. 

585.  IN  PRAISE  OF  GARDENS  (Scott);    The  Book  of 
Cupid  (Introduction  by  Henry  Newbold);    Because   I  Love 
You  (Mack);    and  others.     Cloth  and  boards,  10  vols.  12mo. 

v.  p.,  v.  d. 

586.  INDIANS.     History   of   the  Delaware^  and   Iroquois 
Indians,  formerly  inhabiting  the  Middle  States,  with  Various 
Anecdotes  illustrating  their  Manners  and  Customs.    Woodcuts. 
16mo,  boards   (worn,  somewhat  spotted,   and  a  few  margins 
torn).  Phila.  1832 

587.  INTERNATIONAL  STUDIO,  an  Illustrated  Maga- 
zine of  Fine  and  Applied  Art.    Vols.  I-XIV  (and  vols.  10,  11 
and  12  in  duplicate).  17  vols.  Royal  8vo,  cloth.    N.  Y.  1897-1901 

588.  IRVING  (HENRY).    In  England  and  America  (Fred- 
eric  Daly);    Sir   Henry   Irving    (Percy   Fitzgerald);     Irving's 
Macbeth,  Faust,  &c.  (Edwin  Drew);    As  Actor  and  Manager 
(William  Archer);    Life  of  S.  Angela  Merici.    Translated  from 
the  French.    Together,  5  vols.,  cloth  and  wrappers,  v.  p.,  v.  d. 

589.  IRVING  (WASHINGTON).     Chronicle  of  the  Con- 
quest of  Granada.     Printed  throughout  within  an  ornamental 
colored  border.    Illustrations.    2  vols.  8vo,  red  levant  morocco 
gilt,  gilt  edges.  N.  Y. :  Putnams,  1893 

*  The  handsome  Agapida  Edition,  limited.  Laid  in  is  an  A.  L.  S., 
2pp.  l(imo,  signed  with  initials  only  to  Mr.  Bradish  requesting  delivery 
of  certain  books,  n.  p.,  n.  d. 

[  83  1 


590.  IRVING  (WASHINGTON).     The  Works  of  Irving. 
Illustrated.    27  vols.  8vo,  half  polished  calf  gilt,  gilt  tops,  uncut. 

N.  Y. :  Putnams,  n.  d. 

*  Fine  Set  of  the  Hudson  Edition.  Laid  in  is  a  page  of  Manuscript, 
apparently  from  one  of  Irving's  historical  works,  formed  of  2pp. 
12  mo,  pasted  together  endwise. 

591.  IRVING  (WASHINGTON).    A.  L.  S.,  2pp.  8vo,  with 
envelope  and  stamp,  to  Robert  Balmanno. 

Sunnyside,  May  29,  1853. 
My  dear  Sir: 

I  feel  properly  sensible  of  the  honor  and  kindness  done  me  by  the 
Shakespeare  Society  in  electing  me  an  honorary  member;  and  will 
take  occasion,  as  you  suggest,  to  attend  and  inscribe  my  name  on  the 
Record  Book. 

I  must  forewarn  you,  however,  that  I  am  likely  to  prove  a  very 
delinquent  member,  as  I  am  growing  more  and  more  recluse  in  my 
habits  and  slow  to  respond  to  the  claims  of  society.  All  kinds  of 
public  and  society  dinners  I  avoid.  I  am  no  longer  clubable.  Quiet 
life  in  the  country  has  been  the  ruin  of  me. 
With  this  premonition  I  subscribe  myself,  with  great  regard, 

Yours  faithfully, 

WASHINGTON  IKVING. 

592.  ITALIAN  VIGNETTES  (Arms).    Notes  on  the  Span- 
ish-American War  (Office  of  Naval  Intelligence) ;  Some  Strange 
Corners  of  Our  Country  (Lummis),  and  others.      Some  illus- 
trated.    Cloth,  etc.,  8vo  and  smaller,  11  vols. 


[86] 


THIRD   SESSION 

The  Writings  of  Henry  James 
Some  First  Editions 

593.  JAMES  (HENRY).     The  Portrait  of  a  Lady.     First 

English  Edition.    3  vols.  12mo,  cloth  (binding  poor). 

Lond.  1881 

594.  JAMES  (HENRY).    The  Soft  Side  (1900) ;   The  Sacred 
Fount   (1901);    The  Spoils  of  Poynton   (1897);   Terminations 
(1895).    Together,  4  vols.  12mo,  all  original  cloth,  not  uniform. 

595.  JAMES  (HENRY).    Confidence,  2  vols.  (1880);  FIRST 
EDITION;    The  Better  Sort  (1903) ;    The  Princess  Casamassima 
(1887);     The  Wheel  of  Time  (1893).     Together,  5  vols.  12mo, 
cloth  (several  bindings  rubbed  and  stained). 

596.  JAMES  (HENRY).    William  Wetmore  Story  and  his 
Friends,  2  vols.   (1903);    The  Golden  Bowl,  2  vols.   (1904); 
Theatricals  (1894);    The  Sacred  Fount,  (1901).     Together,  6 
vols.  8vo  and  12mo,  all  original  cloth,  not  uniform. 

597.  JAMES  (HENRY).     The  Ambassadors  (1903);    The 
Sacred  Fount  (1901;  A  Little  Tour  in  France.    Illustrations  by 
J.  Pennell  (1901);  The  Wings  of  the  Dove  (1902);  Theatricals, 
Second  Series  (1895).     Together,  5  vols,  8vo  and  12mo,  cloth 
and  boards. 

598.  JAMES    (HENRY).      Embarrassments    (1896);    The 
Two  Magics  (1898);    The  Spoils  of  Poynton  (1897).     What 
Masie  Knew  (1898).     Together,  4  vols.  12mo,  cloth  (several 
vols.  rubbed). 

599.  JAMES  (HENRY).    The  Tragic  Muse,  3  vols.  (1890); 
The  Two  Magics  (1898) ;  Essays  in  London  (1893) ;  A  London 
Life,  2  vols.     (1889).      ALL    FIRST    EDITIONS.      Together,   7 
vols.  12mo,  all  original  cloth  (bindings  shabby). 

600.  JAMES  (HENRY).     The  Lesson  of  the  Master,  &c. 
(1892);    Partial  Portraits  (1888);    The  Awkward  Age  (1899); 
Tales  of  Three  Cities  (1884).    ALL  FIRST  EDITIONS.   Together, 
4  vols.  12mo,  cloth  (bindings  of  3  vols.  shabby). 

[87] 


601.  JAMES  (HENRY).  The  Bostonians,  3  vols.  (1886); 
The  Madonna  of  the  Future,  2  vols.  (1879);  Washington 
Square,  &c.,  2  vols.  (1881).  ALL  FIRST  EDITIONS.  Together, 
7  vols.  12mo,  cloth  (bindings  considerably  rubbed). 


002.    JAMES    (W.    P.).  Romantic   Professions,   and   other 

Papers.       Woodcut  title.  FIRST  EDITION.       12mo,  buckram, 

uncut.  Lond.  1894 

*  Limited  Edition. 

603.  JAMESON  (MRS.  ANNA).     Visits  and  Sketches,  at 
Home  and  Abroad,  with  Tales  and  Miscellanies  and  a  new 
Edition  of  the  Diary  of  an  Ennuyee.    Engraved  plates.    4  vols. 
12mo,  polished  calf  gilt.  Lond.  1834 

*  Fine  Copy. 

604.  JAMESON   (MRS.  ANNA).     Sacred  and  Legendary 
Art,  2  vols.;  Legends  of  the  Madonna;   Early  Italian  Painters; 
Legends   of  the   Monastic   Orders.      Edited   by   Estelle  Hurl. 
Numerous  illustrations.     5  vols.   8vo,   blue  polished  morocco, 
gilt  backs  and  edges,  by  Black  well. 

Bost.:  Riverside  Press,  1896-7 

*  Handsome  Set. 

605.  JOHNSTON  (CHARLES).     5  A.  L.  S.,  8vo,  dealing 
with  arrangements  for  the  sale  in  America  of  his  book,  "From 
the  Upanishads." 

606.  JOHNSON    (SAMUEL).      The    Lives    of    the    Most 
Eminent  English  Poets,  with  Critical  Observations  on  their 
Works.       THE   RARE   FIRST   EDITION.       4   vols.   8vo,   sheep 
(backs  cracked,  covers  loose,  name  on  titles). 

Lond.:   Printed  for  C.  Bathurst,  &c.,  1781 

607.  JOHNSON  (SAMUEL).     Works  of  Samuel  Johnson. 
NEW  EDITION.     With  an  Essay  on  his   Life   and  Genius   by 
Arthur  Murphy.      Portrait  engraved  by  Fry  after  Sir  Joshua 
Reynolds.    12  vols.  8vo,  scored  calf,  gilt  backs.  Lond.  1823 

608.  JOHNSON  (SAMUEL).     Lives  of  the  Poets.    Edited 
with  Notes  by  Mrs.  Alexander  Napier.    Introduction  by  J.  W. 
Hales.    3  vols.  12mo,  half  polished  calf,  gilt  tops.     Lond.  1890 

609.  JOHNSON  (SAMUEL).    Rasselas,  Prince  of  Abyssinia. 
Frontispiece,   head-and-tail  pieces.      12mo,   half  green  polished 
morocco,  gilt  top,  uncut.  N.  Y.  &  Lond.,  n.  d. 

F881 


610.  JUSSERAND  (J.  J.).    The  English  Novel  in  the  Time 
of  Shakespeare.     Translated  from  the  French  by  Elizabeth 
Lee.      New   Edition.      Illustrations    and    facsimiles.      Square 
12mo,  three-quarter  red  polished  morocco,  gilt  top.      Lond.  1895 

611.  TREATS    (JOHN).     Poems.      Portrait.      18mo,    limp 
^     vellum,  gilt  top,  with  ties.    One  of  60  copies  on 

Japan  paper.  Lond.  1900 

*  Laid  in  is  an  A.  L.  S.  by  H.  Buxton  Forman,  editor  of  Keats' 
poems,  referring  to  the  Keats  Memorial  Fund,  2pp.  12mo,  dated 
Isle  of  Wight,  22  July,  1879. 

See  under  Binding,  for  a  beautiful  copy  of  Keats'  Endymion,  bound 
by  Cobden-Sanderson. 


The  Publications  of  the  Kelmscott  Press 

With  Presentation  Copies  from  William  Morris 

612.  KELMSCOTT  PRESS.    Morris  (William).    The  Story 
of  the  Glittering  Plain.    Which  has  been  also  called  The  Land  of 
Living  Men  or  the  Acre  of  the  Undying.    Golden  type.    Small 
4to,  stiff  vellum,  uncut.  Hammersmith,  1891 

*  One  of  200  copies.    The  first  book  printed  at  the  Kelmscott  Press. 

613.  KELMSCOTT  PRESS.    Morris  (William).    Poems  by 
the  Way.    Golden  type,  in  black  and  red.     Small  4to,  stiff  vel- 
lum, uncut.  Hammersmith,  1891 

*  One  of  300  copies.    The  first  book  printed  at  the  Kelmscott  Press 
in  two  colors.     Autograph  presentation  copy  from  William  Morris. 

614.  KELMSCOTT    PRESS.       Caxton     (William).      The 
Recuyell  of  the  Historyes  of  Troy.    By  Raoul  Lefevre.    Trans- 
lated by  William  Caxton.     Edited   by  R.   Halliday   Sparling. 
Troy  type,  with  table  of  chapters  and  glossary  in  Chaucer  type,  in 
red  and  black.     Woodcut  title.    2  vols.,  large  4to,  limp  vellum, 
uncut.  Hammersmith,  1892 

*  One  of  300  copies.    The  first  book  in  which  the  Troy  and  Chaucer 
type  appears.     Autograph  presentation  copy  from  William  Morris. 

* 

615.  KELMSCOTT    PRESS.      Morris    (William).      News 
from  Nowhere;    or,  An  Epoch  of  Rest,  being  some  Chapters 
from  a  Utopian  Romance.    Woodcut  engraved  by  W.  H.  Hooper 
from  a  design  by  C.  M.  Gere.    Golden  type  in  black  and  red.    8vo, 
limp  vellum,  uncut.  Hammersmith,  1892 

*  One  of  300  copies.     Autograph  presentation  copy  from  William 
Morris. 

[89] 


616.  KELMSCOTT  PRESS.    Ruskin  (John).    The  Nature 
of  Gothic.    A  Chapter  of  the  Stones  of  Venice.    With  a  Preface 
by  William  Morris.    Diagrams  in  text.    Golden  type.    Small  4to, 
stiff  vellum,  uncut.  Hammersmith,  [1892] 

*  One  of  500  copies. 

617.  KELMSCOTT  PRESS.     Blunt  (W.  S.).     The  Love- 
Lyrics  &  Songs  of  Proteus.    With  the  Love-Sonnets  of  Proteus 
by  the  same  Author  now  reprinted  in  their  full  text  with  many 
Sonnets  omitted  from  the  earlier  editions.    Golden  type  in  black 
and  red.    Small  4to,  stiff  vellum,  uncut.      Hammersmith,  1892 

*  One  of  300  copies.    The  only  Kelmscott  book  in  which  the  initials 
are  printed  in  red. 

618.  KELMSCOTT  PRESS.    Morris  (William).    A  Dream 
of  John  Ball  and  a  King's  Lesson.    Woodcut  by  E.  Burne-Jones. 
Golden  type,  in  black  and  red.    Small  4to,  limp  vellum,  uncut. 

Hammersmith,  1892 

*  One  of  300  copies. 

619.  KELMSCOTT  PRESS.    Voragine  (Jacobus  de).    The 
Golden  Legend.     Translated  by  William  Caxton.     Edited  by 
F.  S.  Ellis.    Woodcut  title  and  2  woodcuts  designed  by  E.  Burne- 
Jones.     Golden  type.     3  vols.,  4to,  half  holland,  with  paper 
labels,  uncut.  Hammersmith,  1892 

*  One  of  500  copies.     Autograph  presentation  copy  from  William 
Morris. 

620.  KELMSCOTT  PRESS.    Caxton  (William).    The  His- 
tory of  Reynard  the  Foxe.     Edited  by  H.  Halliday  Sparling. 
Woodcut  title.     Troy  and  Chaucer  type  in  black  and  red.    Large 
4to,  limp  vellum,  uncut.  Hammersmith,  1892 

*  One  of  300  copies.    Autograph  presentation  copy  from  William 
Morris. 

621.  KELMSCOTT    PRESS.      Morris     (William).      The 
Defence   of    Guenevere,    and   other   Poems.    Golden  type  in 
black  and  red.    Small  4to,  limp  vellum,  uncut. 

Hammersmith,  1892 

*  One  of  300  copies,  the  first  Kelmscott  book  bound  in  limp  vellum. 

622.  KELMSCOTT  PRESS.    Mackail  (J.  W.).    Biblialnno- 
centium:   Being  the  Story  of  God's  Chosen  People  Before  the 
Coming  of  Our  Lord  Jesus  Christ  upon  Earth,  written  anew 
for  children.    Golden  type.    8vo,  vellum,  uncut. 

Hammersmith,  1892 

*  One  of  200  copies. 

[90] 


623.  KELMSCOTT    PRESS.      History    of    Godefrey    of 
Boloyne  and  of  the  Conquest  of  Iherusalem.    Reprinted  from 
Caxton's  edition  of  1481.     Edited  by  H.  Halliday  Sparling. 
Woodcut  title.     Troy  type  in  black  and  red.     Large    4to,    limp 
vellum,  uncut.  Hammersmith,  1893 

*  One  of  300  copies.    Presentation  copy  from  William  Morris.    The 
first  book  published  and  sold  at  the  Kelmscott  Press. 

624.  KELMSCOTT  PRESS.    Shakespeare  (William).    The 
Poems  printed  after  the  original  copies  of  Venus  and  Adonis, 
1593;     The   Rape   of   Lucrece,    1594;     Sonnets,    1609;     The 
Lover's  Complaint.     Edited  by  F.  S.  Ellis.      Golden  type,  in 
black  and  red.     8vo,  limp  vellum,  uncut.     Hammersmith,  1893 

*  One  of  500  copies.    Autograph  presentation  copy  from  William 
Morris.    One  of  the  scarcest  books  of  the  Kelmscott  press. 

625.  KELMSCOTT  PRESS.     Rossetti   (D.   G.).     Ballads 
and  Narrative  Poems.    Woodcut  title.    Golden  type  in  black  and 
red.    8vo,  limp  vellum,  uncut.  Hammersmith,  1893 

*  One  of  310  copies.    Autograph  presentation  copy  from  William 
Morris. 

626.  KELMSCOTT    PRESS.      Tennyson    (Alfred,    Lord). 
Maud,  A  Monodrama.    Golden  type  in  black  and  red.    Woodcut 
title.    8vo,  limp  vellum,  uncut.  Hammersmith,  1893 

*  One  of  500  copies.   The  first  of  the  8vo  books  with  a  woodcut  title. 

627.  KELMSCOTT  PRESS.    More  (Thomas).    Utopia.    A 
reprint  of  the  2nd  edition  of  Ralph  Robinson's  Translation, 
with  a  Foreword  by  William  Morris.     Edited  by  F.  S.  Ellis. 
Chaucer  type,  with  title  in  Troy  type,  in  black  and  red.    8vo,  limp 
vellum,  uncut.  Hammersmith,  1893 

*  One  of  300  copies. 

628.  KELMSCOTT  PRESS.    Meinhold  (William).   Sidonia 
the  Sorceress,  translated  by  Francesca  Speranza,  Lady  Wilde. 
Golden  type  in  black  and  red.    Large  4to,  limp  vellum,  uncut. 

Hammersmith,  1893 

*  One  of  300  copies.    Autograph  presentation  copy  from  William 
Morris. 

629.  KELMSCOTT   PRESS.     Cavendish  (George).     The 
Life  of  Thomas  Wolsey,  Cardinal  Archbishop  of  York.    Edited 
by  F.  S.  Ellis.    Golden  type.    8vo,  limp  vellum,  uncut. 

Hammersmith,  1893 

*  One  of  250  copies.    Autograph  presentation  copy  from  William 
Morris. 

[91] 


630.  KELMSCOTT   PRESS.      The  Tale  of   King  Florus 
and  the  Fair  Jehane.     Translated    by  William  Morris  from 
the  French  of  the  13th  Century.     Woodcut  title.     Chaucer  type 
in  black  and  red.     16mo,  half  holland,  uncut. 

Hammersmith,  1893 

*  One  of  350  copies.     Autograph  presentation  copy  from  William 
Morris. 

631.  KELMSCOTT  PRESS.     Morris    (William).     Gothic 
Architecture.     A  Lecture  for  the  Arts  and  Crafts  Exhibition 
Society.   Golden  type  in  red  and  black.    16mo,  half  holland,  uncut. 

Hammersmith,  1893 

*  One  of  a  limited  edition.  The  first  Kelrascott  book  printed  in  16mo. 

632.  KELMSCOTT  PRESS.    The  Order  of  Chivalry.  Trans- 
lated from  the  French  by  William  Caxton  and  reprinted  from 
his  edition  of  1484.    Edited  by  F.  S.  Ellis;    and  L'Ordene  de 
Che  valeric,    with   translation   by   William   Morris.      Woodcut 
designed  by  Edward  Burne-Jones.     Chaucer  type,  in  black  and 
red.    Small  4to,  limp  vellum,  uncut.  Hammersmith,  1893 

*  One  of  225  copies.    The  last  book  printed  in  small  4  to,  and  the 
first  book  printed  in  Chaucer  type.     Autograph  presentation  copy 
from  William  Morris. 

633.  KELMSCOTT  PRESS.    Swinburne  (A.  C.).  Atalanta 
in  Calydon :  A  Tragedy.    Woodcut  title.    Troy  and  Chaucer  type, 
in  black  and  red.    Large  4to,  limp  vellum,  uncut. 

Hammersmith,  1894 

*  One  of  250  copies. 

634.  KELMSCOTT  PRESS.     Rossetti  (D.  G.).     Sonnets 
and  Lyrical  Poems.     Woodcut  title.     Golden  type  in  black  and 
red.    8vo,  limp  vellum,  uncut.  Hammersmith,  1894 

*  One  of  310  copies.     Autograph  presentation  copy  from  William 
Morris. 

635.  KELMSCOTT     PRESS.       Keats     (John).       Poems. 
Edited  by  F.  S.  Ellis.     Woodcut  title.    Golden  type  in  black  and 
red.    8vo,  limp  vellum,  uncut.  Hammersmith,  1894 

*  One  of  300  copies.    This  is  the  most  sought  after  of  all  the  smaller 
Kelmscott  books.    Autograph  presentation  copy  from  William  Morris. 

636.  KELMSCOTT    PRESS.      Psalmi    Penitentiales.      An 
English    rhymed    version    of    the    Seven    Penitential    Psalms. 
Edited  by  F.  S.  Ellis.     Chaucer  type  in  black  and  red.     8vo, 
half  holland,  uncut.  Hammersmith,  1894 

*  One  of  300  copies.     Autograph  presentation  copy  from  William 
Morris. 


637.  KELMSCOTT  PRESS.    Hieronymo  da  Ferrara  [Savon- 
arola].   Epistola  de  Contemptu  Mundi.     Chaucer  type.  Wood- 
cut on  title.     8vo,  original  boards,  uncut.  Lond.  1894 

*  Limited  Edition.    Presentation  copy  from  the  Editor. 

638.  KELMSCOTT  PRESS.    Morris  (William).    The  Story 
of  the  Glittering  Plain  which  has  been  also  called  The  Land  of 
Living  Men  or  The  Acre  of  the  Undying.    Woodcut  title.    Bor- 
ders designed  by  Walter  Crane,  engraved  by  A.  Leverett.    Troy  type 
in  black  and  red.    Large  4to,  limp  vellum,  uncut. 

Hammersmith,  1894 

*  One  of  250  copies.    The  borders  used  in  this  book  appear  in  no 
other.    Autograph  presentation  copy  from  William  Morris. 

639.  KELMSCOTT  PRESS.    Morris  (William).    The  Wood 
beyond  the  World.     Frontispiece  designed  by  E.  Burne-Jones. 
Chaucer  type  in  black  and  red.    8vo,  limp  vellum,  uncut. 

Hammersmith,  1894 

*  One  of  350  copies.     Autograph  presentation  copy  from  William 
Morris. 

640.  KELMSCOTT  PRESS.     The  Tale  of  the  Emperor 
Coustans  and  of  Over  Sea.     Done  out  of  ancient  French  by 
William  Morris.     2  woodcut  titles.     Chaucer  type  in  black  and 
red.     16mo,  half  holland,  uncut.  Hammersmith,  1894 

*  One  of  525  copies. 

641.  KELMSCOTT  PRESS.     Of  the  Friendship  of  Amis 
and  Amile.    Done  out  of  the  ancient  French  by  William  Morris. 
Woodcut  title.     Chaucer  type  in  black  and  red.     16mo,  half  hol- 
land, uncut.  Hammersmith,  1894 

*  One  of  500  copies. 

642.  KELMSCOTT  PRESS.     The  Book  of  Wisdom  and 
Lies.     A  book  of  Traditional  Stories  from  Georgia  in  Asia. 
Translated  by  Oliver  Wardrop  from  the  original  of  Sulkan- 
Saba  Orbeliani.     Woodcut  title.    Golden  type,  in  black  and  red. 
8vo,  limp  vellum,  ties,  uncut.  Hammersmith,  1894 

*  One  of  250  copies.     The  arms  of  Georgi,  representing  the  Holy 
Coat,  appear  in  the  woodcut  title. 

643.  KELMSCOTT   PRESS.     Shelley    (P.   B.).     Poetical 
Works.    Edited  by  F.  S.  Ellis.    Golden  type.    3  vols.  8vo,  limp 
vellum,  uncut.  Hammersmith,  1894-95 

*  One  of  250  copies. 

[93] 


644.  KELMSCOTT  PRESS.    Morris  (William).    The  Life 
and  Death  of  Jason.     A  Poem.     2  woodcuts  designed  by  E. 
Burne-Jones  and  engraved  by  W.  Spielmeyer.    Troy  type  in  black 
and  red.    Large  4to,  limp  vellum,  uncut.     Hammersmith,  1895 

*  One  of  200  copies. 

645.  KELMSCOTT   PRESS.      Herrick    (Robert).      Poems 
Chosen  out  of  the  Works  of  Robert  Herrick.    Edited  by  F.  S. 
Ellis.     Woodcut  title.    Golden  type  in  black  and  red.    8vo,  limp 
vellum,  uncut.  Hammersmith,  1895 

*  One  of  250  copies. 

646.  KELMSCOTT  PRESS.    The  Tale  of  Beowulf.    Done 
out  of  the  Old  English  tongue  by  William  Morris  and  A.  J. 
Wyatt.    Woodcut  title.    Troy  and  Chaucer  type  in  black  and  red. 
Large  4to,  limp  vellum,  uncut.  Hammersmith,  1895 

*  One  of  300  copies.     Autograph  presentation  copy  from  William 
Morris. 

647.  KELMSCOTT    PRESS.      Morris    (William).      Child 
Christopher  and  Goldilind  the  Fair.     Woodcut  title.     Chaucer 
type  in  black  and  red.    2  vols.  16mo,  half  holland,  uncut. 

Hammersmith,  1895 

*  One  of  600  copies. 

648.  KELMSCOTT  PRESS.    Rossetti  (D.  G.).    Hand  and 
Soul.    Reprinted  from  the  German.    Golden  type  in  black  and 
red.    16mo,  vellum,  uncut.  Hammersmith,  1895 

*  One  of  525  copies. 

649.  KELMSCOTT   PRESS.     Syr   Perecyvelle   of   Gales. 
Overseen  by  F.  S.  Ellis,  after  the  edition  edited  by  J.  O.  Halli- 
well  from  the  Thornton  MS.      Woodcut  by  E.  Burne-Jones. 
Chaucer  type  in  black  and  red.    8vo,  half  holland,  uncut. 

Hammersmith,  1895 

*  One  of  350  copies.     Autograph  presentation  copy  from  William 
Morris. 

650.  KELMSCOTT  PRESS.    The  Floure  and  the  Leafe,  & 
the  Boke  of  Cupide,  God  of  Love,  or  the  Cuckow  and  the 
Nightingale.    Edited  by  F.  S.  Ellis.    Troy  type  in  black  and  red. 
4to,  half  holland,  uncut.  Hammersmith,  1896 

*  One  of  300  copies. 

[94] 


651.  KELMSCOTT  PRESS.  Morris  (William).  The  Well 
at  the  World's  End.  4  woodcuts  by  E.  Burne-Jones.  Chaucer 
type  in  black  and  red.  Double  columns.  Large  4to,  limp  vel- 
lum, uncut.  Hammersmith,  1896 

*  One  of  350  copies.    The  eight  borders  and  6  different  ornaments 
between  the  columns  appear  here  for  the  first  time. 


652.  KELMSCOTT  PRESS.     Coleridge   (S.   T.).     Poems 
Chosen  out  of  the  Works  of  Samuel  Taylor  Coleridge.    Edited 
by  F.  S.  Ellis.     Woodcut  title.    Golden  type  in  black  and  red. 
8vo,  limp  vellum,  uncut.  Hammersmith,  1896 

*  One  of  300  copies. 

653.  KELMSCOTT    PRESS.      Spenser    (Edmund).      The 
Shepheardes   Calender:    Conteyning  Twelve  Aeglogues,  Pro- 
portionable to  the  Twelve  Monethes.     Edited  by  F.  S.  Ellis. 
12  illustrations  by  A.  J.  Gaskin.    Golden  type,  in  black  and  red. 
4to,  half  holland.  Hammersmith,  1896 

*  One  of  225  copies. 

654.  KELMSCOTT  PRESS.     Laudes  Beatae  Mariae  Vir- 
ginis.    Latin  Poems  taken  from  a  Psalter  written  in  England 
about  A.  D.  1220.    Edited  by  S.  C.  Cockerell.     Troy  type,  in 
black,  red  and  blue.     4to,  half  holland,  uncut. 

Hammersmith,  1896 

*  One  of  250  copies.    The  first  book  printed  at  the  Kelmscott  Press 
in  3  colors. 


655.  KELMSCOTT  PRESS.  Chaucer  (Geoffrey).  The 
Works.  Edited  by  F.  S.  Ellis.  Woodcut  title  and  87  woodcut 
illustrations  designed  by  E.  Burne-Jones,  14  large  borders,  18 
different  frames  around  the  illustrations,  and  26  large  initial 
words  designed  by  William  Morris.  Chaucer  type,  with  headings 
in  Troy  type,  in  black  and  red.  Folio,  half  holland,  uncut.  In 
morocco  case.  Hammersmith,  1896 

*  One  of  425  copies.     The  most  important  achievement  of  the 
Kelmscott  Press. 


656.  KELMSCOTT  PRESS.  Morris  (William).  The 
Earthly  Paradise.  Woodcut  titles.  Golden  type  in  black  and  red. 
8  vols.  sq.  8vo,  limp  vellum,  uncut,  ties.  Hammersmith,  1896-7 

*  One  of  225  copies.     First  book  printed  on  the  paper  with  the 
apple  watermark.    None  of  the  10  borders  appear  in  any  other  book. 

[95] 


657.  KELMSCOTT  PRESS.    Morris  (William) .    The  Water 
of  the  Wondrous  Isles.    Chaucer  type  in  black  and  red.    Large 
4to,  limp  vellum,  uncut.  Hammersmith,  1897 

*  One  of  2.50  copies. 

658.  KELMSCOTT  PRESS.     Syr  Ysambrace.     Edited  by 
F.  S.  Ellis  after  the  edition  printed  by  J.  O.  Halliwell,  with 
some  corrections.     Chaucer  type  in  black  and  red.     Woodcut. 
8vo,  half  holland,  uncut.  Hammersmith,  1897 

*  One  of  350  copies. 

659  KELMSCOTT  PRESS.  Sire  Degrevaunt.  Edited  by 
F.  S.  Ellis  after  the  edition  printed  by  J.  O.  Halliwell.  Wood- 
cut designed  by  E.  Burne-Jones.  Chaucer  type  in  black  and  red. 
8vo,  half  holland,  uncut.  Hammersmith,  1897 

*  One  of  350  copies. 

660.  KELMSCOTT    PRESS.      Cockerell    (S.    C.).      Some 
German  Woodcuts  of  the  Fifteenth  Century.     Being  35  repro- 
ductions from  books  that  were  in  the  library  of  the  late  William 
Morris.     Edited  with  a  list  of  the  principal  woodcut  blocks  in 
that  library.    Golden  type  in  black  and  red.     4to,  half  holland, 
uncut.  Hammersmith,  1897 

*  One  of  225  copies.    2!)  of  these  reproductions  were  chosen  by  Mr. 
Morris  to  illustrate  a  projected  catalogue  of  his  library. 

661.  KELMSCOTT  PRESS.     Morris   (William).     Love  is 
Enough,  or  the  Freeing  of  Pharamond:   A  Morality.    2  Wood- 
cuts by  E.  Burne-Jones.     Troy  and  Chaucer  type  in  black,  red 
and  blue.    Large  4to,  limp  vellum,  uncut.    Hammersmith,  1897 

*  One  of  300  copies.     The  second  book  printed  in  3  colors  at  the 
Kelmscott  Press. 

662.  KELMSCOTT  PRESS.    Two  Trial-Pages  of  the  Pro- 
jected  Edition   of   Lord   Berners'   Translation   of   Froissart's 
Chronicles.    Woodcut  border.    Chaucer  and  Troy  type  in  black  and 
red.    Folio,  in  cloth  covers.  Hammersmith,  1897 

*  ONE  OF  160  COPIES  ox  VELLUM,  none  on  paper.     Slip  pasted  in  at 
the  back,  on  which  William  Morris  has  written  his  name  and  address. 

663.  KELMSCOTT    PRESS.       Morris     (William).      The 
Story  of  Sigurd  the  Volsung  and  the  Fall  of  the  Niblungs.    2 
designs  by  Sir  E.  Burne-Jones.    Chaucer  type  in  black  and  red. 
Small  folio,  limp  vellum,  uncut.  Hammersmith,  1898 

*  One  of  160  copies. 

[96] 


664.  KELMSCOTT    PRESS.       Morris     (William).       The 
Sundering    Flood.      Overseen  for  the  press  by  May  Morris. 
Chaucer  type  in  black  and  red.     8vo,  half  holland,  uncut. 

Hammersmith,  1898 

*  One  of  300  copies.    The  last  romance  written  by  William  Morris. 

665.  KELMSCOTT  PRESS.     A  Note  by  William  Morris 
on  his  Aims  in  Founding  the  Kelmscott  Press.     With  a  short 
Description  of  the  Press  by  S.  C.  Cockerell,  and  an  Annotated 
List  of  the  Books  printed  thereat.    Woodcut  by  E.  Burne-Jones. 
Golden,  Troy  and  Chaucer  type,  in  black  and  red.    8vo,  half  hol- 
land, uncut.  Hammersmith,  1898 

*  One  of  525  copies.    The  last  book  printed  at  the  Kelmscott  Press. 


666.  KEMPIS    (THOMAS    A).       Les    Quatre    Livres    de 
Limitation  de  Jesus-Christ.    Traduction  de  Michel  de  Marillac. 
Preface  par  M.  E.  Caro.    Engravings.     Royal  8vo,  wrappers, 
uncut.  Paris,  Librairie  des  Bibliophiles,  1875 

*  Limited  Edition. 

667.  KEMPIS  (THOMAS  A).     Of  the  Imitation  of  Christ. 
Translated  by  W.  H.  Hutchings.    12mo,  lavender  levant  moroc- 
co, gilt,  doublures  of  citron  levant,  with  end-papers  of  the  same, 
by  Blackwell.  Lond.  1889 

668.  KING  (MOSES).    Notable  New  Yorkers  of  1896-1899. 
Over  2000  portraits.    8vo,  half  polished  morocco,  gilt  top. 

N.  Y.  [1899] 

669.  KINGLAKE( ALEXANDER  WILLIAM).    The  Inva- 
sion of  the  Crimea:   Its  Origin  and  an  Account  of  its  Progress 
down  to  the  Death  of  Lord  Raglan.      Numerous  folding  maps, 
charts  and  plates,  some  colored.    8  vols.  8vo,  half  blue  calf  (not 
quite  uniform  and  slightly  rubbed).  Edinburgh,  1862-87 

670.  KINGSLEY  (CHARLES).     Westward  Ho!     2  vols.; 
Hereward  the  Wake,  2  vols.;   Two  Years  Ago,  2  vols.;   Alton 
Locke,  2  vols. ;  Yeast.    Portrait.    Together,  9  vols.  12mo,  cloth, 
gilt  tops.  Lond.  1893 

*  Laid  in  one  vol.  is  an  A.  L.  S.,  4pp.  l£mo,  from  the  author  con- 
taining an  order  for  some  books  he  wishes  forwarded.     Dated  Bide- 
ford,  N.  Devon,  Oct.  14,  1854. 

[97] 


671.  KIPLING  (RUDYARD).  Writings  in  Prose  and 
Verse.  Portrait  and  illustrations.  Vols.  I-XVIII.  18  vols.  8vo, 
half  red  morocco,  gilt,  gilt  tops,  uncut.  N.  Y.  1897-1900 

*  Outward  Bound  Edition. 


672.  KIPLING  (RUDYARD).  An  Almanac  of  Twelve 
Sports,  Illustrated,  1898;  The  Recessional,  1898;  Collec- 
tana,  1898;  Sharp's  Romantic  Ballads;  Levetus'  Verse  Fan- 
cies; Sheridan's  Rivals;  and  others.  Together,  12  vols.,  vari- 
ous sizes  and  bindings.  v.  p.,  v.  d. 


673.  KNIGHT  (CHARLES).    The  Popular  History  of  Eng- 
land.    Profusely  illustrated.    9  vols.,  royal  8vo,  cloth,  gilt  tops. 

Lond.  n.  d. 

674.  KUMS  (M.  EDOUARD).    Catalogue  des  Tableaux  des 
Maitres,  Anciens  et  Modernes  des  Ecoles  Flamande,  Francaise, 
Hollandaise,  etc.  et  des  Tapisseries,  etc.  composant  le  musee 
forme   a   Anvers   par   M.  E.  Kums.      Numerous  photogravure 
reproductions.    4to,  wrappers,  uncut.  [Paris],  1898 

*  Limited  Edition. 


675.     T  A  BOETIE(ETIENNEDE).    La  Servitude  Volon- 

taire  ou  le  Contr'un.     12mo,  half  levant  morocco, 

gilt  back,   gilt  top,  uncut.  Paris:  Jouaust,  1872 


676.  LABOUCHERE  (NORMA).  Ladies'  Book-plates: 
an  illustrated  handbook  for  collectors  and  book-lovers.  12mo, 
half  levant  morocco,  gilt  top.  Lond.  1895 


677.    LACROIX      (PAUL).      Iconographie     Molieresque. 
Frontispiece.     8vo,  half  levant  morocco,  gilt  top.    Paris,  1876 

*  Limited  to  500  copies  on  Holland  paper. 

[98] 


678.  LACROIX  (PAUL).  L'Ancienne  France.  L'Armee 
depuis  le  Moyen  Age  jusqu'a  la  Revolution  etude  illustree 
d'apres  les  ouvrages  de  P.  Lacroix.  Frontispiece  in  colors 
and  165  illustrations.  8vo,  cloth,  morocco  back,  gilt  edges. 

Paris,  1886 


679.  LA  FONTAINE  (JEAN  DE).  The  Fables  trans- 
lated into  English  Verse  by  Walter  Thornbury.  Illustrations 
by  G.  Dore.  Royal  4to,  red  morocco  gilt,  gilt  edges,  by  Black- 
well.  Lond. :  Cassell  &  Co.,  n.  d. 


680.  LALLEMAND  (CHARLES).  La  Tunisie,  Pays  de 
Protectorat  Francais.  Water  colors  by  the  author.  4to,  cloth 
gilt,  gilt  edges.  Paris,  1892 


681.  LAMB  (CHARLES).  Life.  Letters  and  Writings, 
edited  by  Percy  Fitzgerald.  The  Temple  Edition.  Portraits. 
6  vols.  12mo,  cloth,  gilt  tops,  uncut.  Lond.  1895 

*  One  of  135  copies  printed  with  proofs  of  the  portraits  on  Japanese- 
paper. 

This  edition  is  said  to  contain  copies  of  every  known  portrait  of 
Lamb. 


682.  LAMBERT  (A.)  AND  STAHL  (E.).  Das  Mobel, 
ein  Musterbuch  Stilvoller  Mobel  aus  alien  Landern.  100 
plates.  Folio,  half  cloth.  Stuttgart:  J.  Hoffmann,  n.  d. 


683.  LAMENNAIS  (F.  DE).  Paroles  d'un  Croyant. 
12mo,  half  levant  morocco,  gilt  back,  gilt  top,  uncut.  Very 
limited  edition.  Paris:  Jouaust,  1890 


684.  LANDOR  (W.  S.).  Imaginary  Conversations,  with 
bibliographical  and  explanatory  notes  by  Charles  G.  Crump. 
Frontispieces,  including  portraits.  6  vols.  12mo,  half  levant 
morocco,  gilt  tops,  uncut.  Lond.  1891 

[99] 


685.  LANDOR    (W.   S.)   Imaginary   Conversations,    with 
bibliographical  and  explanatory  notes  by  C.   G.  Crump,  6 
vols.  1891;  the  Longer  Prose  Works  edited  with  notes  and 
Index  by  C.  G.  Crump,  2  vols.  1892;  Poems,  Dialogues  in 
verse  and  Epigrams  edited  by  C.  G.  Crump,  2  vols.  1892. 
Frontispieces,  including  portraits,  proofs  on  India  paper.     10 
vols.   8vo,   half  levant  morocco,   gilt  tops.     Lond.   1891-92 

*  LARGE  PAPER,  limited  to  150  copies. 

686.  LANE   (E.   W.).     The  Thousand  and   One   Nights, 
commonly  called,  in  England,  the  Arabian  Nights'  Entertain- 
ments.  A  new  translation  from  the  Arabic,  with  copious  notes. 
Illustrated  by  many  hundred  engravings  on  wood  from  original 
designs  by  William  Harvey.     3  vols.  royal  8vo,  vellum  richly 
gilt,  with  inlays  in  brown  morocco,  gauffred  gilt  edges. 

Lond.  1841 

687.  LANG] (ANDREW).   Grass  of  Parnassus,  Rhymes  Old 
and  New.     FIRST  EDITION.     16mo,  cloth,  gilt  top,  uncut. 

Lond.  1888 

*  Laid  in  are  two  cards  signed  and  an  A.  L.  S.  of  EdwardClodd,  one 
referring  to  Lang's  Ballads  and  Songs. 

688.  LANG   (ANDREW).     Aucassin  &  Nicolete.     Fron- 
tispiece.    12mo,   brown   levant   morocco.     The   sides   tooled 
and  gilt  in  a  graceful  floral  design,  doublure  of  red  morocco 
with  gilt  floral  borders,  green  morocco  linings,  gilt  top. 

Portland:  Mosher,  1895 

*  Japan  paper,  limited  to  100  copies.    Laid  in  are  two  A.  L.  S.  from 
Edmund  C.  Stedman  relating  to  this  publication. 

689.  LANG  (ANDREW).     Notes  and  Names  in  Books. 
12mo,  boards,  uncut.  Chicago,   1900 

*  Limited  to  100  copies  printed  for  private  circulation. 

690.  LANG  (ANDREW)  Aucassin  and  Nicolete,  2  copies; 
Ballads  and  Lyrics  of  Old  France,  and  Helen  of  Troy.     All 
printed  on  Japan  vellum,  limited  to  100  copies,  autographed 
by  the  publisher.     Together,  4  vols.  12mo,  boards,  uncut. 

Portland,  Me.:  Mosher,  v.  d. 

*  Laid  in  is  a  2pp.  A.  L.  S.  by  E.  C.  Stedman  relating  to  "  Ballads 
and  Lyrics  of  Old  France." 

691.  LANG-MOSHER  CONTROVERSY.     A   Complete 
Resume  of  the  Andre WT  Lang  and  Thomas  B.  Mosher  Contro- 
versy, in  which  Mr.  Lang  accused  Mr.  Mosher  of  Piracy  in 

[100] 


publishing  his  translation  of  "Aucassin  and  Nicolete."  The 
list  includes  autograph  letters  from  Lang,  Mosher,  and  David 
Nutt  (Lang's  publisher),  the  reviews  and  comments  published 
by  "The  Critic,"  the  original  autograph  manuscripts  of  Mr. 
Mosher's  side  of  the  question,  and  the  A.  L.  S.  of  Mr.  Hatch 
(who  published  a  criticism  of  the  Mosher  publication).  About 
20  pieces. 

692.  LARCHER   (CLAUDE).     La  Vie  Parisienne;  from 
August,  1888,  to  August,  1889.    Contains  the  First  Appearance 
of  Claude  Larcher's  "  Physiologic  de  L'Amour  Moderne;  ou, 
Meditations  de  Philosophic  Parisienne,  &c."     Ouvrage  Pos- 
thume.     Recueilli  et  Public  par  Paul  B —  T —  Numerous  il- 
lustrations.    Bound  in  portfolio,  half  dark  blue  levant  morocco 
gilt,   gilt  top,   uncut.  Paris,  1888-9 

693.  LARCHEY  (LORfiDAN).     Dictionnaire  historique, 
etymologique  et  anecdotique  de  1'Argot  Parisien.        Illustra- 
tions by  F'erat  and  Ryckebush.     Royal  8vo,  half  morocco,  gilt 
edges.  Paris,  1872 

694.  LARK  (THE).    Nos.  1-24,  May,  1895,  to  April,  1897. 
Illustrated.     2  vols.   12mo,  cloth,  uncut. 

San  Francisco,  1896-97 

*  Laid  in  is  an  A.  L.  S.  from  Porter  Garnett  giving  permission  to 
reprint  a  poem  of  his  which  was  published  in  "The  Lark." 

695.  LARNED    (J.    N.)     History   for   Ready   Reference, 
from  the  best  historians,  biographers,  and  specialists.     Maps. 
5  vols.  royal  8vo,  half  morocco,  gilt  edges.     Springfield,  1895 

696.  LATHROP    (GEORGE    PARSONS).     The    Casket 
of  Opals.     Title  in  red  and  black,  with  woodcut  border  to  page 
one.     8vo,  vellum,  with  ties,  uncut,  Kelmscott  style. 

*  No.  12  of  15  copies  printed  on  pure  vellum,  signed  by  the  publisher. 

697.  LATIMER     (ELIZABETH    W.).     France    in    the 
Nineteenth    Century,    1830-1890;    Europe   in   Africa   in   the 
Nineteenth  Century;   England  in  the  Nineteenth   Century; 
Italy  in  the  Nineteenth  Century,  and  the  making  of  Austria- 
Hungary  and  Germany;  Russia  and  Turkey  in  the  Nineteenth 
Century.     Portraits.     5  vols.  12  mo,  half  morocco,  gilt  backs, 
gilt  tops.  Chicago,  1896-97 

[101] 


698.  LATIMER  (ELIZABETH  W.).     My  Scrap-Book  of 
the    French    Revolution.     Portraits.     12mo,    half    morocco, 
gilt    top.  Chicago,  1898 

699.  LATTRE   (PH.  ALBERT).     Campagnes  des  Fran- 
ais   a    Saint-Dominique,   et   Refutation   des   reproches   faits 

an  Capitaine-General  Rochambeau.     8vo,  half  calf. 

Paris,  1805 

700.  LAUJON  (A.  P.  M.).     Precis  historique  de  la  derniere 
expedition  de  Saint-Dominque.     8vo,  half  calf   (upper  back 
damaged).  Paris  [1805] 

701.  LAUREL  CROWNED  LETTERS.     The  best  Let- 
ters  of   Mad.  de  Sevigne   (2  copies).     Charles   Lamby   Lord 
Chesterfield,    William    Cowper,    Horace   Walpole,    Percy    B. 
Shelley  and  Lady  Montagu.     8  vols.  12mo,  cloth. 

Chicago,  1890-93 

702.  LAUREL  CROWNED  TALES.     Paul  and  Virginia 
by  Saint  Pierre.     The    Vicar   of   Wakefield   by    Goldsmith; 
An  Iceland  Fisherman  by  Loti ;  Picciola  by  Saintine ;  Raphael 
by  Lamartine;  The  Epicurean  by  Moore;  Rasselas  by  Johnson; 
Abdallah  bv  Laboulaye.     8  vols.   12mo,  cloth. 

Chicago,  1891-97 

703.  LAWr.     Woolsey's     International     Law;     Robinson's 
Elementary  Law;  Cooley's  Constitutional  Law;  Benjamin's 
Contracts;  Russell's  Outline  Study;  Biddle's  Law  of  Stock- 
Brokers.      Together,  6  vols.  8vo  and  12mo,  cloth  and  sheep. 

v.  p.,  v.d. 

Richard  Le  Gallienne 

Books,  Some  With  Autograph  Letters  Laid  In,  Original  Manuscript 
of  Omar  Repentant,  Etc. 

704.  LE  GALLIENNE  (RICHARD).     Volumes  in  Folio. 
Square  12mo,  boards,  uncut.      (Slightly  foxed).     Lond.  1889 

705.  LE  GALLIENNE  (RICHARD).     George  Meredith, 
some   characteristics;   with   a   Bibliography   by    John   Lane. 
Portrait.     FIRST  EDITION.     8vo,  buckram,  uncut.     Lond.  1890 

[102] 


706.  LE    GALLIENNE    (RICHARD).     The    Poems    of 
Arthur  Henry  Hallam,  together  with  his  Essay  on  the  Lyrical 
Poems  of  Alfred  Tennyson.     Edited  with  an  Introduction, 
by  Richard  Le   Gallienne.      FIRST   EDITION.     12mo,  boards, 
uncut.  Lond.   &  N.   Y.    1893 

707.  LE    GALLIENNE     (RICHARD).     Prose    Fancies. 
Portrait.     12mo,  half  levant  morocco,  gilt  top,  uncut. 

N.     Y.     1895 

*  Laid  in  is  an  autograph  card  signed  by  the  author  addressed    to 
Mr.  Mosher. 

708.  LE  GALLIENNE  (RICHARD).     Robert  Louis  Stev- 
enson: an  Elegy  and  other  Poems.     12mo,  boards,  uncut. 

Bost.  1895 

*  One  of  30  copies  on  handmade  paper.    Laid  in  is  an  A.  L.  S.  by 
Richard  Le  Gallienne  and  one  by  Jeannette  L.  Gilder,  both  addressed 
to  Mr.  Mosher,  the  first  dated  Dec.  12,  1895. 

709.  LE  GALLIENNE  (RICHARD).     The  Religion  of  a 
Literary  Man.     12mo,  half  levant  morocco,  gilt  top. 

N.  Y.  1895 

710.  LE  GALLIENNE  (RICHARD).    Prose  Fancies,  Sec- 
ond Series.     12mo,  cloth,  gilt  top,  uncut.  Chic.  1897 

*  With  the  author's  autograph  signature  beneath  the  dedicatory 


711.  LE  GALLIENNE  (RICHARD).     Rubaiyat  of  Omar 
Khayyam:    a    Paraphrase   from    several    literal   translations. 
8vo,   boards.  N.   Y.    1897 

*  Japanese  paper,  only  50  copies  printed,  each  with  the  author's 
autograph  signature. 

712.  LE  GALLIENNE  (RICHARD).     Rudyard  Kipling, 
a    Criticism;    with    a    Bibliography    by    John    Lane.     FIRST 
EDITION.     Portrait.     12mo,   cloth.  Lond.  1900 

*  Presentation  copy  from  John  Lane  to  Miss  Grigsby. 

713.  LE  GALLIENNE  (RICHARD).     George  Meredith, 
some   Characteristics;   with   a   Bibliography   by  John   Lane. 
Portrait.     12mo,     cloth.  Lond.     1900 

*  Presentation  copy  from  John  Lane  to  Miss  Grigsby.     Laid  in 
is  an  A.  L.  S.  by  the  author  addressed  to  Mr.  Mosher  referring  to  the 
publication  of  one  of  his  poems,  2pp.  16mo,  Sept.  25,  1896 

[  103  ] 


714.  LE  GALLIENNE  (RICHARD).     The  Hidden  Land. 
8vo,  brown  paper  wrappers,  uncut.  N.  P.  [1908] 

*  Only  50  copies  Privately  Printed,  Christmas,  1908.     SIGNED  BY 

THE   AUTHOH. 

715.  LE  GALLIENNE  (RICHARD).     Omar  Repentant. 
ORIGINAL  MANUSCRIPT,  written  on  19  12mo  sheets  of  paper, 
on   both   sides,  and   signed  in  full  "Richard  Le  Gallienhe." 
Square   12mo    blue    levant    morocco,  richly  gold    tooled    on 
sides,  doublure  of  white  watered  silk,  silk  end  papers,  gilt  edges, 
by  Zaehnsdorf. 

716.  LE  GALLIENNE  (RICHARD).     The  Worshipper  of 
the  Image;  Retrospective  Reviews,  2  vols.;  The  Quest  of  the 
Golden  Girl;  October  Vagabonds;  Orestes,  a  Tragedy;    The 
Romance    of   Zion    Chapel.     Some   Illustrated.     Together,  7 
vols.  12mo,  cloth  and  boards.  N.  Y.,  v.  d. 

*  Two  are  First  Editions. 


717.  LEGOUVfi  (G.  M.  J.  B.).     Le  Merite  des  femmes  et 
autres  poesies.     Vignette  title  and  5  plates  engraved  after  Des- 
enne.     16mo,  marbled  calf,  gilt  edges.     Paris:  L.  Janet  [c.  1818] 

718.  LELOIR     (MAURICE).     Une    femme    de    Qualite 
au  Siecle  Passe.     WATER  COLORS  BY  LELOIR  BEAUTIFULLY 
REPRODUCED  BY  BOUSSOD  AND  MANZi  OF  PARIS  on  drawing 
paper  and  mounted,  with  Japan  paper  cover  on  each.     10  parts 
folio,  wrappers  in  2  white  levant  morocco  portfolios  richly 
gilt,  silk  linings,  silk  ties. 

Paris:  Boussod,  Manzi  &  Joyant,  n.  d. 

*  Limited  Publication. 

719.  LE  SAGE  (A.  R.).     Le  Diable  Boiteux;  or,  the  Devil 
upon  two  sticks,  translated  from  the  last  Paris  edition.     Cop- 
perplates.    2  vols.     12mo,  contemporary  calf  (slightly  rubbed.) 

Lond.,  J.  Tonson,  1729 

720.  LE  SAGE  (A.  R.).     The  Adventures  of  Gil  Bias  of 
Santillane  translated  by  B.  H.  Malkin.     Plates  engraved  by 
N  eagle,  Parker,  Warren,  etc.,  after  R.  Smirke,  (somewhat  foxed). 
4  vols.     8vo,  half  calf.  Lond.  1809 

*  Large  paper  copy. 

[104] 


721.  LIBRARY  of  the  World's  Best  Literature,  Ancient 
and    Modern,    Charles    Dudley    Warner,  editor.     CHARLES 
DUDLEY   WARNER   EDITION.     Numerous   portraits   and  other 
illustrations,    several    on    Japan    paper,  and    text  illustrations. 
45   vols.   royal   8vo,   half  levant  morocco,   gilt  tops,   uncut. 
Limited  issue.     N.  Y.:     The  International  Society  [1896-98] 

722.  LINCOLN  (ABRAHAM).     The  First  Published  Life 
of  Lincoln,  written  in  the  year  1860  by  John  Locke  Scripps. 
Reprinted  in  the  year  1900  by  The  Cranbrook  Press.     Por- 
trait of  Scripps,  on  Japan  Paper.     4to,  half  vellum  and  boards, 
uncut.  Detroit,    Mich.:    Cranbrook    Press,    1900 

*  Limited  Edition. 

723.  LINCOLN  (ABRAHAM).     Abraham  Lincoln,  and 
the  Downfall  of  American  Slavery,  by  Noah  Brooks.     Illus- 
trated.    12mo,    cloth.  N.    Y.    1901 

724.  LISZT    (FRANZ— Musical    Composer).     A.    L.    S., 
2pp.     8vo,  in  French    (with    English    translation)  to  Made- 
moiselle Fanny  Lewald  regarding  a  rehearsal  of  Lohengrin,— 
"that  I  could  not  get  out  of     ...     and  which  will  not  be 
finished  till  about  half  past  two.    I  send  these  lines  by  Bulow, 
&c."     No  place  [probably  Weimar].  n.  d. 

725.  LITCHFIELD  (FREDERICK).   Pottery  and  Porce- 
lain: a  Guide  to  Collectors.     150  illustrations,  7  colored  plates, 
marks  and  monograms.     Royal  8vo,  cloth.  Lond.  1900 

726.  LOCKE    (JOHN).     Works.     9    vols.    8vo,  calf,  gilt 
backs.  Lond.  1824 

727.  LOCKER  (FREDERICK).     London  Lyrics.     Etched 
portrait,  and  vignettes.     12mo,  half  levant  morocco,  gilt  top, 
uncut.  N.    Y.:    For  the   Book    Fellow's    Club,  1883 

*  One  of  94  copies  on  Holland  paper. 

728.  LOCKHART   (J.G.).     History  of  Napoleon  Buona- 
parte.    Copper-plates.     FIRST  AMERICAN  EDITION.     2    vols. 
16mo,  half  morocco  gilt,  gilt  tops;  by  Blackwell.         N.  Y.  1830 

729.  LONDON.     Views  of  some  of  the  most  celebrated 
by-gone   Pleasure   Gardens   of  London,   with   some  contem- 
porary descriptions  thereof  (chiefly  poetical)  collected  from 
various  sources.     Engraved  views  and  text  illustrations.     4to, 
sheets,  uncut,  in  a  half  vellum  portfolio,  silk  ties.       Lond.  1896 

*  Japanese  paper,  100  copies  printed. 

[105] 


730.  LONGFELLOW  (H.  W.).     Divine  Tragedy.     FIRST 
EDITION.     12mo,  orange  levant  morocco,  gilt  top,  by  Taffin- 
Lefort.  Bost.  1871 

*  Laid  in  is  a  4pp.  A.  L.  S.  by  Longfellow,  Jan.  8,  1850,  written 
from  Cambridge.     A  fine  letter  written  to  Mrs.  Jameson,  author  of 
"Sacred    and   Legendary    Art,"    etc.     "Having   many    friends    who 
are   your   friends   and   admirers,    and   none   more   so  than  my   own 
wife,  I  venture  to  smuggle  myself  in  among  them,"  etc.,  with  mention 
of  her  "Sacred  and  Legendary  Art." 

731.  LONGFELLOW  (H.  W.).     The  Song  of  Hiawatha. 
Illustrations  by  F.  Remington.     Small  4to,  blue  levant  morocco 
gilt,  gilt  edges,  by  Blackwell.     Some  leaves  slightly  water- 
stained  in  the  lower  margin.  Bost.  1891 

732.  LONGUS.     Daphnis  and   Chloe,   a  most  sweet  and 
pleasant  pastoral  Romance  for  young  ladies,  done  into  Eng- 
lish by  Geo.  Thornley  Gent.     Numerous  illustrations  designed 
and  engraved  on  wood  by  C.  Ricketts  and  C.  Shannon.     4to, 
cloth,    uncut.  Lond.:  Ballantyne    Press,    1893 

*  Limited  to  210  copies. 

733.  LONGUS.     Daphnis  and  Chloe  from  the  Greek  of 
Longus,   with   an   Introduction   by   Jules   Claretie.     Illustra- 
tions by  R.  Colin.      Royal  8vo,  polished  calf  gilt,  gilt  edges, 
by    Blackwell.  Bost.,  n.  d. 

*  EDITION  DE  LUXE,  limited  to  500  copies. 

734.  LOVE  AND  ALL  ABOUT  IT.      (Richardson),  1908; 
Love  Affairs  of  Some  Famous  Men,  1897;  An  Author's  Love, 
1892;    Love    in    Letters;    Friendship    and    Love    (Emerson); 
lolaus  (Carpenter),  1906.     6  vols.  12mo,  cloth,  etc.     v.  p.,  v.  d. 

735.  LOVE  LETTERS  of  a  Worldly  Woman  (Clifford); 
Love  in  a  Life  (Monkhouse) ;  Six  Women  (Cross);  and  others. 
6  vols.  12mo,  cloth  and  half  morocco.  v.  p.,  v.  d. 

736.  LOVE  SONGS  of  France  from  the  originals  of  De 
Musset,  Gautier,  Hugo,  Girardin,  Baudelaire,  etc.     Frontis- 
piece in  colors  and  other  illustrations.     12mo,   calf  gilt,   gilt 
top,    uncut.  N.  Y.  1896 

737.  LOVE   SONGS  of  Scotland.     Jewels  of  the  tender 
passion    selected    from    the    writings    of    Burns,    Tannahill, 
Scott,   Ramsay,  etc.,  with  a  Glossary  by  R.   W.   Douglas. 
Illustrated.     12mo,  cloth  gilt,  gilt  top.  N.  Y.  1901 

[106] 


738.  LOWELL  (J.  R.).      Writings.      Riverside     Edition. 
Portraits.     12  vols.  12mo,  half  polished  calf,  gilt  backs,  gilt 
tops.  Bost.   1893-95 

*  Vols.    11    and    12   contain    the    "Latest   Literary    Essays    and 
Addresses,"  1895,  and  "The  Old  English  Dramatists,"  1892,  this  last 
being  First  Edition. 

739.  LUBBOCK  (SIR  JOHN).     English  Naturalist.     Two 
autograph    letters    signed,    both    dated    High    Elms,    Kent, 
one  Sept.  10,  [1870]  and  the  other  Febr.  27,  1887,  this  last 
dealing  with  ants. 

740.  LUBKE  (WILHELM).     History  of  Sculpture,  from 
the  earliest  ages  to  the  present  time,   translated  by  F.   E. 
Bunnett.     Numerous  illustrations.     2  vols.  8vo,  green  levant 
morocco  gilt,  gilt  edges,  by  Mansell.  Lond.  1872 

741.  LUCAS    VAN    LEYDEN.      La    Passion    de    notre 
Seigneur  Jesus-Christ.     14  engravings  printed  from  the  original 
copper-plates    in    the   Plantin-Moretus    Museum  at  Antwerp. 
Square  8vo,  antique  calf.  Antwerp,  n.  d. 

*  One  of  30  copies  printed  on  Holland  paper. 

742.  MABIE  (HAMILTON  WRIGHT).     Under  the  Trees 
and  Elsewhere.     12mo,  cloth.  N.  Y.  1899 

*  Autograph  presentation  copy  from  the  author.  EXTRA  ILLUSTRAT- 
ED by  the  insertion  of  numerous  photographs,  original  pen-and-ink 
drawings  and  water  colors,  with  an  autograph  note  from  the  illus- 
trator. 

743.  MCCARTHY    (JUSTIN).     A   History   of   Our   Own 
Times  from  the  Accession  of  Queen  Victoria  to  the  General 
Election    of    1880.     With    Introduction,    &c.,   by  G.    M.    A. 
Adam.     Portraits.     4  vols.  8vo,  half  calf  gilt,  gilt  tops. 

N.  Y.  1895 

*  Fine  set. 

744.  MACAULAY  (THOMAS  BABINGTON).     The  His- 
tory of  England  from  the  Accession  of  James  the  Second. 
5  vols.  8vo,  full  polished  calf  gilt,  gilt  tops,  by  Morrell. 

Lond.  1850 

*  LARGE  TYPE  EDITION. 

745.  MACAULAY    (THOMAS   BABINGTON).     Miscel- 
laneous Works  of  Lord  Macaulay.     Edited  by  his  sister,  Lady 
Trevelyan.     5  vols.  8vo,  half  maroon  calf  gilt. 

N.  Y. ;  Harpers,  n.  d. 

[107] 


746.  McCULLOCH    (HUGH).     The    Quest    of    Heracles 
and   other   Poems.      FIRST   EDITION.       12mo,   limp   vellum, 
uncut.  Chicago,  1894 

*  Large  paper  edition,  only  60  printed. 

747.  MAETERLINCK  (MAURICE).    The  Plays  of  Mae- 
terlinck.    Translated  by  Richard  Hovey.     First  and  Second 
Series.     2  vols.  12mo,  pictorial  cloth,  gilt  top,  uncut. 

Chicago,  1895-6 

748.  MAGAZINES,    PAPER    NOVELS,    ETC.     About 
200  pieces. 

749.  MAISTRE  (XAVIER  DE).     Voyage  autour  de  ma 
Chambre.     12mo,   half  levant  morocco,   gilt  back,   gilt   top, 
uncut.     Very  limited  edition.  Paris:  Jouaust,  1872 

750.  MALORY  (SIR  THOMAS).     Le  Morte     d' Arthur 
by  Sir  Thomas  Malory,  reprinted  from  Caxton's  edition  of 
1485,  pointed  and  spelt  in  conformity  with  modern  usage, 
with   an   introduction   by   Prof.    Rhys.     300  illustrations   by 
A.  Beardsley,  including  two  frontispieces  and  46  full-page  plates. 
2  vols.  square  8vo,  exquisitely  bound  in  translucent  vellum, 
the  front  covers  with  original  designs  in  colors  by  the  artist, 
enclosed  in  floral  borders  in  gold  and  colors,  ornamental  backs, 
gilt  tops.  Edinburgh,     1893-94 

*  Limited  to  300  copies  in  Dutch  hand-made  paper.     [See  Reproduction] 

751.  MALORY    (SIR    THOMAS).     Le    Morte  d' Arthur, 
Frontispieces,  4  vols.     The  Warner  Classics,  4  vols.    Together, 
8  vols.  12mo,  cloth  and  leather.  Lond.  n.  d.,  N.  Y.,  v.  d. 

752.  MANGIN  (ARTHUR).     L'Air  et  Le  Monde  Aerien. 
Numerous   illustrations.     Large    8vo,    cloth,    morocco    back, 
gilt,  gilt  edges  (part  of  back  split).  Tours,  1865 

753.  MANUEL.     Histoire    aussi    interessante    qu'invrai- 
semblable    de    1'intrepide    Capitaine    Castagnette    neveu    de 
rhomme  a  la  t£te  de  bois.     43  illustrations  by  G.  Dor'e.     4to, 
half  levant  morocco,  gilt  top.  Paris,  1862 

Manuscripts 

Including  a   Finely   Illuminated   Choral  Book,   with   54  Large 
Miniatures,  Etc. 

754.  MANUSCRIPT.      Orationes  Beatse  Maria;  Virginis, 
qui    dicuntur    per    ebdomadam,    Litaniae    Sanctorum,    etc. 

[108] 


MALORY.    LE  MORTE  d' 

Bound  in  Translucent  Vellum 
No.  750 


Manuscript  on  vellum,  written  in  bold  Gothic  characters  in  red 
and  black,  executed  in  the  fifteenth  century.  Embellished 
with  numerous  large  and  small  illuminated  initials.  8vo,  vel- 
lum. Fragment  of  17  leaves  from  a  book  of  Hours. 

Ssec.  XV 

755.  MANUSCRIPT.  Chorale.  A  MS.  choral  book  on 
vellum,  written  in  large  and  well  formed  Gothic  characters  in 
red  and  black,  with  music  noted  on  4  lines,  executed  in  South 
Germany,  probably  at  Salzburg,  in  the  sixteenth  century.  Em- 
bellished with  54  LARGE  AND  BEAUTIFUL  INITIALS,  3  OF  WHICH 
OF  VERY  LARGE  SIZE,  ILLUMINATED  IN  GOLD  AND  COLORS,  and 

nearly  all  historiated,  representing  scenes  from  the  life  of  Christ 
and  the  Virgin,  Saints,  etc.;  4  pretty  borders  of  flowers  and 
leaves,  2  of  which,  with  coats  of  arms,  and  hundreds  of  ornamen- 
tal initials  painted  in  blue  and  red,  or  burnished  gold. 
Very  large  folio,  contemporary  binding  in  wooden  boards 
covered  with  leather,  brass  borders,  corner  and  centre-pieces 
with  studs,  and  clasps.  Ssec.  XVI 

*  An  interesting  specimen,  well  preserved,  and  with  an 
appropriate  lectern  in  carved  wood.  The  Litany  invokes  Edmund, 
Malachias,  Wilhelmus,  and  Rupert  (first  bishop  of  Salzburg). 


756.  MANUSCRIPT.      Antiphonarium.      Latin    MS.    on 
paper,    written   in   large   Gothic   characters  in  red   and   black, 
with  noted  music,  executed  in  Italy  in  the  second  part  of  the 
Sixteenth  Century.     109  leaves  (75  of  which  are  by  later  hands) . 
Historiated  initials  painted  in  various  colors,   and  numerous 
others  in  red  and  blue.     Folio,  old  vellum,  clasps. 

Ssec.  XVI-XVIII 

757.  MANUSCRIPT.     Official   Document   Signed  of  Em- 
peror Ferdinand  III.     Manuscript  on  vellum,  written  in  elegant 
German  characters,   with  flourishing  initials,   a   coat   of  arms, 
painted  in  colors,  and  the  Emperor's  autograph  signature  at  end. 
12  leaves.     Folio,  contemporary  red  velvet,  with  the  imperial 
large  seal,  well  preserved,  enclosed  in  a  wooden  box,  and  docu- 
ment and  seal,  enclosed  in  a  contemporary  tin  case. 

Regenspurg,    8    Apr.,    1(554 

758.  MANUSCRIPT.     Official  Document  Signed  of  Em- 
peror  Leopold   I.     Manuscript  on  vellum,  elegantly  written  in 
German  characters,  with  flourishing    initials,  a  full-page    coat 
of  arms,   painted  in  gold  and  colors,  the  Emperor's  autograph 

run 


signature  at  end,  and  with  large  wax  seal  attached  (damaged). 
10  leaves.     Folio,  contemporary  red  velvet. 

Vienna,  12  Dec.  1682 


759.  MARQUAND    COLLECTION    (THE).     Illustrated 
Catalogue  of  the  Art  and  Literary  Property  collected  by  the 
Late  Henry  G.  Marquand,  sold  by  the  American  Art  Asso- 
ciation,   1903.     Numerous   reproductions,   some   colored,    with 
portrait  of  the  owner.     Imperial  4to,  boards  and  vellum  covers, 
uncut.  [N.  Y.]  1902 

*  One  of  250  copies  printed  for  subscribers. 

760.  MARRYAT  (FREDERICK— author  of  "Peter  Sim- 
ple" etc.)     A.  L.  S.  3  pp.  4to,  undated,   (but  1835),  to  his 
wife,  who  was  then  in  Belgium.     A  most  interesting  letter, 
with  mention  of  one  of  his  most  famous  works, "Peter  Simple." 
Small  portion  of  one  margin  cut  away. 

761.  MARTIN  (HENRI).     A  Popular  History  of  France, 
from   the   First   Revolution   to   the   Present   Time.     Trans- 
lated by  Mary  L.  Booth  and  A.  L.  Alger.     Numerous  illus- 
trations.    3  vols.  8vo,  half  roan.  Bost.  [1877] 

762.  MASTERS  and  their  Music  (Matthews);  The  Stan- 
dard Operaglass  (Annesley) ;  Studies  in  the  Wagnerian  Drama 
(Krehbiel);  and  others.     7  vols.  12mo,  cloth  and  boards. 

v.  p.,  v.  d. 

763.  MATHEWS   (ALBERT).     Ruminations;  The  Ideal 
American    Lady,    and    other    Essays.     By    [Paul    Siegvolk]. 
Second  Edition.      Head-and-tail  pieces      Square  12mo,  three 
quarter  calf  gilt,  gilt  top,  uncut.  N.  Y.  1894 

764.  MATTHEWS     (BRANDER).     Ballads     of    Books, 
chosen  by   Matthews.     Frontispiece.     FIRST  EDITION.     8vo, 
boards,    uncut.  N.  Y.  1887 

765.  MATTHEWS  (BRANDER).     Bookbindings  Old  and 
New.     With  an  Account  of  the  Grolier  Club  of  New  York. 
Numerous  reproductions.     Square   12mo,   three  quarter  blue 
polished  morocco  gi't,  gilt  top.  N.  Y.  1895 

766.  MAU     (AUGUST).     Pompeii;    its    Life    and    Art. 
Translated  into  English  by  Francis  W.  Kelsey.     Numerous 
illustrations  from  original  drawings,   and  photographs.     8vo, 
half  unfinished  calf  gilt,  gilt  top,  uncut.  N.  Y.  1899 

[112] 


The  Writings  of  George  Meredith 

Mainly  First  Editions  in  Original  Cloth,  Including  the  Very  Rare 
Poems,  London  (1851). 

767.  MEREDITH     (GEORGE).      Poems.      THE    RARE 
FIRST   EDITION.     12mo,    original   cloth,    uncut. 

Lond.     John  W.  Parker  and  Son  [1851] 

*  FIRST  EDITION  OF  MEREDITH'S  FIRST  PUBLISHED  VOLUME.  Contains 
both  the  half-title,  and  the  slip  of  "Errata." 

768.  MEREDITH  (GEORGE).     The  Shaving  of  Shagpat. 
An  Arabian  Entertainment.     FIRST  EDITION.     12mo,  cloth, 
name  on  half-title,  and  back  slightly  damaged.      Lond.  1856 

769.  MEREDITH    (GEORGE).     Farina;    A    Legend    of 
Cologne.     FIRST  EDITION.     12mo,  cloth,  uncut,  slightly  soiled, 
and  lacks  an  end-paper.  Lond.  1857 

770.  MEREDITH  (GEORGE).     The  Ordeal  of  Richard 
Feverel.     A   History    of   Father   and   Son.     FIRST   EDITION. 
3  vols.   12mo,   original  cloth,  uncut,  some  pages  loose,  and 
labels  removed  from  covers.  Lond.  1859 

771.  MEREDITH     (GEORGE).     Evan     Harrington.     3 
vols.  12mo,  original  cloth,  uncut,  (erasures,  probably  "second 
edition,"  from  titles),  some  pages  loose.  Lond.  1861 

772.  MEREDITH     (GEORGE).      Modern    Love,      and 
Poems  of  the  English  Roadside,   with  Poems  and  Ballads. 
FIRST  EDITION.     12mo,  cloth,  uncut.  Lond.  1862 

*  Accompanying  the  volume  is  a  very  interesting  3-page  autograph 
letter,  signed  in  full  "George  Meredith,"  to  T.  B.  Mosher,  the  Ameri- 
can publisher,  regarding  his  (Mosher's)  edition  of  "Modern  Love." 
Written  March  24th,  1892,  the  writer  says:       .     .     "I  have  received 
the  copy  of  Modern  Love,  &  my  previous  letter  has  come  to  your 
hands,  I  may  suppose.    Your  edition  of  the  work  is  most  creditable. 
In  England  the  sumptuous  edition  is  devoted  only  to  very  favourite 
writers.    I  cannot  say  it  is  generally  an  example  of  refinement.    One 
has  to  look  to  France  for  an  equal  to  your  production;   &  there  seems 
a  probability  that  Americans  will  rival  the  French  in  the  issues  of 
books  that  honour  their  stands."    The  letter  is  in  original  envelope, 
addressed  in  Meredith's  autograph. 

773.  MEREDITH    (GEORGE).      Emilia     in     England. 
FIRST   EDITION.     3   vols.    12mo,   original     cloth,     ex-library 
copy,  labels  removed,  and  some  pages  loose.  Lond.  1864 

[113] 


774.  MEREDITH  (GEORGE).     Rhoda  Fleming,  a  Novel. 
FIRST   EDITION.     12mo   cloth,  ex-library  copy,  in  poor  con- 
dition. Lond.  1865 

775.  MEREDITH  (GEORGE).   Vittoria.   FIRST  EDITION. 
3    vols    12mo,    cloth,    uncut,    ex-library   copy,    with   labels, 
loose   in  covers.  Lond.  1867 

776.  MEREDITH  (GEORGE) .     The  Adventures  of  Harry 
Richmond.     FIRST   EDITION.     3   vols.    12mo,   original  cloth. 

Lond.  1871 

777.  MEREDITH     (GEORGE).      Beauchamp's     Career. 
FIRST  EDITION.     3  vols.  12mo,  cloth,  uncut,  labels  skillfully 
removed,  and  binding  loose.  Lond.   1876 

778.  MEREDITH  (GEORGE) .     The  Egoist,  a  Comedy  in 
Narrative.     FIRST    EDITION.     3    vols.    12mo,    cloth,    labels 
removed,  and  binding  worn.  Lond.  1879 

779.  MEREDITH  (GEORGE).     The  Tragic  Comedians. 
FIRST  EDITION.     2  vols.   12mo,  cloth.  Lond.  1880 

*  Presentation    inscription    (not    Meredith's)    on    each    half-title. 
With  the  exception  that  several  pages  are  soiled,  a  good  copy,  not 
ex-library,  which  is  unusual. 

780.  MEREDITH  (GEORGE).     One  of  Our  Conquerors. 
FIRST    EDITION.     3    vols.    12mo,    original    cloth,    ex-library 
copy,  with  labels.  Lond.   1881 

*  Laid  in  is  a  telegram  from  Meredith  (printed,  not  in  his  autograph) 
"Hope  see  Riette  next  month.     Meredith." 

781.  MEREDITH  (GEORGE).      Poems    and   Lyrics    of 
the   Joy    of   Earth.     FIRST    EDITION.     12mo,    cloth,    uncut, 
slightly    soiled.  Lond.    1883 

782.  MEREDITH  (GEORGE).     Diana  of  the  Cross  ways, 
a    Novel.     Considerably    enlarged    from    "The    Fortnightly 
Review."     FIRST  EDITION.     3  vols.  12mo,  cloth,  much  worn, 
and    stamped,    not    returnable.  Lond.    1885 

783.  MEREDITH  (GEORGE).     Diana  of  the  Crossways, 
a  Novel.     FIRST  EDITION.     3  vols.  12mo,  cloth,  not  original. 

Lond.  1885 

784.  MEREDITH    (GEORGE).     Ballads   and   Poems   of 
Tragic  Life.     FIRST  EDITION.     12mo,  cloth,  uncut. 

Lond.  1887 

[114] 


785.  MEREDITH    (GEORGE).     A    Reading    of    Earth. 
FIRST  EDITION.     '12mo,  cloth,  uncut,  and  mainly  unopened. 

'  Lond.  1888 

786.  MEREDITH     (GEORGE).     Modern    Love.     With 
Foreword  by  E.  Cavazza.     Small  4to,  boards,  uncut. 

Portland,  Me.     Mosher,  1891 

*  Large  paper  edition,  one  of  ten  copies  on  Japan  vellum,  auto- 
graphed by  the  publisher. 

Accompanying  the  volume  is  a  two-page  autograph  letter  from 
George  Meredith  to  T.  B.  Mosher,  regarding  this  edition  of  Modern 
Love.  Written  March  3rd,  1892,  the  writer  says:  .  .  .  "A  hand- 
some pirate  is  always  half  pardoned,  and  in  this  case  he  has  broken 
only  the  upper  laws.  I  shall  receive  with  pleasure  the  copy  of  '  Modern 
Love'  which  you  propose  to  send.  I  have  it  much  at  heart  that 
works  of  mine  should  be  read  by  Americans.  Very  truly  yours, 
George  Meredith."  The  letter  is  in  the  original  envelope,  addressed 
in  Meredith's  hand. 

787.  MEREDITH    (GEORGE).      Poems,     The     Empty 
Purse,  with  Odes  to  the  Comic  Spirit,  etc.     FIRST  COLLECTED 
EDITION.     12mo,   cloth,   uncut.  Lond.    1892 

788.  MEREDITH    (GEORGE).     Modern    Love.     A    re- 
print, to  which  is  added  The  Sage  Enamoured  and  the  Honest 
Lady.     12mo,  cloth.  Lond.   1892 

*  Laid  in  are  orders  for  books  signed  by  Augustin  Daly,  Ellen 
Terry,  (initials  only)  and  a  telegram  signed  "Terry,"  most  of  which 
refer  to  this  edition  of  "Modern  Love." 

789.  MEREDITH    (GEORGE).     Jump    to    Glory    Jane. 
Edited    and    arranged   by   Harry   Quilter.     FIRST    EDITION. 
Illustrated   by   Lawrence  Housman.     12mo,   vellum,   gilt  top, 
uncut.  Lond.  1892 

*  Presentation  copy  with  inscription  "With  the  Author's  Compts. 
October  12th,  1892,"  on  fly-leaf.    One  of  100  copies  on   Van   Gelder 
paper. 

790.  MEREDITH     (GEORGE).     The    Tale    of    Chloe. 
The  House  on  the  Beach,  etc.     FIRST  EDITION.     12mo,  cloth. 

Lond. 1894 

791.  MEREDITH     (GEORGE).     The    Tale    of    Chloe; 
and  other  Stories.     Portrait  and  view.     8vo,  half  vellum  and 
boards,  uncut.  Lond.  1894 

*  FIRST  EDITION  ON  LARGE  PAPER.    One  of  250  copies  printed. 

792.  MEREDITH    (GEORGE).     Lord   Ormont   and   his 
Aminta,    a   Novel.     FIRST   EDITION.     3    vols.    12mo,    cloth, 
labels  removed  from  covers.  Lond.  1894 

[115] 


793.  MEREDITH  (GEORGE).     The  Amazing  Marriage. 
FIRST  EDITION.     2  vols.  12mo,  cloth,  uncut,  soiled,  ex-library 
copy.  Lond.  1895 

794.  MEREDITH    (GEORGE).     Selected    Poems.     Por- 
trait.    12mo,  cloth,  gilt  top,  uncut. 

IN.  Y.:  Scribners  Sons,   1897 

795.  MEREDITH   (GEORGE).     An  Essay  on  Comedy, 
and  the  Uses  of  the  Comic  Spirit.     FIRST  EDITION.     12mo, 
cloth,  uncut.  Lond.  1897 

*  This  Essay  was  first  published  in  "The  New  Quarterly  Maga- 
zine," April,  1877. 

796.  MEREDITH    (GEORGE).     The    Works    of    Mere- 
dith.    32  vols.  8vo,  cloth,  linen  backs,  gilt  tops,  uncut. 

Westminster,  1898 

*  CONSTABLE'S  FINE  COLLECTED  EDITION  OF  WHICH  ONLY  A  LIMITED 
NUMBER  OF  SETS  WERE  PRINTED.    NOW  OUT  OF  PRINT  AND  BECOMING 

SCARCE. 

797.  MEREDITH    (GEORGE).     Lord  Ormont  and   His 
Aminta,  a  Novel.     FIRST  ONE  VOLUME  EDITION.    Lond.  1895; 
Diana    of    the     Crossways    revised     edition.     Frontispiece, 
N.  Y.  1898;  The  Egoist,  revised  edition.     Frontispiece,  N.  Y. 
1899.     Together,  3  vols.  12mo,  cloth. 

798.  MEREDITH  (GEORGE).     Works  of  Meredith.    15 
vols.  16mo,  flexible  red  morocco,  gilt  edges.     Westminster,  1902 

*  Constable's  Fine  Thin  Paper  Edition,  comprising:    Diana  of  the 
Crossways;     One   of   Our   Conquerors;     Beauchamps   Career;     The 
Egoist;   Evan  Harrington;   Harry  Richmond;   Sandra  Belloni;   Lord 
Ormont  and  his  Aminta;  Tragic  Comedians;   Vittoria;   Rhoda  Flem- 
ing;  Shaving  of  Shagpat;   Ordeal  of  Richard  Feverel;   Tale  of  Chloe; 
Amazing  Marriage. 

799.  MEREDITH     (GEORGE).      Lady    Duff    Gordon's 
Letters  from  Egypt.     Revised  edition,  with  Memoir  by  her 
daughter,  Janet  Ross.    New  Introduction  by  George  Meredith. 
Illustrated.     Second  impression.     Post  8vo  cloth,  uncut. 

Lond.  1902 

800.  MEREDITH   (GEORGE).     Poems.     2  vols.   12mo, 
half  vellum,  gilt  edges.  Lond.  1902 

*  Laid  in  are  some  pressed  flowers,  WITH  THE  NOTE  ACCOMPANYING 

THE   SAME.    ON    WHICH    MEREDITH    HAS    WRITTEN:      "A    breath    of    the 

heart  of  Box  Hill"  (the  home  of  Meredith). 
[1161 


801.  MEREDITH     (GEORGE).     Lady    Duff    Gordon's 
Letters  from  Egypt.     Revised  edition,  with  Memoir  by  her 
daughter  Janet  Ross.     New  Introduction  by  George  Mere- 
dith.    Illustrated.     Post   8vo,    cloth,    uncut,    small   label   re- 
moved   from    cover.  Lond.  1902 

802.  MEREDITH     (GEORGE).     A    Literary     Garland, 
consisting  of, — Special  Water-color  Design  by  Joseph  Simpson; 
Photograph  of  Meredith  from  the  picture  by  Joseph  Simpson 
(mounted);   Hundreds  of  Clippings    from    Newspapers    and 
Magazines    (mounted),    including    appreciative    articles    by 
Gilbert  Chesterton,  J.  M.  Barrie,  Haldane  McFall;  and  others; 
the  Original  Manuscript  in  the  handwriting  of  Richard  Le- 
Gallienne,  with  signature,  of  14pp.  folio  (on  one  side  of  paper), 
entitled      "George    Meredith's      'Celt    and    Saxon.'"     The 
whole  enclosed  in  a  large  folio  half  morocco  slip  case. 

803.  MEREDITH     (GEORGE).     The    Tale    of    Chloe, 
Modern   Love.     Both   printed   on   Japan   paper,   limited   to 
100  copies,   autographed  by  the  publisher,  also  An  Idyl  of 
First  Love,  on  Van  Gelder  paper.     Together,  3  vols.  12mo, 
and  16mo,  boards,  and  wrappers.    Portland,  Me. :  Mosher,  v.  d. 


804.  MERIMEE  (PROSPER).     An  Author's  Love;  being 
the  Unpublished  Letters  of  Prosper  Merimee's  "Inconnue." 
12mo,  polished  blue  calf,  gilt  edges,  by  Blackwell.     N.  Y.  1892 

805.  MERRYWEATHER   (F.   S.).     Bibliomania   in    the 
Middle  Ages.     With  an  Introduction  by  Charles  Orr.      8vo, 
boards,  gilt  top,  uncut.  N.  Y.,  1900 

*  Limited  Edition. 

806.  ME YNELL  (ALICE).    Works  as  follows :     The  Chil- 
dren; The  Spirit  of  Place;  The  Colour  of  Life;  The  Rhythm 
of  Life;  Poems.     Together,  5  vols.  12mo,  cloth. 

Lond.  1893-1900 

807.  ME  YNELL  (ALICE).     A  series  of  4  A.  L.  S.,  3  with 
addressed  envelopes;   Moulton   (Louise  Chandler).     A.  C.  S. 
Together,  5  pieces. 

808.  MEYNELL  (WILFRID).     Benjamin  Disraeli.      An 
Unconventional   Biography.     40  illustrations.     2   vols.     8vo, 
buckram,  gilt  top,  lower  edges  uncut.  Lond.  1903 

[117] 


809.  MICHELL  (LEWIS).     The  Life  and  Times  of  Cecil 
John  Rhodes,  1853-1902.     Portraits.     2  vols.  8vo,  cloth  gilt, 
gilt  tops.  N.  Y.  1910 

810.  MILLER  (JOAQUIN).     Songs  of  the  Soul.     FIRST 
EDITION.     8vo,  brown  padded  morocco,  gilt  top,  uncut. 

*  San  Fran.  1896 

*Author's  Presentation  Copy  with  inscription, — "With  love  to  you 
(tnd  yours,  Joaqnhi  Miller,  S.  F.,  Cal.  June  2\9G  "  on  fly-leaf. 

811.  MILMAN    (HENRY    HART).     History    of    Latin 
Christianity,  8  vols.  in  4:  History  of  the  Jews,  3  vols.  in  2; 
The  History  of  Christianity,  3  vols.  in  2.     Together,  8  vols. 
thick  12mo,  half  calf  gilt.  X.  Y.  1881 

812.  MILTON   (JOHN).     The  Paradise  Lost  of  Milton. 
With  illustrations  designed  and  engraved  by  John  Martin.     2 
vols.  royal  8vo,  full  morocco,  gilt,  gilt  edges. 

Lond. :  Septimus  Prowett,  1827 

*Presentation  gilt  initials  on  sides. 

• 

813.  MILTON    (JOHN).     The  Minor  Poems   of   Milton. 
Illustrated   and  decorated  by  A.  Garth  Jones.     8vo,   buckram, 
uncut.  Lond.  1898 

*One  of  100  copies  on  Japan  Paper. 

814.  MINIATURE  BOOKS.     A  Set  of  15,  size  3^  x  2 
inches,  illustrated,  including  Scott's  Lady  of  the  Lake,  Story 
of  Robert  Burns,  Story  of  Prince  Charlie  and  others.     Bound 
in  Scotch  plaid  boards,  glazed,  gilt  edges.     Also,  a  Set  of  7, 
size  3J/2  x  234  inches,  including  Gleanings  from  Wordsworth, 
Hood's    Poems,  Goldsmith's    Deserted    Village,    and    others. 
Bound  in  ivory  boards,  gilt  cover  designs,  gilt  edges.     To- 
gether, 22  vols.  on  neat  polished  oak  stand.     Glasgow,  n.  d. 

815.  MITCHELL  (DONALD  G.).     American  Lands  and 
Letters.     The  Mayflower  to  Rip-Van-Winkle.     Portraits,  fac- 
similes,  and   other  illustrations.     FIRST   EDITION.     8vo,   hah* 
light  blue  polished  morocco  gilt,  gilt  top,  uncut.         N.  Y.  1897 

*  Laid  in  is  an  A.  N.  S.  of  the  author,  "I  think  boys  who  celebrate 
properly  the  birth-day  of  Abraham  Lincoln,  are  cultivating,  ipso 
facto,  as  good  a  patriotic  sentiment  as  they  can  find  anywhere." 

816.  MITCHELL   (DONALD  G.).     English  Lands,  Let- 
ters and  Kings;— (1).    From  Celt  to  Tudor;  (2).    From  Eliz- 

[118] 


abeth  to  Anne;  (3).  Queen  Anne  and  the  Georges;  (4) 
Later  Georges  to  Victoria.  FIRST  EDITION.  4  vols.  half 
maroon  calf,  gilt  backs,  gilt  tops,  uncut. 

N.  Y.:  Scribners,  1897 

817.  MITFORD   (WILLIAM).     The  History  of  Greece. 
10  vols.  8vo;  old  polished  calf  gilt  (rubbed).     Lond.  1814-20. 

818.  MODERN  DAUGHTERS.     (Black),  1899;  A  Young 
Woman's    Problems     (Halpin),     1905  ;      Studies    in    Wives 
(Lowndes),  1910;  The  Journal  of  a  Neglected  Wife  (Urner), 
1909.  4  vols.  8vo,  and  12mo,  cloth.  v.  p. 

819.  MOLIERE  (J.  B.  POQUELIN  DE).     The  Dramatic 
Works   of   Moliere.     Translated   into   English   Prose.     With 
Short  Introductions  and  Explanatory  Notes  by  Charles  H. 
Wall.     Portrait.     3  vols.  12mo,  half  polished  calf  gilt  (some- 
what rubbed).  Lond.  1876 


820.  MOLIERE  (J.  B.  POQUELIN  DE).     The  Works  of 
Moliere.     Numerous  etched  plates  by  Louis  and  Maurice  Leloir, 
Jacques  Leman,  and  Edmond  Hedouin.     32  parts  in  11  vols. 
4to,  original  wrappers  enclosed  in  dark-blue  morocco  covers, 
uncut.  Paris  and  Phila.,  n.  d. 

*  EDITION   POQUELIN.     One   of   200   copies   printed   on   Imperial 
Japan   Paper  for   subscribers   only.     This   copy  printed  for  Emilie 
B.  Grigsby. 

821.  MONAHAN  (MICHAEL).     Palms  of  Papyrus.     Be- 
ing Forthright  Studies  of  Men  and  Books;  with  some  Pages 
from  a  Man's  Inner  Life.     8vo,  silk-cloth,  gilt  top,  uncut. 

East  Orange,  N.  J.,  1909 

822.  MOORE  (F.  FRANKFORT).     The  Jessamy  Bride. 
12mo,  cloth,  gilt  top,  uncut.  Chic.  1900 

*  Author's  autograph  edition,  signed  by  him  on  the  nner  cover. 

823.  MOORE    (THOMAS).     A.   L.    S.,    lp.    12mo,   from 
Moore  to  a  gentleman  relative  to  a  Song,  left  with  him  by  an 
anonymous  young  lady.     Dated  Nov.  24,  1826. 

824.  MOORHOUSE   (E.  H.).     Nelson's  Lady  Hamilton. 
51  portraits.     8vo,  cloth,  gilt.  Lond.  1909 

[119] 


825.  MORRIS  (GEORGE  P.).     Poems  with  a  Memoir  of 
the  Author.     16mo,  cloth,  gilt  edges.  N.  Y.,  n.  d. 

*  Autographed    presentation    copy,    with    interesting    inscription. 
Laid  in  is  A.  L.  S.  2pp.,  to  Horatio  Seymour,  Governor  of  the 

State  of  New  York,  from  the  author,  who  writes  on  behalf  of  a 
young  soldier  whose  promotion  he,  Morris,  very  much  desires. 
Dated  New  York,  March  20,  1863. 

826.  MORRIS  (WILLIAM) .     Child  Christopher  and  Gold- 
ilind  the  Fair.     Title  in  red  and  black.     8vo,  wrappers  and 
boards,  uncut.  Portland,  Me.:   Mosher,  1900 

*  No.  1.  of  50  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher. 

827.  MORRIS   (WILLIAM).     The  Pilgrims  of  Hope,   a 
Poem  in  XII  Books.     Square  8vo,  sheets,  unstitched,  uncut. 

Portland,  Me.:  Mosher,  1901 

*  No.   1  of  4  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher. 

828.  MORRIS     (WILLIAM).     The    Pilgrims    of    Hope 
A  Poem  in  XIII  Books.     Square  8vo,  wrappers  and  boards, 
uncut.  Portland,  Me.:  Mosher,  1901 

*  No.  1  of  50  copies  printed  on  Japan  vellum. 


MORRIS  (WILLIAM).  The  Hollow  Land;  The  Two 
Sides  of  the  River;  Bertha's  Lovers;  Golden  Wings;  The 
Story  of  the  Unknown  Church;  The  Churches  of  North 
France;  William  Morris,  an  Address  by  J.  W.  Mackail.  All 
printed  on  Japan  vellum,  limited  to  25  copies,  with  the  ex- 
ception of  the  last,  which  is  limited  to  50  copies.  Also,  A  Dream 
of  John  Ball  and  The  Defence  of  Guenevere,  printed  on  Japan 
vellum,  limited  to  100  copies,  autographed  by  the  publisher. 
Together,  9  vols.  12mo,  and  16mo,  boards  and  wrappers, 
uncut.  Portland,  Me.:  Mosher,  v.  d. 

830.  MOSHER'S  BIBELOT  SERIES.     Rubaiyat  of  Omar 
Khayyam     (Fitzgerald's    translation);    Old    World    Lyrics; 
Songs    of    Adieu;    Felise    (selections   from    Swinburne).     All 
printed  on  Japan  vellum,  limited  to  25  copies,  autographed 
by   the   publisher.     Together,  4   vols.    12mo,   boards,   uncut, 
in  fancy  box.  Portland,  Me.:  Mosher,  v.  d. 

831.  MOSHER'S  BROCADE  SERIES.      Amis  and  Amile 
(Morris);  The  Pageant  of  Summer  (Jefferies);  The  Child  in 
the  House  (Pater);  Cupid  and  Psyche  (Pater);  The  Centaur 

[120] 


and  the  Bacchante  (De  Guerin);  The  Story  without  an  End 
(Carove).  Together,  6  vols.  16mo,  wrappers,  in  fancy  board 
boxes.  All  printed  on  Japan  paper,  autographed  by  the 
publisher.  Portland,  Me.,  Mosher,  v.  d. 

*  Laid  in  are  2  A.  L.  S.  by  Walter  Besant,  one  of  which  refers 
to  "The  Pageant  of  Summer"  by  Jefferies,  and  L.  S.  by  the  same, 
all  addressed  to  Mr.  Mosher. 


832.  MOSHER'S  BROCADE  SERIES.  Marjorie  Flem- 
ing (Brown) ;  Will  o'  the  Mill  (Stevenson) ;  Emerald  Uthwart 
(Pater);  The  History  of  Over  Sea  (Morris);  King  Coustans 
(Morris) ;  Hours  of  Spring  and  Wild  Flowers  (Jefferies) .  To- 
gether, 6  vols.  16mo.  All  printed  on  Japan  vellum,  limited 
issues,  autographed  by  the  publisher,  in  fancy  box. 

Portland,  Me.:  Mosher,  v.  d. 

*  Laid  in  "Hours  of  Spring"  are  a  letter  from  Mrs.  Jefferes, and 
an  "In  Memoriam"  card  of  Jefferies'  parents,  both  with  envelopes. 


833.  MOSHER'S  BROCADE  SERIES.   Quattrocentisteria 
(Hewlett) ;  King  Florus  (Morris) ;  Duke  Carl  (Pater) ;  Sebas- 
tian Van  Storck  (Pater);  Denys  L'Auxerrois  (Pater);  Prince 
of  Court  Painters  (Pater).     Together,  6  vols.  16mo,  wrappers, 
uncut.     All  printed  on  Japan  vellum,  in  fancy  board  box. 

Portland,  Me. :  Mosher,  v.  d. 

834.  MOSHER'S  BROCADE  SERIES.      The     Unknown 
Church    (Morris);   Immensee    (Storm);   By  Sundown   Shores 
(Sharp);     Nature    and    Eternity     (Jefferies);     Olden    Wings 
(Morris) ;  Bertha's  Lovers  (Morris) ;      Together,  6  vols.  16mo, 
wrappers.     All  printed  on  Japan  paper,  in  fancy  box. 

Portland,  Me.:  Mosher,  v.  d. 

835.  MOSHER'S  EDITIONS  OF  CLASSICS.     The  Gepr- 

gics  of  Virgil,  2  vols.  and  Eclogues  of  Virgil,  done  into  English 
prose  by  J.  W.  Mackail.  3  vols.  16mo,  wrappers,  uncut, 
in  fancy  box.  Printed  on  Japan  vellum,  limited  to  50  copies 
each,  autographed  by  the  publisher. 

Portland,  Me. :  Mosher,  v.  d. 

*Laid  in  is  A.  L.  S.  3  pp.  12mo,  from  J.W.Mackail  to  T.  B.  Mosher, 
Portland,  Maine,  acknowledging  the  receipt  of  a  copy  of  "The 
Bibelot."  Dated  London  Sept.  14,  1896.  (With  Envelope). 

836.  MOSHER  PUBLICATIONS.     The  Bibelot.     A  re- 
print of  Poetry  and  Prose  for  Book  Lovers,  chosen  in  part 

[1211 


from  scarce  editions  and  sources  not  generally  known.  Vols. 
I- VIII.  8  vols.  12mo,  boards,  uncut. 

Portland,  Me.:  Mosher,  1895-1902 

*  Printed  on  Japan  vellum,  only  12  copies  of  each  issued.    Laid 
in  are  A.  L.  S.  from  H.  F.  Brown,  Ellen  Terry,  and  T.  B.  Mosher;  a 
bill  to  Miss  Terry  from  Mosher:  and  Envelope.     Various  places  and 
dates. 

837.  MOSHER  PUBLICATIONS.    57  issues  of  the  same, 
all  the  ordinary  copies  from  vols.  4  to  16,  also  a  number  of 
catalogues  of  the  publications  of  Mr.  Mosher.     As  a  lot. 

838.  MOSHER    PUBLICATIONS.     A    Branch    of    May 

(Reese);  The  Kasidah  (Burton),  2  copies,  Japan  vellum,  50 
and  100  copies  of  each;  From  the  Upanishads  (Johnston), 
Japan  vellum,  50  printed;  Homeward  Songs  by  the  Way 
(A.  E.),  Japan  vellum,  50  printed;  Shakespeare's  Sonnets, 
Japan  vellum,  No.  1  of  100  printed;  The  Death  of  Marlowe 
(Home),  Japan  vellum,  No.  1  of  25  printed.  Together,  7 
vols.  16mo,  boards,  uncut.  Portland,  Me.:  Mosher,  v.  d. 

*  Accompanying  the  collection  is  a  2  pp.  A.  L.  S.  from  Otto  Zahn, 
the  binder,  regarding  his  work. 

839.  MOSHER    PUBLICATIONS.     The    Letters    of    a 
Portuguese  Nun  (Prestage — translator),  No.  1  of  100  printed 
on  Japan   vellum;   Sylvie    (Gerard),     79  of  100   printed  on 
Japan  vellum;  An  Italian  Garden  (Robinson),  No.  60  of  100 
printed  on  Japan  vellum;  A  Song  to  David  (Smart),  No.  1 
of  50  printed  on  Japan  vellum;  For  John  O'Mahony's  Friends 
(Tynan),  Sesame  and  Lilies  (Ruskin),  No.  1  of  100  printed 
on  Japan  vellum.      Together,  6  vols.  12mo,  and  16mo,  boards, 
uncut.  Portland,  Me.:  Mosher,  v.  d. 

840.  MOSHER    PUBLICATIONS.     The    Story    of    my 
Heart  (Jefferies),  No.  25  of  100  printed  on  Japan  vellum;  The 
Story  of  Ida,  No.  20  of  100  printed  on  Japan  vellum;  Tares 
(Watson),  No.  1  of  25  printed  on  Japan  vellum;  My  Sister 
Henrietta  (Renan),  No.   1  of  100  printed  on  Japan  vellum; 
In  Memoriam  (Tennyson),  No.   1  of  100  printed  on  Japan 
vellum.     Together,    5    vols.    12mo,    and    16mo,  boards  and 
wrappers,  uncut.  Portland,  Me.,  Mosher,  v.  d. 

841.  MOTLEY  (JOHN  LOTHROP).     Works  as  follows: 
United  Netherlands,  4  vols.;  Rise  of  the  Dutch  Republic, 
3    vols.;   John   of    Barneveld,    2    vols.     Portraits  and  plans. 
Together,  9  vols.  8vo,  uniformly  bound  in  half  dark  green 
polished  morocco  gilt,  gilt  tops,  uncut. 

N.  Y. :  Harpers,  [1883,  etc.] 

[122] 


843.    MUHLBACH    (LOUISA).     Novels    of    Miss    Miihl- 
bach.     Illustrations.     18  vols.  12mo,  cloth,  gilt. 

N.  Y.:  Appletons,  1897 

843.  MULFORD  (PRENTICE).     Your  Forces  and  how 
to  use  them.     Vols.  I-III,  and  V-VI.     5  vols.  12mo,  cloth. 

N.  Y.  1903 

844.  MUSIC.     Beethoven's    Sonatas    (Bulow    &   Lebert), 
3  vols.;   Chopin's  Oeuvres  Completes  (Klindworth),  3  vols.; 
Schumann's    Works,    5    vols.;    Schubert    Album.     Together, 
12  vols.  folio,  paper.     (Peters',  Schirmer's  and  other  Editions.) 

845.  MUSIC     Richard   Wagner's   Opera  Scores   arranged 
for  the  Pianoforte,   as  follows:   Parsifal;  Die  Walkure;   Die 
Meistersinger;  Gotterdammerung;  Siegfried;  Das  Rheingold; 
Tannhauser,  2  copies;  Lohengrin;  Rienzi.     Together,  10  vols. 
folio  and  royal  8vo,  paper  wrappers.     (Schott,  Breitkopf   & 
Hartel,    and  other  Editions.) 

846.  MUSIC.     Opera  Scores  arranged  for  the  Pianoforte, 
as   follows:    Martha    (Flotow);    Fidelie  (Beethoven);    Figaro 
(Mozart);  Prophet  (Meyerbeer);  Rigoletto  (Verdi); and  others. 
Together,    26    pieces.     Folio,    royal    8vo,    paper    wrappers. 
(Peters',  Schirmer's  and  other  Editions.) 

847.  MUSIC.     Instrumental;    as    follows:    Mendelssohn's 
Works,  4  vols.;  Grieg's  Works,  25  Dances,  Suites,  &c.;  Schir- 
mer's Musical  Classics,  16  vols.     Together,  45  pieces.     Folio, 
paper  wrappers.     (Peters'  and  other  Editions.). 

848.  MUSIC.     Popular    Songs,   Pianoforte  Pieces,   Banjo 
Methods,    &c.     About    150   pieces.     Folio,    royal   8vo,    &c., 
paper  wrappers. 

849.  MUSIC.     Music-Study    in    Germany    (Fay),    1896; 
The  Philharmonic   Society  of  New  York   (Krehbiel),    1892; 
How  to  Listen  to  Music  (Krehbiel)   1897;  What  is  Good  in 
Music  (Henderson)  1898;  and  others.     8  vols.     12mo,  cloth. 

v.  p.,  v.  d. 

850.  MUSIC  OF  THE  MODERN  WORLD.     Edited  by 
Anton  Seidl,  H.  E.  Krehbiel,  and  others.     Illustrated  in  the 
Lives  and  Works  of  the  Greatest  Modern  Musicians,  and  in 

[123] 


Reproductions  of  their  Work,  Famous  Paintings,  &c.  2  vols. 
Large  folio,  red  flexible  morocco  gilt,  gilt  edges. 

N.  Y. :  Appletons  [1895] 

*  FINE    COLLECTION.     Many    of    the    illustrations    are    COLORED 
ind  MOUNTED.     The  musical  selections  are  representative  of  the  best 
in  modern  music. 

851.  XTAPOLEON.     The    Life  of  Napoleon  Bonaparte, 
-^     by  William  Hazlitt,  6  vols. ;  Memoirs  of  Napoleon 

Bonaparte,  by  Louis  A.  F.  de  Bourrienne,  4  vols.;  Memoirs  of 
Madame  Junot  (Duchesse  d'Abrantes),  6  vols.  All  illustrated. 
Together,  16  vols.  8vo,  half  red  morocco,  gilt  tops,  uncut. 

Paris  and  Boston,  1895 

*  Edition  Nationale,  limited  to  500  copies  with  the  plates  on  Japan 
paper. 

852.  NASH    (JOSEPH).     The    Mansions   of   England   in 
the  Olden  Time.     104  lithographs  by  Stanesby  and  the  Han- 
harts.     4  vols.  folio,  cloth,  gilt  tops,  (one  vol.  loose). 

Lond.  1869-72 

853.  NEAL  (JOHN).     Battle  of  Niagara,  A  Poem,  with- 
out  Notes;    and    Goldau,    or   The    Maniac   Harper.     FIRST 
EDITION.     12mo,   half  green   levant   morocco   gilt,   gilt  top, 
UNCUT,  by  Hathaway.  Baltimore,  1818 

*  SCARCE.     Bound  in  is  a  letter  from  Neal  to  H.  Winslow  Bryant, 
reading,  "  You  having  rescued  the  only  copy  I  know  of,  not  from  the 
fire  only,  but  from  Oblivion — I  trust  you  will  continue  to  preserve  it. 
until  it  covers  itself  with  mould  or  asbestos.     Yours  truly,  John  Neal. 
Portland,  Me.     Nov.  28/70." 


854.  NEWMAN  (JOHN  HENRY,  CARDINAL).  Works: 
37  vols.  Letters  and  Correspondence,  2  vols.;  Characteris- 
tics from  the  Writings  of  John  Henry  Newman,  selected  by 
W.  S.  Lilly;  Cardinal  Newman,  by  R.  H.  Hutton;  Some 
with  portraits.  Together,  41  vols.  small  8vo,  half  blue  levant 
morocco,  gilt  tops.  Lond.  and  N.  Y.  1890,  etc. 

*  An  unusually  long  series  of  Newman's  works,  made  up  of  Long- 
mans Green  and  Go's  and  other  English  editions  of  various  dates, 
and  attractively  bound. 


855.  NODIER  (CHARLES).  Histoire  du  Roi  de  Boheme 
et  de  ses  sept  Chateaux.  Woodcuts  after  Tony  Johannot. 
FIRST  EDITION.  8vo,  half  blue  morocco,  uncut,  original 
wrappers  bound  in,  by  Carayon.  Paris,  1830 

[1241 


856.  NORTHCOTE     (JAMES).     One    Hundred    Fables, 
Original    and   Selected,     Portraits    and  280  wood  engravings. 
SECOND    EDITION,    1829;         Fables,    Original    and    Selected, 
Second  Series.      280    engravings    on    wood.      FIRST    EDITION. 
1833.     Together,   2  vols.   12mo,   half    green   levant  morocco 
gilt,   gilt  tops,   by  Mansell    (title    of    second    series  mended, 
and  title  and  frontispiece  of  first  series  slightly  stained). 

Lond.  1829-33 

857.  NORTON   (CAROLINE  ELIZABETH).     The  Sor- 
rows of  Rosalie,  a  Tale;  with  Other  Poems.     FIRST  EDITION. 
12mo,  boards,  uncut  and  mainly  unopened.     (Library  stamps 
of  Wm.  Borlase  on  both  sides  of  title  page.)  Lond.  1829 

858.  NORTON      (CAROLINE     ELIZABETH).    Poems. 
Portrait  after  Landseer.     2  vols.  12mo,  cloth.  N.  Y.  1856 

859.  NOGUCHI(YONE).     The  Pilgrimage.     Colored  fron- 
tispiece.    2  vols.  12mo,  wrappers,  sewn,  enclosed  in  a  cloth 
case.  Kamakura  and  Yokohama,  1909 

*  Printed  on  China  paper. 

860.  Q'CONNOR   (J.  F.  X.).     Facts  about  Bookworms, 
^^     their  history  in  literature  and  work  in  libraries. 

Illustrated.     12mo,  brown  levant  morocco,  semis  of  gilt  roses 
and  bees  on  the  sides,  gilt  top,  by  Roach. 

*  Limited  edition.     Presentation  copy  from  the  author  with  auto- 
graph inscription. 

861.  OLD  SPANISH  ROMANCES.     Don  Quixote  trans- 
lated by  Motteux,  4  vols.;  Gil  Bias  of  Santillane  translated  by 
Smollett,  3  vols.;  Guzman  d'Alfarache  translated  by  Roscoe, 
2  vols.;  Bachelor  of  Salamanca  translated  by  Townsend;  Vanillo 
Gonzales;  the  Devil  upon  Two  Sticks  translated  by  Townsend. 
Etchings  by  R.  de  Los  Rios.     12  vols.  8vo,  half  morocco  gilt, 
gilt  tops.  Lond.   Nimmo   &   Bain,   n.   d. 

*  Edition  de  luxe,  limited  to  250  sets. 

862.  OLD  WORLD  IDYLLS  and  At  the  Sign  of  the  Lyre 
(Austin  Dobson),  2  vols.  half  blue  calf;  In  Memoriam  (Tenny- 
son), half  green  calf,  gilt.     3  vols.  16mo.  Lond.  v.  d. 

863.  OLDCASTLE    (JOHN).     Catholic   Life   and   Letters 
of   Cardinal    Newman.     Portraits.     4to,    half    vellum,    uncut, 
(binding  soiled).  Lond.  &  N.  Y.,  n.  d. 

*  With  autograph  presentation  inscription  from  the  author. 

[1251 


864.  OLDMEADOW     (ERNEST).     Susan;    Aunt    Maud; 
The  Scoundrel.     Colored  frontispieces.     Together  3>  vols.  12mo, 
cloth.  Lond.  1907-08 

*  All  presentation  copies. 

865.  OLIPHANT    (Mrs.).     Royal   Edinburgh,    1891;    The 
Makers  of  Florence,    1892;  Jerusalem,    1892;   The  Makers  of 
Venice,  1893;  The  Maker  of  Modern  Rome,  1896.  Illustrations. 
5  vols.  12mo,  cloth.  Lond.  &  N.  Y.  1891-96 

Editions  of  the  Rubaiyat  of  Omar  Khayyam 

866.  OMAR  KHAYYAM.     The  Quatrains,  now  first  com- 
pletely done  into  English  verse  from  the  Persian,  in  accordance 
with  the  original  forms,  with  a  biographical  and  critical  intro- 
duction, by  John  Payne.     Royal  8vo,  half  vellum,  uncut. 

Lond.:    for  the  Villon  Society,  1898 

*  LARGE  PAPER,  only  a  few  copies  printed  by  private  subscription 
and  for  private  circulation  only.     Laid  in    s  a  postcard  signed  by 
Bernard  Quaritch,  in  reference  to  the  first  publication  of  the  Rubaiyat. 

867.  OMAR    KHAYYAM.     The   Rubaiyat,    being   a   fac- 
simile of  the  Manuscript  in  the  Bodleian  Library  at  Oxford, 
with  a  transcript  into  modern  Persian   characters,  translated, 
with  an  introduction  and  notes,  and  a  Bibliography,  and  some 
side  lights  upon  Edward  Fitzgerald's  poem  by  Edward  Heron- 
Allen.     8vo,  cloth  gilt,   gilt  top.  Bost.  1898 

*  Laid  in  are  2  A.  L.  S.   from  Edward  Heron-Allen  regarding  the 
above  publication. 

868.  OMAR    KHAYYAM.     Rubaiyat.     English,     French, 
German,    Italian,     and    Danish     Translations    comparatively 
Arranged  in  Accordance  with  the  text  of  Edward  Fitzgerald's 
Version.     Edited  by  Nathan  H.  Dole.     Portrait  and  illustra- 
tions on  Japan  Paper.     2  vols.  12mo,  cloth  gilt,  gilt  tops,  uncut. 

Bost.  1898 

*  Laid  in  is  an  A.  L.  S.  by  Nathan  H.  Dole,  the  editor,  to  Mr. 
Mosher. 

869.  OMAR  KHAYYAM.     The  Rubaiyat  of  Omar  Khay- 
yam.    Rendered   into   English   verse   by   Edward   Fitzgerald, 
being  the  text  of  his  fourth  edition,  including  the  minor  variants 
of  the  fifth  and  final  editions.     Square  8vo,  vellum,  uncut,  with 
ties.  Portland,  Me.:  Privately  printed,  (Mosher)  1899 

*  Xo.  2  of  10  copies  printed  on  vellum.     Laid  in  is  an  L.  S.  of  Daniel 
Frohman,  regarding  the  above. 

[126] 


870.  OMAR  KHAYYAM.  The  Rubaiyat  of  Omar  Khay- 
yam. Translated  into  English  verse  by  Edward  Fitzgerald. 
First  printed  by  Bernard  Quaritch,  London,  1859,  and  now 
reproduced  by  photo-lithographic  process  in  exact  facsimile. 
Frontispiece,  title  in  red  and  black.  Square  8vo,  wrappers  and 
boards,  uncut.  Portland,  Me.:  Mosher,  1902 

*  No.  1  of  40  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher,  with  A.  L.  S.  by  Hayden  Carruth,  to  Mr.  Mosher,  mentio- 
ning the  Bibelot  "Omar." 


871—  — .The  same  printed  on  the  finest  vellum,  with  the 
frontispiece  in  two  states,  THE  FIRST  OF  TEN  COPIES  ISSUED, 
autographed  by  the  publisher.  Numbers  1-5  inclusive  have  an 
etched  frontispiece  on  India  paper  by  Edwin  Edwards  inserted. 

*  Autographed   portrait    of    Mr.    Mosher    inserted.      Laid  in  is  a 
L.  S.  of  John  Hay,  in  regard  to  th  s  edition  of  Omar. 


872.  OMAR  KHAYYAM.  In  Praise  of  Omar,  an  Address 
by  John  Hay,  2  copies;  Omar  Khayyam,  Fitzgerald's  transla- 
tion, 6  copies;  16mo,  wrappers,  and  another  issue  in  limp  leather. 
Together,  9  vols.  wrappers,  etc.  Portland,  Me. :  Mosher,  v.  d. 

*  Laid  in  is  an  A.  L.  S.  from  John  Hay  relating  to  Mosher's  publi- 
cation of  his  ".Address,"  3  pp.;  and  an  A.  N.  S.  from  E.G.  Stedman 
on  the  same  subject. 


873.  OMAR  KHAYYAM.  Rubaiyat.  Three  editions  of 
Fitzgerald's  translation,  and  an  edition  of  McCarthy's  trans- 
lation. Together,  4  vols.  12mo,  boards,  uncut.  All  printed 
on  Japan  vellum,  limited  to  100  copies,  autographed  by  the 
publisher.  Portland,  Me.:  Mosher,  v.  d. 

*  Laid  in  is  an  A.  L.  S.  by  C.  E.  Norton,  3  pp.  16mo,  addressed  to 
Mr.  Mosher  and  referring  to  the  publication  of  the  above  edition, 
dated  Cambridge,  Apr.  21,  1897. 


874.  "OUIDA."  (LOUISE  DE  LA  RAMEE).     Under  Two 
Flags,  a  novel.     Illustrated.     2  vols.  12mo,  half  morocco,  gilt 
tops.  Phila.  1896 

875.  OUR  LADY'S  TUMBLER.     A  Twelfth  Century  Leg- 
end done  out  of  old  French  into  English  by  Ph.  H.  Wicksteed. 
8vo,  vellum,  silk  ties,   uncut.  Portland:  Mosher,  1900 

*  ONE  OF  FOUR  COPIES  PRINTED  ON  VELLUM. 

[127] 


876.  OAGE    (THOMAS   NELSON).     Social  Life  in  Old 

Virginia  before  the  War;  Elsket  and  Other 
Stories;  Befo'  de  War;  In  Ole  Virginia;  The  Burial  of  the 
Guns.  Illustrations.  Together,  5  vols.  12mo,  cloth. 

N.  Y.,  v.  d. 

877.  PARKMAN    (FRANCIS).     Works.  Maps    and    Por- 
traits.    12  vols.  8vo,  half  brown  morocco  gilt,  gilt  tops. 

Bost.  1894-96 

*  Laid  in  is  A.  L.  S.,  2  pp.  12mo,  to  a  correspondent,- — "50  Chest- 
nut St.,    Boston  [n  d.]     Dear  Sir:  Thanks  for   the  two   articles  on 
Woman  Suffrage,  which  I  have  read  with  much  interest.    I  quite 
agree  with  you  that  the  mingling  of  women  in  American  Politics 
would  be  a  nuisance   and   a   great  danger.     Very  Truly   Yours,  F. 
Parkman." 

878.  PARIS.     Paris    a    1'Eau-Forte:    Actualite— Curiosite- 
Fantasie.     Many  etchings.     Troisieme  Volume,  Decembre  1873 
a  Mars  1874.     Royal  8vo,  boards,  uncut  and  unopened. 

Paris,  1873-74 

879.  PARIS.     W'alton  (William).     Paris,  Known  and  Un- 
known.     Hundreds  of  illustrations,  many  in  colors,  after  French 
artists  of  various  periods.     10  parts,   folio,   unbound,   in  half 
blue   morocco    (two    shades)    portfolios.       .  Phila.  1899 

*  Japan  paper  edition.     A  magnificent  book  on  the  city  of  Paris, 
treating  it  historically  from  the  Roman  period  to  the  present  day. 
One  of  the  most  complete  works  of  the  sort  ever  published 

880.  PARSONS  (REUBEN).     Studies  in  Church  History. 
SECOND  EDITION.     6  vols.  8vo,  cloth.  N.  Y.  1901 

881.  PARQUIN  (DENNIS  CHARLES).     Recits  de  Guerre. 
Souvenirs    du    Capitaine    Parquin,    1803-1814.     Introduction 
par  Frederic  Masson.     Desins  par  De  Myrbach,  Dupray,  and 
others.     Imperial  4to,  half  polished  red  morocco,  gilt  tops,  un- 
cut. Paris:  Boussod,  Valadon  &  Cie.,  n.d. 


PASCAL  (BLAISE).  Pensees  de  Pascal.  (Edition 
de  1670).  Precedees  d'un  Avant-Propos,  et  suivies  de  Notes 
et  de  Variantes.  Portrait  grave  a  Veau-forte  par  Gaucherel, 
8vo,  half  black  morocco  gilt,  gilt  tops.  Paris,  1874 

*  Limited  Edition. 

883.  PASTOR  (LUDWIG).  The  History  of  the  Popes, 
from  the  Close  of  the  Middle  Ages.  Edited  by  Frederick  I. 
Antrobus.  6  vols.  8vo,  cloth,  uncut.  Lond.  1899 

[128] 


The  Writings  of  Walter  Pater 

884.  PATER  (WALTER).     Studies  in  the  History  of  the 
Renaissance.     FIRST  EDITION.     12mo,    original    cloth,  partly 
uncut  (rubbed).  Lond.  1873 

885.  PATER    (WALTER).     The  Renaissance;   Studies  in 
Art  and  Poetry.     SECOND  EDITION.       Title-vignette  after  Da 
Vinci.     12mo,    cloth,    uncut.  Lond.  1877 

886.  PATER    (WALTER).     Marius    the    Epicurean,    his 
Sensations  and  Ideas.     FIRST  EDITION.     2  vols.   12mo,  cloth, 
uncut.  Lond.  1885 

*  Laid  in  is  a  note  from  the  author  reserving  a  date  for  a  lecture. 

887.  PATER   (WALTER).      Imaginary  Portraits.      FIRST 
EDITION.     12mo,  original  cloth,  uncut.  Lond.  1887 

888.  PATER  (WALTER).     Appreciations.     With  an  Essay 
on    Style.      FIRST    EDITION.      12mo,    original    cloth,    uncut 
(label  removed  from  cover;  rubbed).  Lond.  1889 

889.  PATER  (WALTER).  Plato  and  Platonism;  A  Series 
of  Lectures.      FIRST  EDITION.      12mo,  original  cloth,  uncut. 

Lond.  1893 

890.  PATER  (WALTER).     Imaginary  Portraits;  Plato  and 
Platonism;   Gaston  de  Latour;  Greek  Studies;  Appreciations; 
The  Renaissance;  Miscellaneous  Studies;  Marius  the  Epicurean. 
8  vols.  12mo,  cloth.  N.  Y.  1894-7 

*  Laid  in  is  a  L.  S.  by  H.  W.  Mabie  referring  to  Pater's  "  Child  in 
the  House." 

891.  PATER  (WALTER).     Miscellaneous  Studies.     A    Se- 
ries of  Essays.     FIRST   EDITION.     12mo,  original  cloth,  uncut. 

Lond.  1895 

*  Laid  in  are  three  L.  S.  and  an  A.  L.  S.  from  Clement  Shorter 
relating  to  Pater's  Essays. 

892.  PATER    (WALTER).     Greek   Studies.     A    Series   of 
Essays.     Portrait.     FIRST  EDITION.     12mo,  cloth,  uncut. 

Lond.  1895 


5.  PATER  (WALTER).  Gaston  de  Latour.  An  Un- 
finished Romance.  FIRST  EDITION.  12mo,  original  cloth, 
uncut.  Lond.  1896 

[129] 


894.    PATER  (WALTER).     Essays  from  the  "Guardian." 
12mo,  boards,  paper  label,  uncut.       Lond. :  Chiswick  Press,  1896 

*  First  Collected  Edition,  privately  printed;  one  of  only  100  copies 
issued. 


895.  PATER  (WALTER).     Essays  from  the  "Guardian." 
Portrait  of  the  author,  and  title  in  red  and  black.     Hmo,  wrappers, 
uncut.  Portland,  Me. :  Mosher,  1897 

*  No.  11  of  50  copies  printed  on  Japan  vellnm. 

896.  PATER   (WALTER).     Essays  from  the  "Guardian." 
Portrait.     16mo,    brown   levant    morocco,    doublure   of   green 
levant  with  filleted  gilt  design,  green  leather  end-papers,  gilt 
top,  uncut.     (Stained).  Portland,  Me.:  Mosher,  1898 

*  One  of  50  copies  on  Japan  paper. 

897.  PATER     (WALTER).  Marius    the    Epicurean;    His 
Sensations  and  Ideas.     Portrait  of  the  author,  and  initials  in 
red.     2  vols.  square  8vo,  sheets,  unstitched,  uncut. 

Portland,  Me. :  Mosher,  1900 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher. 

898.  PATER    (WALTER).     Marius    the    Epicurean;  His 
Sensations  and  Ideas.     Portrait  of  the  author,  title  in  red  and 
black,  and  with  initials  in  red.     2  vols.  square  8vo,  wrappers 
uncut.  Portland,  Me. :  Mosher,  1900 

*  No.  1  of  35  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher. 

899.  PATER    (WALTER).     The   Renaissance:   Studies   in 
Art  and  Poetry.     Portrait  of  the  author,  and  another  plate,  and 
initials  and  title  in  red.     Square  8vo,  sheets,  unstitched,  uncut. 

Portland,  Me. :  Mosher,  1902 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher. 

900.  PATER    (WALTER).     The   Renaissance:   Studies   in 
Art  and  Poetry.     Portrait  of  the  author,   and   another  plate, 
initials  and  title  in  red.     Square  8vo,  wrappers,  uncut. 

Portland,  Me.,  Mosher,  1902 

*  No.  1  of  35  copies  printed  on  Japan  vellum '  autographed  by  the 
publisher. 

[ISO] 


FOURTH  SESSION 

901.  PATHELIN.  La  Farce  de  Maitre  Pathelin.  Come- 
die  du  Moyen  Age,  arrangee  en  Vers  Modernes,  par  Georges 
Gassies  des  Brulies.  Seize  compositions  en  taille-douce,  hors 
texte,  par  Boutet  de  Monvel.  Royal  8vo,  original  decorative 
wrappers,  uncut.  Paris,  n.  d. 


902.  PAYNE  (JOHN).     The  Decameron  of  Giovanni  Boc- 
caccio, now  first  completely  done  into  English  Prose  and  Verse. 
3  vols.  small  8vo,  vellum,  gilt  tops,  uncut.  Lond.  1886 

*  Limited  edition,  printed  by  the  Villon  Society  for  private  circu- 
lation.    Laid  in  is  an  A.  L.  S.  from  A.  H.  Bullen  relating  to  the  above 
publication. 

903.  PAYNE  (JOHN.)     The  Novels  of  Matteo  Bandello, 
Bishop  of  Agen,  now  first  done  into  English  Prose  and  Verse. 
6  vols.  small  8vo,  vellum,  gilt  tops,  uncut.  Lond.  1890 

*  Limited  edition,  printed  by  the  Villon  Society  for  private  circu- 
lation. 


904.  PAYNE  (JOHN).  The  Poems  of  Shemseddin  Mo- 
hammed Hafiz  of  Shiraz,  now  first  completely  done  into  English 
Verse,  etc.  3  vols.  8vo,  vellum,  gilt  tops,  uncut. 

Lond.  1901 

*  Limited  edition,  printed  by  the  Villon  Society  for  private  circu- 
lation. 


905.  PAYNE  (JOHN).  Poetical  Works:  Narrative  Poems, 
London  City  Poems,  Sonnets,  Lyrics  and  Translations.  De- 
finitive edition.  2  vols.  8vo,  vellum,  gilt  tops,  uncut. 

Lond.:  for  the  Villon  Society,  1902 

*  Very   limited  edition  printed  by  private  subscription  and  for 
private  circulation  only. 


906.  PEER  (FRANK  S.).  The  Hunting  Field  with  Horse 
and  Hound  in  America,  the  British  Isles  and  France.  Illus- 
trated from  Paintings  by  Julian  I.  Chamberlain,  and  from  photo- 
graphs. Royal  8vo.  decorative  cloth  gilt,  gilt  top,  uncut. 

N.  Y.  1910 

[131] 


907.  PENN    (WILLIAM).     Some    Fruits    of    Solitude    in 
Reflexions  and  Maxims.     With  an  Introduction  by  Edmund 
Gosse.    Etched    portrait.     Small    4to,    flexible    cloth    gilt,    gilt 
top,  uncut.  Lond.  1901 

908.  PEPYS  (SAMUEL).     The  Diary  of  Pepys,  transcribed 
by  Mynors  Bright,  with  Lord  Braybrooke's  Notes.     Edited, 
with  Additions,  by  Henry  B.  Wheatley.     Portraits  and  illus- 
trations.    8  vols.  12mo,  cloth.  Lond.  1896 

909.  PHILLIPS     (STEPHEN).      Primavera;      Poems     by 
Four  Authors.      FIRST  EDITION.      12mo,   original   wrappers, 
uncut.  Oxford,  1890 

*  With  the  half-title,  often  lacking. 

910.  PHILLIPS  (STEPHEN).     Poems.     12mo,  boards,  un- 
cut. Lond.  1898 

*  The  First  Edition  to  include  the  poem,  "  Christ  in  Hades." 

911.  PHILLIPS    (STEPHEN— and    others).      Primavera; 
Poems  by  Four  Authors.     Title  in  red,  green  and  black.     12mo, 
colored  wrappers,  uncut. 

Portland,  Me.:  Mosher,  1900 

*  No.  1  of  50  copies  printed  on  Japan  vellum.     The  Preface  is  by 
John  Addington  Symonds. 

912.  PHILLIPS  (STEPHEN).    Primavera.    Poems  by  Four 
Authors.    12mo,  green   vellum,   with  ties,   uncut,   Kelmscott 
style.  Portland,  Me.:  Mosher,  1900 

*  One  of  4  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher.     The  Preface  is  by  John  Addington  Symonds. 

913.  The    same    on    Kelmscott    hand-made    paper,  limited 
issue.     12mo,  boards,  uncut. 

914.  PHILLIPS    (STEPHEN).     Ulysses.     A  Drama  in   a 
Prologue  and  Three  Acts.     12mo,  cloth,  gilt  top,  uncut. 

N.  Y.  1902 

*  Presentation  inscription  on  fly-leaf,  not  the  author's. 

915.  PHILLIPS   (STEPHEN).     Endymion.      FIRST    EDI- 
TION.    8vo,  original   boards   and  folded  grey  wrappers,  uncut 
and  unopened.     Printed  on  one  side  of  leaf  only.       Lond.  n.  d. 

*  No.  5  of  30  copies  Privately  Printed.     Ornamental  Initials  in 

[132] 


Red.     Laid  in  is  a    4  pp.  folio  manuscript  of  Phillips,  signed,  of  an 

UNPUBLISHED  POEM, — "Semele,"  a  portion  of  which  follows: — 

"  Semele,  lying  in  the  arms  of  Jove, 

In  madness  of  too  curious  womanhood, 

Or  in  a  woman's  perilous  vanity, 

Looked  up  into  his  face,  and  murmured  thus — 

"Thou  visitest  me  secret  from  the  sky, 

But  as  an  earthly  lover;  yet  I  know 

Thou  art  a  god  descending  in  deep  night 

Down  from  the  flashing  silence  of  the  stars, 

Immortal  for  the  touch  of  mortal  lips. 

As  thou  art  god,  beloved,  swear  to  me 

One  thing  that  I  shall  ask  thee  to  fulfill." 

Then  answered  glorious  Jove,  in  human  guise,  &c. 

916.  PHILLIPS    (STEPHEN).     Paolo    &    Franceses    A 
Tragedy    in    Four    Acts.     SECOND    EDITION.        Lond.    1900; 
Another   copy   of   the  above  (different  edition),  frontispiece, 
Lond.  1902.     2  copies,  12mo,  cloth,  gilt,  gilt  tops,  uncut. 

917.  PLATO.    Opera  translatione  Marsilii  Ficini.    Folio,  old 
calf.     Waterstains  and  several  leaves  mended.     Not  returnable. 

Basileae:  H.  Frobenius  &  N.   Episcopius,   1551 

918.  PLATT    (C.   A.).     Italian   Gardens.     Colored  frontis- 
piece and  other  illustrations.     Royal  8vo,  cloth,  gilt  top,  uncut. 

N.  Y.  1894 

*  Presentation  copy,  with  autograph  inscription  by  the  author. 

919.  PLUTARCH.     Clough     (A.    H.).     Plutarch's    Lives. 
The  Translation  called  Dry  den's.     Corrected  from  the  Greek 
and  Revised.     5  vols.  8vo,  half  red  polished  morocco  gilt,  gilt 
tops,    uncut.  Bost.    1895 

920.  POE   (EDGAR  ALLAN).     Tales  and  Poems.     With 
Biographical  Essay  by  John  H.  Ingram.     Portrait,  photogra- 
vures and  etchings.      6  vols.  8vo,  light  green  levant  morocco, 
doublure  of  green   and  citron  levant   morocco,   gilt  borders, 
gilt  tops,  uncut.     Also  a  Facsimile  of  the  MS.  of  Murders  in 
the  Rue  Morgue,  folio,  half  dark  green  levant  morocco,  gilt 
edges,  (slightly  rubbed).     Together,  7  vols.  folio  and  8vo. 

Phila.  n.  d. 

*  Large  Japan  paper  library  edition,  limited  to  250  copies,  with 
the  plates  in  two  states. 

921.  POETRY.     Overheard    in    Arcady    by    R.    Bridges; 
Poems  by  G.  E.  Woodberry,  1903;  Music  by  H.  Van  Dyke, 
1908;  Songs  of  the  Soil  by  F.  L.  Stanton,   1895;  and  others. 
9  vols.  12mo,  cloth. 


922.  POETRY.     The  Town  down  the  River  by  E.  A.  Robin- 
son, 1910;  After  the  Ball  by  Nora  Perry,  1890;  the  Soul's  Pro- 
gress by  L.  V.  Ledoux,  1906;  the  Man  with  the  Hoe  by  E. 
Markham,  1899;  Cornell  Verse  by  H.  A.  Lyon  (1897) ;  and  others 
14  vols.  12mo,  cloth. 

923.  POETRY.     Robert  Browning's  Poetical  Works,  1901; 
Owen  Meredith's  Poetical  Works,  n.  d.;  Poetical  Works  of 
D.  G.  Rossetti,  1895;  Poetical  Works  of  Mrs.  Hemans,  n.  d.; 
and  others.     10  vols.  12mo,  cloth. 

924.  POETRY.     Poems  of  Henry  Timrod,  1901;  Poems  by 
Richard  Realf,  1898;  Ben  King's  Verse,  1898;  Poems  by  Jose- 
phine Daskam,  1903;  Poems  by  A.  Smith,  1853;  and  others. 
11  vols.   12mo,  cloth. 

925.  POETRY.     Poems  by  Paul  H.  Hayne,  1882;  Fables  for 
the  Frivolous  by  G.  W.Carryl,  N.  Y.  1898;  Early  Poems  by  J.  R. 
Lowell;  Collected  Poems  by  S.  Weir  Mitchell,  1896;  and  others. 
8  vols.  8vo,  and  smaller,  cloth. 

926.  POETRY.     Praise  and  Blame  of  Love,  1882;  Italian 
Lyrists  of  to-day,  1893;  A  Pomander  of  Verse  by  E.  Nesbit, 
1895;  Lyrics  and  Ballads  by  M.  L.  Woods,  1889;  A  Lost  Epic 
by  W.  Canton,  1887;  and  others.     17  vols.  12mo,  and  smaller, 
cloth,  etc. 

927.  POETRY.     Poems     of    Robert     Browning.     2     vols. 
N.  Y.,  n.  d.;  Poems  by  F.  Thompson,  1894;  L'Allegro  by  Milton, 
Phila.,  n.  d.;  Poems  by  L.  Johnson,  1895;  Poems  of  William 
Watson,  1893,  and  others.     10  vols.  12mo,  and  smaller,  cloth. 

928.  POINSINET  DE  SIVRY  (L.).     Le  Cercle,  ou  la  Soiree 
a  la  mode,  Comedie.     12mo,  half  levant  morocco,  gilt  back, 
gilt  top,  uncut.     Very  limited  edition.         Paris:  Jouaust,  1887 

929.  POPE     (ALEXANDER).     The    Poetical     Works    of 
Pope.     To  which  is  Prefixed  the  Life  of  the  Author.     Portrait. 
2  vols.  8vo,  dark  blue  straight-grain  morocco,  gilt  backs,  gilt 
sides  and  edges.  Lond.  1821 

*  One  of  100  copies  on  large  paper. 

930.  POPE  (ALEXANDER).     The  Works  of  Pope.      With 
Notes  and  Illustrations  by  Himself  and  Others.      To  which  are 
added  a  New  Life  of  the  Author,  Occasional  Remarks,  &c.  by 
William  Roscoe.      Portrait,     8  vols.  8vo,  full  polished  calf  gilt. 

Lond.  1847 

[134] 


931.  PRESCOTT    (WILLIAM    HICKLING).     The    Con- 
quest of  Mexico,  3  vols.  1859;  History  of  the  Reign  of  Ferdi- 
nand and  Isabella,  3  vols.,  1858;  The  History  of  the  Reign  of 
the   Emperor    Charles   the    Fifth.      FIRST    EDITION.     3   vols. 
1857;  History  of  the  Reign  of  Philip  the  Second,  King  of  Spain, 
3  vols.   1859;  Miscellanies,   1858.     Portraits  and  other  illustra- 
tions.    Together,  13  vols.   8vo,   uniformly  bound  in  half  calf 
(some  vols.   foxed).  Bost.   v.  d. 

*  Laid  in  is  an  A.  L.  S.  by  J.  Foster  Kirk,  Historian  and  Bibliographer, 
and  editor  of  Prescott's  works. 

932.  PRIDEAUX  (S.  T.).     A  Catalogue  of  Books  bound 
by  Miss  Prideaux  from  1890  to  1900.     26  plates.     8vo,  boards, 
uncut.  Lond.  [1900] 

*  200  copies.     Specimens  of  Miss  Prideaux's  work  are  catalogued 
in  this  collection  under  Binding. 

933.  PSYCHICAL  RESEARCH.     Phantasms  of  the  Living. 
By  E.  Gurney,  F.  W.  H.  Myers  and  Frank  Podmore.     Dia- 
grams.    2  vols.   8vo,  half  blue  polished  calf,   gilt  backs  and 
tops.  Lond.  1886 

934.  RABELAIS  (FRANCOIS).     Tout  ce  qui  existe  de  ses 
Oeuvres.     Edited    by    Louis    Moland.     Portrait.     12mo,    half 
red  morocco   gilt.  Paris,  n.  d. 

*  Laid  in  is  an  A.  L.  S.  of  A.  H.  Bullen,  in  regard  to  the  Rabelais 
published  by  the  Villon  Society. 

935.  RACINET  (A.).     Le  Costume  Historique.     500  plates, 
300  in  colors  and  gold  and  silver.     6  vols.  square  8vo,  half  red 
morocco  gilt,  gilt  tops.  Paris,  1888 

*  Fine  set. 

936.  RAMBAUD  (ALFRED).     History  of  Russia  from  the 
Earliest  Times  to  1880.     Translated  by  L.  B.  Lang,  edited  and 
enlarged    by    Nathan    Haskell    Dole.     Illustrations.     3    vols. 
in    2,    8vo,    half   roan.  Bost.  n.  d. 

937.  RAPHAEL.     The  School  of  Raphael,  or  the  Students' 
Guide  to  Expression  in  Historical  Painting,  etc.,  by  Benjamin 
Ralph.     Many  plates.    4to,  old  tree  calf  rebacked   (foxed  and 

2  first  leaves  inserted  from  a  shorter  copy). 

Lond.:   Hoydell,    n.    d.    [ca.    1800] 

938.  RAWLINSON  (GEORGE).     The  Seven  Great  Mon- 
archies of  the  Ancient  Eastern  World.     Maps  and  illustrations. 

3  vols.  12mo,  half  calf  gilt,  gilt  tops.  N.  Y.  n.  d 

[1351 


939.  RAYNOUARD  (F.  J.M.).  Histoire  du  Droit  Municipal 
en  France.     2  vols.  8vo,  half  morocco  (binding  faded,  and  pages 
foxed).  Paris,  1829 

*  Book  plate  of  Andrew  D.  White. 

940.  READE  (CHARLES).     Works.     Illustrated.     16  vols. 
in  8,  12mo,   cloth.  Bost.  n.  d. 

941.  REISET   (LE  COMTE  DE).     Modes  et  Usages  au 
Temps    de    Marie-Antoinette.     Photogravures,    colored    plates, 
and  many  other  illustrations.     2  vols.   royal  8vo,  half  red  moroc- 
co, gilt  tops,  (rubbed).  Paris:  Didot,  1885 

942.  RELIGIOUS  BIOGRAPHY,  ETC.     St.  Peter  and  the 
First  Years  of  Christianity  (Fouard),  1901;  The  Faith  of  Our 
Fathers  (Gibbons),  1900;  Modern  Guides  in  Matters  of  Faith 
(Hutton),    1891;   Christian  Philosophy    (Driscoll),  1898;   and 
others.     13  vols.  8vo  and  12mo,  cloth.  v.  p.,  v.  d. 

943.  REMBRANDT.     The  Complete  Work  of  Rembrandt. 
History,    Description,    and    Heliographical    Reproduction    of 
all  the  Master's  Pictures,  with  a  Study  of  his  Life  and  Art. 
The  Text  by  William  Bode,  assisted  by  C.  Hofstede  de  Groot; 
From  the  German  by  Florence  Simmonds.     Over  500  reproduc- 
tions.    8   vols.   folio,   wrappers,   uncut.  Paris,  1897-1906 

*  Limited  edition,  printed  on  Holland  paper.     With  the  prospectus 
containing  specimen  plates. 

944.  REMINISCENCES.     My  Recollections  (Countess  of 
Cardigan),    1909;  Diary  of  a  Looker-On   (Hind),   1908;  My 
Solitary  Summer,   1901;  Reminiscences  of  William  Wetmore 
Story,  1897;  Cheerful  Yesterdays  (Higginson),  1898;  Merimee's 
Letters  to  an  Incognita,  1894.     6  vols.  8vo,  and  12mo,  cloth. 

v.  p. 

945.  REPPLIER  (AGNES).     Essays  in  Miniature;  Books 
and  Men;  In  the  Dozy  Hours;  Essays  in  Idleness;  Points  of 
View.     5  vols.  12mo,  uniform  cloth,  gilt  tops.         Bost.  1895-96 

946.  RHYS    (ERNEST).     A    London    Rose    and    Other 
Rhymes.     FIRST  EDITION.     12mo,  cloth,  uncut.       Lond.  1894 

*  Limited  issue. 

947.  RICHARDSON  (JAMES  D.).     A  Compilation  of  the 
Messages  and  Papers  of  the  Presidents,  1789-1897.     Portraits, 
facsimiles  and  views.     10  vols.   royal  8vo,  half  morocco  gilt, 
gilt  tops.     Published  by  Authority  of  Congress,  [Wash.]  1899 

f  136] 


948.  RILEY  (JAMES  WHITCOMB).  Rhymes  of  Child- 
hood; Green  Fields  and  Running  Brooks;  Armazindy;  After- 
whiles;  Neighborly  Poems;  Pipes  o'  Pan  at  Zekesbury.  Some 
with  portraits.  Together  6  vols.  12mo,  cloth  (2  colors)  gilt 
tops,  uncut.  Indianapolis,  1895 

*  Laid  in  is  A.  L.  S.  2  pp.  16mo,  from  Riley  in  which  he  refers  to 
his  article  "Dialect  in  Literature"  sent  to  Mr.  Page  with  the  hope 
that  it  will  be  accepted  and  stating  "I  am  as  poor  a  logician  as  the 
most  gifted  of  poets  in  the  world  could  be;  nor  am  I  any  sort  of  a  shot 
on  earth  with  prose  weapons."     Dated  Denison  House,  Indianapolis, 
Ind.,  Oct.  11,  1892. 

^  949.  RIVERSIDE  PRESS.  Buonarotti  (Michelangelo). 
Sonnets  and  Madrigals,  rendered  into  English  Verse  by  Wil- 
liam Wells  Newell.  12mo,  cloth  gilt,  gilt  top,  uncut. 

Cambridge,  1900 

*  One  of  300  copies. 

950.  RIVERSIDE    PRESS.     Obermann.     Selections    from 
Letters  to  a  Friend,  by  Etienne  Pi  vert  de  Senancour.     2  vols. 
small  8vo,  boards,  uncut  and  unopened  (slightly  spotted). 

Cambridge,  1901 

*  One  of  300  copies. 

951.  RIVERSIDE  PRESS.     Lowell  (James  Russell).  Dem- 
ocracy,    An  Address.     12mo,  boards,  uncut.     Cambridge,  1902 

*  One  of  500  copies. 

952.  ROBIDA  (A.).     Les  Vielles  Villes    de   Suisse,  Notes 
et  Souvenirs.     105  dessins  a  la  plume  par  A.  Robida.     Royal 
8vo,  half  maroon  levant  morocco,  the  back  tooled  and  inlaid, 
gilt  top,  by  Ruban.  Paris,  1879 

953.  ROBIDA   (A.).     Les  Vielles  Villes  d'Espagne,  Notes 
et  Souvenirs.     125  dessins  a  la  plume  par  A.  Robida.     Royal 
8vo,  half  maroon  levant  morocco,  the  back  tooled  and  inlaid, 
gilt  top,  by  Ruban.  Paris,  1880 

954.  ROBINSON     (A.    MARY    F.).      Lyrics.      Portrait. 
12mo,  half  vellum,  gilt  top,  uncut.  Lond.  1891 

955.  ROMAN  CONTEMPORAIN.    The  Realists.     Zola's 
A  Page  of  Love,  2  vols.;  Dumas'  The  Lady  of  the  Camelias; 
Halevy's  The  Cardinal  Family;  Edmond  and  Jules  De  Gon- 
court's    Germinie    Lacerteux;    Daudet's    Sappho;    Flaubert's 
Madame   Bovary,  2  vols.;  Gautier's  Mademoiselle  de  Maupin, 

[  137  ] 


2  vols.  Many  etchings.  Together,  10  vols.  8vo,  citron  levant 
morocco,  doublures  of  panelled  citron  and  green  levant  morocco, 
end-papers  of  citron  levant,  gilt  tops,  uncut.  Phila.,  n.  d. 

*  Japan  paper  edition,  with  the  plates  in  two  states,  limited  issue. 

956.  ROMAN     CONTEMPORAIN.      The    Romanticists. 
Murger's  Bohemian  Life;  Aicard's  King  of  Camargue;  Clare- 
tie's  His  Excellency  the  Minister;  de  Bernard's  Gerfaut;  Lam- 
artine's  Raphael;  de  Musset's  The  Confession  of  a  Child  of  the 
Century;  Feuillet's  Monsieur  de  Camors;  Sand's  The  Devil's 
Pool.     Gautier's  Militona;   de  Musset's  Nouvelles.     Illustra- 
tions.    10  vols.   8vo,  cloth,   uncut.  Phila.,  n.  d. 

*  Limited  edition,  on  Japan  paper,  with  the  etchings  in  two  states. 

957.  ROMANTIC   TALES.     By   William   Black,   Thomas 
Hardy,   Wilkie  Collins,    Charles  Reade,    etc.      6  vols.    12mo, 
cloth.  N.  Y.,  n.  d. 

958.  ROOSEVELT  (THEODORE).     Advance  Proofs  from 
Africa.     4to,  in  a  board  portfolio.  N.  Y.  [1909] 

*  A  collection  of  parodies  on  various  New  York  periodicals,  some 
with  illustrations,  printed  as  a  souvenir  of  a  breakfast  given  to  Ex- 
President  Roosevelt  before  his  sailing  for  Africa. 

Laid  in  is  a  L.  S.  "T.  Roosevelt,"  Oyster  Bay,  Oct.  5,  1898. 

959.  ROOSEVELT  (THEODORE).  L.  S.  "Theodore  Roose- 
velt." N.  Y.,  Oct.  12th,  1898. 

*  Includes  9  words   written  in  his  autograph,  the  balance  type- 
written. 

960.  ROOSEVELT    (THEODORE).     L.    S.    "T.    Roose- 
velt. "  Montauk,  Sept.  3,  1898 

961.  ROSCOE   (THOMAS).     The  History  of  Painting  in 
Italy.     Translated  from   the   Italian   of   Abate   Luigi   Lanzi. 
Frontispiece.     3  vols.  12mo,  half  brown  morocco,  gilt  tops. 

Lond. 1847 

Writings  of  Christina  and  DanteJGabriel  Rossetti  j 

962.  ROSSETTI  (DANTE  GABRIEL).     Ballads  and  Son- 
nets.    FIRST  EDITION.     12mo,   cloth,   uncut.  Lond.  1881 

*  Inserted  is  an  A.  L.  S.  from  the  author  with  addressed  envelope, 
giving  David  Main  permission  to  use  two  of  the  sonnets. 

[138] 


963.  ROSSETTI  (DANTE  GABRIEL).    The  Blessed  Dam- 
ozel.     12mo,  boards,  uncut.  Portland,  Me. :  Mosher,  1895 

*  No.  22  of  50  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher.     Laid  in  is  A.  L.  S.  by  Rossetti  to  a  Mr.  Ralston  regarding 
corrections  adopted,  2  pp.   12mo,  dated  16  Cheyne  Walk,   17  Nov. 
1860. 

964.  ROSSETTI    (DANTE     GABRIEL).      The  Pageant. 
Edited  by  C.  Hazelwood  Shannon  and  J.  W.  Gleeson  White. 
Illustrated.     Z  vols.  Royal  8vo,  cloth,  uncut.     Lond.  1896-97 

*  Besides  the  work  of  Rossetti,  the  volumes  contain  verse  and  prose 
by  Edmund  Gosse,  Ernest  Dowson,  Maeterlinck,  and  others,  and 
illustrations  by  Burne-Jones,  Watts,  Walter  Crane,  Charles  Ricketts, 
William  Strang,  Lucien  Pissarro,  etc. 

965.  ROSSETTI  (DANTE   GABRIEL),  and  others.     The 
Germ:  Thoughts  Towards  Nature  in  Poetry,  Literature  and 
Art,    Facsimiles.     8vo,  sheets,  unstitched,  uncut. 

Portland,  Me. :  Mosher,  1898 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by  the 
publisher.     Laid  in  is  A.  L.  S.  by  Augustin  Daly,  theatrical  manager, 
8vo,  dated  New  York,  Dec.  3,  1898,  to  Rossetti  acknowledging  the 
receipt  of  "The  Germ,"  &c.     The  first  book  on  vellum  printed  in 
Maine. 

966.  ROSSETTI     (DANTE     GABRIEL).       The    Germ: 
Thoughts    Toward    Nature    in    Poetry,  Literature,   and    Art. 
Facsimiles.     8vo,  boards,  uncut  and  unopened. 

Portland,  Me. :  Mosher,  1898 

*  One  of  25  copies  on  Japan  vellum,  signed  by  the  publisher.      Laid 
in  is  a  4  pp.  A.  L.  S.  from  Wm.  M.  Rossetti,  discussing  the  matter  of 
writing  a  preface  for  the  above  edition;  and  a  2  pp.  A.  L.  S.  from 
W.  T.  DevereU,  giving  a  short  sketch  of  his  father. 

967.  ROSSETTI  (DANTE  GABRIEL)  Jenny.     Ornate  ini- 
tials, one  in  colors.     12mo,  boards,  uncut. 

Wausau,  Wis.,  The  Philosopher  Press,  1899 

*  One  of  600  copies  on  hand-made  paper. 

968.  ROSSETTI     (DANTE     GABRIEL).      Pictures    and 
Poems,  arranged    by    FitzRoy  Carrington.     Reproductions  of 
Rossetti's  paintings.     4to,  cloth,  silver  top.  N.  Y.  1899 

969.  ROSSETTI  (DANTE  GABRIEL).     The  Blessed  Dam- 
ozel.    Frontispiece,  text  printed  in  black  and  red.     Square  12mo, 
vellum,  uncut,  with  silk  ties.  Portland,  Me. :  Mosher,  1901 

*  No.  1  of  10  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher.     Laid  in  is  an  A.  L.  S.  by  Kenyon  Cox  to  Mr.  Mosher. 
referring  to  the  publication  of  the  "Germ." 

f  1391 


970.  ROSSETTI       (DANTE      GABRIEL).     The    Germ: 
Thoughts  Toward  Nature  in  Poetry,  Literature  and  Art.    1850. 
Facsimile  reprint,  with  introduction  by  W.  M.  Rossetti.     5 
parts,  8vo,  wrappers,  in  a  case.  Lond.  1901 

*  Limited  edition. 

971.  ROSSETTI  (DANTE  GABRIEL).     Poems.     Portrait 
of  the  author,  after  the  original  by  G.  F.  Watts,  and  title  in  red 
and  black.     Square  8vo,  wrappers  and  boards,  uncut. 

Portland,  Me.:  Mosher,  1902 

*  No.  1  of  25  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher. 

972.  ROSSETTI  (DANTE  GABRIEL).     Poems.     Portrait 
of  the  author,  after  the  original  by  G.  F.  Watts,  and  title  in  red 
and  black.     Square  8vo,  sheets,  unstitched,  uncut. 

Portland,  Me.:  Mosher,  1902 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by  the 
publisher. 

973.  ROSSETTI  (DANTE  GABRIEL  AND  CHRISTINA). 

The  New  Life  of  Dante;  Monna  Innominata;  The  House  of 
Life;  Hand  and  Soul;  The  Blessed  Damozel.  All  printed  on 
Japan  vellum,  limited  to  100  copies  each,  autographed  by  the 
publisher,  with  the  exception  of  the  last  named,  which  is 
printed  on  Kelmscott  hand-made  paper.  Together  5  vols. 
12mo,  boards.  Portland,  Me.:  Mosher,  v.  d. 

*  Laid  in  is  an  A.  L.  S.  by  C.  E.  Norton  addressed  to  Mr.  Mosher, 
and  complimenting  him  on  the  publication  of  Rossetti's  New  Life  of 
Dante;  2  pp.  16mo,  dated  Cambridge,  Dec.  3,  1896. 

974.  ROSSETTI  (WILLIAM  MICHAEL).     Ruskin:  Ros- 
setti:   Preraphaelitism.     Papers    1854    to    1862.     Illustrations. 
4to,  cloth,  gilt  top,  uncut.  Lond.  1899 

*  Limited  to  250  copies,  printed  on  hand-made  paper. 


975.  ROTHENSTEIN  (WILL).     English  Portraits.     A  Ser- 
ies of  Lithographs.     Folio,  cloth,  gilt  top,  uncut. 

Lond. 1898 

*  Limited  edition. 

976.  ROUMANIAN    FOLK-SONGS.     The    Bard    of    the 
Dimbovitza:  Roumanian  Folk-Songs  collected  from  the  Pea- 
sants by  Helene  Vacaresco,  translated  by  Carmen  Sylva  and 
Alma  Strettell.     12mo.  cloth  (soiled),  uncut.  Lond.  1891 

[140] 


977.  ROYCROFT   PRESS.     The   Philistine:  A  Periodical 
of  Protest.     Vols.  I  to  XV.     6  vols.  cloth  and  boards,  9  vols. 
ooze  calf  and  boards,  various  colors,  original  covers  bound  in, 
uncut,  together  15  vols.  16mo.  East  Aurora,  1895-1902 

978.  ROYCROFT    PRESS.      Hubbard    (Elbert).     Little 
Journeys  made  to  the  Homes  of  Ruskin  and  Turner.     Photo- 
gravures and  illumined  initials.     Royal  8vo,  boards,  uncut. 

East  Aurora,  1896 

*  Limited  to  473  copies,  signed  by  the  author. 

979.  ROYCROFT  PRESS.     The  Rubaiyat  of  Omar  Khay- 
yam, ooze  calf,  1898;  Sermons  from  a  Philistine  Pulpit,  1898; 
The  Roycroft  Quarterly,  No.  1,  May,  1896;  and  5  numbers  of 
The  Philistine.     Together,  8  vols.  various  sizes  and  bindings. 

East  Aurora,  v.  d. 

980.  RUSKIN  (JOHN).     Works.     Illustrated.     26  vols.  8vo, 
half  morocco,  gilt  tops.  N.  Y.  1894 

*  Limited  edition.    Laid  in  is  A.  L.  S.  1  p.  12mo,  from  Ruskin  to 
a  lady  who  had  sent  him  some  Sketches  with  which  he  was  greatly 
pleased  and  advises  her  to  become  "a  great  paintress — the  feminine 
termination  does  not  exist  there  never  having  been  such  a  being  yet 
as  a  lady  who  could  paint.   N.  p.— n.  d. 

981.  RUSKIN     (JOHN).     Sesame  and  Lilies.     Illuminated 
initials  and  marginal  decorations.     12mo,  red  levant  morocco 
gilt,  the  sides  in  a  floral  design,  gilt  top,  uncut,  by  Blackwell 
(the  flyleaves  slightly  damaged  by  water).     East  Aurora,  1897 

*  One  of  40  copies  hand  illumined,  with  signature  of  Elbert  Hubbard. 

982.  RUSSELL    (GEORGE    W.— author    of    "Homeward 
Songs    by    the    Way")     12    Autograph    Letters,    of    personal 
details  with  MS.  poems  used  in  printing  an  American  Edition 
of  "Homeward  Songs."     Also  an  A.  L.  S.  from  Edmund  Clar- 
ence Stedman  concerning  these  poems. 

983.  [RUSSELL  (GEORGE  W.).]     Homeward  Songs  by  the 
Way,  by  A.  E.     12mo,  paper  wrappers,  uncut.      Dublin,  1894 

*  FIRST  EDITION.     Laid  in  is  a  manuscript  poem  of  three  stanzas. 

984.  ST.   HELIER    (LADY-MARY   JEUNE).     Memories 
of  Fifty  Years.     Illustrated.     8vo,  cloth  gilt,  uncut. 

Lond. 1909 

f  1411 


985.  SAINT-AMAND  (IMBERT  DE).     Writings,  includ- 
ing Marie  Antoinette;  Citizeness  Buonaparte;  Women  of  the 
Valois  Court;  The  Wife  of  the  First  Consul,  and  others.    Fron- 
tispieces.    20  vols.  12mo,  cloth.  N.  Y.  1891,  etc. 

986.  SAINT    PIERRE     (BERNARDIN    DE).     Paul    et 
Virginie.    Engraved  frontispiece,  full-page  plates,  and  text  illus- 
trations, by  Maurice  Leloir.     Royal  8vo,  maroon  levant  morocco, 
gilt  back,  the  front  cover  with  a  gilt  design  of  bamboo  around 
a  palm-tree  inlaid  in  brown  and  several  shades  of  green,  wide 
inside  gilt  borders,  uncut,  by  Vauthrin.  Paris,  1887 

*  HANDSOME  COPT  of  this  French  Classic;  limited  edition  on  papier 
velin;  with  the  original  covers  preserved. 

987.  SALA  (GEORGE  A.).     Things  I  have  Seen  and  People 
I  have  Known.     Portrait.     FIKST    EDITION.     2  vols.    12mo, 
half  light-blue  calf  gilt,  gilt  tops,  uncut.  Lond.  1894 

988.  SAND     (GEORGE).     Francois   le    Champi.     Dessins 
et  aquarelles  de  Eugene  Bernand,  gravure  de  Guillaume  freres. 
8vo,  half  alligator  leather,  gilt  top,  uncut.  Paris,  1888 

*  Limited  Edition.     Laid  in  is  a  one  page  A.  L.  S.  of  the  author. 

989.  SAND     (GEORGE).     The    Masterpieces    of    George 
Sand.     Numerous  illustrations  after  Cortazzo,  Graff,  and  others, 
in  two  states,  on  India  paper  and  Japan  paper,  those  used  as 
frontispieces  being  finely  colored.     20  vols.  8vo,  cloth,  unopened. 

Phila.:  G.   Barrie   [1900-1902] 

*  Japan  paper,  limited  edition. 

990.  SARGENT  (JOHN  S.).     The  Works  of  John  S.  Sar- 
gent, R.  A.     With  an  Introductory  Note  by  Mrs.  Meynell. 
62  full  page  plates  in  direct  reproduction  from  the  original  paint- 
ings.    Folio,  cloth,  gilt  top,  uncut.  Lond.  1908 

*  WlTH  TWO   EXTRA   8ET8  OF  THE  PLATES,    ONE  ON  JAPAN   VELLUM, 
AND   THE  OTHER  ON   INDIA   PAPER,   THE   LATTER      LIMITED   TO  50    SETS 
AND  BOTH  IN  CLOTH  PORTFOLIOS. 

991.  SCHILLER   (FREDERICK).     Works     of     Schiller. 
Translated    from    the    German.     Portraits    and    illustrations. 
8  vols.   12mo,  half  morocco.  Bost.  1884 

*  Historical  Dramas,  2  vols.;  Early  Dramas,  2  vols.;   Revolt  of  the 
Netherlands;  Essays;  Poems;  Thirty  Years  War. 

992.  SCHOOLBOOKS.     Histories,  Rhetorics,  French  Books, 
etc.     31   vols.  8vo,  etc.,  various  bindings.  v.  p.,  v.  d. 

[142] 


993.  SCHWOB  (MARCEL).  Mimes.  With  a  Prologue  and 
Epilogue.  Done  into  English  by  A.  Lenalie.  Portrait  of  the 
author,  title  in  red  and  black,  and  initials  in  red.  8vo,  illuminated 
wrappers,  uncut.  Portland,  Me.:  Mosher,  1901 

*  No.  1  of  6  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher. 


994.  SCHWOB  (MARCEL).  Mimes.  With  a  Prologue 
and  Epilogue.  Done  into  English  by  A.  Lenalie.  Portrait 
of  the  author,  title  in  red  and  black,  and  initials  in  red.  8vo. 
wrappers,  uncut.  Portland,  Me.:  Mosher,  1901 

*  One  of  500  copies  printed  on  Van  Gelder  paper. 


995 — .The    same,    printed    on    Japan    vellum.       No.    1    of 
50  copies,  autographed  by  the  publisher. 


996.  SCOTT   (SIR  WALTER).     Prose  Works.     Steel  por- 
traits, frontispieces  and  vignette  title  engraved  after  Turner  (slightly 
foxed).     28  vols.  16mo,  morocco  gilt,  gilt  edges  (slightly  worn). 

Edinb.  1834-36 

997.  SCOTT  (SIR  WALTER).     Waverley  Novels.    Fron- 
tispieces and  vignette  titles  engraved  on  steel,  and  numerous  wood 
engravings  in  the  text.     48  vols.  12mo,  half  morocco,  gilt  tops. 

Edinb.  1877-79 

998.  SCOTT  (TEMPLE).     The     Pleasure     of     Reading; 
Young's  Authors'  Readings;  Johnston's  Lectures  on  Literature; 
De  Bury's  French  Literature  of  To-Day;  Raleigh's  The  English 
Novel;  Tredwell's  Plea  for  Bibliomania;  Moulton's  Four  Years 
of  Novel  Reading.     Together  7  vols.  8vo,  and  12mo,  various 
bindings.  v.  p.  ,v.  d. 


999.  SCRIBNER'S  POPULAR  HISTORY  of  the  United 
States.     By  W.   C.  Bryant,  S.  H.   Gay,  and  Noah  Brooks. 
Profusely  illustrated.     5  vols.  royal  8vo,  half  morocco,  gilt  tops. 

N.  Y.  1896 

1000.  SECRET  AND  HISTORIC   COURT  MEMOIRS. 

Portraits  from  famous  originals.  36  vols.  8vo.  HANDSOMELY 
BOUND  IN  DARK  BLUE  LEVANT  MOROCCO,  DOUBLURE  OF  THE 
SAME  WITH  A  GILT  BORDER  OF  VINE  AND  FLOWERS  SURROUND- 

[143] 


ING  CENTRE  PANELS  OF  LILAC  WATERED   SILK,  WITH   END 
PAPERS  OF  THE  SAME,  GILT  EDGES,  BY  BLACKWELL. 

Lond.:   H.    S.    Nichols    &   Co.,    1895-6 

*  LIMITED  EDITION  ON  JAPAN  PAPER.  Embracing  Secret  Memoirs 
of  the  Royal  Family  of  France,  2  vols.;  Courts  of  Sweden  and  Den- 
mark, 2  vols.;  Of  Berlin,  2  vols.;  Of  St.  Cloud,  2  vols.;  Of  Marie  An- 
toinette, 2  vols.;  Of  Empress  Josephine,  2  vols.;  Of  Europe,  2  vols.; 
Of  Austria,  2  vols.;  Of  Louis  XIV.;  Of  St.  Petersburg;  Memoirs  of 
Tallyrand,  2  vols.;  Madame  de  Montespan,  2  vols.;  Marmontel,  2  vols.; 
Joseph  Fouche,  2  vols.;  Madame  Du  Barri,  4  vols.;  Empress  Josephine; 
Louis  XV.;  History  of  Henry  IV.;  Memoirs  of  Cardinal  De  Retz; 
Marguerite  De  Valois. 


1001.  SECRET  COURT  MEMOIRS.  Louis  XIV;  Em- 
press Josephine,  3  vols.;  Louis  XV  and  XVI,  2  vols.,  Court 
of  St.  Cloud,  2  vols. ;  Court  of  Berlin,  2  vols.  Titles  and  illus- 
trations on  Japan  vellum.  10  vols.  8vo,  half  green  morocco, 
gilt,  gilt  tops,  uncut.  Edition  de  Grande  Luxe,  limited  and 
numbered  issue.  N.  Y.,  The  Grolier  Society,  n.  d. 


1002.  SECRET  MEMOIRS  of  the  Courts  of  Europe  from 
the  16th  to  the  19th  Century.  Illustrated.  14  vols.  8vo, 
cloth,  uncut.  Phila.  n.  d. 

*  One  of  a  limited  edition  on  Japan  paper,  with  the  plates  in  two 
states,  and  some  colored. 


1003.  SECRET  MEMOIRS  of  the  Courts  of  Europe  from 
the  sixteenth  to  the  nineteenth   century:   Marie    Antoinette, 
2  vols.;  Madame  de  Montespan,  2  vols.;  Marguerite  De  Valois ; 
Court  of  St.  Petersburg;  Courts  of  Sweden  and  Denmark,  2 
vols.;  Courts  of  Europe,  2  vols.     Portraits  and  illustrations  in 
two  states  on  India  paper,  and  on  Japan  paper.     10  vols.  8vo, 
blue  levant  morocco,  gilt  inside  borders,  silk  linings,  gilt  edges. 

Phila. :  G.  Barrie  &  Son,  n.  d. 

*  Japan  paper  Edition. 

1004.  SEWARD      (WILLIAM).       Anecdotes    of     Distin- 
guished Persons,  chiefly  of  the  last  and  two  preceding  centuries. 
Portraits  and  engravings.     4  vols.  8vo,  old  calf.         Lond.  1804 

1005.  SEX.     The    Intermediate    Sex     (Carpenter),     1909; 
The  Alternate  Sex  (Leland),  1904;  Love's  Coming-of-age  (Car- 
penter); A  Young  Woman's  Problems  (Halpin).     4  vols.  12mo, 
cloth.  v.  p. 

[144] 


Editions  of  the  Writings  of  Shakespeare 

1006.  SHAKESPEARE  (WILLIAM).     Plays  with  the  cor- 
rections and  illustrations  of  various  commentators  to  which 
are  added  notes  by  Samuel  Johnson  and  George  Steevens.     The 
Fourth  Edition  revised  and  augmented  (with  a  glossarial  index) 
by  the  editor  of  Dodsley's  collection  of  Old  Plays.     15  vols. 
8vo,  Russia,  by  Kalthoeber  (somewhat  rubbed  and  joints  weak, 
one  or  two  cracking).  Lond.  1793 

1007.  SHAKESPEARE    (WILLIAM).     Dramatic    Works; 
with  a  Life  of  the  Author,  and  a  Selection  of  Notes,  Critical, 
Historical,  and  Explanatory.     By  the  Rev.  W.  Harness.     To 
which  are  added  the  Author's  Poems.     Portraits  engraved  by 
Scriven.     8  vols.  8vo,  brown  morocco  gilt,  gilt  edges  (several 
plates   slightly   stained;   several   bindings   somewhat  rubbed). 

Lond. :  Printed  and  Sold  by  J.  F.  Dove,1830 

1008.  SHAKESPEARE  (WILLIAM).    The  Pictorial  Edi- 
tion of  the  Works  of  Shakespeare,  edited  by  Charles  Knight. 
Numerous  illustrations  engraved  on  wood  after  Harvey,  R.  W. 

Buss,  Pyne,  Creswick,  etc.     8  vols,  royal  8vo,  polished  tree  calf, 
gilt  tops  (light  scratch  on  a  cover).  Lond.  [ea.  1843] 

1009.  SHAKESPEARE  (WILLIAM).  The  Stratford  Shakes- 
peare.    Edited  by  Charles  Knight.     6    vols.    12mo,   polished 
calf,    gilt.  N.   Y.   Appleton,    1868 

1010.  SHAKESPEARE   (WILLIAM).     Works  in  reduced 
facsimile  of  the  first  folio  edition  of  1623.     Introduction  by 
J.  O.  Halliwell-Phillipps.     Portrait.     12mo,  cloth,  uncut. 

Lond.  1876 

1011.  SHAKESPEARE    (WILLIAM).     Works    edited    by 
Howard  Staunton.     Illustrations   by  Sir  John  Gilbert,   proofs 
on  India  paper.     15  vols.  royal  8vo,  red  levant  morocco,  gilt 
edges.  Lond.  1881 

*  Limited  Edition  de  luxe. 

1012.  SHAKESPEARE    (WILLIAM).     Works   of  Shakes- 
peare; the  Text  carefully  restored  according  to  the  First  Edi- 
tions, with  introductions,   and  a  Life  of  the  Poet.     By  the 
Rev.  H.  N.  Hudson.     Illustrations  on  Japan  Paper.     12  vols. 
12mo,  half  morocco,  gilt  tops.  [Bost.  1881] 

[145] 


1013.  SHAKESPEARE  (WILLIAM).     Comedies,  Histories 
and  Tragedies  of  Mr.  William  Shakespeare,  as  presented  at  the 
Globe  and  Blackfriars  Theatres,  c.  1591-1623.     Being  the  text 
furnished  the  Players,  in  parallel  pages  with  the  first  revised 
folio  text,  with  Critical  Introductions.     The  Bankside  Shakes- 
peare edited  by  Appleton  Morgan.     20  vols.  8vo,  half  levant 
morocco,  gilt  tops,  uncut.  N.  Y.   1888-92 

1014.  SHAKESPEARE  (WILLIAM).     Souvenir  of  Shakes- 
peare's  "King  Richard  II,"  produced  by  Mr.  Tree    at  His 
Majesty's  Theatre,  September  10,  1903.     A  long  sheet  of  drawing 
paper  reproducing  a  pageant  printed  in  colors,  with  a  facsimile  of 
Richard  II's  privy  seal  attached.  Lond.  1903 

1015.  SHAKESPEARE   (WILLIAM).     Plays,   edited   and 
annotated  by  Charles  and  Mary  Cowden  Clarke.    Illustrations 
by  H.  C.  Selous.    3  vols.  4to,  half  levant  morocco,  gilt  edges. 

Lond.:   Cassett,  etc.,  n.  d. 

1016.  SHAKESPEARE  (WILLIAM).    Works  edited  by  W. 
G.  Clark  and  W.  A.  Wright.     171  engravings  on  steel  after  the 
Boy  dell  illustrations,  and  50  photogravures,  all  proofs  on  India 
paper.    7  vols.  in  14  parts,  8vo,  blue  levant  morocco,  doublure 
of  green  levant,  gilt  panelled   blue  levant   linings,   gilt  tops, 
uncut.  Phila. :  G.  Barrie,  n.  d. 

*  Limited  to  150  copies  printed  on  Holland  handmade  paper. 

1017.  SHAKESPEARE  (WILLIAM).     Galerie  des  Femmes 
de  Shakespeare.    Frontispiece  (foxed)  and  45  plates  engraved  by 
the  best  English  artists.    8vo,  morocco  gilt,  gilt  edges  (rubbed). 

Paris:  H.  Delloye,  n.  d. 

1018.  SHAKESPEARE      (WILLIAM).        The      National 
Shakespeare:  A  Facsimile  of  the  Text  of  the  First  Folio  of  1623. 
Illustrations  by  J.    N.   Paton.     3  vols.     Folio,   gilt  embossed 
green  morocco,  gilt  tops,  uncut  (slightly  rubbed). 

Lond. :  W.  Mackenzie,  n.  d. 


1019.  [SHARP  (WILLIAM).]  The  Silence  of  Amor;  Prose 
Rhymes.  By  Fiona  Macleod.  Title  in  red  and  black,  and 
initials  in  red.  8vo,  wrappers,  and  boards,  uncut. 

Portland,  Me. :  Mosher,  1902 

*  No.  1  of  50  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher.  Laid  in  is  a  4  pp.  A.  L.  S.  from  the  author  concerning  the 
publication  of  a  Greek  Anthology. 

[146] 


1020.  [SHARP  (WILLIAM).]     From  the  Hills  of  Dream. 
Mountain  Songs  and  Island  Runes.     FIRST  EDITION.     12mo, 
cloth,  uncut.  Edinburgh,  n.  d. 

*  Laid  is  an  A.  L.  S.  relating  to  a  work  by  Matthew  Arnold. 

1021.  [SHARP  (WILLIAM).]     From  the  Hills  of  Dream, 
1  of  100  copies  on  Japan  vellum;  Celtic,  a  study,  1  of  50  copies 
privately  printed.     Together,  2  vols.     12mo,  boards,  uncut. 

Portland,  Me. :  Mosher,  v.  d. 

1022.  SHAW    (GEORGE    BERNARD).     Cashel   Byron's 
Profession.     A    Novel.      FIRST  EDITION.     8vo,    original    blue 
wrappers.     SCARCE.  Lond.  1886 

1023.  SHAW  (GEORGE  BERNARD).    The  Quintessence 
of  Ibsenism;  The  Perfect  Wagnerite;  John  Bull's  Other  Island 
and  Major  Barbara;  Three  Plays  by  Brieux.    Together,  4  vols. 
12mo,  cloth,  some  uncut.  N.  Y.,  v.  d. 

1024.  [SHELLEY  (PERCY  BYSSHE).]       Original  Poetry. 
By  Victor   and   Cazire.     Edited   by   Richard    Garnett.     8vo, 
boards,  uncut.  Lond.  1898 

1025.  SHERIDAN  (RICHARD  BRINSLEY).    The  School 
for  Scandal.    A  Comedy.    Illustrated  by  Frank  M.  Gregory.  Sev- 
eral plates  COLORED.  8vo,  full  polished  calf  gilt,  gilt  edges. 

N.  Y.  1892 

1026.  SHERMAN  (FRANCIS).    3  A.  L.  S.  8vo,  MS.  Sonnet, 
"On  the  Death  of  Marlowe,"  dated  1897,  and  proof  sheet,  con- 
taining four  sonnets,  signed  "Francis  Sherman."     Together, 
5  pieces,  various  sizes. 

1027.  SICHEL  (WALTER).    Emma  Lady  Hamilton.    From 
New  and  Original  Sources  and  Documents.    Illustrations.    8vo, 
cloth,  gilt  top,  uncut.  Lond.  1905 

1028.  SIENKIEWICZ    (HENRYK).      "Quo    Vadis."     A 
Narrative  of  the  Time  of  Nero.    Translated  from  the  Polish  by 
Jeremiah  Curtin.    New  Edition.    Maps  of  Rome,  and  illustra- 
tions after  Howard  Pyle,  and  others.    2  vols.  8vo,  vellum  boards 
gilt,  gilt  tops,  uncut.  Bost.  1897 

*  Limited  Edition  on  handmade  paper,  with  an  extra  series  of  the 
illustrations  on  handmade  paper. 

[147] 


1029.  SIMON  (ANDRE  L.) .    The  History  of  the  Wine  Trade 
in  England.    Illustrated.    3  vols.  8vo,  cloth  (not  quite  uniform), 
gilt  tops.  Lond.  1906-09 

1030.  SMITH    (F.   HOPKINSON).     Caleb  West,   Master 
Diver.    Illustrated,  1898;  Sinclair's  Love's  Pilgrimage,  Advance 
Copy,  1911.    2  vols.  12mo,  cloth  and  boards.  N.  Y.,  v.  d. 

*  Caleb  West  has  the  author's  pencilled  autograph  on  a  flyleaf. 

1031.  SMITH  (JOHN  JAY,  Editor).     American  Historical 
and  Literary  Curiosities.     Second  series.    Facsimiles  of  plates 
relating  to  Columbus,  and  original  documents  of  the  Revolution, 
colored    plates,  etc.      4to,  red   polished    morocco,  gilt    top,  bv 
Roach.  N.  Y.  1860 

1032.  SMITH   (SYDNEY).     Sydney  Smith,  His  Wit  and 
Wisdom.    Portrait.    16mo,  vellum,  silk  ties.  Lond.  1900 

*  One  of  60  copies  printed  on  vellum,  in  The  Bibelot  Series. 

1033.  SMOLLETT   (TOBIAS).     Works:    Peregrine  Pickle, 
2  vols.;     Count  Fathom;    Launcelot  Greaves;  Roderick  Ran- 
dom;    Humphrey     Clinker.        Portraits    and    illustrations.     6 
vols.  8vo,  half  calf  gilt,  gilt  tops,  uncut.  Lond.:    1892-94 

1034.  SOUTHEY  (ROBERT).     The  Life  of  Nelson.     Por- 
trait and  facsimile.     FIRST  EDITION.     2   vols.    12mo,  original 
boards  (joints  weak),  paper  labels  (slightly  torn),  uncut. 

Lond.:   Murray,  1813 

*  Extra  illustrated  by  the  insertion  of  2  portraits  and  a  2  pp.  A.  L.  S. 
from  Robert  Southey,  dated  Dec.  22,  1821.     In  a  morocco  slip  case. 

1035.  SOUTHEY  (ROBERT).     The  Life  of  Nelson.    En- 
graved portrait.    16mo,  half  morocco  gilt,  gilt  top,  bv  Blackwell. 

*  N.  Y.  1830 

1036.  SPEARS  (JOHN  R.).     Our  Navy  in  the  War  with 
Spain.     Over  1000  illustrations.      8vo,    three-quarter  polished 
blue  morocco  gilt,  gilt  top.  N.  Y.  1898 

1037.  SPENCER'S  Essays,  Scientific,  Political,  and  Specu- 
lative, 3  vols.,  1896;  The  Law  of  Psychic  Phenomena  (Hudson), 
1908;   Civilization  in  Europe  (Guizot);   Mill  on  Liberty,  1892, 
6  vols.  12mo,  cloth.  v.  p. 

[148] 


1038.  SPENSER  (EDMUND).  The  Faerie  Queene.  Pic- 
tured and  decorated  by  Louis  Fairfax-Muckley.  2  vols.  4to, 
cloth,  gilt,  gilt  tops,  uncut. 

Lond.:  Dent,  1897 

*  Limited  edition. 

^  1039.  SPOONER  (S.).  Anecdotes  of  Painters,  Engravers, 
Sculptors  and  Architects  and  Curiosities  of  Art.  Numerous 
illustrations.  Thick  12mo,  half  polished  calf  gilt,  gilt  top. 

N.  Y.,  n.  d. 

1040.  STEDMAN    (EDMUND   CLARENCE).     Poets   of 
America.      12mo,   three-quarter  polished  green  morocco   gilt, 
gilt  top.  uncut.  Bost.  1890 

*  Laid  in  is  an  A.  L.  S.  from  the  author  making  an  appointment. 

1041.  STEDMAN   (EDMUND  CLARENCE).     Victorian 
Poets,    and   Poetical   Works.      Portrait.      %    vols.    12mo,    half 
polished  green  morocco,  gilt  tops.  Bost. :   1891-n.  d. 

*  Laid  in  are  an  A.  L.  S.  by  Stedman  to  Mr.  Mosher,  3  pp.  16mo. 
N.Y.  Sept.  15,  1895,  and  a  L.  S.  to  the  same,  2  pp.  12mo,  March  4, 
1897. 

1042.  STEDMAN  (EDMUND  CLARENCE).     A.  L.  S.  to 
Mr.  Mosher.     4pp.  12mo,  N.  Y.  Febr.  5,  1893. 

*  Unusually  interesting  letter  to  Mr.  Mosher,  regarding  his  publi- 
cations. 

1043.  STEDMAN      (EDMUND     CLARENCE).      Auto- 
graph Card  signed  and  autograph  order  form  addressed  to  Mr. 
Mosher,  and  a  letter  written  by  the  secretary  in  his  name  ad- 
dressed to  the  same.     3  pieces. 

1044.  STEPHEN  (LESLIE).     Hours  in  a  Library.     3  vols. 
12mo,  half   green  morocco,  white  and   red  mosaics  in  backs, 
gilt  tops,  uncut.  N.  Y.  1894 

1045.  STEPHEN   (LESLIE).     Hours  in  a  Library.     New 
Edition.     3  vols.  12mo,  cloth,  uncut.  Lond.  1899 

1046.  [STERNE  (LAURENCE)].     A  Sentimental  Journey 
through  France  and  Italy.      By  Mr.  Yorick.       2  vols.,  16mo, 
green   levant  morocco,  gilt  panelled  backs,  floriated  design  in 
panels  on  sides,  doublure  of  brown  levant  with  wide  gilt  border, 
silk-brocade  end  papers,  gilt  edges,  by  Chambolle-Duru. 

Lond. :  T.  Beckett,  1768 

*  HANDSOME  COPY  OF  THE  VERY  RARE  FIRST  EDITIOX,  WITH  THE 
HALF  TITLES  AND  LIST  OF  SUBSCRIBERS.     (See  Reproductions.) 

[  Hi)  ] 


1047.  STERNE  (LAURENCE).  Sermons,  Portrait,  6  vols.; 
A  Sentimental  Journey,  2  vols.;  Tristram  Shandy,  illustrated, 
6  vols.;  Letters,  Portrait  of  Lydia  Sterne,  3  vols.  Together,  17 
vols.  12mo,  uniformly  bound  in  old  tree  calf.  Lond.  1775-77 

*  Laid  in  are  a  full  length  portrait  of  the  author  engraved  by  Birrell 
after  T.  Stothard:  part  of  a  title-page  of  "Tristram  Shandy,"  on 
which  is  the  autograph,  L.  Sterne;  and  the  following  notation, 
"Given  by  a  Lady  to  whose  ancestors  Sterne  himself  gave  a  copy 
of  Tristram  Shandy  and  wrote  his  name  in  each  volume."  All 
mounted  on  a  sheet  12  x  9  inches. 


1048.  STEVENSON  (ROBERT  LOUIS).  The  New  Am- 
phion.  Being  the  Book  of  the  Edinburgh  University  Union 
Fancy  Fair.  18mo,  vellum,  ties,  (back  broken). 

Edinburgh,  1886 

*  Contains  the  first  appearance  of  "Some  College  Memories"  by 
Stevenson. 


1049.  STEVENSON  (ROBERT  LOUIS).     The  Novels  and 
Tales  of  Robert  Louis  Stevenson.     Illustrations  on  Japan  vel- 
lum.    22  (should  be  26)  vols.  8vo,  three  quarter  green  levant 
morocco,  gilt  tooled  backs,  gilt  tops,  uncut. 

N.  Y.  Scribner's  Sons,  1897-98 

1050.  STEVENSON  (ROBERT  LOUIS).     Underwoods;  A 
Child's  Garden  of  Verses,  both  printed  on  Japan  vellum,  100 
of  each  printed  autographed  by  the  publisher;  Father  Damien, 
2  copies,  1  of  25,  and  1  of  50  copies,  both  on  Japan  vellum; 
Acs  Triplex.     Together,  5  vols.  12mo,  and  24mo,  boards,  uncut. 

Portland,  Me.:  Mosher,  v.  d. 

1051.  STEVENSON    (ROBERT    LOUIS).    A.    L.    S.    to 
Richard  Le  Gallienne  3J^  pages  12mo,  dated  Vailima,  Samoa, 
Dec.  28,  1893.     With  addressed  envelope.     A  very  fine  speci- 
men signed  in  full  "Robert  Louis  Stevenson." 

*  "I  have  received  some  time  ago  through  our  friend,  Miss  Taylor, 
a  book  of  yours.  But  that  was  by  no  means  my  first  introduction  to 
your  name.  The  same  book  had  stood  already  on  my  shelves;  I  had 
read  articles  of  yours  in  the  Academy;  and  by  a  piece  of  constructive 
criticism  (which  I  trust  was  sound)  had  arrived  at  the  conclusion  that 
you  were  a  good  writer.  Since  then  I  have  seen  your  beautiful  verses 
to  your  wife  .  .  .  .  I  had  and  I  have  to  thank  you  for  the 
intimate  loyalty  you  have  shown  to  myself;  for  the  eager  welcome 
that  you  give  to  what  is  good  ....  You  are  still  young  and  you 
may  live  to  do  much.  The  little  artificial  popularity  of  style  in 
England  tends,  I  think,  to  die  out;  the  British  pig  returns  to  his  vomit 
— to  his  true  love,  the  love  of  the  styleless,  of  the  shapeless  .  .  .  ." 

[150] 


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1052.  STIRLING-MAXWELL  (SIR WILLIAM).  Works- 
including  Annals  of  the  Artists  of  Spain,  4  vols.;  Cloister  Life 
of  the  Emperor  Charles  V.;  Miscellaneous  Essays  and  Addresses. 
Portraits   and   illustrations.     6    vols.,  square    8vo,    half    dark- 
green  levant  morocco  gilt,  gilt  tops,  uncut.  Lond.  1891 

1053.  STONEWALL  JACKSON  and  the  American  Civil 
War,  by  G.  F.  R.  Henderson,  Vol.  2,  1903;  From  the  Easy  Chair 
by  G.  W.  Curtis,  Series  1st  and  3d.     3  vols.  12mo,  and  24mo, 
cloth. 

1054.  STONYHURST  PHILOSOPHICAL  SERIES.     Rick- 
aby's   Metaphysics;   Boedder's   Natural  Theology;   Rickaby's 
First  Principles;   Devas'   Political  Economy;   Clarke's   Logic; 
Maher's  Psychology.      Together,  6  vols.  12mo,  uniform  cloth. 

Lond.  1899-1901 

1055.  STRAHAN  (EDWARD).     Art  treasures  of  America, 
being  the  choicest  works  of  art  in  the  public  and  private  col- 
lections  of   North   America.     Plates,   proofs   on   India   paper, 
and  numerous  text  illustrations.   3  vols.  folio,  citron  levant  moroc- 
co, doublure  of  rose  levant,  gilt  dentelle  borders,  with  the  mono- 
gram of  Miss  Grigsby  in  the  centre,  linings  of  cut  velvet  in  a 
floral  design,  gilt  tops.  Phila. :  G.  Barrie  [1880] 

*  Limited  edition  de  luxe. 

1056.  STRANG  (WILLIAM).     The  Earth  Fiend:  a  Ballad 
made  and  etched  by  William  Strang.     Title  and  10  etchings, 
all  proofs  signed  by  the  author,  and  with  mat.     Folio,  half  morocco. 

Lond.  1892 

*  Only  55  copies  printed,  each  signed  by  the  author.     RARE. 

1057.  STREET-BALLADS.     A  Collection  of  20  Broadside 
Street-Ballads,  including  The  Waterman,  Lord  Marlborough, 
The  Scolding  Wife,  Sweet  Betsy,  and  The  Sheffield  Prentice. 
Woodcuts.      Loosely  inserted  in  a  small  blank-book  made  for 
the  purpose,  and  lettered  "  Chapbooks."     12mo,  half  red  levant 
morocco,  gilt  edges  (most  of  the  ballads  have  been  cut  in  two). 

York,  etc.,  ca.  1800 

1058.  SUE    (EUGENE).     The   Mysteries   of  Paris.     Illus- 
trations after  H.  Valentin  and  others.     3  vols.,  royal  8vo,  half 
morocco  gilt,  gilt  tops,  uncut.  Lond.  1845 

*  Chapman  and  Hall's  Best  Edition  translated  from  the  French. 

[153] 


1059.  SWIFT  (JONATHAN).     Remarks  on  the  Life  and 
Writings  of  Dr.  Swift,  in  a  Series  of  Letters  from  John  Earl 
of  Orrery  to  his  Son.     Portrait.    8vo,  old  English  red  morocco, 
with  wide  dentelle  borders  on  sides,  gilt  back  and  edges  (ink 
stain  on  title).  Lond.:  A.  Millar,  1752 

1060.  SWIFT    (JONATHAN).     Travels   into   Several   Re- 
mote Regions  of  the  World.    By  Lemuel  Gulliver.    Preface  by 
Henry  Craik.   .  100  illustrations  by  Brock.     12mo,   cloth,   gilt 
extra,   gilt   edges.  Lond.  1894 

A  Remarkable  Collection  of  the  Writings  of  Algernon 

Charles  Swinburne,  Mainly  First  Editions  in 

Original  Cloth  or  Wrappers 

1061.  SWINBURNE  (A.  C.).     Dead  Love.   FIRST  EDITION. 
8vo,  brick-red  wrappers,  with  title-page  reproduced  on  front 
cover.  Lond.  1864 

*  This  story  has  never  been  reprinted.     Fine  copy  of  a  very  rare 
and  interesting  Swinburne  item. 

1062.  SWINBURNE  (A.  C.).     The  Children  of  the  Chapel, 
a  Tale.     By  the  author  of  "Mark  Dennis."       FIRST  EDITION. 
12mo,  original  cloth  (writing  on  title,  the  upper  blank  part  of 
the  title  cut  off  and  later  repaired).  Lond.  1864 

*  SCARCE.    The  interludes  in  verse  were  by  Swinburne:  the  tale 
was  by  his  cousin,  Miss  Gordon. 

1063.  SWINBURNE    (A.    C.).     Atalanta   in   Calydon.     A 
Tragedy.      FIRST    EDITION.      Small  4to,  original  white  cloth 
gilt,    uncut.  Lond.    1865 

*  SCARCE.    The  gilt  designs  on  the  front  cover  are  by  D.  G.  Rossetti. 
It  is  stated  that  only  100  copies  of  the  FIRST  EDITION  were  printed. 

1064.  SWINBURNE    (A.    C.).     Chastelard;    A    Tragedy. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1865 

1065.  [SWINBURNE  (A.  C.).].     Rossetti  (W.  M.).     Swin- 
burne's Poems  and  Ballads.     A  Criticism.     FIRST    EDITION. 
12mo,  gray  levant   morocco   gilt,  gilt-toqled   design  on  sides, 
doublure  of  similar  morocco  around  borders,  gilt  top,  uncut, 
(slight  water  stains  on  sides  and  edges).  Lond.  1866 

[154] 


1066.  SWINBURNE  (A.  C.).     Cleopatra.     FIRST  EDITION. 
Square  12mo,  original  wrappers.  Lond.  1866 

*  RARE.     This  poem  has  been  entirely  dropped  by  its  author,  and 
is  not  included  in  any  of  his  collected  volumes. 

1067.  SWINBURNE  (A.  C.).     Notes  on  Poems  and  Reviews 
FIRST  EDITION.     8vo,  stitched,  as  issued,  (slightly  stained). 

Lond.  1866 

1068.  SWINBURNE  (A.  C.).  Poems  and  Ballads.     FIRST 
EDITION.      12mo,  original  cloth,  uncut.      Lond.:    Hotten,  1866 

*  FIRST  EDITION  with  Hotten's  Title-page. 

1069.  SWINBURNE    (A.  C.).     Laus  Veneris,    THE   EX- 
TREMELY RARE  FIRST  EDITION.     8vo,  original  sheets,  uncut 
and   unstitched.  Lond.  1866. 

*  A  very  few  copies  were  printed  and  circulated  privately  among 
friends  of  the  author.  In  the  1866  edition  of  "Poems  and  Ballads," 
this  work  was  included.  Mr.  Thomas  J.  Wise,  Swinburne's  best 
bibliographer,  possesses  the  original  manuscript  of  "Laus  Veneris." 
There  is  no  copy  of  this  work  in  the  British  Museum. 

1070.  SWINBURNE  (A.  C.).    Unpublished  Verses.    FIRST 
EDITION.     12mo,  2pp.  leaflet,  as  issued.  Lond.  [1866] 

1071.  SWINBURNE  (A.  C.).     Dolores.     FIRST  SEPARATE 
EDITION.  12mo,  original  printed  wrappers.    Lond. :  Hotten,  1867 

*  VERY   SCARCE.     Reserved   for   private    circulation    only.       The 
poem  had  previously  appeared  in  "Poems  and  Ballads,"  Lond.  1866. 

1072.  SWINBURNE    (A.   C.).    A  Song  of  Italy.     16mo, 
wrappers  (name  on  cover;  Bookseller's  stamp  on  title). 

Bost.  1867 

1073.  SWINBURNE    (A.  C.).     A    Song    of    Italy.    FIRST 
EDITION.      12mo,    original    cloth,    uncut.      (Library      copy, 
with  stamp).  Lond.  1867 

1074.  SWINBURNE  (A.  C.).      Notes  on  the  Royal  Acade- 
my Exhibition,  1868.     Part  I.  by  W.  M.  Rossetti.     Part   II. 
by  Algernon  Charles  Swinburne.     8vo,  original  wrappers. 

Lond.  [1868] 

1075.  SWINBURNE  (A.  C.).     Siena.      FIRST  EDITION  IN 
PAMPHLET  FORM.     16mo,  original  glazed  paper  covers  (slightly 

[155] 


spotted  on  front  cover    with  name  thereon,   and  the    lower 
margins  of  pages  11  to  16  cut  away).  Phila.  1868 

*  Exceedingly  rare,  and  apparently  the  FIRST  EDITION  of  the  poem. 
This    pamphlet    is    not    mentioned    in    Wise's   Bibliography.     The 
earliest  issue  there  described  is  one  printed  in  London,  by  Hotten, 
in  the  same  year,  of  which  Wise  says:  "Siena  first  appeared  in  Lip- 
pincotts  Magazine,  for  June  1868,  pp.  622-629,  and  was  reprinted  in 
pamphlet  form  simply  in  order  to  secure  the  English  copyright.     Mr. 
Swinburne    has   Informed    me    that    only   six   copies  were  printed, 
one  of  which  was  sold,  and  the  others  distributed  privately.     Of  these 
six  copies  four  only  can  now  be  traced.     The  pamphlet,  therefore 
is  one  of  the  rarest  of  the  first  editions  of  Mr.  Swinburne's  writings." 
The  Preface  of  the  present  pamphlet  is,  however,  dated  "Philadel- 
phia, June  1st,   1868,"  and  its  appearance  was  therefore  probably 
almost  simultaneous  with  that  of  the  June  Lippincott.     It  would 
therefore  take  precedence  of  the  London  pamphlet  which  was  reprinted 
from  that  issue  of  the  magazine. 

1076.  SWINBURNE  (A.  C.).     Siena.     12mo,  orange  col- 
ored   wrappers.  Lond.    1868 

*  Probably  one  of  the  first  published  (second  or  spurious)  editions. 
It  was  issued  by  J.  Camden  Hotten,  who  purchased  the  only  copy 
of  the  genuine  first  issue  that  was  sold,  the  other  five  (only  six  were 
issued)  having  been  presented  to  the  author's  friends. 

1077.  SWINBURNE  (A.  C.).     William  Blake.    A  Critical 
Essay.     Illustrations    from     Blake's     Designs     in     facsimile, 
Colored  and  Plain.       FIRST  EDITION.     8vo,   light  blue  cloth 
gilt,   uncut.  Lond.    1868 

1078.  SWINBURNE  (A.  C.).     Ode  on  the  Proclamation 
of  the  French  Republic,  September  4,  1870.     FIRST  EDITION. 
8vo,  printed  wrappers,  as  issued,  uncut.  Lond.  1870 

*  This  outspoken  utterance  of  Swinburne's  was  included  in  the 
FIRST  EDITION  of  "Songs  of  Two  Nations"  published  in  1875.     It  has 
never  been  reprinted  in  separate  form. 

1079.  SWINBURNE     (A.     C.).     Songs     before     Sunrise. 
FIRST    EDITION.     12mo,    handsomely    bound    in    dark  blue 
levant    morocco,    gilt   panelled    back   of    leaves    and    stars, 
sides  tooled  in  a  semis  of  small  stars  surrounded  with  fillets 
and  leaves  with  gilt  crescents  in  corners,  wide  inside  cover 
borders,    gilt   over   uncut   edges,    by   The    DOVES   BINDERY, 
signed  "The  Doves  Bindery,  18c.-s.99."  Lond.  1871 

(See  Reproduction.) 

1080.  SWINBURNE    (A.  C.).     Pleasure:  a  Holiday  Book 
of  Prose  and  Verse.     Contains  contributions  from  Tom  Hood, 
Charles  Kingsley,   &c. ;  and  the  First  Appearance  of  "Tris- 
tram and  Iseult,"  by  A.  C.  Swinburne.     Illustrations.     12mo, 
decorative  boards,  gilt  edges  (rubbed).  Lond.  1871 

[  156  ] 


SWINBURNE.     SONGS  BEFORE  SUNRISE. 

Bound  at  the  Doves  Bindery. 

No.  1079 


1081.  SWINBURNE     (A.     C.).     Songs     before     Sunrise. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.         Lond.  1871 

1082.  SWINBURNE    (A.    C.).     Under    the    Microscope. 
FIRST   EDITION.     12mo,  original   printed  wrappers  as  issued, 
uncut.  Lond.  1872 

*  Contains  the  Rare  Leaf  of  Errata  at  the  end. 

1083.  SWINBURNE  (A.  C.).      Le    Tombeau    de    Theo- 
phile  Gautier.     Etched  portrait.     Small  4to,  original  wrappers, 
uncut.  Paris,  1873 

*  Contains  verses  upon  the  death  of  Gautier  by  Hugo,  Jules  Claretie, 
John  Payne,  Swinburne,  and  others. 

1084.  SWINBURNE     (A.    C.).     Bothwell;    A    Tragedy. 
FIRST  EDITION.     Thick,  12mo,  original  cloth,  uncut. 

Lond.  1874 

1085.  SWINBURNE  (A.  C.).     Auguste  Vacquerie.     FIRST 
EDITION.     8vo,  original  wrappers,  uncut.  Paris,  1875 

*  VERY   SCARCE.     Originally   published   in   the   "Examiner,"   but 
never   separately   printed   in   England.  Issued   in   brick-red     paper 
wrappers,  with  the  title  page  reproduced  on  front  cover. 

1086.  SWINBURNE  (A.  C.).     George  Chapman.    A  Crit- 
ical Essay.     FIRST  EDITION.     12mo,  original  cloth,  uncut. 

Lond.  1875 

1087.  SWINBURNE    (A.    C.).     Songs    of  Two  Nations. 
FIRST  EDITION.     12mo,  original  cloth,  uncut  (somewhat  rub- 
bed). Lond. 1875 

1088.  SWINBURNE    (A.    C.).     Bothwell.     A    Tragedy. 
2  vols.  12mo,  original  cloth,  uncut.  Lond.  1875 

*  Copies  of  Bothwell  in  two  volumes  as  above  are  exceedingly  un- 
common.    They  are  made  up  of  the  sheets  of  the  original  one  volume 
edition  issued  in  1874,  and  are  considered  by  collectors  generally  much 
more  valuable  than  the  actual  FIRST  EDITION.     Contains  the  eight 
preliminary  pages  including  the  Sonnet  to  Victor  Hugo  in  French. 

1089.  SWINBURNE  (A.  C.).     Essays  and  Studies.     FIRST 
EDITION.      12mo,  original   cloth,    uncut.      (Circulating   Libra- 
ry Copy;  somewhat  rubbed  and  blistered).  Lond.  1875 

1090.  SWINBURNE    (A.  C.).      Joseph  and  his    Brethren; 
A  Dramatic  Poem.     By  Charles  Wells.     Introduction  by  A.  C. 
Swinburne.     FIRST   EDITION.       12mo,    original    cloth,    uncut. 

Lond.  1876 

f  1591 


1091.  SWINBURNE  (A.  C.).     Note  of  an  English  Repub- 
lican   on    the    Muscovite    Crusade.        FIRST    EDITION.     8vo, 
blue-grey  wrappers.  Lond.  1876 

1092.  SWINBURNE    (A.    C.).     Erechtheus.     A    Tragedy. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1876 

*  With  bookplate  of  Seward  Brice. 

1093.  [SWINBURNE     (A.    C.).].     The    Tatler,    Vol.    II. 
August  25th,  to  December  29th,  1877.     Contains  "A  Year's 
Letters,"  by  Mrs.  Horace  Manners  [A.  C.  S.].     A  Novel  in 
Thirty   Chapters,    told   in   the   form   of   Letters.     The   whole 
preceded  by  a  prefatory  letter  "To  the  Author."     Bound  in 
1  vol.  4to,  boards  morocco  back,  uncut. 

*  Buried  in  Chapter  XX.  (page  326  of  The  Tatler)  is  a  set  of 
6  verses  by  Swinburne,  not  printed  elsewhere,  the  first  verse  of  which 
follows, — 
Fair  face,  fair  head,  and  goodly  gentle  brows, 

Sweet  beyond  speech  and  bitter  beyond  measure: 
A  thing  to  make  all  vile  things  virtuous, 

Fill  fear  with  force  and  pain's  heart's  blood  with  pleasure; 
Unto  thy  love  my  love  takes  flight,  and  flying 
Between  thy  lips  alights  and  falls  to  sighing. 

1094.  SWINBURNE  (A.  C.).     A  Note  on  Charlotte  Bronte. 
FIRST  EDITION.     12mo,  "Reckett's  Blue"  cloth,  uncut. 

Lond.  1877 

*  Fine  Copy  of  the  Genuine  FIRST  EDITION,  First  Issue. 

1095.  SWINBURNE  (A.  C.).     Poems  and  Ballads.     Second 
Series.     FIRST   EDITION.     12mo,    original   cloth,    uncut. 

Lond. 1878 

1096.  SWINBURNE     (A.    C.).     Studies    in  Song.     FIRST 
EDITION.     12mo,  original  cloth,  uncut.  Lond.  1880 

1097.  SWINBURNE  (A.  C.).     Specimens  of  Modern  Poets. 
The  Heptalogia  of  the  Seven  against  Sense.     A   Cap  with 
Seven  Bells.     FIRST   EDITION.     12mo,   original  cloth,   uncut. 

Lond.  1880 

*  VERY  SCARCE.     This  work  was  published  anonymously  and  is 
now   difficult   to   procure.     The   authorship   was   acknowledged   by 
Swinburne  at  a  comparatively  recent  date. 

1098.  SWINBURNE    (A.   C.).     Songs  of  the  Springtides. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1880 

[1601 


1099.  SWINBURNE    (A.   C.).     A   Study   of  Shakespeare. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1880 

1100.  SWINBURNE  (A.  C.).     Mary  Stuart.     A  Tragedy. 
FIRST  EDITION.      (With   the   Advertisements).      12mo,   origi- 
nal  cloth,   uncut.  Lond.  1881 

1101.  SWINBURNE  (A.  C.).     Tristram  of  Lyonesse,  and 
other  Poems.     FIRST  EDITION.     12mo,  original  cloth,  uncut. 

Lond.  1882 

*  With  the  armorial  bookplate  of  Alfred  Cock  of  the  Middle  Temple. 

1102.  SWINBURNE     (A.     C.).     Les    Cenci.     Drame    de 
Shelley.     Traduction  de  Tola  Dorian.     Avec  Preface  de  Alger- 
non   Charles     Swinburne.     FIRST    EDITION.     12mo,    original 
light-green  wrappers,  uncut   (several  corners  missing;  library 
label    on    cover).  Paris;  Lemerre,  1883 

1103.  SWINBURNE   (A.   C.).     [Shepherd   (R.  H.)].     The 
Bibliography  of  Swinburne;  a  Bibliographical  List,  arranged  in 
chronological  order,  of  the  Published  Writings  in  Prose  and 
Verse,  of  A.   C.  Swinburne,   1857-1883.     12mo,    flexible  calf, 
gilt  tops,  original  wrappers  bound  in.  [Lond.  1883] 

*  One  of  250  copies  printed  for  Private  Circulation,  with  interleaves, 
on  which  are  written  numerous  additions.     With  the  name  of  Thomas 
B.  Mosher  and  date  on  fly-leaf. 

1104.  SWINBURNE     (A.    C.).     In  the   Album   of   Adah 
Menken.     FIRST    EDITION.      12mo,     2pp.    leaflet.     [Privately 
Printed;  Lond.   1883]. 

*  Contains  two  verses  in  French  entitled  "Dolorida,"  written  for 
the  actress  Adah  Menken,  in  her  autograph  album.     Only  a  few 

copies  privately  printed. 

1105.  SWINBURNE    (A.    C.).     A    Century    of    Rondels. 
FIRST  EDITION.     8vo,  original  cloth,  uncut.  Lond.  1883 

1106.  SWINBURNE    (A.   .C.).     A    Midsummer    Holiday; 
and    other    Poems.     FIRST  EDITION.      12mo,    original    cloth, 
uncut.  Lond.  1884 

1107.  SWINBURNE  (A.  C.).     Marino  Faliero.    A  Tragedy. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1885 

1108.  SWINBURNE  (A.  C.).     Miscellanies.     [Short  Notes 
on    English  Poets].     FIRST  EDITION.      12mo,    original    cloth, 
uncut.  Lond.  1886 

[161] 


1109.  SWINBURNE   (A.  C.).     A  Study  of  Victor  Hugo. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1886 

1110.  SWINBURNE  (A.  C.).     Selections  from  the  Poetical 
Works  of  A.  C.  Swinburne.     12mo,  cloth  gilt,  uncut. 

Lond.  1887 

1111.  SWINBURNE  (A.  C.).     The  Question.     MDCCCL- 
XXXVII.     A    Poem.     FIRST   EDITION.     12mo,     pale    green 
paper    wrappers.  Lond.    1887 

*  Only  25  copies  said  to  have  been  printed.     It  is  not  included  in 
any  of  the  author's  collected  writings.     Contains  some  bitter  verses 
upon  W.  E.  Gladstone. 

1112.  SWINBURNE    (A.    C.).     A    Word    for    the    Navy. 
FIRST  EDITION.      12mo,    blue    gray    paper    wrappers,    uncut. 

Lond.  1887 

*  One  of  only  250  copies  printed. 

1113.  SWINBURNE  (A.  C.).    Locrine.    A  Tragedy.     FIRST 
EDITION.     12mo,  original  cloth,  uncut.  Lond.  1887 

1114.  SWINBURNE  (A.  C.).     Poems  and  Ballads.     Third 
Series.     FIRST  EDITION.     12mo,  original  cloth,  uncut. 

Lond.  1889 

1115.  SWINBURNE    (A.   C.).     A  Study   of  Ben  Jonson. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.         *Lond.  1889 

1116.  SWINBURNE  (A.  C.).     The  Sisters.      A  Tragedy. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1892 

1117.  SWINBURNE  (A.  C.).    Grace  Darling.     FIRST  EDI- 
TION.    Small  4to,  vellum  boards,  uncut.     Lond.:  Printed  for 

Private  Circulation,  1893 

*  One  of  only  30  copies  printed  for  Mr.  T.  J.  Wise  on  handmade 
paper.    SCARCE. 

1118.  SWINBURNE  (A.  C.).     Studies  in  Prose  and  Poetry. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1894 

1119.  SWINBURNE  (A.  C.).     Astrophel;  and  other  Poems. 
FIRST  EDITION.     12mo,  original  cloth,  uncut.  Lond.  1894 

1120.  SWINBURNE  (A.  C.).     Poems  and  Ballads.     First, 
Second,  and  Third  Series.     3  vols.  12mo,  cloth,  uncut. 

Lond. 1895-7 

[162] 


1121.  SWINBURNE  (A.  C.).     The  Tale  of  Balen.     FIRST 
EDITION.     12mo,  original  cloth,  gilt  top,  uncut.          Lond.  1896 

*  With  the  bookplate  of  Alfred  Cock,  of  the  Middle  Temple. 

1122.  SWINBURNE   (A.   C.).     A   Bibliographical  List  of 
the  Scarcer  Works  and  Uncollected  Writings  of  Algernon  Charles 
Swinburne.     By  Thomas  J.  Wise.    Facsimiles.      12mo,  origi- 
nal  cloth,    uncut.  Lond.  1897 

*  SCARCE.     One  of  50  copies  printed  for  Subscribers. 

1123.  SWINBURNE   (A.   C.).     The  Heptalogia.     Title  in 
red  and  black.     Square  8vo,  wrappers  and  boards,  uncut. 

Portland,  Me.:  Mosher,  1898 

*  No.  1  of  50  copies  printed  on  Japan  vellum. 

1124.  SWINBURNE   (A.  C.).     Laus  Veneris;  Poems  and 
Ballads.     Portrait  of  the  author,  after  the  original  by  D.  G.  Ros- 
setti,  facsimiles  of  Surinburne's  manuscript,  etc.      Square  8vo, 
vellum,  uncut,  with  ties,  Kelmscott  style. 

Portland,  Me.:  Mosher,  1899 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by  the 
publisher.     Laid  in  is  a  2  pp.  A.  L.  S.  from  Edgar  Saltus  to  T.  B. 
Mosher  regarding  the  above  and  other  books. 

1125.  SWINBURNE  (A.  C.).     Laus  Veneris.     Poems  and 
Ballads.     Portrait  of  the  author,  after  the  original  by  D.  .G  Ros- 
setti,  facsimiles  of  Swinburne's  manuscript,   etc.     Square  8vo, 
wrappers,  uncut.  Portland,  Me.:  Mosher,  1899 

*  No.  1  of  25  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher. 

1126.  SWINBURNE     (A.     C.).     Under    the    Microscope. 
8vo,  wrappers,  uncut.  Portland,  Me.:  Mosher,  1899 

*  No.  1  of  50  copies  printed  on  Japan  vellum. 

1127.  SWINBURNE    (A.   C.).     Rosamund,  Queen   of  the 
Lombards.     A  Tragedy.     FIRST  EDITION.     (With  the  Adver- 
tisements).    12mo,  original  cloth,  gilt  top,  uncut.     Lond.  1899 

1128.  SWINBURNE  (A.  C.).     A  Year's  Letters.     Title  hi 
red  and  black.     8vo,  wrappers,  uncut. 

Portland,  Me.:  Mosher,  1901 

*  No.  1  of  50  copies  printed  on  Japan  vellum. 

[  Ifi3  ] 


1129.  SWINBURNE  (A.  C.).     Songs  before  Sunrise.     Por- 
trait of  the  author  after  G.F.  Watts,  and  title  in  red  and    black. 
Square  8vo,  sheets,  unstitched,  uncut. 

Portland,  Me.:  Mosher,  1901 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher. 

1130.  SWINBURNE  (A.  C.).     Songs  before  Sunrise.     Por- 
trait of  the  author,  after  the  original  by  G.  F.  Watts,  title  in  red 
and  black.     Square  8vo,  wrappers,  uncut. 

Portland,  Me.:  Mosher,  1901 

*  No.  1  of  25  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher. 

1131.  SWINBURNE  (A.  C.).     Poems  and  Ballads;  Second 
and  Third  Series.     Title  in  red  and  black.     Square  8vo,  sheets, 
unstitched,  uncut.  Portland,  Me.:  Mosher,  1902 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher. 

1132.  SWINBURNE  (A.  C.).     Poems  and  Ballads.     Second 
and  Third  Series.    Title  in,  red  and  black.    Square  8vo,  wrappers 
uncut.  Portland,  Me.:  Mosher,  1902 

*  No.  1  of  25  copies  printed  on  Japan  vellum,  autographed  by  the 
publisher. 

1133.  SWINBURNE   (A.  C.).     Love's  Cross-Currents.     A 
Year's  Letters.      FIRST  EDITION.      12mo,  buckram,  gilt  top, 
uncut.  Lond.  1905 

1134.  SWINBURNE    (A.   C.).     Atalanta   in  Calydon  and 
Dead  Love.     Both  printed  on  Japan  vellum,  the  first  1  of  100 
copies,  the  second  1  of  35  copies.     2  vols.  12mo,  boards,  uncut. 

Portland,  Me. :  Mosher,  v.d. 

1135.  SWINBURNE  (A.  C.).     The  Light  Green.     A  Sup- 
erior and  High  Class  Periodical.     Supported  only  by  Well- 
known  and  Popular  Writers.     Contains  a  Poem  on  the  "Octo- 
pus"   by    Algernon    Charles    Sin-burn.     8vo,    original    green 
wrappers,    uncut.     (Name    on    cover).  Cambridge,  n.  d. 


1136.  SYDNEY  (WILLIAM  C.).  England  and  the  Eng- 
lish in  the  Eighteenth  Century.  Chapters  in  the  Social  History 
of  the  Times.  2  vols.  12mo,  cloth,  gilt  tops.  N.  Y.  1891 


164 


John  Addington  Symonds. 

Unusually  Long  and  Choice  Collection  of  His  Writings,  Mainly 
First  Editions. 

1137.  SYMONDS  (JOHN  ADDINGTON).     The  Escorial. 
A  Prize  Poem,  recited  in  the  Theatre,  Oxford,  June  20,  1860. 
12mo,  wrappers   (re-issue).  Oxford,   1860 

*  Symonds'   first  publication.     Laid  in   is  a   letter,   from   Davos 
Platz,  where  he  was    living    with  Stevenson,  Sept.  6,  1883,  to   an 
unnamed  correspondent,   reading:    "In  reply  to  yours  of   29   last 
month  I  enclose  a  list  of  works  by  me  so  far  as  I  can  remember  them. 
I  think  a  Mr.  Nichol  was  going  to  publish  a  complete  list  in  a  Bio- 
graphical Dictionary.     But  whether  this  has  appeared,  I  cannot  now 
be  sure.     I  am  yours  faithfully,  J.  A.  Symonds." 

1138.  SYMONDS   (JOHN  ADDINGTON).     The  Renais- 
sance.    An  Essay  read  in  the  Theatre,  Oxford,  June  17,  1863. 
FIRST  EDITION.     8vo,  original  printed  wrappers.     Oxford,  1863 

*  Inscribed  on  the  upper  right  hand  corner,  in  Symonds'  autograph, 
"from  the  author."    VERY  SCARCE. 

1139.  SYMONDS  (JOHN  ADDINGTON).     The   Renais- 
sance.    An  Essay  read  in  the  Theatre,  Oxford,  June  17,  1863. 
8vo,  boards,  uncut,  (reprint).  Oxford,  1863  [1898] 

*  25  copies  only  of  this  were  printed,  in  1898. 

1140.  SYMONDS   (JOHN  ADDINGTON).     Miscellanies, 
by  John  Addington  Symonds,  M.  D.,  selected  and  edited,  with 
an  Introductory  Memoir,  by  his  son  [John  Addington  Symonds]. 
Diagrams.     FIRST  EDITION.     8vo,  cloth  (name  on  half-title). 

Lond.  1871 

1141.  SYMONDS     (JOHN    ADDINGTON).     Verses     by 
John  Addington  Symonds,  M.  D.,  &c.,  FIRST  EDITION.     Small 
8vo,  original  blue  cloth.  Lond.  1871 

*  The  above  volume  of  verse  written  by  his  Father  was  edited, 
with  a  preface  and  dedicatory  verses,  by  John  Addington  Symonds, 
and  privately  printed  by  him.     Very  rare. 

1142.  SYMONDS  (JOHN  ADDINGTON).    An  Introduc- 
tion to    the    Study    of    Dante.    Frontispiece.    FIRST  EDITION. 
12mo,  cloth,  uncut.  Lond.  1872 

*  Laid  in  is  an  A.  L.  S.  by  Horatio  F.  Brown,  friend  and  biographer 
of  Symonds  dated  Venice,  30  May,  1896. 

[165] 


1143.  SYMONDS     (JOHN    ADDINGTON).    Studies    of 
the  Greek  Poets.     First  and  Second  Series.     FIRST  EDITIONS 
OF  BOTH.     2  vols.     12mo,  original   cloth   (different  colors,  as 
issued).  Lond.  1873-76 

*  Scarce.     Fine  copies. 

1144.  SYMONDS    (JOHN   ADDINGTON).     Sketches    in 
Italy    and     Greece.      FIRST    EDITION.      Small    8vo,    original 
cloth,  uncut.  Lond.  1874 

1145.  SYMONDS    (JOHN    ADDINGTON).     Renaissance 
in  Italy,  comprising:  The  Age  of  the  Despots,  1875;  The  Fine 
Arts,  1877;  The  Revival  of  Learning,  1877;  Italian  Literature, 
Portrait,  2  vols.  1881;  The  Catholic  Reaction,  2  vols.   1886; 
Together,  7  vols.  8vo,  original  cloth. 

Lond. :  Smith  Elder,  1875-86 

COMPLETE  SET  OF  FIBST  EDITIONS  OF  THE  DIFFERENT  WORKS.  Very 
rare,  especially  in  such  good  condition  as  is  the  above.  Laid  in  are 
4  pp.  l£mo,  of  notes  in  the  hand- writing  of  Symonds,  referring  to 
passages  of  Greek  and  Latin  classics. 

1146.  SYMONDS      (JOHN      ADDINGTON).        Shelley. 
English  Men  of  Letters  Series.    FIRST  EDITION.    12mo,  original 
cloth.  Lond.    1878 

*  Laid  hi  is  an  A.  L.  S.  from  Horatio  F.  Brown,  the  biographer  of 
Symonds. 

1147.  [SYMONDS     (JOHN    ADDINGTON)].     Rhaetica. 
8vo,  wrappers,  (back  slightly  frayed).  n.  p.,  1878 

*  Published   anonymously.     This   volume   contains   the  first  ap- 
pearance of  many  of  Symonds'  poems.     Scarce. 

1148.  SYMONDS   (JOHN  ADDINGTON).     The  Sonnets 
of  Michael  Angelo  Buonarotti  and  Tommaso  Campanella,  now 
for  the  first  time  translated  into  rhymed  English.     FIRST  EDI- 
TION.    12mo,  original  cloth,  top  edge  uncut.  Lond.  1878 

*  A.  L.  S.  by  Horatio  F.  Brown,  friend  and  biographer  of  Symonds, 
dated  Venice  April  3,   1898,   regarding  the  Mosher  edition  of  the 
above  work,   laid  in. 

1149.  SYMONDS  (JOHN  ADDINGTON).     Many  Moods; 
A  Volume  of  Verse.     FIRST  EDITION.     12mo,    original    cloth, 
top  edge  uncut.  Lond.  1878 

1150.  SYMONDS  (JOHN  ADDINGTON).     Sketches  and 
Studies  in  Italy.    Frontispiece.    FIRST  EDITION.     12mo,  original 
blue  cloth.  Lond.   1879 

[166] 


1151.  SYMONDS    (JOHN    ADDINGTON).     Renaissance 
in  Italy:  The  Age  of  the  Despots.     SECOND  EDITION.     8vo, 
original  cloth.  Lond.  1880 

1152.  SYMONDS  (JOHN  ADDINGTON).     New  and  Old: 
A  Volume  of  Verse.     FIRST  EDITION.     12mo,    original    blue 
cloth.  Lond.  1880 

1153 — .Another  Copy 

1154.  SYMONDS    (JOHN   ADDINGTON).     Thirteen   at 
Dinner  and  what  came  of  it.     Arrowsmith's  Christmas  Annual 
1881.     Illustrated.     8vo,    wrappers.  Lond.  1881 

*  Contains  "The  Story  of  Ginevra  Degli  Almieri,"  by  Symonds, 
an  eight  page  poem. 

1155.  SYMONDS  (JOHN  ADDINGTON).    The  Best  Plays 
of  Webster  and  Tourneur,  with  an  Introduction  and  Notes 
by  John  Addington  Symonds.    Frontispiece.     FIRST  EDITION. 
12mo,  cloth,  uncut  and  unopened.         Lond.:  Vizetelly,  1881 

1156.  SYMONDS  (JOHN  ADDINGTON).    Animi  Figura. 
FIRST  EDITION.     12mo,   original  cloth,   top   and    fore    edges 
uncut.  Lond.  1882 

1157.  SYMONDS  (JOHN  ADDINGTON).     Italian  By- 
ways.    FIRST  EDITION.     12mo,  original  cloth.        Lond.  1883 

*  SYMONDS'  COPY,  WITH  "  J.  A.  Symonds,  Am  Hof  Davos  Platz. 
March  3,  1883,  7.15  p.  m."  in  pencil  on  the  half-title,  AND  MARGINAL 

NOTES  AND  EMENDATIONS  IN  PENCIL  IN  A  NUMBER  OF  PLACES. 

1158.  SYMONDS   (JOHN  ADDINGTON).     Wine,   Wo- 
men and  Song.     Mediaeval  Latin  Students'  Songs  now  first 
translated  into  English-  Verse,  with  an  Essay.     4to,  original 
boards,     uncut     (worn).  Lon.  1884 

*  LARGE  PAPER  ISSUE  OF  THE  FIRST  EDITION,  limited  to  50  copies. 
Laid  in  is  an  A.  L.  S.  from  Horatio  F.  Brown,  the  Biographer  of  Sy- 
monds, regarding  Mosher's  edition  of  the  above. 

1159.  SYMONDS  (JOHN  ADDINGTON).  Shakespeare's 
Predecessors  in  the  English  Drama.     FIRST  EDITION.     8vo, 
original    cloth.  Lond.  1884 

1160.  SYMONDS  (JOHN  ADDINGTON).     Vagabunduli 
Libellus.      FIRST  EDITION.     Small  8vo,  original  cloth,  uncut 
and   mainly  unopened.  Lond.  1884 

[167] 


1161.  SYMONDS    (JOHN    ADDINGTON).     Ben    Jon- 
son.     English  Worthies  Series.      FIRST  EDITION.     12mo,  ori- 
ginal cloth,  (embossed  stamp  on  title).  Lond.  1886 

1162.  SYMONDS  (JOHN  ADDINGTON).     The  Drama- 
tic Works  of  Ben  Jonson  [Selected].     With  an  Essay,  Bio- 
graphical and  Critical,  by  John  Addington  Symonds.     FIRST 
EDITION.     16mo,    cloth,    uncut.  Lond.  1886 

1163.  SYMONDS  (JOHN  ADDINGTON).     Sir  Thomas 
Browne's  Religio  Medici,  Urn  Burial,  Christian  Morals,  and 
other  essays.     Edited  with  an  Introduction  by  John  Adding- 
ton Symonds.  FIRST  EDITION.  12mo,  cloth,  uncut.    Lond.  1886 

1164.  SYMONDS     (JOHN    ADDINGTON).     The    Life 
of   Benvenuto    Cellini.     Portrait,    etchings,  and  other  illustra- 
tions.    2  vols.  royal  8vo,  cloth,  uncut.  Lond.  1888 

*  One  of  100  copies  on  Super-royal  paper,  with  etchings  on  India 
paper. 

1165.  SYMONDS    (JOHN    ADDINGTON).     The      best 
Plays  of  Thomas  Haywood,  edited  by  A.  Wilson  Verity,  with 
an   introduction    by    J.    Addington   Symonds.     Frontispiece. 
FIRST  EDITION.     12mo,  cloth,  uncut  and  unopened. 

Lond.:    Vizetelly,  1888 

1166.  SYMONDS  (JOHN  ADDINGTON).     The  Life  of 
Benvenuto  Cellini.       Newly  translated  into  English.       Por- 
trait, eight  etchings,  and  other  illustrations.      FIRST  EDITION. 
2   vols.    8vo,   half  leather,  gilt   tops,  uncut    (covers   slightly 
stained).  Lond.  1888 

1167.  SYMONDS    (JOHN    ADDINGTON).     The    Best 

Plays  of  Christopher  Marlowe,  edited  by  Havelock  Ellis, 
with  a  general  Introduction  by  J.  A.  Symonds.  Etched  front- 
ispiece. FIRST  EDITION.  12mo,  cloth,  uncut  and  un-opened. 

Lond. :  Vizetelly,  1887 

1168.  SYMONDS  (JOHN  ADDINGTON).     Essays  Spec- 
ulative and  Suggestive.      Vol.   I.      FIRST    EDITION.      12mo, 
cloth.  Lond.  1890 

1169.  SYMONDS  (JOHN  ADDINGTON).     The  Memoirs 
of   Count   Carlo    Gozzi.     Translated   into   English   by   John 
Addington    Symonds,    with    Essays    on    Italian    Impromptu 
Comedy,    Gozzi's    Life,    the    Dramatic    Fables,    and    Pietro 

[  168  ] 


Longhi.  Portrait,  six  etchings  by  Lalauze,  and  11  copper- 
plates, hand  ^colored,  after  Maurice  Sand.  FIRST  EDITION.  2 
vols.  8vo,  half  leather,  gilt  tops,  uncut  and  unopened. 

Lond.  1890 

*  Fine  copy,  except  for  slight  rubbing  at  top  of  binding. 

1170.  SYMONDS  (JOHN  ADDINGTON).     Sun  Artists. 
Photographic  plates.     Number  7,  April,   1891.     Folio,  original 
printed  wrappers,  uncut.  Lond.  1891 

*  Contains  Symonds'  essay  on  Mrs.  F.  W.  H.  Myers. 

1171.  SYMONDS     (JOHN    ADDINGTON).     Our    Life 
in  the  Swiss  Highlands.     Frontispiece  portrait  of  Symonds  in 
his  library.     FIRST  EDITION.      12mo,  original  cloth. 

Lond.  1892 

1172.  SYMONDS     (JOHN    ADDINGTON).     The    Life 
of  Michael  Angelo  Buonarotti,  based  on  studies  in  the  Archives 
of  the  Buonarotti  Family  at  Florence.     Portrait  and  50  repro- 
ductions, including  a  large  folding  plate  of  the  Sistine  ceiling. 
SECOND   EDITION.     2   vols.   8vo,   cloth,   gilt  tops,  uncut. 

Lond.  1893 

*  Laid  in  is  A.  L.  S.,  2  pp.  12mo,  from  Horatio  F.  Brown  to  [T  B. 
Mosher]  acknowledging  the  receipt  of  one  of  his  editions  of  a  work  of 
John  A.  Symonds.     Dated  [Venice,  Oct.  1896). 

1173.  SYMONDS  (JOHN  ADDINGTON).     Walt  Whit- 
man,   A    Study.     Portrait   and   4    other   illustrations.     Royal 
8vo,  cloth,  uncut  and  mainly  unopened.  Lond.  1893 

*  Large  paper  edition,  limited  to  208  copies,  on  unbleached  hand- 
made paper. 

1174.  SYMONDS  (JOHN  ADDINGTON).     Michelangelo 
Buonarotti     (1474-1564).     Conferenza    di    John    Addington 
Symonds.     (Estratto  da  La  Vita  Italiana  nel  Cinquecento). 
12mo,     wrappers.  Milan,     [ca.     18931 

*  Published  shortly  after  Symonds'  death.     A  translation  by  Ida 
Falorsi  of  an  English  article  written  by  Symonds  during  his  last  weeks. 

1175.  SYMONDS  (JOHN  ADDINGTON).     In  the  Key 

of  Blue  and  other  Prose  Essays.  FIRST  EDITION.  12mo, 
cloth  gilt,  gilt  top,  uncut.  Lond.  1893 

1176.  SYMONDS  (JOHN  ADDINGTON).     A  Short  His- 
tory of  the  Renaissance  in  Italy.     Taken  from  the  Work  of 
John  Addington  Symonds  by  Lieut-Colonel  Alfred  Pearson. 
Portrait.      FIRST     EDITION.     8vo,     cloth,    uncut     (name    on 
half    title).  Lond.    1893 


1177.  SYMOXDS  (JOHN  ADDINGTON).     Blank  Verse. 
FIRST  EDITION.     8vo,  cloth,  uncut  and  unopened. 

Lond.  1895 

*  Laid  in  is  a  3  pp.  A.  L.  S.  from  H.  F.  Brown,  the  biographer  of 
Symonds,  with  mention  of  Symonds   Sonnets,  and  other  matters. 

1178.  SYMOXDS  (JOHN  ADDINGTON).     Giovanni 
Boccaccio    as    Man    and    Author.      FIRST    EDITION.       8vo, 
original   cloth,    uncut.  Lond.    1895 

*  Fine  copy. 

1179.  SYMONDS   (JOHN  ADDINGTON).     A  Problem 
in  Modern  Ethics,  being  an  Inquiry  into  the  Phenomenon  of 
Sexual  Inversion,  addressed  especially  to  Medical  Psycholo- 
gists and  Jurists.     8vo,  cloth,  uncut.  Lond.  1896 

*  Privately  printed  and  limited  to   100  copies.     Inserted  is  the 
leaflet  announcing  the  work. 

1180.  SYMONDS  (JOHN  ADDINGTON).     Wine,  Wom- 
en and  Song.     Mediaeval  Latin  Students'  Songs.     Now  first 
translated  into  English  verse,  with  an  Essay  by  J.  A.  Symonds. 
Title  in  red  and  black.     Square  12mo,  vellum,  uncut,  with 
ties,  Kelmscott  style.  Portland,  Me.:  Mosher,  1899 

*  No.    1    of  4  copies  printed  on  the  finest  vellum,  autographed 
by  the  publisher.     Laid  in  is  an  A.  L.  S.  from  Horatio  F.  Brown 
relating  to  the  above. 

1181.  SYMONDS          (JOHN    ADDINGTON).       Wine, 
Women  and  Song.     Mediaeval  Latin  Student's  Songs.     Now 
first  translated  into  English  verse,  with  an  Essay  by  J.  A. 
Symonds.     Title  in  red  and  black.     Square  12mo,  wrappers 
uncut.  Portland,  Me.:  Mosher,  1899 

*  No.  1  of  50  copies  printed  on  Japan  vellum. 

1182.  SYMONDS   (JOHN  ADDINGTON).     A  Problem 
in  Greek  Ethics:  Being  an  Inquiry  into  the  Phenomenon  of 
Sexual  Inversion,  addressed  especially  to  Medical  Psycholo- 
gists  and   Jurists.     8vo,    original   wrappers. 

Lond.:  Privately  printed,  1901 

*  One  of  100  copies  only. 

1183.  SYMONDS  (JOHN  ADDINGTON).     Fragilia  Lab- 
ilia.     Title  in  red,  green  and  black.     12mo,  sheets,  unstitched, 
uncut.  Portland,  Me. :  Mosher,  1902 

*  No.  1  of  5  copies  printed  on  the  finest  vellum,  autographed  by 
the  publisher. 

[170] 


1184.  SYMONDS   (JOHN  ADDINGTON— and  others). 
The    Garland    of   Rachel.     By    Divers  kindly  Hands.     8vo, 
boards,  uncut,  with  ties.  Portland,  Me.:  Mosher,  1902 

*  No.  1  of  50  copies  printed  on.  Japan  vellum,  autographed  by  the 
publisher.     Contributed  to  by  Symonds,  Le  Gallienne,  Austin  Dob- 
son,  Lang,  Henley  and  others. 

1185.  SYMONDS  (JOHN  ADDINGTON).     The  Sonnets 

of  Michael  Angelo,  2  copies  (1)  the  issue  of  50  copies  on  Japan 
vellum,  and  (2)  the  issue  of  100  copies  on  Japan  vellum; 
Fragilia  Labilia,  No.  1  of  50  copies  on  Japan  vellum.  To- 
gether, 3  vols.  12mo,  boards,  uncut. 

Portland,  Me.:  Mosher,  v.  d. 

1186.  SYMONDS  (JOHN    ADDINGTON).      John   Ad- 
dington  Symonds.     A  Biography  compiled  from  his  Papers 
and     Correspondence.     By    Horatio    F.     Brown.     Portraits 
and  other  illustrations.      FIRST  EDITION.      2  vols.   8vo,  cloth, 
gilt  tops,  uncut  and  mainly  unopened.  Lond.  1895 

*  Laid  in  is  an  A.  L.  S.  by  Horatio  F.  Brown,  the  author  of  the 
biography,  2  pp.  12mo,  dated  Venice,  29  Nov.,  1896. 


171 


FIFTH  SESSION 

1187.  SYMONS    (ARTHUR).       London  Nights.     FIRST 
EDITION.     8vo,    cloth,    uncut.  Lond.    1895 

*  Limited  Edition.     Presentation  Copy  from  T.  B.  Mosher,  with 
inscription  o»  fly-leaf. 

1188.  SYMONS    (ARTHUR).     London    Nights    (1896); 
Silhouettes,  2  copies  (1896).     3  vols.  8vo,  cloth,  uncut. 

Lond.  1896 

*  Several  are  Presentation  Copies  from  T.  B.  Mosher,  with  inscrip- 
tion on  fly-leaf. 

1189.  SYMONS    (ARTHUR— Editor).     The  Savoy.     An 
Illustrated  Quarterly.      With  characteristic  designs  by  Aubrey 
Beard sley,  James  McXeill  Whistler,  and  others.     Vols.  I— III, 
all  issued.     3  vols.  4to,  decorated  cloth  gilt,  uncut. 

Lond.  1896 

*  Contains  original  contributions  by  the  Editor,  W.  B.  Yeats,  Max 
Beerbohm,  Bernard  Shaw,  and  others. 

1190.  SYMONS  (ARTHUR).    Amoris  Victima.  FIRST  ED- 
ITION.    8vo,    cloth,    uncut.  Lond.    1897 

*  Limited  Edition.     Presentation  copy  from  T.  B.  Mosher,  with 
inscription  on  fly-leaf. 

1191.  SYMONS  (ARTHUR).     Images  of  Good  and  Evil. 
FIRST  EDITION.     8vo,  cloth  uncut.  Lond.  1899 

*  Presentation  copy  from  T.  B.  Mosher,  with  inscription  on  fly-leaf. 

1192.  SYMONS    (ARTHUR).     London:   A   Book   of  As- 
pects.    FIRST   EDITION.     8vo,   boards,   uncut.        Lond.  1909 

*  Privately  printed,  at  the  Chiswick  Press. 

1193.  TAINE    (H.    A.).     History    of   English   Literature. 
Translated  by  H.  Van  Laun.     Portraits.     4  vols.  Sq.   12mo, 
half  brown  polished  morocco,  gilt  tops,  uncut.         Phila.  1895 

1194.  TALES  FROM  FOREIGN  LANDS.     Phillis  (Gas- 
kell);  Memories  (Muller);  Marie  (Pushkin);  Graziella  (LaMari- 
tne);    Karine     (Jensen);    Madeleine     (Sandeau);    Marianela 
(Galdos).     Together,  7  vols.  12mo,  uniform  cloth,  gilt  tops. 

Chic.  1893-97 

[172] 


TENNYSON  POEMS 

Binding  probably  by  Fazskerley,  with  three  water  colors  on  the  fore-edge 
No.  1196 


1195.  TELGRAPHIC  CODE.  The  A.  B.  C.  Universal 
Commercial  Electric  Telegraphic  Code.  By  W.  Clauson- 
Thue.  8vo,  cloth.  Lond.  1883 


1196.  TENNYSON  (ALFRED,  LORD).  Poems.  Illus- 
trations by  Millais,  Rossetti,  Hunt,  and  others.  Sq.  8vo, 
brown  levant  morocco,  gilt,  doublures  of  vellum,  with  gilt 
floral  sprays,  vellum  end-papers,  gilt  and  gauffred  edges,  and 
three  water-color  paintings  on  the  fore-edge,  said  to  be  by 
Fazakerley.  Lond.:  Moxon,  1857 

*  Fine  copy  of  the  FIRST  EDITION  of  the  Pre-Raphaelite  Tennyson, 
now  scarce.  Tennyson  and  Moxon  projected  this  edition,  and  it  is 
believed  to  have  been  at  the  poet's  suggestion  that  the  artists  were 
chosen.  The  illustrations  include  the  Lady  of  Shalott,  by  Hunt  and 
Rossetti;  The  Palace  of  Art  (2),  by  Rossetti;  Mariana  in  the  South, 
and  Sir  Galahad  by  the  same;  Holman  Hunt  contributed  Oriana  (2), 
Lady  Godiva,  The  Beggar  Maid,  and  two  others;  Millais  drew  the 
pictures  for  Mariana,  Dream  of  Fair  Women,  Dora,  and  several 
other*. 

[See  Reproduction.] 


1197.  TENNYSON  (ALFRED,  LORD).  Idylls  of  the 
King.  Illustrated  by  Gustave  Dore.  Thick  Folio,  green 
morocco,  mosaic  name  plate,  gilt  edges. 

Lond.:  Moxon,  1868 


1198.  TENNYSON  (ALFRED,  LORD).  Poems  by  Two 
Brothers.  12mo,  light  blue  levant  morocco,  gilt,  gilt  top, 
uncut,  by  Canape.  Lond.  1893 

*  With  a  new  preface  by  Tennyson. 


1199.  TENNYSON  (ALFRED,  LORD).  Alfred  Lord 
Tennyson,  A  Memoir  by  his  Son.  Niimerous  photogravure 
portraits.  2  vols.  8vo,  green  polished  morocco,  gilt,  doublures 
and  end-papers  of  red  calf,  gilt  edges.  N.  Y.  1897 


1200.  TERRY  (ELLEN).  A.  L.  S.  2pp.  oblong  12mo, 
to  Thomas  Mosher,  Portland,  Maine,  referring  to  one  or  two 
of  his  editions.  Dated  New  York,  14  May  [1900].  (With 
Envelope) . 

[175] 


'  1201.  TERRY  (ELLEN).  A.  L.  S.  (with  Initials)  to  T.  B. 
Mosher,  Portland,  Maine.  4pp.  12mo.  Dated  Hotel  Ven- 
dome,  Boston,  Thursday,  23d  April  [n.  d.]. 

Dear  Mr.  Mosher: — 

Won't  you  come  to  the  play  to-morrow?  And  afterwards  come  to 
my  room  and  let  me  see  you?  You'll  like  "Waterloo," — be  interested 
in  Lawrence  Irving's  "Godefroi  and  Yolande,"  and  you'll  LOVK  "Don 
Quixote." 

My  Star  is  tired  out  and  I  fear  will  never  dance  again.  "  Heaven 
take  my  soul  and  England  keep  my  bones."  Perhaps  gentle  England 
will  patch  me  up  again.  It  is  so  difficult  to  get  dead.  Some  are 
born  fools.  Upon  reflection  Portland  is  hours  and  hours  away  from 
this  place  —  but  surely  you  said  something  once  about  coming  to 
Boston  when  we  were  there.  I  think  I'll  telegraph  to  Portland,  Maine, 
and  perhaps  then  find  out  you  are  in  Boston." 

Yours,  E.  T. 


1202.  THOMSON     (JAMES).     The    Original    Manuscript 
of    "The   Fire   that   Filled   my   Heart   of   Old."   (1864).     20 
lines.     8vo.     Also  a  collection  of  letters  referring  to  Thomson's 
work,   especially   "The  City   of  Dreadful   Night,"   and  some 
proofs   of   the   Mosher   edition.     The   collection   includes   21 
letters  and  5  cards  from  Bertram  Dobell,  Dobell's  bill  for  com- 
piling the  bibliography,  a  MS.  poem  by  Dobell.     20  letters 
from  Elizabeth  Cavazza,  who  wrote  the  introduction,  a  letter 
to  her  from  R.  H.  Stoddard,  referring  to  Thomson,  2  letters 
from  Louise  Chandler  Moulton,  4  from  Oliver  Leigh,  who  owned 
the  MS.  of  "The  City  of  Dreadful  Night,"  and  who  was  a 
friend  of  Thomson's,  2  letters  from  Forrest  Morgan,  a  poem  of 
Oliver  Leigh's,  3  letters  and  a  card  from  Henry  S.  Salt,  Thom- 
son's  biographer,   and   several   other  items.     Together,  about 
75  pieces.     A  REMARKABLE  AND  INTERESTING  LOT. 

1203.  TICKNOR    (GEORGE).     History    of    Spanish    Lit- 
erature.    3  vols.  8vo,  old  sheep.  N.  Y.  1854 

1204.  THACKERAY  (WILLIAM  MAKEPEACE).  Works. 
Numerous  illustrations  by  the  author.     24  vols.  8vo,  half  polished 
calf  gilt  tops,   uncut,   by   Riviere.  Lond.  1869-86 

*  A  very  handsome  set  of  the  best  edition,  including  the  2  vols. 
issued  in  1886. 


1205.  THACKERAY  (WILLIAM  MAKEPEACE).  A 
Collection  of  Letters  of  Thackeray.  1847-1855.  Portraits, 
facsimiles  and  illustrations.  Royal  8vo,  half  blue  polished 
morocco,  gilt  top,  uncut.  N.  Y.  1887 

[176] 


1206.  THACKERAY    (WILLIAM   MAKEPEACE).    The 

Four  Georges;  Ferris'  Leo  Tolstoy;  Lee's  Life  of  Jean  Paul 
Friedrich  Richter;  Cundall's  Hans  Holbein;  and  others.  To- 
gether, 13  vols.  8vo  and  12mo,  various  bindings.  v.  p.,  v.  d. 

1207.  THEO-CRITT.     Journal  d'un  Officier  Malgre  Lui. 
Illustre  par  P.   Kauffmann.     Square  16rao,  half  purple  levant 
morocco,  gilt  top,  uncut  (lower  corners  stained),  original  covers 
bound  in.  .  Paris,  1887 

1208.  THEURIET    (ANDRE).     Reine    des    Bois.     Illus- 
trated by  H.  Laurent-Desrousseaux.     4to,  green  levant  morocco, 
mosaic  panels  of  brown  on  sides,  gilt,  figured  silk  linings  and 
end-papers,  gilt  top,  uncut,  by  H.  Philippe.  Paris,  1890 

1209.  THEURIET  (ANDRE).     The  Abbe  Daniel.     Trans- 
lated by  Helen  B.   Dole.     Illustrated.     12mo,  tree  calf,  gilt, 
gilt  edges,  by  Blackwell.  N.  Y.  1894 

1210.  THIERS  (LOUIS  ADOLPHE).     History  of  the  Con- 
sulate and  the  Empire  of  France  under  Napoleon.     Translated 
by  D.  F.  Campbell  and  John  Stebbing.     36  plates.     12  vols. 
8vo,  polished  calf,  gilt  tops.  Lond.  1893-4 

*  Handsome  set  of  the  library  edition. 

1211.  THOMPSON  (MAURICE).    Lincoln's  Grave.    FIRST 
EDITION.     12mo,  limp  vellum,  gilt  top,  uncut.        Chicago,  1894 

*  One  of  450  copies. 

1212.  THOREAU    (HENRY    DAVID).     Writings.     With 
Bibliographical     Introductions,     and    the     Familiar    Letters. 
Portraits.     11  vols.  12mo,  half  morocco,  gilt  tops,  uncut,  by 
Blackwei:.  Bost.  1896 

*  Riverside  Edition. 

1213.  TOLSTOI   (LYOF  N.).     Novels  and  other  Works. 
Portrait   and  illustrations   on  Japan   paper.     Vols.    1-22.     22 
vols.  8vo,  half  green  polished  morocco,   (2  shades)  gilt  tops, 
uncut.  N.  Y.:  Scribner,  1899-1900 

1214.  THOMPSON    (VANCE).     French    Portraits.     Being 
Appreciations    of    the    Writers    of    Young    France.      Portraits 
and  illustrations.     8vo,    cloth,    uncut.  Bost.  1900 

[177] 


1215.  TRASK  (KATRINA).     Sonnets  and  Lyrics.     12mo, 
blue  calf,  gilt,  gilt  edges,  by  Blackwell.  N.  Y.,  n.  d. 

*  Presentation    copy    from    the   author. 

1216.  TRIMALCHIO'S  Diver,  by  Petronius,  translated  by 
H.  T.  Peck,  1898;  The  Treasure  of  the  Humble  by  M.  Maeter- 
linck,  1898;  Wisdom  and  Destiny  by  M.  Maeterlinck,   1898; 
Roses  of  Paestum  by  E.  McCurdy,  1900;  and  others.     11  vols. 
12mo,    cloth. 

1217.  TROWBRIDGE  (W.  R.  H.).     Seven  Splendid  Sin- 
ners.     Numerous  illustrations,  1909;  A  Beau  Sabreur,  Maurice 
de  Saxe,  Marshal  of  France,  his  Loves,  Laurels,  and  Times. 
Numerous   illustrations,    1910.     2    vols.    8vo,    cloth,   gilt  tops, 
uncut.  N,  Y.  1909-10 

1218.  UPTON    (GEORGE   P.).     The  Standard   Cantatas; 
The  Standard  Symphonies;  The  Standard  Oratorios.    Together, 
3  vols.  12mo,  uniform  cloth.  Chic.  1896-97 

1219.  UZANNE  (OCTAVE).     Fashion  in  Paris,  the  various 
phases  of  feminine  taste  and  aesthetics  from   1797  to   1897. 
Translated  by  Lady  Mary  Loyd.     100  hand  colored  plates  and 
250  text  illustrations  by  Courboin.     4to,  half  levant  morocco, 
gilt    top.  Lond.  1898 

1220.  VACHON     (MARIUS).     La     Femme     dans     1'art. 
Les  protectrices  des  arts;  les  Femmes  artistes.  400  illustrations. 
4to,  cloth,  gilt  top.  Paris,  1893 

Publications  of  the  Vale  Press. 

1221.  VALE  PRESS.     The  Dial  for  1889,   1892,   1893   (2 
copies),  1896  (2  copies),  1897  (2  copies).     Illustrations  by  C. 
Ricketts,  C.  H.  Shannon,  R.  Savage  and  L.  Pissarro.     8  parts 
4to,  wrappers,  uncut.  Lond.  1889-97 

*  Limited  to  300  copies. 

1222.  VALE  PRESS.     Marlowe   (Christopher)   and  Chap- 
man  (George).     Hero  and  Leander.    Border  and  illustrations 
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12mo,  original  vellum  gilt,  uncut.  Lond.  1893-94 

*  Limited  to  220  copies. 

[1781 


1223.  VALE  PRESS.     Milton  (John).     The  Early  Poems. 
Reprinted  from  the  Edition  of  1645,  edited  by  Charles  Sturt. 
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1224.  VALE  PRESS.     Dray  ton  (Michael).     The  Nymphi- 
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Ricketts.     8vo,  original  boards,  uncut  and  unopened. 

Lond.  1896 

*  Limited  to  210  copies. 

^  1225.  VALE  PRESS.  Gray  (John).  Spiritual  Poems. 
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1226.  VALE  PRESS.     Arnold  (Matthew).     Empedocles  on 
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*  Limited  to  210  copies. 

1227.  VALE  PRESS.     Campion   (Thomas).     Fifty   Songs. 
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cut. Lond.  1896 

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1228.  VALE  PRESS.  Suckling  (John).  The  Poems.  Bor- 
der of  honeysuckle  designed  and  engraved  by  C.  Ricketts.  8vo, 
original  boards,  uncut.  Lond.  1896 

*  Limited  to  310  copies. 

1229.  VALE    PRESS.     The    Passionate    Pilgrim    and    the 
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1230.  VALE  PRESS.     Landor   (W.   S.).     Epicurus,  Leon- 
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[179] 


1231.  VALE  PRESS.  Apuleius.  The  Marriage  of  Cupide 
and  Psyches  by  Lucius  Apuleius  translated  by  William  Adling- 
ton,  1566.  6  illustrations  designed  and  engraved  on  wood  by 
C.  Ricketts.  8vo,  original  cloth,  uncut.  Lond.  1897 

*  Limited  to  210  copies. 


VALE  PRESS.  Vaughan  (Henry).  Sacred  Poems. 
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Ricketts.  12mo,  original  boards,  uncut  and  unopened. 

Lond.  1897 

*  Limited  to  210  copies. 

^  1233.  VALE  PRESS.  Constable  (Henry).  Poems  and 
Sonnets.  Edited  from  early  editions  and  manuscripts,  by  John 
Gray.  Border  of  wild  hop  designed  and  engraved  by  C.  Ricketts. 
8vo,  original  boards,  uncut  and  unopened.  Lond.  1897 

*  Limited  to  210  copies. 

1234.  VALE  PRESS.     Field   (Michael).     Fair  Rosamund. 
A  play  reissued  with  revisions  by  the  author.    Border  of  roses 
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boards,    uncut   and   unopened.  Lond.  1897 

*  Limited  to  210  copies. 

1235.  VALE    PRESS.     Blake    (William).     The    Book    of 
Thel.     Songs  of  Innocence  and  Songs  of  Experience.     Woodcut 
borders,  frontispiece  and  initials  desigml  and  engravei  by  C. 
Ricketts.     12mo,    original    boards,    uncut.  Lond.  1897 

*  Limited  to  210  copies. 

1236.  VALE   PRESS.     Browning   (E.    B.).     Sonnets   from 
the  Portuguese.     16mo,  original  boards,  uncut.  Lond.   1897 

*  Limited  to  300  copies. 

1237.  VALE  PRESS.     Field  (Michael).     The  World  Auc- 
tion.    A  Play.    Border,  initials  and  decorations  designed  and 
engraved  on  wood  by  C.  Ricketts.     8vo,  original  boards,  uncut  and 
unopened.  Lond.  1898 

*  Limited  to  210  copies. 

1238.  VALE   PRESS.     Keats    (John).     Poems.    Edited  by 
C.  J.  Holmes.     Borders  and  initials  designed  and  engraved  on 
wood  by  C.  Ricketts,  and  title  page  engraved  by  B.  Sleigh.     2  vols. 
8vo,  original  cloth,  uncut.  Lond.  1898 

*  Limited  to  217  copies. 

[180] 


1239.  VALE   PRESS.      Rossetti  (D.  G.).    The  Blessed 
Damozel.     Decorative  initials  by  C.  Ricketts.     Obi.  16mo,  orig- 
inal boards.  Lond.  1898 

*  Limited  to  310  copies. 

1240.  VALE    PRESS.     Shelley    (P.    B.).     Lyrical    Poems. 
Large  decorative  initial.     16mo,  original  boards,  uncut. 

Lond.  1898 

*  Limited  to  210  copies. 

1241.  VALE    PRESS.     Shelley    (P.    B.).     Lyrical    Poems. 
Large  decorative  initial.     16mo,  original  boards,  uncut. 

Lond.  1898 

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1242.  VALE   PRESS.    Sidney    (Philip).     Sonnets.    Border 
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boards,  uncut  and  unopened.  Lond.  1898 

*  Limited  to  210  copies.    This  book  contains  all  the  sonnets  known 
to  have  been  written  by  Sir  Philip  Sidney. 

1243.  VALE  PRESS.     Chatterton   (Thomas).    The  Row- 
ley Poems.     Edited  by  R.  Steele.    Borders  of  wild  briony  and 
initials  designed  and  engraved  by  C.  Ricketts.     2  vols.  8vo,  ori- 
ginal boards,  uncut  and  unopened.  Lond.  1898 

*  Limited  to  210  copies. 

1244.  VALE    PRESS.     Ricketts    (C.)    and   Pissarro    (L.). 
De  la  typographic  et  de  Pharmonie  de  la  page  imprime.     Wil- 
liam Morris  et  son  influence  sur  les  arts  et  metiers.     12mo, 
original  boards,  uncut  and  unopened.  Lond.  1898 

*  Limited  to  256  copies.     With  the  slip  of  errata  laid  in. 

1245.  VALE  PRESS.     Ricketts   (Charles).     A  Defence  of 
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opened. Lond.  1899 

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1246.  VALE   PRESS.     Coleridge   (S.   T.).     The  Rime   of 
the  Ancient  Mariner.    Border  and  initials  designed  and  engraved 
by  C.  Ricketts.     12mo,  original  boards,  uncut.  Lond.  1899 

*  Limited  to  210  copies. 

[1811 


1247.  VALE  PRESS.     Rossetti  (D.  G.).     Hand  and  Soul. 
Vine  border  designed  and  engraved  by  C.  Ricketts.     16mo,  origi- 
nal boards,  unopened.  Lond.  1899 

*  Limited  to  210  copies. 

1248.  VALE  PRESS.     Shakespeare's  Sonnets  reprinted  from 
the  edition  of  1609.     Edited  by  T.   S.   Moore.    Border  and 
initials  designed  and  engraved  on  wood  by  C.   Ricketts.     8vo, 
original  cloth,  uncut  and  unopened.  Lond.  1899 

*  Limited  to  210  copies. 

1249.  VALE  PRESS.     Browning  (Robert).     Dramatic  Ro- 
mances and  Lyrics.    Border  and  initials  designed  and  cut  on 
wood  by  C.  Ricketts.     8vo,  original  cloth,  unopened.     Lond.  1899 

*  Limited  to  210  copies. 

1250.  VALE  PRESS.     Blake  (William).     Poetical  Sketches. 
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*  Limited  to  210  copies. 

1251.  VALE  PRESS.     Moore  (T.  S.).     The  Centaur.     The 
Bacchante.    Translated  from  the  French  of  Maurice  de  Guerin. 
5  original  wood  cuts  by  T.  S.  Moore.     8vo,  original  cloth,  un- 
opened. Lond.  1899 

*  Only  150  copies  printed. 

1252.  VALE   PRESS.     Tennyson    (Alfred,  Lord).     In  Me- 
moriam.    Border    of   willow    designed    by  C.   Ricketts  and  en- 
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Lond.  1900 

*  Limited  to  320  copies. 

1253.  VALE    PRESS.     Tennyson    (Alfred,    Lord).     Poem. 
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Keats.     8vo,   original  cloth,   unopened.  Lond.  1900 

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1254.  VALE  PRESS.     Cellini   (Benvenuto).     The  Life  of 
Benvenuto  Cellini  translated  by  J.  A.  Symonds.    Border  and 
initials  designed  by  C.  Ricketts  and  engraved  by  C.  Keats.     2  vols. 
imp.  8vo,  original  boards,  cloth  back,  uncut  and  unopened. 

Lond.  1900 

*  Limited  to  300  copies. 

[182] 


^  1255.  VALE  PRESS.  Shakespeare  (William).  Tragedies, 
Comedies,  Histories  and  Poems.  Edited  by  T.  S.  Moore.  Borders 
and  initials  cut  on  brass  after  the  designs  of  C.  Ricketts  and  half 
borders  designed  and  engraved  on  wood  by  the  same.  39  vols. 
8vo,  original  cloth,  uncut.  Lond.  1900-1903 

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1256.  VALE     PRESS.     Field     (Michael).     The    Race    of 
Leaves.     A   Play.     Border  designed   and  engraved  on  wood  by 
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Lond.  1901 

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1257.  VALE  PRESS.     Omar  Khayyam.     Rubaiyat,  trans- 
lated by  Edward  Fitzgerald.    Frontispiece  designed  and  engraved 
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*  Limited  to  310  copies. 

1258.  VALE  PRESS.     Apuleius  De  Cupidinis  et  Psyches 
amoribus,  fabula  anilis.     From  the  metamorphoses  of  Lucius 
Apuleius.     The  Latin  text  edited  by  C.  J.  Holmes.    Border, 
initials  and  5  illustrations  designed  and  engraved  by  C.  Ricketts. 
Imp.  8vo,  original  boards  and  half  cloth,  uncut.       Lond.  1901 

*  Limited  to  310  copies. 

1259.  VALE  PRESS.     Shelley  (P.  B.).     The  Poems.    Bor- 
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3  vols.  8vo,  original  cloth,  uncut  and  unopened.     Lond.  1901-2 

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1260.  VALE  PRESS.     Browne  (Thomas).     Religio  Medici, 
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1261.  VALE    PRESS.     Wordsworth       (William).     Poems. 
Edited  by  T.  S.  Moore.     6  illustrations  designed  and  engraved 
on  wood  by  the  editor.     8vo,  original  cloth,  uncut  and  unopened. 

Ix>nd.  1902 

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f  183  I 


1262.  VALE  PRESS.     Ecclesiastes;  or  the  Preacher,  and 
the  Song  of  Solomon.       Imp.  8vo,  original  boards,  cloth  back, 
uncut.  Lond.  1902 

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1263.  VALLANCE  (AYMER).     The  Art  of  William  Mor- 
ris, a  Record    with   reproductions   from   designs    and   fabrics 
printed  in  the  colours  of  the  originals,  examples'of  the  type  and 
ornaments  used  at  the  Kelmscott  Press,  and  many  other  illus- 
trations, also  a  classified  Bibliography  by  Temple  Scott.     Royal 
4to,  cloth,  gilt  top,  uncut.  Lond.:  Chiswick  Press,  1897 

*  Limited  to  220  copies. 

1264.  VAN  DYKE  (J.  C.),  editor.  Modern  French  Masters : 
A  Series  of  Biographical   Reviews   by  American  Artists.     37 
wood  engravings  and  28  half-tone  illustrations.     Imp.     8vo,  red 
levant  morocco  gilt,  gilt  edges,  by  Blackwell.         N.  Y.  1896 

1265.  VARNEY  (G.  J.).     A  Brief  History  of  Maine.     Illus- 
trated.    8vo,  green  levant  morocco,  gilt  top,  uncut. 

Portland,  1888 

*  Extra-illustrated   by   the   insertion   of  numerous   portraits,  and 
views,  etc. 

1266.  VASILI    (PAUL).     La    Societe    de    Paris.     Vol.    I. 
Le  Grand  Monde.     8vo,  half  cloth.  Paris,  1887 

1267.  VAUX  (BARON  DE).      Ecuyers  et  ficuyeres:    his- 
toire  des  cirques  d'  Europe  (1680-1891);  avec  une   etude  sur 
1'equitation  savante  par  Maxime  Gaussen.      Numerous  illus- 
trations.    8vo,    hah*   morocco,    gilt   top.  Paris,  1893 

1268.  VECELLIO  (CESARE).     Costumes  anciens  et  mod- 
ernes  (in  French  and  Italian).     513  illustrations.     2  vols.  8vo, 
half  morocco,  gilt  tops.  Paris:  Firmin  Didot,   1860 

1269.  VERHAEREN  (EMILE).     Poems  selected  and  ren- 
dered into  English  by  Alma  Strettell.     12mo,  boards. 

Lond.  1899 

1270.  VERLAINE  (PAUL).     Poems  translated  by  Gertrude 
Hall.    Illustrated  by  H.  McCarter.    12mo,  cloth.     Chicago:  1895 

*  JAP  AX  PAPER;  one  of  only  15  copies  with  the  illustrations  in 
two  states,  one  proof  on  India  paper. 

[184] 


1271.  VERNE  (JULES— French  Author).     A.   L.   S.,  2pp. 
16mo,  mounted  on  thick  paper.     Dated  Amiens,  August  12; 
no  year. 

1272.  VICTOR    (BENJAMIN).     History   of   the   theatres 
of  London. and  Dublin,  from  1730  to  the  present  time.     To 
which  is  added  an  annual  register  of  all  the  plays,  &c.,  performed 
at  the  Theatres-Royal  in  London,  from   1712,  with  occasional 
notes  and  anecdotes.     3  vols.  12mo,  old  calf  (rubbed). 

Lond.  1761-71 

1273.  VILLARS  (P.).      L'Angleterre,  1'Ecosse  et  1'Irlande. 
600  illustrations  and  4  colored  maps.     4to,  cloth,  morocco  back, 
gilt  edges-.  Paris,  Quantin  [n.  d.j 

1274.  VILLON  (FRANgOIS).     Poems,  now  first  done  into 
English  verse,  in  the  original  forms,  by  John  Payne.    Frontis- 
piece.    12mo,  original  vellum  gilt,  gilt  top,  uncut. 

Lond.:  for  the  Villon  Society,  1878 

*  FIRST  ENGLISH  EDITION:  only  157  copies  printed  for  private  dis- 
tribution. 

1275.  VILLON  (FRANCOIS).     Poems  now  first  done  into 
English  verse,  in  the  original  forms,  with  a  biographical  and 
critical  introduction,  by  John  Payne.     Royal  8vo,  half  vellum, 
uncut.  Lond. :  for  the  Villon  Society,  1892 

*  LARGE  PAPER,  only  a  few  copies  printed  by  private  subscription, 
and  for  private  circulation. 

1276.  VILLON    (FRANgOIS).     Poems    of    Villon.     Done 
into  English  verse,  in  the  original  forms,  with  a  biographical 
and   critical   Introduction   by   John   Payne.      Facsimiles,   title 
in   red   and   black.     Square    12mo,    vellum,    uncut,    with   ties, 
Kelmscott  style.  Portland,  Me.;  Mosher,   1900 

*  No.  1  of  4  copies  printed  on  the  finest  vellum,  autographed  by  the 
publisher. 

1277 — .  The  same,  printed  on  Japan  vellum,  No.  1  of  50 
copies,  autographed  by  the  publisher. 

1278.  VILLON  SOCIETY.  Chap-Books  and  Folk-Lore 
tracts.  Edited  by  G.  L.  Gomme  and  H.  B.  Wheatley:  History 
of  Thomas  Hickathrift;  History  of  the  Seven  Wise  Masters 
of  Rome;  Mother  Bunch's  Closet  Newly  Broke  Open,  etc.; 
History  of  Patient  Grisel;  History  of  Sir  Richard  Whittington. 
5  vols.  12mo,  vellum,  gilt  top,  uncut.  Lond.  1885 

[1851 


1279.  VOLTAIRE  (F.  M.  AROUET  DE).      Philosophical 
Dictionary.     Portrait.     6   vols.    12mo,  half  polished  calf,    gilt 
backs,  gilt  tops.     Name  on  titles.  Lond.  1824 

1280.  WAGNER  (RICHARD) .  Richard  Wagner  to  Mathilde 
WTesendonck,  translated,  prefaced,  etc.,    by  William  A.   Ellis. 
Portraits  and  facsimile.     8vo,   cloth.  Lond.  1905 

1281.  WAGNER    (RICHARD).     The   Flying   Dutchman, 
Tannhauser,  Tristan  and  Isolda,  Lohengrin,  the  Rhine-Gold; 
The  Walkyrie,  Siegfried,  The  Dusk  of  the  Gods,  the  Master- 
Singers  of  Nuremberg.     With  music.     8vo,  half  morocco,  gilt 
top.  N.  Y.,  n.  d. 

1282.  WALPOLE    (HORACE).     Letters   edited  Hby    Peter 
Cunningham,    now   first   chronologically   arranged.     Portraits. 
9  vols.  8vo,  half  morocco,  gilt  backs,  gilt  tops.  Lond.  1877 

1283.  WALPOLE  (HORACE).     Anecdotes  of  Painting  in 
England;   with   some   account  of   the  principal  artists.     With 
additions    by    James    Dallaway,    and    Vertue's    Catalogue    of 
Engravers  who  have  been  born  or  resided  in  England.       Por- 
traits.    3  vols.  8vo,  half  morocco,  gilt  tops. 

Lond.:  Bickers  &  Son,  n.  d. 

1284.  WALTON  (IZAAK)  AND  COTTON  (CHARLES). 

The  Compleat  Angler,  or  the  Contemplative  Man's  Recreation, 
with  an  Introduction  by  J.  R.  Lowell.  Etched  frontispieces 
and  vignettes  on  titles,  and  numerous  wood  engravings  in  the 
text.  2  vols.  12mo,  half  calf,  gilt  tops.  Bost.  1892 

1285.  WALTON  (IZAAK)  AND  COTTON  (CHARLES). 

The  Compleat  Angler,  edited  with  an  Introduction  by  Richard 
Le  Gallienne.  Portraits  and  illustrations.  Square  8vo,  buck- 
ram. Lond.  1897 

1286.  WARD    (WILFRID).     William    George    Ward    and 
the  Oxford  Movement.     Portrait.     8vo,  cloth.         Lond.  1890 

1287.  WARD    (WILFRID).     Life  and  Times  of   Cardinal 
Wiseman.     Portrait.     2   vols.    12mo,   half  morocco,   gilt  tops. 

Lond.  1897 

1288.  WARREN  (J.  L.     LorddeTabley.).     Poems.     Dram- 
atic and  Lyrical.      FIRST  COLLECTED   EDITION.      Illustrations 
by  C.  8.  Ricketts.     8vo,  vellum  gilt,  uncut.  Lond.  1893 

*  Japan  paper,  only  100  copies  printed. 

[186] 


1289.  WARTON  (JOSEPH).  An  Essay  on  the  Genius 
and  Writings  of  Pope.  2  portraits.  %  vols.  8vo,  calf  gilt,  gilt 
edges.  Lond.  1806 

^1290.  WASHINGTON  (GEORGE).  Writings,  being  his 
Correspondence,  Addresses,  Messages,  and  other  Papers,  Offi- 
cial and  Private,  selected  and  published  from  the  original 
manuscripts;  with  a  Life  of  the  author,  notes  and  illustrations 
by  Jared  Sparks.  Portraits  and  maps.  12  vols.  8vo,  half  moroc- 
co, gilt  tops,  by  Blackwell.  Bost.  1855 

1291.  WATSON  (ROSAMUND  M.).  A  Summer  Night, 
Lond.  1895;  Vespertilia  and  other  Verses,  Lond.  1895.  2  vols. 
12mo,  cloth.  Limited  issues. 

'  1292.  WATSON  (WILLIAM).  The  Eloping  Angels,  a 
Caprice.  FIRST  EDITION.  12mo,  vellum,  uncut.  Lond.  1893 

*  Japan,  paper,  only  75  copies  printed. 

1293.  WATSON  (WILLIAM).     The  Year  of  Shame,  with 
an  Introduction  by  the  Bishop  of  Hereford.     12mo,  buckram, 
uncut.  Lond.  1897 

*  LARGE  PAPER,   only   75  copies  printed. 

1294.  WATSON   (WILLIAM).     The  Hope  of  the  World, 
and  other  Poems.      FIRST   EDITION.     12mo,  original  buckram, 
uncut.  Lond.  1898 

*  LARGE  PAPER,  only  125  copies  printed. 

1295.  WATSON     (WILLIAM).     Collected     Poems.     Por- 
trait.    Square  8vo,   cloth,   uncut.  Lond.  1899 

*  LARGE  PAPER,  only  120  copies  printed. 

1296.  WATSON  (WILLIAM).     The  Purple  East,  Chicago, 
1896;  The  Hope  of  the  World,  N.  Y.,  1898;  Two  Sonnets,  and 
an  Epigram,  N.  Y.,  1901;      3  pieces,  16mo,  boards,  cloth  and 
wrappers. 

1297.  WATTS-DUNTON    (THEODORE).     The    Coming 
of  Love  and  other  Poems.     12mo,  cloth,  gilt  top,  uncut. 

Lond.  &  N.  Y..  1898 

1298.  WEBSTER'S  International  Dictionary  of  the  English 
language.     Portrait  and  illustrated.     Thick   4to,   sheep. 

Springfield,  1895 

f!87] 


1299.  WEBSTER  (NOAH— Lexicographer) .     A.  L.  S.,  2pp. 
4to,  with  Leaf  of  Address  to  Daniel  Webster,  Boston.     Dated 
New  Haven,  May  18,  1831. 

*  An  interesting  letter  regarding  copyright  law. 

1300.  WEININGER  (OTTO).     Sex  and  Character:  author- 
ized translation  from  the  Sixth  German  Edition.     8vo,  cloth. 

Lond.  1906 

1301.  WENZELL    (A.    B.).     In    Vanity    Fair,    drawings. 
Obi.  folio,  cloth.  N.  Y.  1896 

1302.  WHARTON  (ANNE  H.).     Heirlooms  in  Miniatures, 
with  a  Chapter  on  Miniature  Painting  by  Emily  D.  Taylor. 
Numerous  illustrations.     8vo,   blue   levant   morocco   gilt,    gilt 
edges,    by   Blackwell.  Phila.    1898 

1303.  WHARTON  (EDITH)  AND  CODMAN  (O.).     The 

Decoration  of  Houses.      Numerous  illustrations.     Square  8vo, 
half  levant  morocco,  gilt  top.  N.  Y.   1897 

1304.  WHARTON    (THOMAS).     History   of  the   English 
Poetry,  from  the  close  of  the  eleventh  century  to  the  commence- 
ment of  the  eighteenth  century,  from  the  edition  of  1824,  now 
further    improved    by    corrections    and    additions.     Portraits. 
3  vols.  8vo,  half  calf,  marbled  edges.  Lond.  1840 

1305.  WHEELER    (JOSEPH).     The   Santiago   Campaign, 
1898.     Portrait  and  maps.     8vo,  half  levant  morocco,  gilt  top. 

Bost.  1898 

1306.  WHISTLER  (J.  McN.).     The  Gentle  Art  of  Making 
Enemies.     Royal  8vo,  original  boards,  cloth  back,  uncut. 

Lond. :  W.  Heinemann,  1890 

*  FIRST  ENGLISH  EDITION.     Large  paper.     Only  250  copies  printed, 
each  signed  with  the  butterfly. 

1307.  WHISTLER  (J.  McN.).     The  Gentle  Art  of  Making 
Enemies.     FIRST  AUTHORIZED  EDITION.     12mo,  cloth. 

N.  Y.  1890 

1308.  WTIISTLER  (J.  McN.).     Eden  versus  Whistler;  the 
Baronet  and  the  Butterflv;  a  Valentine  with  a  Verdict.     Royal 
8vo,    half   cloth,    uncut.  N.  Y.  1899 

*  LARGE  PAPER,  limited  to  250  copies.     Each  signed  with  the  butter- 
fly. 

f  1881 


1309.  WHISTLER   (J.   McN.).     James  McNeill  Whistler, 
the  man  and  his  work,  by  W.  G.  Bowdoin.     Portrait.     8vo, 
cloth-  Lond.  1902 

1310.  WHITE     (GILBERT).     The    Natural    History    of 
Selborne.     Edited  with  notes  by  Grant  Allen.     Portrait  and 
illustrations  by  E.  H.  New.     Square  8vo,  cloth.         Lond.  1900 

1311.  WHITE   (GLEESON).     Christmas  Cards  and  their 
chief  designers.      Numerous  illustrations.     Imp.    8vo,   boards, 
cloth  back.  Lond.  1895 

^  1312.  WHITMAN  (WALT).  Leaves  of  Grass.  Including 
Sands  at  Seventy;  1st  Annex,  Good-Bye  my  Fancy;  2d 
Annex,  a  Backward  Glance  o'er  Travel'd  Roads,  and  Portrait 
from  Life.  8vo,  cloth,  gilt  top,  uncut.  Phila. :  McKay  [1891] 

1313.  WHITTIER  (J.  G.).  Writings.  Riverside  Edition. 
5  portraits.  7  vols.  12mo,  half  blue  levant  morocco,  gilt  backs, 
gilt  tops.  Bost.  1894-95 

*  Riverside  Edition. 


1314.  WICKSTEED  (PHILIP  H.— translator).  Our  Lady's 
Tumbler.  A  Twelfth  Century  Legend,  done  out  of  old  French 
into  English.  8vo,  wrappers  and  boards,  uncut. 

Portland,  Me.:    Mosher,  1900 
*  No.  1  of  50  copies  printed  on  Japan  vellum. 


1315.  WILCOX  (ELLA  WHEELER).    Works  as  follows:— 
Maurine  and  other  Poems,  2  copies;  Three  Women;  Poems  of 
Pleasure;  Poems  of  Passion;  An  Erring  Woman's  Love;  How 
Salvator  Won.     Together,  7  vols.  12mo,  cloth.  v.  p.,  v.  d. 

1316.  WILDE   (OSCAR).     The  Sphinx.     Printed  in  small 
capitals,  with  large  initials  in  green  and  running  title  in  carmine, 
8  full  page  and  a  half -page  illustrations  by  Charles   Ricketts, 
printed  in  carmine.       Square  8vo,  original  vellum,  with  gilt 
pictorial  designs  on  both  covers,  uncut  and  unopened. 

Lond.:  E.  Mathews  and  J.  Lane,  1894 

*  THE  SCARCE  FIRST  EDITION,  which  was  "limited  for  England  to 
200  copies." 

[1891 


1317.  WILDE   (OSCAR).     Salome,  a  tragedy  in  one  act. 
Illustrations    by    Aubrey    Beardsley.     FIRST  ENGLISH  EDITION. 
8vo,  original  buckram,  uncut.  Lond.  1894 

*  Limited  issue.     Laid  in  is  an  A.  L.  S.  by  Oscar  Wilde  to  Edgar 
Saltus,  with  envelope,  4  pp.  12mo,  n.  pi.,  n.  d. 

"Have  just  returned  from  Scotland  and  found  your  strange  book 
so  pessimistic,  so  poisonous,  and  so  perfect.  You  have  given  me  that 
'nouveau  frisson,'  I  am  always  looking  for " 

1318.  WILDE    (OSCAR).     The   Picture   of   Dorian   Gray. 
8vo,  original  boards,  vellum  back,  uncut  and  unopened. 

Lond.:   Ward,    Lock   &   Bowden    [1894] 

1319.  [WILDE  (OSCAR)?].     The  Priest  and  the  Acolyte. 
FIRST  EDITION.     Square  8vo,  original  wrappers. 

Privately  printed  for  presentation  only  [Lond.  1894] 

*  Limited  to  100  copies. 

1320.  [WILDE   (OSCAR)].     The  Ballad  of  Reading  Gaol 
by  C.  3.  3.     FIRST  AMERICAN  EDITION.      12mo,  cloth,  uncut. 

N.  Y.  1899 

1321.  WILDE   (OSCAR).     De  Profundis   (with  a  Preface 
by  Robert  Ross).       FIRST  ENGLISH  EDITION.       12mo,   cloth, 
gilt  top,  uncut.  Lond.:  Methuen  &  Co.,  [1905] 

1322.  WILDE    (OSCAR).     The    Duchess    of    Padua,    and 
Salome.     12mo,    cloth,    uncut.  N.  Y.  1906 

1323.  WILDE    (OSCAR).     De   Profundis,    edited,   with   a 
prefatory     Dedication    by     Robert    Ross.     SECOND  EDITION, 
with    additional    matter.     Portrait.     12mo,    boards,    gilt    top, 
uncut.  N.  Y.  1909 

*  Laid  in  is  a  2  pp.  A.  L.  S.  from  G.  H.  F.  Nuttall,  Baltimore,  re- 
garding "Pen,  Pencil  and  Prison,"  by  Wilde,  and  other  matters. 

1324.  WILLARD    (A.    R.).     History    of    Modern    Italian 
Art.     Illustrated.     8vo,  half  morocco.  "  N.  Y.  1898 

1325.  WILLIAMSON    (G.   C.).     Portrait  miniatures  from 
the  time  of  Holbein  1531  to  that  of  Sir  William  Ross,  1860. 
A  Handbook  for  Collectors.      Numerous  reproductions.     2  vols. 
Imp.  8vo,  half  levant  morocco,  gilt  backs,  gilt  tops,  uncut. 

Lond.  1897 

*  LARGE  PAPER.     Only   150  copies  printed. 

[190] 


1326.  WILLIAMS   (H.   N.).     Madame  Recamier  and  her 
friends.      Numerous   portraits.     4to,    half   undressed   calf,   gilt 

toP-  Lond.  1901 

*  Limited  to  600  copies. 

1327.  WILLIS  (N.  P.).     Autograph  Poems,  Signed  "N.  P. 
W."     "The  Ivi-Portrait."     3pp.  4to,  (torn  at  one  fold). 

1328.  WILLOUGHBY   (LADY).     So  much  of  the  Diary 
of  Lady  Willoughby,  as  relates  to  her  Domestic  History,  and 
to  the  Eventful  Period  of  the  Reign  of  Charles  I;  some  further 
portion  of  the  same  diary.     2  vols.  12mo,  gilt  boards. 

Lond.  1845-48 

1329.  WILSON  (JOSEPH).     French  and  English  Diction- 
ary.    In  2  vols.  royal  8vo,  half  calf.  Lond.  1833 

1330.  WIND-FALLS.     Two  Hundred  and  Odd,  wrappers, 
n.  p.,  n.  d.;  The  Rhymer's  Club,  N.  Y.  1859.   Together,  2  vols. 
12mo,  cloth  and  wrappers.  v.  p.,  v.  d. 

*  Both  presentation  copies.     "Wind-Falls"  is  inscribed  "[William] 
[Bell]  Scott  from  his  friend  the  Editor,  1881." 

1331.  WINTER  (WILLIAM).     4  autograph  Letters  signed, 
all  addressed  to    Mr.  Mosher,   referring   to    the   publications 
of  the  latter,  and  dated  May  22,  1896;  Febr.  4,  1897;  June  21, 
1898;  Jan.  4,  1900. 

1332.  WINTHROP   (JOHN  AND  MARGARET).     Some 
Old  Puritan  Love  Letters.     Edited  by  J.  H.  Twichell.     Por- 
trait and  facsimile.     8vo,  half  levant  morocco,  gilt  top,  uncut. 

N.  Y.  1894 

1333.  WOLFE  (THEO.  F.).     Literary  Shrines:  the  Haunts 
of  some   famous   American  Authors.     Illustrated.     12mo,   red 
levant  morocco  gilt,  silk  linings,  gilt  edges,  in  a  cloth  case. 

Phila.  1897 

1334.  WOMAN  AND  WOMANHOOD  (SALESBY),  1911; 

The  Woman  Beautiful  (Fletcher),  1900;  Famous  American 
Belles  of  the  Nineteenth  Century  (Peacock),  1901.  3  vols. 
8vo,  cloth.  Phila.  &  N.  Y. 

1335.  WOMEN  OF  HOMER  (PERRY),   1898;  A  Young 
Woman's  Problems  (Halpin),  1905;  A  Society  Woman  on  Two 
Continents  (Mackin),  1897;  and  others.     11  vols.  12mo,  and 
16mo,  cloth.  v.  p.,  v.  d. 

[191] 


1386.  WOOD  (ESTHER).  Dante  Rossetti  and  the  Pre- 
Raphaelite  Movement.  Numerous  illustrations.  12mo,  half 
morocco,  gilt  top,  uncut.  N.  Y.  1894 

1337.  WOOD  (ESTHER).  Modern  Bookbindings  and  their 
designers.  British  trade  Bookbindings  and  their  designers. 
Plates  in  gold  and  colors  and  numerous  other  illustrations.  (Spe- 
cial Winter-Number  of  the  Studio,  1899-1900).  Imp.  8vo, 
boards.  N.  Y.  &  Lond.  1899 


1338.  WOODHOUSELEE    (LORD).     Universal  History,  6 
vols.  Lond.  1834;  History  of  the  British  Empire  in  India  by 
G.  R.  Gleig,  4  vols.  1830-35;  History  of  the  Jews.  Lond.  1829. 
13  vols.  16mo,  half  calf  (rubbed). 

i 

1339.  WORCESTER  (D.  C.).     The  Philippine  Islands  and 
their    People.      Numerous    illustrations    and  map.     8vo,    half 
levant  morocco,  gilt  top.  N.  Y.  1899 

1340.  WORLD  (THE)  IN  PICTURES.     A  Ramble  round 
France,  Peeps  into  China,  All  the  Russias,  the  Eastern  Wonder- 
land, the  Land  of  Temples,  the  Isles  of  the  Pacific,  the  Land  of 
the   Pyramids,    Germany,   Africa,  Glimpses  of  South  America. 
Illustrated.     10  vols.  12mo,  cloth.      Lond.:  Cassell  &  Co.,  n.  d. 

1341.  WYSS.     Le  Robinson  Suisse  traduit  par  Elise  Voiart, 
precede  d'une  introduction  de  Charles  Nodier.      Plates,  proofs 
on  India  paper,   and  text  illustrations  engraved  on  wood  after 
Lemerder.     8vo,   half   morocco.  Paris,  1841 

*  From  the  library  of  Eugene  Paillet,  with  his  autograph. 

1342.  YEATS    (W.    B.).     Collected    Works    in    Verse    and 
Prose.     Portrait  by  J.  S.  Sargent.     8  vols.  8vo,  half  vellum, 
gilt  tops,  uncut. 

Stratford-on-Avon :    Shakespeare    Head    Press,     1908 

*  Volume  8  contains  a  complete  bibliography. 

1343.  YEATS   (W.   B.).     The  Countess  Kathleen;    Bost. 
The  Poems  of  William  Blake,  edited  by  Yeats,  Lond.   1893, 
FIRST   EDITION;    »The    Land    of     Heart's    Desire,     Chicago, 
1894  (misprinted  1814),  FIRST  EDITION.     3  vols.  12mo,  cloth 
and  boards,  uncut.  Lond.  etc.  v.  d. 

[1921 


1344.  YELLOW  BOOK  (THE).     An  Illustrated  Quarterly. 
Vols.  I-XIII,  April  1894  to  April  1897.      Numerous  illustra- 
tions, several  of  which  are  by  A  ubrey  Beardsley.    Vol .  I  in  duplicate, 
one  of  the  copies  being  third  edition.     14  vols.     Square  8vo, 
pictorial  cloth,  some  of  the  covers  being  designed  by  Beardsley. 

Lond.  1894-97 

*  Complete  set. 

1345.  YERKES  COLLECTION.     Catalogue  of    Paintings 
from    the   Collection    of    Charles    T.    Yerkes.       Portrait    and 
numerous  illustrations.     Royal  8vo,  padded  morocco,  gilt  edges 
(worn).  Chicago,  1893 

1346.  YERKES    COLLECTION.     Catalogue  of  Paintings 
and  Sculpture  in  the  Collection  of  Charles  T.  Yerkes.     Portrait 
of   numerous  plates,   proofs    on   India   paper,   reproducing   the 
paintings  of  this  collection.     2  vols.  folio,  green  levant  morocco, 
gilt  panelled   sides,   fleurons   in   the  corners,  silk  linings,    gilt 
tops,  uncut.  N.  Y.  1904 

*  No.  2  of  250  copies,  privately  printed. 

1347.  YERKES     COLLECTION.      Catalogue-de-luxe     of 
the  ancient  rugs,  sculptures,  tapestries,  costly  furniture  and 
other  objects  belonging  to  the  estate  of  the  late   Charles  T., 
Yerkes.      Numerous  reproductions,  several  in  colors.     Imp.    4to 
cloth.  N.  Y.  1910 

*  Limited  to  150  copies  on  Japan  paper. 

1348.  YERKES     COLLECTION.      Catalogue-de-luxe     of 
ancient  and  modern  paintings  belonging  to  the  estate  of  the 
late  Charles  T.  Yerkes.      Numerous  reproductions.     Imp.  4to, 
cloth.  N.  Y.  1910 

*  Limited  to  250  copies  on  Japan  paper. 

1349.  YOUNG   (HENRY  DE  MERRITT— American   ar- 
tist).    A.  L.  S.  2pp.  4to.    Auburndale,  Mass.  1898,  biographical 
notice,  etc.  4  pieces. 

1350.  YRIARTE      (CHARLES).      Paris      Salon:     Chefs 
d'Oeuvres.     25  plates.     Folio,  cloth  portfolio.          [Paris,  n.d.] 

1351.  ZIMMERMAN    (J.    G.).     Solitude,    to    which    are 
added  the  Life  of  the  Author,  Notes  historical  and  explanatory, 
and  a  copious  index.     Portrait,  vignette  title  and  plates  engraved 
by  Ridley.     2  vols.  8vo,  old  marbled  calf.  Lond.  1799 

1352.  ZOLA  (EMILE).     A.  L.  S.     1  jw  Hvo,  June  6,  1807. 


Braun-Clement  Carbon  Prints 

Reproductions  of  Famous  Paintings,  Many  of  Which  are  Mounted 
on  Linen  and  Handsomely  Framed 

1353.  BELLINI,    CORREGGIO    AND     OTHERS.     St. 
Catherine,  Visit  of  the  Virgin  to  Elizabeth,  St.  Sebastian  and 
the  Virgin.  (4  pieces.) 

1354.  BOTH  (JAN).     Sunset. 

1355.  BOTTICELLI  (SANDRO).     Crowning  of  the  Vir- 
gin. 

1356.  BOUCHER  (FRANCOIS).     Toilet  of  Venus.     Re- 
produced in  carmine  tints. 

1357.  CARLO  DOLCI.     Saint  Cecilia.     Hexagonal  shape 
frame. 

1358.  COROT    AND    OTHERS.      "Paysage"    by    Corot 
and  four  small  landscapes.  (5  pieces.) 

1359.  CORREGGIO    AND     BATTONI.     The    Reading 
Magdalen  after  each.     A   Pair. 

1360.  DAVID  (JACQUES  LOUIS).      Madame  Recamier. 

1361.  DAUBIGNY  AND  WATERLOO.    River  Landscape 
by  Daubigny.     In  the  Forest  by  Waterloo.  (2  pieces.) 

1362.  DEL  SARTO  AND  OTHERS.     Sacrifice  of  Isaac; 
Portrait  of  a  Man;  Head  of  a  Man.     (3  pieces). 

1363.  DETAILLE  (EDOUARD).     The  Retreat,  and  two 
other  carbon  prints.  (3  pieces.) 

1364.  DOW  (GERARD).     Woman  and  Two  Men;  School- 
master Mending  Pen;   Girl  with  Lighted  Candle.     (3  pieces.) 

1365.  DttRER    (ALBRECHT).      H.    Holzchuler;    Com- 
panion to  the  same. 

1366.  DUTCH  AND  FLEMISH  SCHOOLS.     Travellers 
Resting  by  Ostade;  The  Dishwasher  by  Havicksz;  The  School- 
master; The  Studio;  Man  at  Table.  (5  pieces.) 

[194] 


1367.  FEATHER  PICTURE.     Fight  between  Gamecocks 
at  three  stages.     Ingeniously  made  of  colored  feathers. 

1368.  FIVE  PHOTOGRAPHS  BY  VARIOUS  ARTISTS. 

Old  Woman,  Old  Man,  Woman  half  length,  and  two  others. 

(5  pieces.) 

1369.  FRAMES.     Pair    oval    gilt    Frames.     With    glass. 

Height,  24  inches;  width,  21  inches. 

1370. —       Two  GILT  AND  WOOD  FRAMES. 

12  x  11  inches,  and  13  1-2  x  11  1-2  inches. 

1371.—       Two  GILT  AND  WOOD  FRAMES. 

20  x  13 1-2  inches,  and  24  x  14  inches. 

1372.  FREDERICK    (E.).     Rough   Riders    in   Action   at 
Santiago.     Pen   and   Ink.     After  Sketch  by  G.  A.  Coffin. 

Height,  12  inches;  width,  14  inches. 

1373.  GERARD  (FRANCOIS).     Madame  Recamier. 
1374. —   -   CUPID  AND  PSYCHE. 

1375.    GEROME  (JEAN  LEON).     Pygmalion  and  Gala- 
tea; Bust  of  Himself.  (2  pieces.) 

1376. —       DIANA;  THE  WHISPER  OF  LOVE.  (2  pieces.) 

1377. —       THE  PENITENT;  Two  WOMEN.  (2  pieces.) 

1378.  GIOTTO  AND  OTHERS.     Heads  of  Two  Apostles; 
St.  John;  Heads  of  two  Cherubs;  Madonna,  Elizabeth  and 
St.  John.     (4  pieces.) 

1379.  GOYA   Y  LUCIENTES     (FR.).     Goya's    Mistress 
Reclining,  and  three  other  figure  panels.  (4  pieces.) 

1380.  GREUZE      (JEAN      BAPTISTE).       Portrait      of 
Napoleon. 

1381.—  THE  BROKEN  PITCHER. 

1382.—  -  THE  SURPRISE. 

1383.—   -  HEAD  OF  A  YOUNG  GIRL. 

1384. —  PORTRAIT  OF  A  LADY. 

f  195] 


1385.  GUIDO  RENI.     Head  of  Christ;  Magdalen. 

(2  pieces.) 

1386.  HALS    (FRANS).     St.  Joris  Shooting  Company. 
1387.—       MAN  WITH  RUFF. 

1388.—    -  HEADS  OF  Two  MEN. 

1389.    HOBBEMA    (M.).     The    Avenue,    Middleharnais ; 
Landscape.     Companion  to  above.  (2  pieces.) 

1390. —       LANDSCAPE. 

1391.  HOLBEIN  (HANS).     The  Ambassadors. 

1392.  LANCRET     (NICOLAS).      La     Musique;     Inno- 
cence.    A  Pair.     Irregular  oval  frames. 

1393.  LANDSCAPES.     Four  small  landscapes.     (4  pieces.) 
1394. —       THREE  LANDSCAPES.     4to.  (3  pieces.) 

1395. —       THREE  LANDSCAPES.     A  TOWER,  SUNSET,  ETC. 

(3  pieces.) 

1396.  LATOUR  (M.  Q.  DE).     Madame  de  Pompadour. 

1397.  LE  BRUN   (MADAME).     Madame  Le  Brun  and 
her  Daughter;  Peace  Bringing  Plenty.  (2  pieces.) 

1398.  MARATTI  (CARLO).     Head  of  Christ. 

1399.  MARINE  IN  OILS.     Open  sea  with  row  boat  and 
sail  boat.     Small  Panel.          Height,  6  inches;  uridth,  5  inches. 

1400.  MARINE   LANDSCAPES.  (2   pieces.) 

1401.  MICHELANGELO.     A  Man's  Head  (detail). 

1402.  MIGNARD      (PIERRE).     Portrait      of      Moliere. 
Bust,   flowing  hair. 

1403.  MORE    (ANTONIO)    AND    OTHERS.     Woman, 
half  length;  Family  Group.  (2  pieces.) 

[1961 


1404.    MURILLO.     St.  Anthony  and  the  Infant  Christ. 
1405. —       THE  IMMACULATE  CONCEPTION. 

1406.—       DETAIL  OF  THE  IMMACULATE  CONCEPTION. 
/ 

1407.-       THE   HOLY  FAMILY. 

1408. —  -  SAINT  ANTHONY  AND  THE  INFANT  CHRIST. 

1409. —   -  SAINT  JOHN  WITH  THE  LAMB. 

1410.  NATTIER  (JEAN  MARC).     Madame  Louise.     In 
oval  frame. 

1411.  NETSCHER  (GASPARD).     Woman  and  Hare. 

1412.  PALMA    VECCHIO    AND    OTHERS.     St.    John 

the  Baptist;  Woman  after  Titian;  Groups  (2).          (4  pieces.) 

1413.  PERUGINO.     The   Virgin  with  Angels.     Oval. 
1414. —  -  ST.  MICHAEL  AND  TOBIAS  (Pair  of  Panels). 
1415.    PORTRAITS  OF  MEN.     Oval.  (2  pieces.) 

1416. —       MAN  HOLDING  A  BOOK,  and  two  others. 

(3  pieces.) 

1417.  POTTER  (PAUL).     The  Young  Bull. 

1418.  RAPHAEL.     St.  Michael. 

1419. —       WORSHIP  OF  THE  GOLDEN  CALF. 

1420. —       THE  SISTINE  MADONNA.     In  ormolu  frame. 

1421.—    -  MADONNA:     LA  BELLE  JARDINIERE. 

1422.    REMBRANDT  VAN  RHYN.     Portrait  of  a  Man. 

1423. —  -  THE  NIGHT  WATCH. 

1424.—  -  A  MAN  IN  FUR  CAP  ENTERING  A  HOUSE. 

1425.   REMBRANDT    AND    RUBENS.       Pair    of    oval 

portraits.  (*  pieces.) 

[197] 


1426.  REMBRANDT  AND  SASKIA.     4to. 

1427.  RUBENS    (PETER    PAUL).      The  Descent  from 
the  Cross;  Madonna.  (2  pieces.) 

1428. —  -  JOSEPH  PRESENTING  His  FATHER  TO  PHARAOH. 

1429.—       MAN  WITH    A   WHITE   RUFF;   WOMAN;   Group. 

(3  pieces.) 

1430.    ROMNEY  (GEORGE).     Diana.     Oval  photograph 
in  gilt  frame. 

1431.—   -   GROUP  (ROYAL  FAMILY)  and  another. 

(2  pieces.) 

1432.    RUYSDAEL  (JACOB  VAN).     A  Summer  Day. 
1433. —       LA  CHASSE.     LANDSCAPE. 

1434.  SASSOFERRATO.     Madonna. 

1435.  SCHALKEN  (GODFREY).     A  Girl  with  a  Lighted 
Candle;  The  Music  Lesson.  (2  pieces.) 

1436.  STANFIELD  (CLARKSON).  1793-1867.    A  Dutch 
Harbor.     Some   Dutch   freighters   are   drawn   up   at  a   quai 
above  which  stretches  a  broken  line  of  houses  ending  in  a  far 
off  tower.     Pencil  Drawing  on  gray  paper. 

Height,  6  3-4  inches;  width,  9  inches. 

1437.  TENIERS  (DAVID).       Temptation  of  St.  Anthony. 
1438. —   -  SHEPHERD  AND  SHEEP. 

1439.—       THE  ALCHEMIST. 
1440.—       THE  MAN  IN  BLACK. 

1441.  TITIAN    AND    GIORGIONE.     Venus    Reclining; 
Venus  Sleeping.      (2). 

1442.  TITIAN.     La  Bella. 
1443. —       LAURA  DE  DIANTI. 

1444.—       MAN  WITH  GLOVE. 

[1981 


1445. POPE  JULIUS. 

1446. —    -  PORTRAIT  OF  HIMSELF. 

1447. —       DAUGHTER  OF  ROBERT  STROZZI. 

1448. —       PORTRAIT  OF  A  LADY. 

1449.  UNKNOWN  ARTIST.     Countess  Potocka. 

1450.  VAN  BEERS  AND  OTHERS.     Woman  and  Sol- 
diers; Group  with  Lighted  Candle;  Group  of  Men;  Woman  and 
Dog;   Group;   Comedy.  (6  pieces.) 

1451.  VAN    DER    HEYDEN    (JAN.).     Market  Day  in 
Rotterdam. 

1452.  VAN     DER     NEER     (AART).     Dutch     Channel 
by  Moonlight;  Twilight.     (2  pieces.) 

1453.  VAN  DYCK  (A.).     Baby  Stuart. 
1454. —  -   CHILDREN  OF  CHARLES  I. 
1455. —       WOMAN  WITH  RUFF. 

1456. —       MAN  WITH  A  HAT  AND  LACE  COLLAR.     Oval. 

1457.  VAN  EYCK  (JAN).     Man  with  the  Pink. 

1458.  VELASQUEZ  (DIEGO  RODRIGUEZ).     Philip  IV, 
and  the  Portraits  of  Three  Men.  (4  pieces.) 

1459.  WATTE AU   (ANTOINE).     La  Fumette.     L'ln- 
different,  (2  pieces.) 


19J»] 


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